Showing posts with label club. Show all posts
Showing posts with label club. Show all posts

Kaleidoscope Remixed Review

Kaleidoscope Remixed
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It's amusing that the editorial description notes Tiesto as "one of the greatest DJ talents of this era," and that "Tiƫsto continually pushes boundaries with his addictive dance music creations." If this were still true he wouldn't continue to realese albums like this. In search of sunrise 7 was the last real trance project that he released, and even by that point he had run such a great series into the ground. The original Kaleidoscope album upset a large amount of dance purists last year and dressing up the same tracks with average remixes will do just the same. However, there are a small amount of tracks on this album that are worthy of a release: Ferry Corsten's remix of Kaleidoscope, Nic Chagalls' remix of Here on Earth, Jonas Stenberg's remix of I am Strong, and Wolfgang Gartner's remix of I Will be Here. If First State's remix of Feel It in My Bones was strictly instrumental, it would have been fantastic. But the vocal is so unavoidabley dire that it takes away from the production. Sadly enough this doesn't even add up to half the album. Remixes that would have made this project more attractive and truly expressed Tiesto's "addictive dance music creations" are Marcel Woods' remix of Escape Me, Marcus Schossow's remix of Feel It in My Bones, and Andy Dugid's remix of Who Wants to be Alone (which is a stormer). For all the doors that Tiesto has opened for dance music since its initial movement I still give him the benefit of the doubt as Kaleidoscope being his first real blunder. The question is now that Kaleidoscope has recieved the customary treatment in original and remixed format, what will Tiesto do next? Will he reaffirm his legendary status in dance music culture, or drift off into irrelevancy along with Paul Oakenfold? I hope this is not a foreshadowing. One thing is certain however, with mishaps like this taking place in the dance community, Armin Van Buuren continues to show his dominance and why the torch has been passed to him as the world's no 1 dj. His artist album Mirage will definately crush Kaleidoscope and he is also positioned to break Tiesto's record as the world's number 1 dj for a fourth time in a row later this year. Time to wake up Tijs!

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Grammy nominated Tiësto is undeniably one of the greatest DJ talents of this era! Internationally recognized as one of the world's premier DJs and producers, Tiësto continually pushes boundaries with his addictive dance music creations. Kaleidoscope Remixed takes his latest innovative and critically acclaimed album to the next level, as he remixes his top tracks to Tiësto perfection!

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Revancha Del Tango (Bonus CD) Review

Revancha Del Tango (Bonus CD)
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(This review was originally posted for the first release.)

In Argentina (and else where), there is always a debate on whether a new composition should be considered tango. Many of the songs from "the Golden Age of Tango" created their own shares of controversy when they first came out in the first half of the 20th century. Of course, then there was Astor Piazzolla, whose music to this day still manages to upset certain self-proclaimed purists.

The Gotan Project attempts to amalgamate tango with other contemporary musical elements. There were negative reviews, both on and off lines, that claimed that it was sacrilegious and ultimately not tango. I would like these people to listen again carefully, because I could point to segments where the reference to classic tango is very obvious.

For example, on track 5 ("Santa Maria"), if you pay close attention and use a little imagination, the opening sounds just like "La Yumba" by Osvaldo Pugliese (more similar to the 1952 version; the 1946 version sounds too weak in most recordings.) And on track 6 (Una Musica Brutal), part of the rubato from the middle section came almost directly from "Quejas de bandoneon" by Anibal Troilo.

And the last track "vuelvo al sur" was truly interesting. Most of us in the tango world are probably familiar with the version sung by Roberto Goyeneche (from the 1987? film "Sur"). His scratchy voice in conjunction with Piazzolla's bandoneon made this song one of the darkest, heaviest, and the most haunting tangos I know of. The Gotan Project version is not as dense, but the contemporary rhythms seem to add an urban destitute and desolateness that are ironically appropriate, considering the current situation in Buenos Aires.

Some of the other original compositions are very interesting too. Overall, most of the tracks carry the quintessential "tango feeling" that connects this album to the century-old lineage of tango music. I applaud them for their courage to bring in new elements to tango. I think there is a fundamental question for tango music aficionados today: there are many excellent tango music groups that imitate the styles of the classic "orquestas tipicas". The most popular subjects of imitation are Osvaldo Pugliese, Juan D'arienzo, and Carlos Di Sarli. These three orchestras produced more than 1,000 recordings, many of which are considered "Gold Standards" for the particular songs. Do we still want some "new" recordings that may sound like an cheap imitation to the Gold Standards? When we buy a new tango CD next time, do we still want yet another rendition of "La cumparsita" or "El choclo"?

I am writing here as someone who had fallen in love with tango from the Golden Age and had spent quite a bit of time reading about it and listening to endless hours of Pugliese and Troilo. Here in New York, we are fortunate enough to have two regular tango groups that perform in milongas and I adore both of them dearly. I love the tango from the 1940s and 50s but from I learn from its history, it is vital for tango to renovate itself every generation to sustain its existence 50 years after its Golden Age. Whether you like the music or not, I believe that the Gotan Project had at least made that courageous attempt.

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The debut by this Paris based trio is a relaxed blend of tango dance rhythms and Argentinean instrumentation. The group was brought together by their passion to combine sound with image and to marry electronic and acoustic music. They built on their house, dub, and hip-hop influenced productions by adding two of Argentina's finest tango musicians, the musical result being supremely distinctive, incorporating bandonion (a form of accordion), violin, and vocals. This release includes 2000's most memorable jazz-house hit, "Triptico", which has already sold over 400,000 copies worldwide. The US version features the original ten tracks from the European release, along with a special bonus disc of the "Santa Maria" video plus four audio tracks.

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Britney Spears - Live from Las Vegas (2001) Review

Britney Spears - Live from Las Vegas  (2001)
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I happened to be going to a conference in Vegas the week that Britney was performing at the MGM Grand. I heard Rosie O'Donnel Say on her show that she had just got tickets for the Britney show in Vegas on the 18th of November. Not paying much attention I quickly forgot all about it. The following day I got bored at work and while daydreaming I remembered what Rosie had said and thought, what the heck, "I'll check out the ticket prices", Figuring that they would be sold out for sure and I had no idea of when they went on sale. Much to my surprise they still had seats available, so I (just to see) typed in 2 seats and I could not believe that the seats were really good and not high priced considering what I have paid recently for concert tickets, like for Madonna. (well worth it though).
Anyway, bought the tickets, went to the show and although compared to the majority of those around me, I felt like a grandpa(I am 30). Even so, as much as I tried to act my age, before I knew it, I was up on my feet and feeling the energy.
I was not expecting much and have to say was embarrased to admit to anyone at home that I was even going. After her incredible show, I have admited to everyone that I am a fan of Britney Spears and you will be too, I guarantee it! I am sure the DVD will be less powerful than seeing it live, but just feel her amazing energy and see her for what she is, A young woman living out her dreams and allowing us to tag along! AMAZING!

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Ocean of White World Tour (Pal/Region 0) (2008) Review

Ocean of White World Tour (Pal/Region 0) (2008)
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Having attended Sensation White in Dusseldorf, Germany for the 2009 New Years show, I bought this DVD as soon as I got home. While the DVD does a good job showing what Sensation is about (the lights, water, women, crowd), it only shows 1 hour of the show- 30 minutes of DJ sets and the 30 minute Megamix. I was a pretty disappointed in that, I was hoping to have something to play in the background when I have people over but it's not long enough.
Overall, Sensation is a truly amazing experience, live, But the DVD needs some improvements. Hopefully the producers will come out with a 2009 DVD. Buy this one if you wish, just don't pay too much for it.


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