Showing posts with label california. Show all posts
Showing posts with label california. Show all posts

Night in San Francisco Review

Night in San Francisco
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If you're new to Van, start with his GREATEST HITS, VOL.1. If you're an established Van fan & looking for a live album that's nothing but Van, go with IT'S TOO LATE TO STOP NOW. But if you're looking for a live album that's a collaborative effort with great guest artists & plenty of soloing by the band, this is the one. I was initially hesitant because I don't care for medleys or extended jams. I expected it to sound fragmented & disjointed, but the whole show flows naturally. Van does indeed prove himself to be a generous artist, allowing others plenty of time in the spotlight, & the show is all the more entertaining for it. The guest artists enhance the performance, rather than getting in the way. Brian Kennedy & Van's own daughter, Shana, are both amazing vocalists. Candy Dulfer is great on sax, as is Georgie Fame on organ. Van, himself, even seems to be enjoying the show, in contrast to his more straight-to-the-point approach on IT'S TOO LATE TO STOP NOW. The back of the CD pretty much sums it up; ballads, blues, soul, funk & jazz (and I would add gospel). If you like these varied styles of music and a performer who's great at every one of them, don't hesitate to get this one.

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Japanese only remastered SHM-CD (Super High Material CD - playable on all CD players) pressing packaged in a paper sleeve and includes one bonus track. Universal. 2008.--This text refers to an alternate Audio CD edition.

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Eagles Review

Eagles
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Eagles classic first album,along with their five other studio classics and the double Eagles Live have all been remastered and the sound quality is incredible! It's like hearing them for the first time ever.The acoustic guitars and Eagles trademark harmonies float out of the speakers with breathtaking clarity.Randy Meisner's harmony vocals on Take It Easy are so clear you'd swear he was in the room.The original Eagles cd's were done from the compressed album masters and a quick A/B comparison test with those and the remasters will astound you.If you don't own any Eagles cd's pick them up in order, you can't go wrong! I haven't seen the two Greatest Hits cd's remastered yet but forget them and pick up the original albums. There are just too many great tracks that aren't on those like Saturday Night, James Dean, Ol'55, After The Thrill Is Gone, Visions, Midnight Flyer, Doolin' Dalton, The Last Resort, and many many more.The cd's were remastered by Ted Jensen at Sterling Sound in New York City in March of 1999. Finally we can hear these classics in all their sonic glory!

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Import pressing of their 1972 self titled album. Vinyl replica CD comes housed in a slipcase. Rhino UK. 2006.--This text refers to an alternate Audio CD edition.

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A Postcard From California Review

A Postcard From California
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So I purchased Al's new CD via Amazon download. I had listened to the demos a while back and to be honest, I wasn't real fond of them. Based on the time it took to be released and the fact that it wasn't being issued as an official CD, it seemed like it had disaster written all over it. Plus I wasn't sure what kind of shape Al's voice would be in because I never considered him as one of the stronger vocalists in the group. Well, I'm happy to say that I could not have been any more wrong. With 'Postcard' Al paints a beautiful picture of California and it is obvious how much he loves the Golden State. Most of the album seems to flow effortlesssly from track to track with the running theme being Al's awe of California and it's beauty. Whereas Brian always painted a picture of California that made you want to grab a board and go party with all the other kids there, Al always seemed to paint the other relaxed side of California. A side that made you want to take a slow ride around the coast with the love of your life while watching a beautiful California sunset. I have listened to this CD six or seven times now and my only complaint would be the lack of new material on it (half of the tracks are Beach Boys tunes.) That said, even his re-workings of the old songs turned out great (and better than the originals in most cases.)
If you have been thinking about getting this one I would strongly suggest you do (The song "Don't Fight The Sea", featuring Mike, Brian, Carl, Al, and Bruce is worth the price of the CD in my opinion.) The writing is great, Al's voice sounds great, and the harmonies are in top form. Plus check out the list of guest vocalists that appear on here: Neil Young, Gerry Beckly, Brian Wilson, Carl Wilson, Mike Love, Alec Baldwin, Glen Campbell, Flea, David Crosby, Stephen Stills, and Steve Miller.
Track by Track review:
- A Postcard From California -

The title track is one of my favorite tracks on the CD. When I first heard the demo for this song I thought it was a complete rip-off of "Rhinestone Cowboy" but now I realize that Glen Campbell was part of it which explains the similarities to his hit song (It actually sounds like it could be a follow-up or a sequel to "Rhinestone Cowboy.") The verses build up perfectly to the chorus which I absolutely love and can't help singing along with it. When Glen Campbell's voice kicks in it seems to add authenticty to the whole theme of the song and really enhances it. I actually think this track is radio-worthy.



- California Feelin' -

Before Brian released his version, the only versions of this song I had heard were poor quality as I'm sure they were compiled from bootlegs and demo versions. I always liked the song but was hard to enjoy because of the quality of all the various releases. Well, after listening to this song on here I'll have to say the Al's new version trumps them all...yes even Brian's.



- Lookin' Down The Coast -

Al's voice is in top form and I love the acoustic Spanish guitars at the breaks. Also, for the first time I noticed that Brian's "Walkin' the Line" sounds similar to this song at certain parts ("And that's no lie....")



- Don't Fight The Sea -

Beach Boys fans need to fast forward to this track immediately. This is my favorite track on here (easy choice considering the guest vocalists!) First of all you will hear Mike, Brian, Al, Bruce...and yes even Carl. It is vintage Carl and this track sounds like a lost Beach Boys tune. It would not be out of place on the 'Surfin' USA' album right between "Stoked" and "The Lonely Sea." I wish there were 20 more tracks like this.



- Tide Pool Interlude -

This song is actually the first part of a "trilogy" to "California Saga.". It features spoken word about California written by poet Stephen John Kalinich. I have never been a fan of his poetry because it always sounds so overly dramatic. However with Alec Baldwin doing the narration and the way that it ties the three pieces of "A California Saga" together, it actually seems to fit.



- Campfire Scene -

A harmonica and banjo kick this one off and I immediately thought of 'Cabinessence.' The slow drawn-out beginning bars of 'California Saga' provide a nice build-up into the actual song.



- A California Saga -

Check out the opening piano. They are the same notes that the organ plays on the break in 'California Girls' but for some reason I never caught that before. This is a great cover as well and really has a nice country-western feel to it which suits the song well. And although I've never been a big fan of Neil Young, he seems to be a good fit on this one.



- Help Me Rhonda -

At about this point in the CD it seems to go down somewhat in my opinion. "Help Me Rhonda" is one of the tracks I could've done without on this collection and seems to take away from the overall theme. It's also a song that I have heard a million times and I just don't think it is a song that needs to be covered. This version doesn't add anything to the original nor is it a departure (if a Beach Boys song is going to be covered I would rather see it re-worked ala Paul Simon's version of 'Surfer Girl.') Al's voice is in good form and Steve Miller adds some vocals which made me wish Al had just sang the whole thing. I know he said he wanted to give it a blues feel but it doesn't sound much different from the original or even the version from 'Stars and Stripes.'



- San Simeon -

The opening of this one sounds like the beginning vocals to "Don't Worry Baby" but that is where the similarities end. It's a track that doesn't really stick out to me but seems pleasant enough (although the word "Simeon" sounds odd in a song.) The harmonies are very good and Gerry Beckly adds some nice vocals which give it an "America" feel. The song fades out with vocals only and that part reminds me a little of "Lady Lynda." I do think the song gets better as it goes along but is probably one of my least favorite songs on here.



- Drivin' -

Al and Brian team up on this one for a song about one of the Beach Boys first loves - crusin' around town. However, there is a twist - The song starts off with how they used to cruise around town in their woodies but then ends with how they can't do that any more because of the price of gas (Al even takes a swipe at BP which seems a little out of place.) It sounds like guys from America are on backing vocals here with a shout-out to a couple of their hits. Musically there is nothing special about this one but it is fun to hear Brian and Al trading off verses.



- Honkin' Down The Highway -

I've never been a fan of 'Love You' but this is a nice cover and was one of the few songs I did like on the original album. Al's voice sounds amazingly like it did on the original and it even sounds like Brian is on backing vocals on this one. There are a few differences here - a sax solo and the sound of a police officer (Matt? Adam?...not sure) pulling the singer over for "honkin' down the highway." The song then ends with the vocals overdubbed into a beautiful sounding choir - "....Way with Girls!"



- And I Always Will -

Al writes a heartfelt song to apparently the love of his life. It sounds like a very personal love letter and maybe should have been left unshared. Once again there is nothing musically special about this one and it is such a mellow song that it wouldn't be out of place at a wedding. Unfortunately it is probably my least favorite song on the CD which was too bad because I hated to see the CD end on this note.As far as Beach Boys solo albums go, I will rank this one right behind Brian's first album and Dennis' POB. Al stays true to who he is and plays to those strengths and I think that goes a long way when you take on the task of creating a solo piece of work.

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Beach Boys co-founder Al Jardine, who started the group in 1961 with the Wilson brothers (Brian, Carl, and Dennis) and their cousin Mike Love, released his new solo album, A Postcard from California. The twelve-song collection includes four cuts that comprise what Jardine calls "the green side" of the new album, compositions that speak to the relationship of man and his environment. "Don't Fight the Sea," "Tidepool Interlude" and "A California Saga" are songs that reflect this artist's deep love for the California coastline and his concern for the ecological health of the planet. "I think this material defines the new project in these days of climate change," he suggests.Al Jardine has always embodied that concern for the environment, and the coastline and ocean in particular. Previously, on the Beach Boys' "Surf's Up" album, he and Mike Love had written the song, "Don't Go Near the Water." The new album includes "Lookin' Down the Coast," a tale of the discovery of California by the Spanish, as seen through the eyes of its natural inhabitants, the California condor, the whale, the otter and the bear.The collection, "A Postcard from California," was largely penned by Al Jardine and features a regular "who's who" of classic rock and popular music royalty. Jardine was joined in the studio by a steady and willing stream of famous friends, including Brian Wilson, Glen Campbell, Gerry Beckley and Dewey Bunnell of America, Flea from the Red Hot Chili Peppers, David Marks, Richie Cannata and John Stamos, in addition to those already noted elsewhere in this announcement. Completing the generational span, Jardine's sons, Matt and Adam, are also heard on vocal harmonies.
This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.


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Sting - The Brand New Day Tour: Live From The Universal Amphitheatre (2000) Review

Sting - The Brand New Day Tour: Live From The Universal Amphitheatre  (2000)
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When Sting went solo in 1985, a lot was made of his using nearly 50 percent new songs for his first BRING ON THE NIGHT tour (as if a superstar act "should" keep the new stuff to a bare minimum). Fifteen years later he is even bolder: of the eighteen songs presented here, EIGHT of them are from his latest, acclaimed BRAND NEW DAY album, and I count only eight that date from the first two decades of his career (with only three associated with the Police)!
VERY FEW veteran artists have the confidence--and the talent--to remain in the present tense after all these years, defying the overwhelming trend for established performers to become mostly oldies acts (e.g., the Stones, Prince, Earth Wind & Fire, and countless others). This is not so much a criticism of the oldies trend, but rather an indication of how uniquely Sting has positioned himself.
Some might say Sting is mellowing, but I'm looking at this beautifully-shot, wonderfully-sounding DVD and thinking that, while his use of rock elements has diminished, the music has become more assertively eclectic, with jazz, country, funk, and world music elements seamlessly morphing into a unique, "Sting" sound. The style may sound less brash than some Police recordings, but the soulful substance is deeper. I think it's a pop-culture myth that being subtle means retreating from the cutting edge--Sting continues to make a case that the opposite may be true!
The group is outstanding in their ability to tweak the new material, and to revamp some of the older songs (the once-moody song MOON OVER BOURBON STREET has become a Satchmo-like New Orleans romp). Chris Botti is the most assertive horn player in Sting's group since Branford Marsalis, and the remaining musicians are well-chosen for their ability to play as a team and to forge a truly contemporary sound for their leader. Sting himself sounds as fresh and invigorated as if he just mastered how to play the music yesterday, whether it's the new material or his timeless classic MESSAGE IN A BOTTLE.
If you're looking for Sting to take you down memory lane at this stage of his career, be forewarned that he is one of the least nostalgic pop artists on the planet...his inspiration lies mostly with the newer material. On the other hand, the new material shows his continued growth as an artist, so if you're open to his current musical vision, this DVD is highly recommended. The music is great, and the presentation (visuals, sound) is first-rate.

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U2 - 360° AT THE ROSE BOWL (2010) Review

U2 - 360° AT THE ROSE BOWL  (2010)
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I was at that concert, and it was a typical U2 extravaganza. Exceptionally well done, and the energy, look and feel of the Rose Bowl audience and environment and U2's interaction with it was a part of its success. Afterwards, I really really enjoyed the Youtube broadcast of it that was available online for a couple of weeks before they yanked it.
Regarding the DVD, I am disappointed because I felt the editing didn't do justice to the entire concert environment in a way that was accessible. No shot was on the screen for much longer than 7 seconds, and most between 3 and 5 seconds. I have amazingly quick vision (I make my living drawing people and things really fast) yet I felt I never had a chance to focus on any one scene before another was quickly flashed, faded into, etc. There were few views that gave a sense of the hugeness of the concert. It was like blinking my eyes and another view. I'm pretty good at connecting the dots, and even though I was at that concert, the DVD never gave much of a feeling of the whole.
While the camera work and sound, etc., were very well done, I felt there was too much being thrown at the viewer, too fast. Frankly, I thought the Youtube live broadcast provided a better feel of the concert and visual experience of it, which was after all, a "world event".


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U2'S RECORD BREAKING ROSE BOWL CONCERTFilmed on 25th October 2009U2360° At The Rose Bowl was the penultimate gig of last year's U2360° tour in support of their Grammy-nominated album No Line on The Horizon. The Rose Bowl performance was the band's biggest show of 2009 and U2's biggest ever US show, with a live audience in excess of 97,000.The show was also streamed across seven continents via YouTube. The first ever live streaming of a full-length stadium concert, U2360° at the Rose Bowl had over 10 million views on the channel in one week. Shot entirely in HD, the concert was filmed with 27 cameras and directed by Tom Krueger who had previously worked on U23D, the first live action 3D concert movie taken from U2's Vertigo Tour.Available in standard and two disc deluxe DVD formats, U2360° At The Rose Bowl will also be U2's first concert available in Blu-ray. The deluxe formats and the Blu-ray will feature a new documentary called Squaring the Circle: Creating U2360°, with new interviews from U2, Paul McGuinness and the team behind the touring production.

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Brian Wilson: On Tour (2003) Review

Brian Wilson: On Tour (2003)
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Clocking in at a mere 77 minutes, this DVD provides a nice (if somewhat bland) overview of Brian's transformation from Beach Boy to solo entity, but it's brevity certainly raises some significant questions.
If Brian is truly "back", then why is almost every chapter of this DVD so heavily edited? Why are we presented with so many snippets of songs instead of fully realized productions? Why is the concert footage only culled from the 1999 and 2000 tours?
As it is, "Brian Wilson On Tour", is simply a sanitized PBS-oriented documentary. There is no Beach Boy pathos here, just fun (and art!) on the road. And while it does sometimes feel contrived, this DVD does provide the fan with occasional spontaneous human moments from Brian. My personal fave scene is where Brian is asked to name his favorite tune from different groups ... very cool. However, be warned that this DVD does not offer much in the way of complete songs.
In fact, that's my biggest gripe with this disc: there is not enough unedited concert footage. Almost everything is offered in piecemeal fashion. Heck, even "Saturday Morning In The City" - a "new" track which is advertised on the outside of the package - is presented as a miniscule 30 second piano snippet! VERY MISLEADING PACKAGING!!!
Much like 1995's "I Just Wasn't Made For These Times", "Brian Wilson On Tour" is yet another fixed perspective look into Brian's world. How much of this documentary is truth and how much is revision is left up to the viewer to decide.
Only the overworked editor knows for sure.

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Live (Romances Tour) (2007) Review

Live (Romances Tour) (2007)
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This is a great release; a rare glimpse of Patton at work beyond the gloomy mask of Bungle or the psychotic front of FNM.
Patton is an elusive man, and it is hard to feel as though one has a grasp of what he is trying to say through his music as a result. As an artist, we hope that he is communicating something, but with such diversity throughout his career, one can be forgiven for wondering what on earth Patton is on about at times! (don't get me wrong. I'm a huge fan, and even though there have been some real "what the..." moments, I have been faithful in my pursuit of his art!)
This release shows the side of Patton that says, 'Music is music. I sing, therefore I am.' I put it in the same file as Kang's 'Virginal Coordinates' release, where Patton lent his voice, and took an amazing piece of music and made it uniquely Patton; often without saying one word... just humming along to the melody! Patton's release with Kaada on CD again gave us Patton's voice, which is second to none in this genre, but this DVD has given us Patton the PERSON (at least, Patton and what he looks like when he enters into the experience of making music!); a look at why this Patton/Kaada release was something that he lent his voice to.

I've said bugger all about the product itself (e.g., 'song such and such just makes me want to squirt tears all over my persian cat every time I hear it...' It has a lot to do with the fact that I don't have a persian, and it's not that depressing a product). That's because my opinion of the product will be different from yours. But what I have commented on is the resulting feeling I get when I enter into Patton's world. This DVD has helped me understand more about the message of an artist.
I wonder if more DVD's of Patton's work (such as 'Adult Themes For Voice' or 'Pranzo Oltranzista' to name a few... two, to be precise) might just make them a little more accessible to people wanting to share the journey of Patton's music???

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Tracklising: 1. Legless Liss 2. Invocation 3. Pitié Pour Mes Larmes 4. Aubade 5. L'Absent 6. Crépuscule 7. Viens, Les Gazons Sont Verts 8. Seule 9. Pensée Des Morts 10. Nuit Silencieuse 11. The Cloroform Theme

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