Showing posts with label folk rock. Show all posts
Showing posts with label folk rock. Show all posts

CREEDENCE CLEARWATER REVIVAL "THE ROYAL ALBERT HALL CONCERT / LIVE IN EUROPE (2 CD + DVD set) Review

CREEDENCE CLEARWATER REVIVAL THE ROYAL ALBERT HALL CONCERT / LIVE IN EUROPE (2 CD + DVD set)
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I am a huge fan of Creedence Clearwater Revival so I'm grateful for the opportunity to rate this transaction and this product.
First, with regards to the seller, onlyrare, I give him the highest possible rating. My parcel arrived well ahead of schedule and in great shape so he gets kudos from me.
Second, as concerns the product itself, I'll do my best to offer the most detailed description since there seemed to be no such information when I was deciding whether or not to put in my order. I remember when the vinyl records came out for these live recordings. One of them came out in 1980 I believe and was initially misnamed by Fantasy Records as "The Royal Albert Hall Concert". A short time after they realized their error and renamed the album "The Concert". As a matter of trivia, would you believe Fantasy almost repeated the error because the liner notes to the disk refer to CD1 as "The Royal Albert Hall Concert", which is incorrect of course. The CD itself does not carry the misnomer, just in case that's of any importance to anyone. The DVD portion of this product sure enough offers footage from the excellent concert at the Royal Albert Hall, more on that later. CD 1 is actually from a performance by CCR on January 30th 1970 in Oakland, California. Some scenes from that performance also show up on the DVD.
CD 2 is a recording of CCR when they toured Europe as a trio in 1971 (minus Tom Fogerty) just before the band's breakup. One source I consulted claims the "Live in Europe" recording was not just one gig but possibly a couple of concert stops throughout the tour. John Fogerty might be able to set the record straight on that, but as I recall, he was very much against releasing the "Live in Europe" record. I guess I'd have to agree with him there, the trio sounds a little edgy for my taste. That may also have been the tour where drummer Doug Clifford came down with a severe fever but recovered in time to keep the tour going. Whether or not that's the case is not really important but when Nat Freedland of Billboard opined that CCR sounded better a trio, I sure don't think he was referring to that album. In the end, it's always in the eye (or in the ear) of the beholder, so it's up to you to make up your mind how you feel about the concert. I love all of CD 1 and parts of CD 2. The January 1970 concert (the actual contents of CD 1) was also part of a documentary produced by National General that was never aired officially, the result of much confusion and legal technicalities. Those who have shopped on ebay may have seen bits and pieces of this product on poor-quality VHS. Purportedly, this footage was transferred from a Japanese DVD. This might explain why every time I've seen the homemade VHS, there were Japanese overdubs throughout. This DVD does not have the overdubs so you can rest assured about that. This DVD does not carry all the material the "Japanese" version had, but what you give up in quantity you get back in quality since the VHS stuff was usually very low-grade. I mentioned before that there actually was material from the Royal Albert and thankfully, most of the concert scenes on this DVD are from that performance which I like very much. Just like the other content mentioned, this one is not absolutely new. I think it was originally prepared by a company called Paterson or Peterson Enterprises back in the 70s. The company which put all this material together tried very hard to trim off the parts that had to be removed and maybe patch some of the things that might have been damaged with time; so that in the Royal Albert Concert, if you look very carefully, there is a very short part (almost an eye blink) where John Fogerty suddenly switches from black leather to blue jeans. No big deal, at least they kept the wonderful audio to the start of the show where the opening notes to "Born on the Bayou" ring with their magical, elastic "boinnggg" effect. The video image was suppressed because I think that's where the other company had its name written before. As long as they kept the opening notes to the start of the song, along with the ambience of an electrified crowd, the rest is pure magic to me. The one thing I was hoping I would see from that concert was "Bad Moon Rising". I seem to remember viewing it somewhere and it was kind of cool because John Fogerty almost missed his cue to make it back to the microphone and start the vocals on the song. So it was more of an oddity than anything, but it isn't on this DVD.
On this disk, there are other audio-visual performances from the band as well. They include:
Down on the Corner (American Bandstand or Dick Clark Show?)
Bad Moon, Proud Mary (Johnny Cash Show)
Looking Out My Backdoor (National General or Mexican film crew present at the time?)
I Put a Spell on You (at the end of the song, somebody from the mixing room is unfortunately heard saying "That's nice")
Sweet Hitch Hiker
I Heard it through the Grapevine
and an interview with Ralph Gleason (circa 1971, National General)
I think we have to put things in their proper perspective here. Photography has been around roughly 160 years. Cinema/video, that's to say, "talkies" with colour, even less time. CCR did not stay together all that long and quality footage of their concert appearances are relatively scant. That's unlike other groups which received more publicity and attention, many times for antics unrelated to good music. Unlike two previous DVDs I purchased (and returned) on Creedence, I will say this one is certainly a keeper. If you have no "video evidence" of the greatness of this band, I encourage you to make this one a part of your collection, especially if you're a dedicated fan of Creedence Clearwater Revival/John Fogerty.

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KOHUEPT (Concert) (Live in Leningrad) Review

KOHUEPT (Concert) (Live in Leningrad)
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This album captures the very essence of Billy Joel's concerts.Has some of his best songs including Allentown,Angry Young Man and A Matter of Trust.He does a great job of performing John Lennon and Paul Mc Cartney's Back in the USSR.

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Joan Armatrading Live - All the Way from America (2003) Review

Joan Armatrading Live - All the Way from America (2003)
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Three decades after her earliest recordings, a full-length concert by Joan Armatrading finally sees the light of day, recorded June 25th, 2003 at Saratoga California. Not too late, fortunately: she is in prime voice and able to perform even the early tunes with the depth and flexibility that marked the original versions. Not only that, her music is about as timeless as that of any other contemporary singer-songwriter, at least this side of Joni Mitchell. In that regard, if I weren't familiar with her music and someone told me Joan was a newcomer on the music scene, based on the music on this DVD I would have no trouble believing that.
Part of the contemporary feel of this concert is in my opinion due to the fact that nearly half of the songs are culled from her then-most-recent album (2003's LOVER'S SPEAK, one of her best ever). No matter how long an artist has been around, when they stay focused on performing the tunes that matter the most to them at any given point in time, that tends to be a great way to remain inspired and relevant even if one has been on the scene for over thirty years.
Even so, there is a generous selection of classic tunes that have not aged a bit. She still performs the likes of "Down to Zero," "Love And Affection," "The Weakness In Me," and others as if the tunes were just born yesterday. Interestingly, she appears with only two supporting musicians, but due to their versatility one doesn't ever get the idea that there needs to be a bigger band. All in all, anyone who was ever a Joan Armatrading fan -- particularly those who may not have kept up with her recently -- will likely have lots of good things to say about this DVD. While I won't argue with other reviewers who were critical of the video editing, I'm glad that all of the tunes are heard in their entirety and the 5.1 sound mix is up-to-standard.

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One of popular music's most enduring and respected singer songwriters captured in her favorite environment - live in front of a theater full of adoring fans!This spectacular event recording was filmed during Joan's 2003 World Tour and features a collection of her most popular hits (Love and Affection, All the Way from America, Blessed, Willow) along with new songs from her most recent studio album 'Lover's Speak'. Filmed completely live at the Lillian Fontaine Theater in Saratoga, California 'All the Way From America' showcases Joan as the consummate entertainer she is - accomplished singer/songwriter, guitarist and spellbinding story teller.DVD Video tracks: 1. Down To Zero 2. All The Way From America 3. Prove Yourself 4. Physical Pain 5. You Made Your Bed 6. Tender Trap 7. The Weakness In Me 8. Let's Talk About Us 9. Join The Boys 10. Save Me 11. Everyday Boy 12. Love And Affection 13. Crazy For You 14. Lovers Speak 15. Love Bug 16. Rosie 17. Mama Mercy 18. Kissin And A Huggin19. Me Myself I 20. Willow 21. BlessedBonus Tracks: Bottom To The Top *In These Times (Studio Version)

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Bob Dylan's New York (2005) Review

Bob Dylan's New York (2005)
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I bought this DVD with the expectation that it would have some pertinent interviews with people involved in the NYC ca. 1960's, and would at least see the inside of some of the important places in Greenwich mentioned. This DVD is a home-made thing, narrated by a 3rd class radio host in NYC and some girl who does a walking "Bob Dylan" tour in NY. The girl's voice is absolutely not orator quality, as she has a very annoying nasal tone that makes her hard to listen to. The Disc Jockey rambles on about things that aren't relevant to the Dylan quest, often times not relevant to the conversation between him and the nasal girl. There are no interviews, except for a short one with the disc jockey's wife who merely recounts a time when she met someone famous and announces that their dog's name is Dylan. There are no internal shots of any of the famous buildings. The disc jockey and the girl simply walk about Greenwich and up into Chelsea and stand in front of the building telling stories about it that can be picked up in any brochure. I am sorry I wasted money on this home made faux-paus as I was actually doing research on the Chelsea during the sixties and thought this would have some interesting facts. It didn't. I don't care if the DJ and his wife named their dog Dylan. I barely made it through the entire DVD (2 of them, actually) listening to the girl who should never ever speak in public for an audience. I advise not to buy this poor quality DVD. You'd be better off going online and sending to NYC for some brochures on Greenwich and Chelsea. I'm sure the people who are in this mundane spectacle are nice, and well meaning, but, really, don't waste your money here.Bob Dylan's New York

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In January 1961, Bob Dylan arrived at Greenwich Village, the very place for a folksinger-poet. The Village had already gained a reputation for Bohemian ways, and had given birth to a generation of beatniks, courtesy of a generation of beat poets, including Allen Ginsberg. It was in the Village s clubs that the early protest songs that became the anthems of the protest movements were written, and it was here that he honed his craft, playing alongside other legendary figures such as Dave Van Ronk and Tom Paxton.It was in New York that he was to change his name to Bob Dylan, and, after his conversion to the electric guitar, he was to remember New York in the bitter Positively Fourth Street. In this hit song, he replied to the friends that he'd made in the Fourth Street clubs who had become his most vituperative critics (Bob had also lived on Fourth Street). The Chelsea Hotel, the Carnegie Hall... these are just two further names without which no attempt to approach the life and times of Dylan would be complete. This is Positively Bob Dylan.

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Born at the Right Time (1991) Review

Born at the Right Time  (1991)
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This video, part of the 'American Masters' documentary series broadcast on PBS, is a somewhat revealing look into the musical life of the very private Paul Simon.
Interviews with Art Garfunkel, with Paul's brother, Eddie, comics Steve Martin and Chevy Chase, Lorne Michaels, (producer of Saturday Night Live) and members of Paul's 'Graceland' tour band give a well rounded, if one-sided view of Simon. Paul sits for an interview that makes up about 1/4 of the video to express his views on his music, his former partership with Garfunkel, and his hit album 'Graceland'.
The most interesting part of the video is the footage of the "Born At The Right Time Tour". This footage reveals some of the tension that Simon and his band experienced while in S. Africa, where members of a radical political group threatened to bomb the stadium they performed in. Simon revealed he had to make a few concessions to the group, which evident in the film, he was not pleased about.
A complete overview of Simon's career, from his beginning with Garfunkel to his last trip to S. Africa is covered. The film includes quite a bit of Paul's music and some photos that the public has not seen.
Since this is the only documentary of Simon in existence, it is the only source of 'in depth' information on him. If you are a follower of Simon's music, you probably know most, if not all, of what is covered in this video. Newcomers to Simon's work would enjoy this video. Followers of Simon don't need it, but it is a good addition to your collection nonetheless.

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Trans Review

Trans
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One of the things you've got to admire about Neil Young is that the man does not stand still. Basically a metal-rocker at heart, if his concerts are to be relied on--he nevertheless is comfortable working in a wide array of musical genres, as is amply demonstrated by a spin though his retrospective Decade CD.
Trans marks a foray--with a vengeance-- into electronic music. Admittedly, if this is not your sound, this will not be one of your favorite albums. It is, however, one of those experimental efforts that works. It was, at the time of its release, well ahead of the power curve insofar as this genre was concerned. Moreover, it clearly stands as an experiment with a different sound and technology. Not only did Neil write material specifically for this album, but he also took to trying the sound out on some of his old standards. So, not only do we have the commercially successful written pieces, such as Transformer Man and Sample and Hold, but also electronically rendered pieces such as Mr. Soul and Hold on to Your Love.
What has made Young such a viable artist for so long-his awesome talent aside-is his willingness and ability to experiment, to evolve, to grow. Everybody knows some growth spurts can leave one awkward in the short run, but better off in the long run. It is precisely because of efforts such as this that Young remains the vital musical force and influence he is.
So, treat yourself to a bit of musical and personal history and give Trans a spin.

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Unavailable on CD in the U.S., this is Neil's 1982 electronic album for Geffen. Nine tracks, including 'Computer Age', 'Transformer Man' and a drastically different version of his Buffalo Springfield classic 'Mr. Soul'.

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Billy Joel - Live From Leningrad USSR (1991) Review

Billy Joel - Live From Leningrad USSR  (1991)
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He's still young, and he's crazy. He sings the greatest Billy Joel songs ever, and he does a lot of crazy stuff. LOTS OF FUN TO WATCH

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Daylight Again Review

Daylight Again
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I was 10 years old when this album came out, so unlike others who were already contrasting the "aging hippies" with their younger days, I knew nothing of previous CSN. (Or of Crosby's drug problems for that matter.) I simply enjoyed "Wasted on the Way" and "Southern Cross" when listening to Casey Kasem's American Top 40, right alongside efforts by Michael Jackson. It never occurred to me that CSN was an "older" group ; I simply loved both of those songs, great singles then, great songs now. I think this goes to show how much more enjoyable music can be when we actually listen to it innocently for its own sake, rather than getting wrapped up into who's "in," "out," "old," or "young."
Anyhow, I officially became a true CSN fan in 1989 at 17, and listened to about half of the songs on this album tirelessly. I think half of the songs are great, if not flat out killer songs that represent CSN/Y at their best, while the other half are just weak filler that are not unlike what we have (sadly) come to expect from this band. The best moments here are "Delta" (my favorite CSN/Y song ever) the two previously mentioned singles, "Song for Susan," "You are Alive," "Might as Well Have a Good Time," and "Daylight Again." The rest I can do without, but anyone who has only listened to the two singles really should give this album another spin because there really are some gems here. These are the type of songs that to me are so soothing and beautiful and unique and eternal, that it's really hard for me to imagine the egos behind the scenes getting into their fights, etc. I experience such serenity when listening to CSN.
In the end I think there are three phases of CSN/Y studio albums : 1) Crosby Stills and Nash (1969) and Deja Vu (1970) - both killer albums from beginning to end 2) CSN (1977) and Daylight Again (1982) - 1/2 gems mixed with 1/2 junk 3) American Dream (1988) Live it Up (1990) After the Storm (1994) Looking Forward (1999) - almost entirely trash, some rare good moments in each at best.
Maybe this album seemed disappointing at the time relative to the first album in 1969 and Déjà Vu in 1970, but wouldn't CSN/Y fans do anything for something like this now? Can you imagine Stills once again managing to write something as good as "Southern Cross"? Why do they (CSNY) keep telling us that they think they are getting better? Even Crosby seems to be apologizing during the CSNY concerts when he explains that "we like the old songs too, but the new songs keep us alive."
Go for Daylight Again if you are in any way a fan of CSN's music. And pray that they will make an album like this again someday.

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One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend's Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands-Crosby from the Byrds, Stills from Buffalo Springfield, and Nash from the Hollies-and together, they formed that rarest of musical entities, a "supergroup" that lived up to its billing. CSN's 1969 self-titled debut album is one of the true masterpieces of the rock 'n' roll canon, and 1982's Daylight Again is a brilliant portrait of their musical evolution. Still touring and recording together, CSN is an American treasure.--This text refers to an alternate Audio CD edition.

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Shangri La (CD & DVD Audio) Review

Shangri La (CD and DVD Audio)
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This CD will take you time to appreciate. At first listen I thought "elevator music" -- rock so light it isn't rock. It takes a while to appreciate the subtleties and the quiet, quiet songs. (The reviewer who said this was Knopfler's most rocking effort since Dire Straits days obviously had never heard the CD. The only semi-rocking song is "Boom like That")

The CD also lacks the variety of recent Knopfler efforts. Gone are the Celtic, Country, Cajun, and Folk tunes that dotted his other CDs. Instead, "Shangri-la" is just six guys -- two guitars, a bass, a piano, an organ, and drums, sitting around playing relaxed songs. The CD gets my top rating for good lyrics, interesting tunes, virtuoso instrumentation, perfectionist fussiness, and Knopfler's voice, which sounds a little smoother with age than his usual Dylanesque gruffness. It's not a CD that inspires superlatives, and none of the songs will likely go to the top of the hit parade, but they're good -- every one of them. Some of them even have a little bit of a surf sound, reflecting perhaps the fact that the CD was recorded in California
Still, I can appreciate the opinion of those who say "Shangri-la" is boring. I yearn for one of Knopfler's great guitar solos like the screamers on "Telegraph Road," the chugging "Sultans of Swing," or the smoky country blues of "You and your Friend." No such luck. Are Knopfler's rocking days over? I guess we'll have to be content with what we get.


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The fourth solo excursion from acclaimed singer-songwriter-guitarist Mark Knopfler, Shangri-La is perhaps his most rocking album since his halcyon days in Dire Straits. Knopfler offers an idyllic earthly refuge for the sophisticated rock fan with Shangri-La, originally issued in September 2004 and presented here in a special CD+DVDA package.

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Night in San Francisco Review

Night in San Francisco
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If you're new to Van, start with his GREATEST HITS, VOL.1. If you're an established Van fan & looking for a live album that's nothing but Van, go with IT'S TOO LATE TO STOP NOW. But if you're looking for a live album that's a collaborative effort with great guest artists & plenty of soloing by the band, this is the one. I was initially hesitant because I don't care for medleys or extended jams. I expected it to sound fragmented & disjointed, but the whole show flows naturally. Van does indeed prove himself to be a generous artist, allowing others plenty of time in the spotlight, & the show is all the more entertaining for it. The guest artists enhance the performance, rather than getting in the way. Brian Kennedy & Van's own daughter, Shana, are both amazing vocalists. Candy Dulfer is great on sax, as is Georgie Fame on organ. Van, himself, even seems to be enjoying the show, in contrast to his more straight-to-the-point approach on IT'S TOO LATE TO STOP NOW. The back of the CD pretty much sums it up; ballads, blues, soul, funk & jazz (and I would add gospel). If you like these varied styles of music and a performer who's great at every one of them, don't hesitate to get this one.

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Japanese only remastered SHM-CD (Super High Material CD - playable on all CD players) pressing packaged in a paper sleeve and includes one bonus track. Universal. 2008.--This text refers to an alternate Audio CD edition.

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Emmylou Harris - Spyboy Live (2000) Review

Emmylou Harris - Spyboy Live (2000)
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I have been an Emmylou fan since I first saw her playing small bars here in Washington, D.C. and she just keeps getting better. This is by far her most musically adventurous band coming on the heels of her Wrecking Ball recording. Since I missed the Spyboy tour this is the next best thing. Emmylou sings with more power and soul than ever and Buddy Miller is a truly unique musician. If you like the Spyboy recording this is a must.

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Dylan & The Dead Review

Dylan and The Dead
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Over the years, I held off on purchasing this disc due to the almost uniformly scathing reviews blasting it - some of the most virulent and sarcastic can be found here on Amazon. However, the intriguing pairing of these two classic artists (and I'll admit like other reviews state - the beyond cool album cover) got the better of me and I bought it used as a hedge.
I've taken a listen - what do I think? a) Dylan and The Dead is not the place to start your collection of either artist; b) There are better commercially available live albums of each artist individually; and c) keeping those caveats in perspective, this is a ragged, free-wheeling, and ultimately satisfying performance that I will go back to from time to time, because I seek out this type of music for the feel and inspiration it gives me.
Contrary to what I have read, Dylan's vocals are acceptable, and they are intriguing for what he chooses to include and leave out given the generally accepted crossroads he was at in his career. The Dead's sound is unmistakable, and provides an interesting filter to standard and not so standard selections within Dylan's substantial song catalog.
Finally, I find this unique album (it will never happen again with all the same key players present) every bit as listenable as any of the countless live Dave Matthews/Phish/String Cheese Incident/You Name It albums out there that I have heard bits and pieces of but would never be motivated to purchase based on their meandering sound and lack of songcraft.
All and all, a worthy album that you will be surprised by if you are a fan of either artist, given the amount of negative reviews associated with it.

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Good Spirit Review

Good Spirit
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First heard of Xavier only a few months ago when friends bought me a ticket to see him in concert in Brisbane, Australia. What a truly awesome performance, one man making such fine and energetic music. The combination of great beats, the unearthly sound of the Didjeridoo and his brilliant slide guitar work make Xavier, in my opinion, the best artist to have appeared in this the 21st century. His studio albums are great but this one really gives an indication of how much of an accomplished artist this man is. If you haven't seen him live yet, get this CD and if he is ever performing live in your area, do whatever you can to get tickets and see him, you won't be disapointed.

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Xavier Rudd brings you his first live album 'Good Spirit'. The album was recorded from various gigs around Australia - (The Enmore Theatre, Sydney), (The Palais, Melbourne), (Fly by Night, Fremantle). Universal. 2005.

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Landing on Water Review

Landing on Water
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How can you not like this album? This is experimental Neil at his best, trying to tackle something new and infuse it with his own Neilness.
So, you think of the 80s, and you think of synthesizers. New Wave? Synth pop?
Neil puts together this album that is largely synthesizer-driven. Actually, that's not true. This album is primarily driven by Steve Jordan's drums, mic'd in such a way that it sounds like you're in a closet with them. Keyboards are layered on top of the drums, and last... BUT CERTAINLY NOT LEAST... Neil's trademark tortured distorted guitar periodically cuts through and slaps you senseless.
This album has a LOT of charm to it.
Lyrically:
"Take my advice, don't listen to me..."
"The wooden ships were just a hippie dream..."
An angelic-voiced boys choir singing "Got to fight to control the violent side..."
Samples & sound effects:
Breaking glass as percussion.
Screams punctuating that song "Pressure".
...and DAMN I don't know what they did to those drums throughout the album to make 'em sound so in-your-face, but... DAMN...
DAMN.

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Jump Up Review

Jump Up
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Elton John had started the 80s with a huge hit called Little Jeannie from a solid album called 21 At 33. He followed that album with the similar but lukewarm The Fox. Well hold on. Because on this outing, Elton John wakes up and hits the ground running. If you thought he was down and out, he was preparing his fans for a release that was truly the jump start of his career in the 1980s.
Jump Up contains some outstanding songs. Dear John, Spiteful Child, Legal Boys, Blue Eyes, Empty Garden, Where Have All The Goodtimes Gone and All Quiet On The Western Front. The production has never been stronger with thanks to Chris Thomas for giving these songs a real shine without over doing it. The tight production on songs like Spiteful Child and Legal Boys measure up to anything that came before this effort.
Elton sings convincingly and with a self-assurance that resembles his best known work. The ache in his voice during Empty Garden, the wonderful tribute to John Lennon is moving. Elton has said he had fun making this release and it shows. He and producer Chris Thomas started to gel and while the hits Blue Eyes and Empty Garden may overshadow this album, it was a perfectly well executed album that deserves to be heard.

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Japanese only SHM paper sleeve pressing. Features 2003 remastering. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research into LCD display manufacturing, SHM-CDs feature improved transparency on the data side of the disc, allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD players.

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Before The Flood Review

Before The Flood
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I've been vexed by this release ever since some old friends of mine used to rave about it. I just couldn't warm up to it. I thought the Dylan songs were just not like the studio ones I was familar with and the sonic limitations (of the orignal CD release) definitely did not help its cause. Now I can say it was soley the sonics that kept this on the shelf for so long. The improved sound is just brilliant, the high end rides above a solid bottom whereas this used to be a muddy mess. I can finally recommend this. Many diehards will lament the lack of any bonus material whatsoever. This is how the Dylan machine operates, he uses his bootleg series toward that end and he keeps the legacy material tried and true. I applaud that and I think brevity is sometimes its own reward.

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Japanese only paper sleeve pressing. Sony. 2009.--This text refers to an alternate Audio CD edition.

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Simon & Garfunkel - Old Friends, Live on Stage Review

Simon and Garfunkel - Old Friends, Live on Stage
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I own this DVD as well as the Concert in the Park DVD; I was also at both concerts -- each had a different feel, and each DVD has a different feel. Several reviewers have compared the two DVDs and, like most of them, I prefer the "Old Friends" DVD, which isn't to say that the Central Park concert is not worth owning.
The sound quality of Old Friends is superior, but that may be a function of the venue as well as of the updated recording technology -- at an outdoor concert, some of the sound is lost to the open air, while at a place like Madison Square Garden the sound is contained by the venue, and thus feels richer.
Though Simon & Garfunkel were backed up by a band in both concerts, the Central Park concert is more folky, with a peaceful outdoor concert feel (which is exactly what it was). The Old Friends concert, on the other hand, often seems to emphasize the rock aspect of "Folk Rock," which is a nice change from the Simon & Garfunkel sound I'm used to hearing. Its venue, better sound quality, and lighting effects, also give it more drama. On a flatscreen TV with excellent sound, the Old Friends concert provides the richer experience. My choice of which to watch, however, depends on my mood: I was at the Central Park concert the day before my first day of highschool, so if I'm feeling nostalgic I'll watch the Park concert; if I want more of an energetic, arena feel, I'll watch Old Friends.
As far as I remember, the only song they did at the Garden that was cut from the DVD was the Everly Brothers' "Let it Be Me." This isn't a big deal for me, though I'm sure some Everly Brothers fans aren't happy.
Other than this, there's little I can add to what's already been said about this DVD.

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"Right from the opening montage that juxtaposed scenes from the duo's careers and other world events, the message was clear-Simon & Garfunkel were sharing this show with their generation." (David Wild, Liner Notes) For an entire generation, the concert event of the new millennium was the 2003 Old Friends tour from Paul Simon and Art Garfunkel. Their first national concert tour in two decades, performing songs that rank among the most memorable of the '60s, was a sold-out sensation in more ethan 30 cities across the country. Now many of those unforgettable performances are heard on the DVD Old Friends Live On Stage, as well as a 2-CD set and a Deluxe Edition with both the DVD and the CD's. The songs of Simon & Garfunkel have never sounded better.

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