Showing posts with label beach boys. Show all posts
Showing posts with label beach boys. Show all posts

Endless Summer Review

Endless Summer
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This is the perfect title for a Beach Boys retrospective. These songs are constants of the oldies-radio format, especially during the summer. All of those sixties-sounding songs (classic, to the point of being nearly cliche) are here: "Surfin' Safari" "Catch A Wave" "Surfer Girl" "Surfin' U.S.A." "Shut Down" "Little Deuce Coupe" "California Girls" "I Get Around" and so on. If it was about Waves, Women, or Wheels and it had perfect harmony, it's probably on this album. And there are just enough songs dealing with semi-adult themes ("In My Room" "Don't Worry Baby" "Girl Don't Tell Me" "When I Grow Up To Be A Man"), that the whole package doesn't get stale. A couple of omissions are "Surfin'" (recorded before the Beach Boys signed with Capitol) and "Surf City," which Brian Wilson gave to Jan and Dean. "Barbara Ann" seems like is should have been here, and the version of "Help Me, Rhonda" that's included here is not the hit single we heard on the airwaves. But considering "Good Vibrations" was added to the CD release, all is forgiven. True-to-the-core fans of The Beach Boys and Surf music will want to go deeper ("Spirit Of America" is another great compilation for this purpose). But if you want just the cream of their output, all you really need to buy are "Pet Sounds" and this album. No matter what you're doing or where you might be, with "Endless Summer," you have the sun, the sand, and the surf (and maybe even a babe)! Who could ask for more?

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The Beach Boys - Good Timin' (Live at Knebworth, England 1980) (1980) Review

The Beach Boys - Good Timin' (Live at Knebworth, England 1980) (1980)
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After watching this DVD, I was kind of wondering which DVD many of the reviewers were watching. First off, Dennis looked fine. He was having a blast playing drums and joking with Mike Meros through most of the concert. Yeah, Brian looked bad, but he did back then. Anyone who saw these guys in concert from 76 on would know Brian wasn't much of a presence on stage. His vocals were pretty bad as well. That was normal. Every now and then he would surprise people, but you couldn't see a Beach Boys concert at that time and expect a lot from Brian. The rest of the guys and supporting cast did what they did, . . . they put on a good show. Unlike concerts from a few years earlier, they had already begun shortening the show, and doing more top 40 music. I miss the days when they would do Marcella, Long Promised Road, Funky Pretty and others in their live shows and play for 90 to 120 minutes. Not to mention, while the vocals are great, I miss the more rock oriented shows. The stage is fairly small compared to a lot of the shows they put on in the states, so the guys tended to stand around. So Mike isn't allowed to prance like he used to do. They all appeared in good spirits, although now and then looking like they were going through the motions. There was not a 'fight' between Carl and Mike. In those days, it was not unusual for these guys to bow together, and Mike missed his spot. This is also consistent with Carl's problems with the boys lack of rehearsal time before shows. And during Surfer Girl, it's Dennis moving closer to Mike, and Mike seems a little hesitant. First off, the rift between the two is legendary, but it also appears as though the music pushes all that aside during the shows. Of course, Dennis was also known to play pranks on Mike 'on stage' so Mike could be hesitant because of that. But it hardly takes away from the song, although the song is far too rushed, which again is something they began doing around 1980.
Favorite songs from this set had to be "I Get Around," and "Keepin' the Summer Alive."
Overall, I enjoyed this, but also realized why shortly after Dennis died I stopped attending Beach Boy concerts. They were transforming into a Las Vegas act. It is interesting to see some of the little things going on, on stage, such as Carl keeping an eye on Brian; Dennis kissing Brian on the back of the head; Al asking Brian if he's okay right before, I think "Barbara Ann." I also wonder about the sign that Brian could read from his piano which reads: "Don't Panic."
Mainly I am amazed at how easy these guys made it look, but saddened that they did not take advantage of the arsenal of songs they could have played to make the show longer. These guys are legends, and we get to see elements of that, but for me, the writing was on the wall. Accept this DVD for what it is, a glimpse of what was truly an endless summer, where you can go to that nearest faraway place, and let your heart be filled with spring.

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Live in Vegas Review

Live in Vegas
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Take the original Beach Boys from sometime in the 60s. Throw them in a time travelling delorean and bring them to the year 2000. Then put them on stage and record their show. I believe this is what it would sound like...maybe even better.
I'm not old enough to have been able to see the Beach Boys in concert in their prime. What has become of the name "Beach Boys" is a joke--a washed up lead singer (Mike Love) who can't hit the right notes live and forgets words and Bruce Johnston (joined the Boys in '65) who tags along maybe out of pity for Mike. It's just a touring, money making machine that continues to be sucessful because of the name to which this entity is attached.
Al Jardine, another original member, has valiantly put together his own band. It's unfortunate that he is not able to use the name "Beach Boys" in the title of his band, as they perform with the same energy that rivals the original Boys and their sound is wonderful. It's tough to compare this group with the original Beach Boys because modern recording is so different. This is definitely as close as one will get to hearing the Beach Boys as you remember them now. Al sings with his two sons, Matt (who toured with the BBs in the 80s singing Brian Wilson's high parts) and Adam (a heck of a singer in his own right). The blend of the 3 Jardines singing together comes very close to the often imitated never duplicated sound of the 3 Beach Boy Wilson brothers: Brian, Dennis and Carl. If you are a BB fan, a casual listener or just want some fun music...BUY THIS CD. You will not be disappointed. The setlist itself is great because it's a mix of well known BB hits and more obscure, also great songs. Bottom line: Al and his group are wonderful and amazing and the live versions of I Get Around and Fun Fun Fun are worth the price of the CD alone.

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Hombres G: En Directo Las Ventas 1 de Julio 2003 Review

Hombres G: En Directo Las Ventas 1 de Julio 2003
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Hombres G is a Spanish band with a simplistic catchy style. Their lyrics often edge in the comic side, such as a guy throwing "itchy dust" to another guy for taking his girlfriend or crocodile girls biting guys at nightclubs. The music is fresh and far from presumptuos and, for the third time, catchy. This DVD is the live recording of a reunion of the band that will leave all those who are familiar with them very satisfied.

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A Postcard From California Review

A Postcard From California
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So I purchased Al's new CD via Amazon download. I had listened to the demos a while back and to be honest, I wasn't real fond of them. Based on the time it took to be released and the fact that it wasn't being issued as an official CD, it seemed like it had disaster written all over it. Plus I wasn't sure what kind of shape Al's voice would be in because I never considered him as one of the stronger vocalists in the group. Well, I'm happy to say that I could not have been any more wrong. With 'Postcard' Al paints a beautiful picture of California and it is obvious how much he loves the Golden State. Most of the album seems to flow effortlesssly from track to track with the running theme being Al's awe of California and it's beauty. Whereas Brian always painted a picture of California that made you want to grab a board and go party with all the other kids there, Al always seemed to paint the other relaxed side of California. A side that made you want to take a slow ride around the coast with the love of your life while watching a beautiful California sunset. I have listened to this CD six or seven times now and my only complaint would be the lack of new material on it (half of the tracks are Beach Boys tunes.) That said, even his re-workings of the old songs turned out great (and better than the originals in most cases.)
If you have been thinking about getting this one I would strongly suggest you do (The song "Don't Fight The Sea", featuring Mike, Brian, Carl, Al, and Bruce is worth the price of the CD in my opinion.) The writing is great, Al's voice sounds great, and the harmonies are in top form. Plus check out the list of guest vocalists that appear on here: Neil Young, Gerry Beckly, Brian Wilson, Carl Wilson, Mike Love, Alec Baldwin, Glen Campbell, Flea, David Crosby, Stephen Stills, and Steve Miller.
Track by Track review:
- A Postcard From California -

The title track is one of my favorite tracks on the CD. When I first heard the demo for this song I thought it was a complete rip-off of "Rhinestone Cowboy" but now I realize that Glen Campbell was part of it which explains the similarities to his hit song (It actually sounds like it could be a follow-up or a sequel to "Rhinestone Cowboy.") The verses build up perfectly to the chorus which I absolutely love and can't help singing along with it. When Glen Campbell's voice kicks in it seems to add authenticty to the whole theme of the song and really enhances it. I actually think this track is radio-worthy.



- California Feelin' -

Before Brian released his version, the only versions of this song I had heard were poor quality as I'm sure they were compiled from bootlegs and demo versions. I always liked the song but was hard to enjoy because of the quality of all the various releases. Well, after listening to this song on here I'll have to say the Al's new version trumps them all...yes even Brian's.



- Lookin' Down The Coast -

Al's voice is in top form and I love the acoustic Spanish guitars at the breaks. Also, for the first time I noticed that Brian's "Walkin' the Line" sounds similar to this song at certain parts ("And that's no lie....")



- Don't Fight The Sea -

Beach Boys fans need to fast forward to this track immediately. This is my favorite track on here (easy choice considering the guest vocalists!) First of all you will hear Mike, Brian, Al, Bruce...and yes even Carl. It is vintage Carl and this track sounds like a lost Beach Boys tune. It would not be out of place on the 'Surfin' USA' album right between "Stoked" and "The Lonely Sea." I wish there were 20 more tracks like this.



- Tide Pool Interlude -

This song is actually the first part of a "trilogy" to "California Saga.". It features spoken word about California written by poet Stephen John Kalinich. I have never been a fan of his poetry because it always sounds so overly dramatic. However with Alec Baldwin doing the narration and the way that it ties the three pieces of "A California Saga" together, it actually seems to fit.



- Campfire Scene -

A harmonica and banjo kick this one off and I immediately thought of 'Cabinessence.' The slow drawn-out beginning bars of 'California Saga' provide a nice build-up into the actual song.



- A California Saga -

Check out the opening piano. They are the same notes that the organ plays on the break in 'California Girls' but for some reason I never caught that before. This is a great cover as well and really has a nice country-western feel to it which suits the song well. And although I've never been a big fan of Neil Young, he seems to be a good fit on this one.



- Help Me Rhonda -

At about this point in the CD it seems to go down somewhat in my opinion. "Help Me Rhonda" is one of the tracks I could've done without on this collection and seems to take away from the overall theme. It's also a song that I have heard a million times and I just don't think it is a song that needs to be covered. This version doesn't add anything to the original nor is it a departure (if a Beach Boys song is going to be covered I would rather see it re-worked ala Paul Simon's version of 'Surfer Girl.') Al's voice is in good form and Steve Miller adds some vocals which made me wish Al had just sang the whole thing. I know he said he wanted to give it a blues feel but it doesn't sound much different from the original or even the version from 'Stars and Stripes.'



- San Simeon -

The opening of this one sounds like the beginning vocals to "Don't Worry Baby" but that is where the similarities end. It's a track that doesn't really stick out to me but seems pleasant enough (although the word "Simeon" sounds odd in a song.) The harmonies are very good and Gerry Beckly adds some nice vocals which give it an "America" feel. The song fades out with vocals only and that part reminds me a little of "Lady Lynda." I do think the song gets better as it goes along but is probably one of my least favorite songs on here.



- Drivin' -

Al and Brian team up on this one for a song about one of the Beach Boys first loves - crusin' around town. However, there is a twist - The song starts off with how they used to cruise around town in their woodies but then ends with how they can't do that any more because of the price of gas (Al even takes a swipe at BP which seems a little out of place.) It sounds like guys from America are on backing vocals here with a shout-out to a couple of their hits. Musically there is nothing special about this one but it is fun to hear Brian and Al trading off verses.



- Honkin' Down The Highway -

I've never been a fan of 'Love You' but this is a nice cover and was one of the few songs I did like on the original album. Al's voice sounds amazingly like it did on the original and it even sounds like Brian is on backing vocals on this one. There are a few differences here - a sax solo and the sound of a police officer (Matt? Adam?...not sure) pulling the singer over for "honkin' down the highway." The song then ends with the vocals overdubbed into a beautiful sounding choir - "....Way with Girls!"



- And I Always Will -

Al writes a heartfelt song to apparently the love of his life. It sounds like a very personal love letter and maybe should have been left unshared. Once again there is nothing musically special about this one and it is such a mellow song that it wouldn't be out of place at a wedding. Unfortunately it is probably my least favorite song on the CD which was too bad because I hated to see the CD end on this note.As far as Beach Boys solo albums go, I will rank this one right behind Brian's first album and Dennis' POB. Al stays true to who he is and plays to those strengths and I think that goes a long way when you take on the task of creating a solo piece of work.

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Beach Boys co-founder Al Jardine, who started the group in 1961 with the Wilson brothers (Brian, Carl, and Dennis) and their cousin Mike Love, released his new solo album, A Postcard from California. The twelve-song collection includes four cuts that comprise what Jardine calls "the green side" of the new album, compositions that speak to the relationship of man and his environment. "Don't Fight the Sea," "Tidepool Interlude" and "A California Saga" are songs that reflect this artist's deep love for the California coastline and his concern for the ecological health of the planet. "I think this material defines the new project in these days of climate change," he suggests.Al Jardine has always embodied that concern for the environment, and the coastline and ocean in particular. Previously, on the Beach Boys' "Surf's Up" album, he and Mike Love had written the song, "Don't Go Near the Water." The new album includes "Lookin' Down the Coast," a tale of the discovery of California by the Spanish, as seen through the eyes of its natural inhabitants, the California condor, the whale, the otter and the bear.The collection, "A Postcard from California," was largely penned by Al Jardine and features a regular "who's who" of classic rock and popular music royalty. Jardine was joined in the studio by a steady and willing stream of famous friends, including Brian Wilson, Glen Campbell, Gerry Beckley and Dewey Bunnell of America, Flea from the Red Hot Chili Peppers, David Marks, Richie Cannata and John Stamos, in addition to those already noted elsewhere in this announcement. Completing the generational span, Jardine's sons, Matt and Adam, are also heard on vocal harmonies.
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Brian Wilson: On Tour (2003) Review

Brian Wilson: On Tour (2003)
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Clocking in at a mere 77 minutes, this DVD provides a nice (if somewhat bland) overview of Brian's transformation from Beach Boy to solo entity, but it's brevity certainly raises some significant questions.
If Brian is truly "back", then why is almost every chapter of this DVD so heavily edited? Why are we presented with so many snippets of songs instead of fully realized productions? Why is the concert footage only culled from the 1999 and 2000 tours?
As it is, "Brian Wilson On Tour", is simply a sanitized PBS-oriented documentary. There is no Beach Boy pathos here, just fun (and art!) on the road. And while it does sometimes feel contrived, this DVD does provide the fan with occasional spontaneous human moments from Brian. My personal fave scene is where Brian is asked to name his favorite tune from different groups ... very cool. However, be warned that this DVD does not offer much in the way of complete songs.
In fact, that's my biggest gripe with this disc: there is not enough unedited concert footage. Almost everything is offered in piecemeal fashion. Heck, even "Saturday Morning In The City" - a "new" track which is advertised on the outside of the package - is presented as a miniscule 30 second piano snippet! VERY MISLEADING PACKAGING!!!
Much like 1995's "I Just Wasn't Made For These Times", "Brian Wilson On Tour" is yet another fixed perspective look into Brian's world. How much of this documentary is truth and how much is revision is left up to the viewer to decide.
Only the overworked editor knows for sure.

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