Showing posts with label hot. Show all posts
Showing posts with label hot. Show all posts

The Emancipation of Mimi - Ultra Platinum Edition Review

The Emancipation of Mimi - Ultra Platinum Edition
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What the Reviewers said:
This CD, when originally released, received 4 star ratings from Blender and Vibe magazine. (Other reviewers gave generally favorable reviews). The re-release contains all of the orginal 14 tracks plus 4 new songs, including Don't Forget About Us.
What I say:
From people I have talked to, everyone has 5 or 6 favorite songs and they are rarely the same. This just proves that there is a song for everyone on this CD. Whether you like Adult contemporary, R&B, or pop, you are guaranteed to find songs you love. In the End, you are bound to enjoy 3/4 of the record (if not the whole CD).
How has the general public responded?
-3.7 million copies sold in the US (6 million worldwide)
-Won awards at the World Music Awards, Teen Choice Awards, 4 awards at the Vibe Awards, and a couple at the Lady Soul Train Awards

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All for You Review

All for You
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What most sources don't tell the customer is that this CD comes with a DVD of all of JJ's videos from the last three CD's (janet., Velvet Rope, and All For You (a.k.a. The Virgin Years)). This is a great CD, but it is edited, and Would You Mind is off the track listing. But in place of those are remixes of Son of a Gun, which are decent (the original is the best). The part of this collection that makes it worth the money is the DVD. It's Great! Most people have been waiting for JJ's videos in one place for a long time, and this is the closest anyone will most likely get for a while, and at the moment, it's close enough. Just being able to see the "if" full-length video was nice, but then the other 18 videos make it a complete collection (obviously excluding the video's from the 80's). If you're a fan, or just like Janet, then this is a wonderful purchase.

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Japanese version featuring a bonus DVD (Region 2, NTSC) featuring live footage, an interview, & promotional videos.--This text refers to an alternate Audio CD edition.

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24 Hours Review

24 Hours
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I admit up front that I am a big fan of Sir Tom's... if he sings a song, I will give it a listen. With that in mind, I did my very best to listen to "24 Hours" and rate it on its own merits.
If you are a fan of Tom Jones, you should love this album. He doesn't "reinvent the wheel" here, he just does what he does best: belt out soulful, fun, awesome tunes. If you are NOT a fan of Tom Jones, you should still enjoy this album. If the stylings of Amy Winehouse or Duffy have done anything for you, pick up "24 Hours", because you will find a lot of that same brassy, ballsy UK soul.
What is truly remarkable to me is Jones' voice. While other "comeback" crooners like Tony Bennett, Johnny Cash, and most recently Neil Diamond ("Home Before Dark" is an excellent album, by the way) have lost a little of their voices' depth, Tom Jones sounds as strong as he ever has.
This is a great album from a great talent. Tom Jones fans rejoice... A-Tomic is back!

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Music icon Tom Jones returns with his first album of new material to be released in the United States in over 15 years."24 Hours" represents another milestone for Tom Jones; from interpreting a classic Bruce Springsteen track (The Hitter) to writing and working alongside the likes of Bono and The Edge (Sugar Daddy).
Utilizing modern day producing maestros, Future Cut (Lily Allen), Tom Jones' "24 Hours" showcases the best of what has made him a legend.From the pulsing first single, If He Should Ever Leave You, to the soaring I'm Alive; from the reflective title track to the emotional depths of The Hitter, Tom Jones delivers one of the most powerful albums of his career.
Having sold over 100 million albums throughout his career and still touring and performing over 200 days out of the year, Tom Jones brings his best to this latest recording and shows why he remains at the top of his craft after 40 years.

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Tina (Eco) Review

Tina (Eco)
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For the first time, I had the bucket-list pleasure of seeing Tina Turner perform live this past Sunday at San Jose's HP Pavilion. For a woman approaching her 69th birthday and celebrating her fiftieth anniversary as a performer, she is a genuine force of nature - still as striking as ever and showing even more passion with her familiar repertoire. In conjunction with Turner's all-stops-pulled tour, Capitol has released yet another greatest hits compilation but this time following the order of the concert set list. Your appetite for this release will depend on how many of the other collections you own. There are several on the market already - 1991's Simply the Best, 1993's What's Love Got To Do With It (the soundtrack to her biopic), 2005's All the Best: The Hits - not including all the live recordings on CD and DVD and her legendary work with her ex-husband Ike. However, if you have not been a fervent follower since her 1984 breakout, Private Dancer, this is an especially worthwhile purchase.
There are eighteen tracks in all that cover the broad scope of Turner's career. Her years as the distaff half of Ike & Tina Turner are book-ended by the Phil Spector-produced "River Deep, Mountain High" from 1966 with his signature Wall of Sound in full force, and the autobiographical "Nutbush City Limits" replete with Memphis-style horns from 1971. Forget the covers by Celine Dion and Bob Seger, as both are indisputably her classics. However, Turner's signature song, as we all know, is "Proud Mary". Although for me, it always loses something without Turner's familiar choreography in view, she transforms the original by Creedence Clearwater Revival with the slow ("nice and easy") opening, the spoken-word intro, and the high-kicking, horn-blasting choruses. The comparatively polished version presented here is the one she recorded for the soundtrack of her 1993 biopic.
1989's Foreign Affair is well represented with the twangy power rocker "Steamy Windows" (the opening song of the concert) and her synth-heavy anthem, "(Simply) the Best". The percolating "What You Get is What You See" comes from 1986's Break Every Rule. But it's no surprise that "Private Dancer" gets the lion's share of the tracks here - the seductive title track, the underrated rocker "Better Be Good to Me", and of course, her Euro-infused comeback, "What's Love Got to Do With It?". There are four movie songs, two of which Turner played roles onscreen - as the drug-dealing Acid Queen announcing her arrival with Pete Townshend's eponymous rocker from the Who's groundbreaking rock opera, 1975's Tommy, and as Aunt Entity, the foreboding ruler of Bartertown, in 1985's post-apocalyptic Mad Max: Beyond Thunderdome, from which she uncharacteristically sings the poignant anti-war ballad, "We Don't Need Another Hero (Thunderdome)".
The other two movie songs are the gently loping "I Don't Wanna Fight", the theme from her 1993 biopic, and the disappointing U2-penned GoldenEye, a typical James Bond theme from 1995 that sounds like it was written in the 1960's for Shirley Bassey. Three live performances are gratefully included here as well, the first two from her 1999 Amsterdam concert. Al Green's "Let's Get Together" gets a surprisingly churchy treatment with an organ-dominated opening, but Turner eventually sidles the song into its familiar clubby groove. With the Billy Preston-like keyboard pounding, Ann Peebles' "I Can't Stand the Rain" takes on a roof-raising gospel flavor. Taken from a 1986 concert at London's Camden Palace, her version of "Addicted to Love" doesn't have the curled irony of Robert Palmer's original version, but it captures the beat-heavy bombast and Turner wails mightily on the chorus.
The new tracks, both penned by Pat Monahan of the rock band Train and Robbie Williams' longtime producer Guy Chambers, show her voice undiminished in 2008. "It Would Be a Crime" scoots by with an inescapably catchy techno-beat, while "I'm Ready" is a more programmatic rocker hamstrung somewhat by the overly repetitive chorus. I truly hope these tracks indicate the release of a long-rumored album of new material. For those who are lucky enough to attend her current concert tour, you will find the following songs missing from this compilation: "Typical Male", her bluesy version of the Beatles' "Help!", "Undercover Agent for the Blues", the Rolling Stones medley of "Jumping Jack Flash" and "It's Only Rock `n' Roll", and her final encore, "Be Tender with Me Baby". So consider this album not a definitive collection but more of a nice sampler for those of us in awe of her. I believe that would be the majority of us.

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Tina! is the 2008 CDto compliment the eight-time Grammy Award winner and Rock & Roll Hall of Famer's long-awaited return to arenas throughout North America. Capitol/EMIreleasesa new 18-track CD and digital collection of Turner's Top Hits, rare live recordings and two exclusive new tracks.Few rock performers can work a stage and an audience as masterfully as Tina Turner has been doing since the 1960s. First achieving stardom alongside then-husband Ike Turner, R&B siren Tina left to pursue an even more successful solo career that also included movie roles.18 tracks.

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Pussycat Dolls - Live in London (2006) Review

Pussycat Dolls - Live in London (2006)
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I personally think that this is a great concert. Now it isn't a very long concert but the girls are just basically singing their hits. What also makes this dvd worth purchasing is the fact that all of their videos are included and there is also behind the scenes footages as well. You also have segments called "Meet The Girls" which is like little bio's on each of the women. The only thing I wasn't happy with is during the live performances, there are some behind the scenes footage spliced into the performance but they're really not that long and it doesn't happen often during each performance so it's not really a distraction. Overall a good concert dvd from the Pussycat Dolls.

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PUSSYCAT DOLLS - LIVE IN LONDON!LIVE PERFORMANCES OF THE #1 HITS FROM THE DOUBLE PLATINUM ALBUM `PCD':"DON'T CHA," "STICKWITU," "BUTTONS" AND MORE...BEHIND THE SCENES FOOTAGE WITH THE DOLLSUP CLOSE & PERSONAL MOMENTS WITH YOUR FAVORITE PUSSYCAT DOLLALSO INCLUDES 5 MUSIC VIDEOS: "DON'T CHA" "BEEP" "STICKWITU" "BUTTONS" "I DON'T NEED A MAN" ALONG WITH 2"MAKING OF THE VIDEOS"Track Listing: BUTTONS BEEP I DON'T NEED A MAN FEELING GOOD STICKWITU WAIT A MINUTE DON'T CHA

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Confessions on a Dance Floor Review

Confessions on a Dance Floor
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MADONNA is back with her new album Confessions on a Dance Floor and it is an amazing album and one of her best!
HUNG UP - This is the first single off of the new album and is a huge hit in the clubs. The song has a sample from ABBA's song Gimme Gimme Gimme (which I have never heard) and has MADONNA singing about someone she is hung up on. The song has a very great groove and it's definitely the most commercial song on the album. With the chorus line "Every little thing that you say or do I'm HUNG UP, I'm hung up on you." and lines like "Ring , ring, ring goes the telephone, the lights are on but there's no one home" the song gets stuck in your mind and you find yourself singing these catchy lines. No Madonna song has as catchy lines since "INTO THE GROOVE" which had Madonna sing "At night I lock the doors and no one else can see". Very strong single that will keep the dance club crowd on there feet.
GET TOGETHER - This is a great up- beat song (inspired by Stardust - Music Sounds Better With You) with a very laid back trance like feel to it. The song has Madonna singing to a person she really likes asking "Do you believe in love at first sight?" Even if it's an illusion she states she don't care. "Can we get Together? I really, I really want to be with you. Come on check it out with me, I hope you, I hope you feel the same way too." Put some head-phones on and close your eyes and the Great retro dance beat along with the trance feel take you to another world.
SORRY - This is rumored to be one of the new singles from the album. Madonna sings "I don't want to hear, I don't want to know please don't say your SORRY." to someone she is probably never going to forgive. The songs chorus sounds similar to the bass line from The Jackson's' 1981 hit Can You Feel. Sure to be another huge club and commercial hit.
FUTURE LOVERS - This is one of my favorite songs on the album. This song also has a retro vibe to it with another trance like feel. This song has a lot of stuff going on musically and it is inspired by Giorgio Moroder/I feel Love by Donna Summer. The song has some spoken vocals for the first minute and a half, then it breaks out in to this awesome dance song. She sings "In the evidence of it's brilliance" talking about love. This song is going to be HUGE in the clubs.
I LOVE NEW YORK - Great dance song that has MADONNA telling us how much she loves NEW YORK and hinting towards George Bush and his home state. Singing, "If you don't like my attitude then you can just f off. Just go to Texas, isn't that where they golf." Very awesome dance song with a very punk rock feel to it. This is also rumored to be a single off of the new album.
LET IT WILL BE - this is a song that has a raw feel to it with a funky house groove and a retro 80's feel to it. This song sounds similar to the string opening (played on a synth) from her own song PAPA DON'T PREACH. This song has MADONNA singing lines like "Now I can tell you about success, about fame, about the rise and the fall, of all the stars in the sky, Don't it make you smile? Let it will Be. Just let it be. Won't you let it be?"
FORBIDDEN LOVE - This is one of the slowest dance songs on the album and one of the most beautiful. The song has computer generated, and vocoder style vocals and has another 80's feel to it. The song is the closest thing to a ballad on the album. MADONNA sings "Once upon a time there was a boy and there was a girl. Hearts that intertwined they lived in a different kind of world. Forbidden Love are we supposed to be together? Forbidden Love we seal are destiny forever."
JUMP - This is one of my other favorite tracks on this album. This song has a great beat and classic MADONNA vocals. This is one song that will make the club crowd JUMP and remind anyone of classic MADONNA. Madonna sings " We learned our lesson from the start my sisters and me. The only thing you can depend on is your family. Life's gonna drop you down like the limbs of a tree. It sways, and it swings and it bends until it makes you see. Are you ready to jump? Get ready to jump. Don't ever look back oh baby. Yes I'm ready to jump. Just take my hand, get ready to... are you ready?" This would be a great single and in some countries is expected to be released as a single.
HOW HIGH - This song has a great beat to it and is another song that has computer generated, and vocoder style vocals. This is a song that has lyrics (similar to "Drowned World/Substitute For Love) about Madonna analyzing and evaluating her fame and success. She sings "How HIGH are the stakes? How much fortune can you make? Should I carry on? Will it matter when I'm gone?" Another great song!
ISAAC - This is another beautiful song on the album. Despite the early controversy this song has spawned, this is s song that has a very beautiful Jewish chant with strings and guitars that envelope you and take you on an emotional journey. This has some of the most beautiful lyrics MADONNA has ever wrote. She sings "Wrestle with your darkness. Angels call your name. Can you hear what they are saying? Will You ever be the same?" People may not like this song because of the spiritual vibe, the Jewish chant, and because it is different, since some people don't like things that are different. I love this song!
PUSH ME - This is a great inspirational song that she probably wrote for her husband Guy. Very Uplifting beat that some people say samples a slowed down section from her own hit "LIKE A PRAYER." Madonna sings "You PUSH ME to go the extra mile. You push me when it's difficult to smile. You push me a better version of myself. You push me only you and no one else. You push me see the other pont of view. You push me when there's nothing else to do. You push me when I think I know it all. You push me when I stumble and I fall." This is a great song that reminds us all how much our lovers/partners love us and push us to be better.
LIKE IT OR NOT - This is another great song influenced by her own cover of her hit FEVER. This is for all those people who for what ever reason don't like MADONNA and always put her down. She once again analyzes herself and says, like it or not this is who I am. She sings: "You can call me a sinner, you can call me a saint. This is who I am, You can like it or not, You can love me or leave me, But I'm never going to stop." Awesome song and some great advice from a strong women who just keeps going on her journey no matter what people think of her. Cleverly this last song closes this beautiful future-disco album with an acoustic guitar. I have to say it's very sad to see some of these reviewers post reviews about how much they hate Madonna or like other artists better. The reviews they write have nothing to do with Madonna's new album and yet they give her 1 star all because they don't like her. After reading the reviews I can tell most of them have not even heard the album because the reviews they wrote are so far from what the songs are about. I guess MADONNA is still a huge threat to them and they have to post such hateful things about someone they don't like all because she is MADONNA. In a MADONNA like fashion I will not get bitter toward them, I will forgive them and ask that God Blesses each and every one of them.
And should any of you good people out there be the target like MADONNA and find yourself the victim of other people's bitterness, ignorance, smallness or insecurities; Remember, things could be worse. You could be one of them! MADONNA once again leads while the rest will follow. This is the best MADONNA album since RAY of Light!

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“I want people to jump out of their seats.” â€"Madonna On Confessions On A Dance Floor, Madonna, the most popular and significant female artist in pop music, returns unapologetically to her roots. A stunning blend of musical styles with one foot in early disco (à la Giorgio Moroder) and the other pointed toward the future, Confessions On A Dance Floor “is all about having a good time straight through and non-stop,” says the Material Mom, who co-wrote and co-produced every track. For Madonna and music fans everywhere, the all-dance, noballad Confessions On A Dance Floor is a welcome guilty pleasure. Special Limited Edition includes, 40 Page Picture Book, 80 Page Blank 'Journal' Book (includes some diary entries from Madonna), 1 Bonus Track, 1 month trial Fan Club Membership. Slip Case.

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Oral Fixation Vol. 2 Review

Oral Fixation Vol. 2
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from the opening chant of "Our Father" through to the reprise of "La Tortura", which was obviously added to boost sales (as it was the biggest Spanish-language song since Los Lobos' "La Bamba" in 1987), Shakira takes us on a musical journey of many different styles and does a great job.
Track by track:
How Do You Do - part of it sounds almost too Avril Lavigne/Kelly Clarkson like, but the addition of religious imagery and various languages makes it a good track.
Illegal - the made-for-AC-radio ballad includes some fierce guitar playing by Carlos Santana. Very pretty and almost sounds like something from the 1980's
Hips Don't Lie - just added to the album... Shakira successfully did what the likes of J. Lo and Mariah have always failed to do when collaborated, she made Wyclef Jean assimilate to HER style of music, as opposed to her doing a hip hop number. A Latin-sounding booty-shaking fun track that is climbing the charts.
Animal City - one of the two most rocking tracks on the album, Shakira sings about celebrity and the way people change around her and become greedy.
The Day And The Time - a beautiful track about hope and redemption
Dreams For Plans - meloncholy but beautiful, with just a hint of Portishead trip-hop to the mix
Hey You - this sounds almost like something No Doubt would do, very fun song that you will tap your toes and sing along to, a potential single IMO.
Your Embrace - one of the saddest songs on the record, but another pretty melodic ballad
Costume Makes The Clown - instead of being the cheated... Shakira is the unfaithful one and she's trying to apologize to her boyfriend, a rocker
Something - Shakira sings in French and gives us another ballad, albeit more alternative sounding than the other tracks
Timor - this is the dance track, sounds a bit like a Madonna track. Shakira is singing about the oppressed and the government... even though she's singing about South America, I think Shakira's gay fanbase can definately adopt this track because it applies to them too... definately remix-worthy
La Tortura - this was one of the big hits last summer, added on the reissue to help boost sales (much like Hips Don't Lie), this is an alternate Spanglish mix with a little English thrown in
Not an award-worthy album and not a life-changer, but Shakira's album is still a very worthy listen and the second wind it's catching is well worth it and I hope this album holds on well. There's a little something for everyone, there are a few too many ballads, but the slow songs all work and are some of the best tracks here. Definate thumbs up.

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Oral Fixation, Vol. 2 [Bonus Track]ShakiraLabel: Sony Release Date: 3/28/20061 How Do You Do - 3:472 Illegal - 3:563 Hips Don't Lie - 3:404 Animal City - 3:185 Don't Bother - 4:196 The Day and the Time - 4:257 Dreams for Plans - 4:048 Hey You - 4:119 Your Embrace - 3:3410 Costume Makes the Clown - 3:1311 Something - 4:2412 Timor - 3:3313 La Tortura [Alternate Version][*] - 3:33

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Discipline Review

Discipline
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Let me preface this by saying that this is Janet's best album since The Velvet Rope. And I genuinely mean that. And no offense to those three albums in between...I'm not downing them. Discipline is just better. All in all, this is a great album. Though I must admit that I AM a bit biased, I can't imagine why any level-headed "reviewer" here on Amazon would brand this CD as being one or two stars out of five. I'm guessing that most of this is spawned from the media and how it likes to give off the impression that Janet has no career to speak of. Which is sad, in my opinion because obviously these type people haven't experienced Janet at her finest. She's consistently put out great music...moreso than any other artist I can think of off the top of my head. Another thing I've noticed alot frequently is that Janet gets criticised for her "overly sexual" lyrics. Why is it that R. Kelly (along with other "aging" male R&B acts) can get away with nothing but praise when all they talk about on a single album is what Janet gets slammed for doing on two out of fourteen tracks? When Janet resorts to singing about "Booty Meat" (see Soulja Boy) then, by all means, flame away. But, as for now, kindly recognize that Janet is as dignified, strong, enduring, and strangely innocent today as she was when she was 20 YO.

Overall Grade: B+
Feedback: one of the albums best tracks is also it's first single. A straight-up dance song (and currently #3 on the US Dance Charts) this is pretty different than anything I've heard from Janet....which is good. In fact, the space age instrumentals sound like something that Kayne would gravitate towards. One of my favorites. B+
Luv: Another dance-oriented track and one of the more mainstream tracks on Discipline, this is actually better than Feedback in my opinion. It's hard to imagine any fan of modern pop music turning their back on this song. A
Rollercoaster: Very strange song for Miss Jackson. Sounds one part African-inspired, one-part modern dance, and one-part something else all together. As you can see, this is a very hard song to describe with my minimal writing abilities. But the word bizarre comes to mind. B+
Rock With U: NOT a cover of her brother's single. This track (the second single) is definitely a "chill" song. Futuristic, robotic, and sexy like a shiny, sleek, expensive car. A definite house-type song, destined to be heard in the clubs. Luv it. A.
2nite: A guilty pleasure of mine for sure...sounds like something Janet would've did in the eighties with Control. Not amazing, but it sure is danceable. Very fitting for the album. B-
Can't B Good: Possibly my favorite song from Discipline. I loved this song thirty seconds into hearing it for the first time. It's reminiscent of the "janet." era, for sure and another "chill" song. Reminds me of "The Body That Loves You" coupled with a modern hip hop beat. Amazing. Bordering on A+...not quite there, though.
Never Letchu Go: I can see why a lot of people would like this...but in all honesty, it's not for me. Very nineties...I can see Boyz 2 Men performing this. For me, the Japanese Bonus track "Let Me Know" would've been a better addition than this. Nice beat, though. C
Greatest X: VERY mainstream. Had this been a single, it would've reached a wide audience. Listening to this makes me picture a couple dancing cheek to cheek at their high school prom. Nice chorus, but the song really takes off more near the end. "Greatest X" has been compared by one music critic to One Republics "Apologize." Worth a few listens. If you didn't like it at first, it will surely grow on you. B
So Much Betta: The album goes back into dance tracks with this. It's a nice song, known for samplind Daft Punk. Not really much I can think to say about it. Janet's robot maid/assistant/whatever, Kyoko does the chorus. Interesting, short, and sweet, if not a tad repetetive. B-
The 1: Believe it or not, I used to hate this, but I must say that this is growing on me in a big way. It sounds like one of the better tracks from 20 y.o. And Missy Elliot might just catch you off guard with her opening rap. Watch for Janet to be flamed for the "seven inches" lyric as she was for Feedback's "period" one. B
What's Ur Name: Sweet, dreamy instrumentals and an all-around decent song. Kinda follows the trend of "good, not great songs" from the second part of this album, but it's still something worth hearing. I'm sure It'll grow on me. This is the closest thing resembling filler that you'll hear on this album. C
Discipline: Janet's already gotten some heat for the lyrics on this one. Not one of the albums stellar tracks, but very interesting and memorable. Memorable for it's sensual lyrics and S&M themes. Overall, though, it's very nice and smooth. C+
Curtains: Sexy is the first song that comes to mind. Sexy instrumentals, sexy lyrics, and, as always, sexy vocals from Janet. Another one that had to grow on me though. A nice closing song for an album that could've been The Velvet Rope part 2 had the second half been as strong as it's first. B+
4 stars for the album, 1 for it simply being Janet. :)

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"A PASSION FOR DISCIPLINE" by Janet "It's the idea that unifies the songs on this record. As a concept, and even a lifestyle, discipline goes extremely deep. It can be applied to so much about ourselves. In my case,I see it as one of defining aspects of my character. Discipline was there for me from the start. But it was not until this record that I began to understand its full meaning. "In putting Discipline out front -- as both the title of the album and title of a song about sexual surrender -- I wanted to announce that I was venturing into new creative waters. That meant working with producers like Jermaine Dupri, Rodney Jerkins, and Ne-Yo, whose songs spoke to the immediacy of my emotions. Like all my records, this one, whether intentional or not, has autobiographical roots. It's difficult for me to work any other way. I don't feel it, if I don't believe it, I can't sing it. "So Discipline, as a storyline, begins in my childhood which someone could see as a classic study in discipline. Discipline was part of a family culture that I absorbed. I was born with it. "I also believe that discipline has given me the confidence to jump out of the nest. When L.A. Reid, Chairman of Island Def Jam, and I discussed co-executive producing this record, we both agreed that the feeling had to adventuresome and fresh. I was interested in exploring musical scenarios--some exotic, many erotic, but all deeply emotional. "I wanted to push the envelope. And I'm glad that Discipline, both as a song and an album, does just that." "Deluxe Edition includes the same CD as the regular edition, plus a DVD."

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Back To Me Review

Back To Me
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Fantasia's "Back to me" is easily the best R&B album of 2010. The songs are diverse with a familiar feel, as though listening to tested classics we already know, something R&B has been missing the last few years.
Opening is the midtempo piano-sprinkled "I'm doing me" (reminding me of Mary J Blige) on which she states "sometimes you have to put yourself first" as she gives her man the boot, might as well be her stand against the recent drama in her life. "Bittersweet" is a retro Soul ballad with a spoken section, soothing harmonies and gut wretching vocals. The Ne-Yo produced "Man of the house" is groovy with a more contemporary feel and Fantasia growling "if you gon' be the man, then be the man". "Who's been loving you" is skeletal with a lovely piano riff, while "Collard greens & cornbread" is another outstanding retro Soul ballad with awesome harmonies.
"Teach me" is guitar-laced Reggae/Soul which is heavily remniscent of the Lauryn Hill/Bob Marley duet "Turn your lights down low". The lovely "Move on me" features a triumphant horn section and busy percussion, while "Trust him" sounds almost Do Wop but with heavy Hip Hop beats and an insistent piano riff.
"The thrill is gone" is a haunting midtempo groove with a rap by Cee-Lo, while the lilting "Falling in love tonight" is a lovely ballad. "Even angels" is a contemporary sounding synth ballad, and closing is "I'm here" (from "The Color Purple" musical in which she starred for a year) a laid back theatrical piece that leaves ample room for her raspy soulful vocals to soar unencumbered by effects.
Definitely Fantasia's best effort yet, and yes, every bit as delicious as momma's collard greens and cornbread.

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Grammy-nominated songstress Fantasia will release her highly-anticipated third studio album Back to Me on 23rd August. Leading the way with the official first single "Bittersweet," which is currently #9 on the Urban Adult Airplay chart, Back To Me is an emotionally charged album which features a sole guest appearance by Cee-Lo Green and songs written and/or produced by Ne-Yo, Claude Kelly, Chuck Harmony Rico Love, Jim Jonsin, KP & Malay. Also available for the first time as a bonus track is "I'm Here," Fantasia's signature song from her acting role as "Celie" in the Broadway play, The Color Purple.

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Play On Review

Play On
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Not since Shania Twain bared her midriff, and gained legions of fans outside of the country music scene, has there been a disc that blatantly wears its intentions on its (album) sleeve. Literally, the songwriting and producing credits are littered with a who's who of names that are ruling the charts in every genre. And with a longer listening, this album has to be Underwood's most focused. The melodies are smoother, "This Time" with its stuttering drum just below the mix and harmony is just so breezy and effective it leaves you with no choice but to tap your toes and sing-along to the chorus.
But that is what the whole album is built on, an inner arena feeling. It has a much fuller sound than carnival ride. It's grander, and oozing in bombast, "Cowboy Casanova" & "Songs Like This" give you just enough fiddle and twang to satisfy without purely catering to a pop audience. With such stellar production it is almost too easy to ignore the real star in all of this: Carrie Underwood. Her vocals and interpretation has grown, shockingly, from her last disc, which found her range expanding. "Someday When I Stop Loving You" & "Temporary Home," brings to mind the best of Martina McBride, heartbreaking beauty at its best.
Carrie Underwood is going for an even broader radio sound, but who isn't in country music today. Yes, there are a bigger array of genre bending producers that bring elements of R&B, Rock, etc., but it works so brilliantly that you can't fault her for it. If Underwood wasn't delivering such honest delivery and conviction this would be a four star disc, but she brings so much to the table vocally that is impossible to not feel that she has given her all to this project, you can feel her pushing for you to enjoy this disc. There is a faith and purity to this woman's delivery that brings to mind the best artists from Cline to Womack (whose latest CD isn't garnering as much attention as it deserves). Country music -- heck, music in general needs her.

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2009 release from the four-time Grammy Award winner and former American Idol winner. Carrie has come a long way since her AI days including selling more than 10 million albums, garnering ACM and CMA awards and becoming the first Country artist in history to achieve 10 #1 singles from her first two albums. To top that all off, she was also recently inducted into the Oklahoma Music Hall of Fame! This 2009 album includes the first single 'Cowboy Casanova'.

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Live - 8701 Evolution Tour Review

Live - 8701 Evolution Tour
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Simply an amazing dvd from an amazing artist!! Even if you don't like Usher, there's no doubting that he is an amazing perfomer...especially with his little slide step move(from the U Got it Bad video) which he does even better on this dvd! Definately the best scene is with the "JEAN JACKET"(you'll know what I'm talking about when you watch it for yourself). Overall, I am a big usher fan, and if you are too, then there is no reason why you shouldn't own this one!!!

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Britney Spears - Live from Las Vegas (2001) Review

Britney Spears - Live from Las Vegas  (2001)
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I happened to be going to a conference in Vegas the week that Britney was performing at the MGM Grand. I heard Rosie O'Donnel Say on her show that she had just got tickets for the Britney show in Vegas on the 18th of November. Not paying much attention I quickly forgot all about it. The following day I got bored at work and while daydreaming I remembered what Rosie had said and thought, what the heck, "I'll check out the ticket prices", Figuring that they would be sold out for sure and I had no idea of when they went on sale. Much to my surprise they still had seats available, so I (just to see) typed in 2 seats and I could not believe that the seats were really good and not high priced considering what I have paid recently for concert tickets, like for Madonna. (well worth it though).
Anyway, bought the tickets, went to the show and although compared to the majority of those around me, I felt like a grandpa(I am 30). Even so, as much as I tried to act my age, before I knew it, I was up on my feet and feeling the energy.
I was not expecting much and have to say was embarrased to admit to anyone at home that I was even going. After her incredible show, I have admited to everyone that I am a fan of Britney Spears and you will be too, I guarantee it! I am sure the DVD will be less powerful than seeing it live, but just feel her amazing energy and see her for what she is, A young woman living out her dreams and allowing us to tag along! AMAZING!

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Truth Tour Review

Truth Tour
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I bought this DVD for only 21.99 (on sale) and even that was too much. His last DVD in Concert was much better. I expected the same, but this DVD did not deliver. The 2 bonus disks are worthless and boring.

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