Showing posts with label great voice. Show all posts
Showing posts with label great voice. Show all posts

Ti Lascio Una Canzone Review

Ti Lascio Una Canzone
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I have seen these young children sing the wonderful
songs on live telecast on italian television and ordered the cd.
I was not disappointed. I love it.

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2009 collection of songs performed by the young stars of the successful Italian TV program Ti Lascio Una Canzone. On this TV show, young performers sing classic Italian Pop songs, ensuring that the melodies and lyrics of these 'golden oldies' are passed from generation to generation and never forgotten. WEA.

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Symphony: Live in Vienna (CD & DVD) Review

Symphony: Live in Vienna (CD and DVD)
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It's great to finally have the opportunity to review this spectacular concert DVD and CD. The clarity of the audio recording is amazing. There isn't as much verbal contact between Sarah to her audience on the CD, but the DVD is the full thing, just as the audience saw it when they were there. I believe this DVD runs circles around The Harem world tour DVD 100 times, which makes this purchase totally worthwhile. The photos are stunning and the printing of the glossy booklet make everything look so nice. The DVD is purple and the CD is black with silver lettering.
Sarah's costumes and hair are gorgeous and she is definitely glowing and looking more pretty than ever. There is one small difference from the studio recording of "Fleurs Du Mal" and the recording on the dicsc. What I'm saying is...Sarah doesn't do that high-pitched vocalise while the violin solo comes in in the intro of the song, compared to the studio album recording. I wonder if it would've wrecked the intro to the song if she did sing it while moving down the middle aisle.
"Sanvean" written by Lisa Gerrard (Dead Can Dance) is a beautiful vocalise consisting of no lyrics but just sounds. That is what I love about this song. It's just so haunting and original, and Sarah does it very well, even if some say she's too breathy. "Canto Della Terra" is beautiful and Alessandro Safina looks & sounds amazing as Sarah's duet partner. Together, they blow everyone away with their breathtaking live rendition of the song. "Atessa" is very pretty and much better than expected. It really doesn't appear they used any playback for this concert, meaning Sarah used her own voice for the whole recording. I was actually expecting Atessa to be dubbed from the studio recording because of that very outstanding high note at the end, which is incredibly hard to do without screaming it.
"POTO" turned out to be quite nice, although it was a little too fast-paced compared to the original version. But the rock concert edge gives it a totally new edge and Sarah was still able to sing over the volume of the rock band and the pipe organ high above her and Chris Thompson. Oh, that reminds me, in "I will be with you"...my only negative comment would be; Chris Thompson looks a bit tired and sounds winded. If I hadn't known already what he looks like, I would've thought they pulled someone off the street to sing with her, although the rock edge was still there in his voice. Fortunately enough, Chris shines in "POTO", and he and Sarah really blew me away when I heared the performance for the 1st time. The CD bonus track "Vide Cor Meum" is beautiful and really fits in well with the theme of the album. It could've worked really well in the traclisting on the studio album "Symphony" too.
It's really wonderful to have this beautiful package and I'll cherish it for many years to come. This is by far, Sarah's best live performance to date...although there are some really amazing live performances on her other live DVDs. But this one really showcases Sarah's live singing voice, and how well she can work with a rock band. Get this item and you'll agree, it's totally worth the wait and the money.

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In January 2008, Sarah Brightman recorded and filmed Symphony -- Live in Vienna within the mystical walls of Stephansdome Cathedral in the heart of where classical music evolved -- Vienna, Austria. Renowned for its awe-inspiring Gothic architecture, the cathedral was the perfect setting to enter the magical world of Symphony lead by the voice of the beautiful, gothic-angel. The concert includes repertoire from her album Symphony and some of her most popular songs ("Phantom of the Opera," "Time to Say Goodbye"). COMBO PACKAGES TRACKLISTING* 1. Pie Jesu 2. Fleurs du Mal 3. Symphony 4. Sanvean 5. Canto della Terra (duet w/Alessandro Safina) 6. Sarai Qui (duet w/Alessandro Safina) 7. Attesa 8. I Will Be with You (Where the Lost Ones Go) (duet w/Chris Thompson) 9. Storia d'Amore 10. Pasión (duet w/Fernando Lima) 11. Running 12. Let It Rain 13. The Phantom of the Opera (duet w/Chris Thompson) 14. Time to Say Goodbye 15. Ave Maria 16. Vide Cor Meum (*bonus track)DVD extras: The Production (interview with Sarah Brightman) The Songs (interview with Sarah Brightman) The Location (interview with Father Anthony Faber and historian Elisabeth Lloyd-Davis) Photo Gallery Extras RT approx. 45 minutes Total RT for combo pkgs approx. 75 minutes

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Identified Review

Identified
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You know you're getting old when your kids start demanding their own CDs, and it seems like that stage occurs earlier and earlier with every generation. After listening to my music for the first seven years of his life, my son now wants exclusive listening rights to his latest favorites, namely Snack Time, Crazy Frog, anything American Idol, Jonas Brothers and now Vanessa Hudgens.
Don't tell him, but this is one I don't mind listening to in the car, especially after months of Davids Cook and Archuleta and the Jonas Brothers "SOS". (Mind you, I still like Crazy Frog - Bam! Bam!)
Hudgens may not be the best singer around, but the arrangements and great song choices make up for this, and her fresh faced good looks don't hurt either. The good songs (even for elderly folk above 25) include first single "Sneakernight" a three minute dance track; first track "Last Night"; the title track; "First Bad Habit"; "Hook It Up" (a Gwen Stefani-type track); "Amazed"; "Don't Leave" and "Did It Ever Cross Your Mind" (mid tempo).
The dance tracks definitely dominate the album, which is a solid follow up to her 2006 debut album "V". Make a note of this one for the "High School Musical" fans on your gift list.Amanda Richards, July 5, 2008


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This is Vanessa's 2008 followup album to her world wide platinum selling album 'V'.Vanessa Hudgens' largest role among teenage audiences has been starring in the Disney Channel movie High School Musical, staring as the shy, intelligent student Gabriella Montez. Her first single from this album is 'Sneakernight'. Hudgens was born in Salinas, California, Vanessa is a talented beauty and she comes from an international mixture of Irish Native Americanby her father andFilipino, Spanish, Chinese descent by her mother. In August 2007 at the Teen Choice Awards, Hudgens was named the Choice Breakout Singer - Female, beating out other noteworthy nominees including American Idol contestant Katharine McPhee, Amy Winehouse, Corrine Bailey Rae and Lily Allen.

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Pretty Little Stranger Review

Pretty Little Stranger
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Joan Osborne's "Pretty Little Stranger" has some shining moments. The self-penned title tune has an excellent beat, a throbbing bass line, and Joan's powerful vocals connecting with the band, "There is a Spanish boy who also rides the A train. I want to tag him like a tiger so I can track him as he moves around the city so I can guard him like an angel." This is a stellar track, on a par with Joan's best work. The beautiful melody of Patty Griffin's "What You Are" is polished by Joan's lovely vocals, "Do you wish you were the silence of the moon? Nobody knows but maybe you will be soon." Joan's "After Jane" is a delight with the vocals passionate and the music cranked, "Will I rise up again? Will I ever know a friend like my Jane!" There are other beautiful moments like Beth Nielsen Chapman's gorgeous tune of "Time Won't Tell," given a country twang with pedal steel guitar and Vince Gill on harmony. Rodney Crowell's "When the Blue Hour Comes" is a lovely ballad. On a few tracks like "Brokedown Palace" & "Shake the Devil" the band seems sleepy, unable to keep up with Joan's vocal fireworks. Most of the CD is excellent and deserves to be embraced by Joan's fans, old & new. Enjoy!

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Tried and True Review

Tried and True
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Ever since Clay Aiken ran over, got out of his car, checked the body and drove over it in reverse singing Mack the Knife on American Idol -- I have been dying for him to do a standards set. He always had an excellent way with phrasing. And that is what separates someone from just bulldozing through a song and making it truly live and breathe. There has to be a connection that goes beyond vocal ability and also, there has to be a great band. Thankfully this CD has both, naturally. The songs are allowed to simmer and build and stray just far enough from their more well known arrangements to sound familiar but also adventurous. "Suspicious Minds" keeps its jaunty juxtaposition of rhythm vs. lyrics. And What he does to an old war horse as "Misty" is just grand, he stretches and plays with those vowels like a cat with string. "Moon River," is simply flawless, ranking up there with Raul Malo's wonderful take.
I would love to see Aiken tackle more material in this genre, his voice has grown to this lovely smokey quality that still has a killer upper register. It is more than adept at carrying the weight of these lyrical gems. It would be amazing, say about 15 or so years from now, to have a library from him that is in its infancy and be able to sit next to those that have mastered the American songbook.

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Deluxe CD/DVD edition includes bonus DVD. 2010 release from the American Idol Season 2 runner up, his fifth album overall. Tried And True features Aiken's unique covers of classic songs from the 1950s and 1960s including 'Can't Take My Eyes Off You', 'What Kind Of Fool Am I?', 'Mack The Knife', 'Unchained Melody', 'There's A Kind Of Hush' and 'Suspicious Minds'.

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Symphony Review

Symphony
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I simply love the CD. Picked up my copy this morning and popped it into the CD player. Wow, totally worth the 4-year wait! I was more than thrilled to hear the eclectic array of songs Sarah has chosen for Symphony. There's an edge to the album, which was coming sooner or later, and I'm relieved to finally hear something a little more close to home, rather than her fully themed albums from before. Symphony offers a little something for everyone. The songs which caught my attention are: Gothica, Symphony, Sanvean, Attesa and, surprisingly, Running. "Sanvean" is a Dead Can Dance cover tune, which is beautiful. Even though I reviewed the MP3 of "Running" and bashed it, I've grown to liking it because of that tribal beat which pops up around the middle of the song. I still think that Gustav Holst's original (Jupiter, from "The Planets") should've been left untouched, but Sarah has put her touch on that such classic just the same.
Symphony is voluptuous and living proof that Sarah is truly the best-selling Soprano of all time. Sarah uses a lot more of her higher, not necessarily operatic range on the album, which is pleasing to the ears, cos she's got a really lovely pop voice too. I haven't heard some notes she belts out, in a long time! The whole ethereality of the photos throughout the digipack & booklet are really nice, though some clever editing & airbrushing has been done, giving Sarah a truly different appearance in the photos. Her blonde wig is interesting with that braid across the front top portion of her head. I don't think she makes a great blonde, compared to her long, cascading raven tresses. And the backdrops...how ethereal and lofty everything seems. I like it. It's theatrical and playful at the same time. Sarah has picked up on a totally different fashion style. I love that white angelic number she wears, looking down upon her altar ego in the red dress down below.
Glad to know that Andrea Bocelli has been brought back to Duet with Sarah on "Canto Della Terra". So pretty and breathy and really packs a wallop of sound! I don't really care for Paul Stanley's voice on "I Will Be With You", compared to the original SB version, sung with Chris Thompson. His is a more soothing, smooth voice. But I realize Sarah was going for something a little more edgier, so I presume that is why they settled with the Paul Stanley version for the album.
Tracklisting is as follows:
01. Gothica - 1:20
02. Fleurs Du Mai - 4:10
03. Symphony - 4:47
04. Canto Della Terra - featuring Andrea Bocelli 3:59
05. Sanvean - 3:50
06. I Will Be With You (Where The Lost Ones Go) - featuring Paul Stanley - 04:31
07. Schwere Träume - 3:22
08. Sarai Qui - featuring Alessandro Safina 3:56
09. Storia d'Amore - 4:03
10. Let It Rain - 4:17
11. Attesa - 4:26
12. Pasión - featuring Fernando Lima
13. Running - 6:09
I don't know about the American edition, but my Canadian edition (the cd itself) is glossy red with silver lettering. It's very pretty and unlike any of Sarah's previous discs. I highly recommend purchasing Symphony, because it's really a wonderful album with a lot to offer.
Bonus material is available, through visiting Sarah's official website, once you've purchased the CD.


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Japanese pressing of the famed vocalist's 2008 featuring one bonus track: 'Forbidden Colours'. Symphony is Sarah Brightman's firststudio album for five years. Recorded in Germany, Symphony features all new songs and is created with Sarah's long-time producer Frank Peterson. The repertoire ranges from beautiful ballads 'Symphony', 'Fleur du Mal' and epic power rock scores 'I Will Be With You' to interpretations of the work 'Jupiter' from Holst's The Planets on 'Running' to Faith Hill's 'There You'll Be' sung in Italian as 'Sarai Qui' and many more.On this album Sarah reunites with Andrea Bocelli to sing 'Canto Della Terra', as well as singing duets with Fernando Lima (Mexican tenor) on 'Passion' and Paul Stanley (Kiss) on 'I Will Be With You (Where The Lost Ones Go) '. The album showcases Sarah linguistic vocal skills by singing in Spanish, Italian, French and for the first time German.EMI.--This text refers to an alternate Audio CD edition.

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I Stand Review

I Stand
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Famous for creating the role of bisexual performance artist Maureen Johnson in "Rent" as well as for her Tony Award winning triumph in "Wicked," Idina Menzel has been principally known as a performer of the stage and screen. However, she has been active as a singer/songwriter since those early "Rent" days and has three albums of her own material. "I Stand," however, provides her first real chance of gaining vast exposure as a solo artist. The album debuted at #58 on the Billboard top 200 albums chart.
Those who cherish Menzel for her glass-shattering vocal range will find much to appreciate here with the chugging, widescreen title track, replete with powerful lyrics and a life-affirming message, or "Better To Have Loved," a passionate ode to lack of regret in an unpredictable world. Producer and co-writer Glen Ballard, best known for helping Alanis Morissette unleash her inner warrior woman on 1995's landmark "Jagged Little Pill," however, hands Menzel a double-edged sword - her sound here is sweetened and ripe for mainstream audiences, but some of her unique, quirky personality that informed 1998's "Still I Can't Be Still" and 2004's lo-fi "Here" EP is lost in the shuffle. Granted, the former album had some oddball lyrics and embarrassingly dated production for a late '90s effort, but Menzel sounded like herself and no one else. Nevertheless, that album made no dent in the marketplace, so it's hard to fault Ballard for helping Menzel channel her creativity in a more marketable fashion, and the results, if not revolutionary, are rich, vibrant and entertaining.
"Gorgeous" yields a joyous, effervescent melody and pearls of wisdom in its philosophic sentiments, and "Brave," like the title track, is wholly inspiring without stooping to hackneyed, maudlin sentiments. James Blunt contributes the stirring "Don't Let Me Down," while the bittersweet "Forever," by far one of the album's strongest moments, was written entirely by Menzel. She also digs deep to unearth inner torment in the haunting "My Own Worst Enemy."
With "I Stand" Menzel succeeds in proving she is just as viable a singer/songwriter as musical performer. It's not every day that someone with such a dynamic vocal talent is also a gifted writer, making the results particularly impressive. Admirers of her stage work will agree.

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Amazon.com Already a star on Broadway, the charismatic Idina Menzel ("Rent," "Wicked") is ready to star on album. To make that happen, she has enlisted the man responsible for launching, or continuing the phenomenal careers of other recent major female artists. Glen Ballard, best known for Alanis Morissette’s 16-times-platinum Jagged Little Pill and who has worked with Shakira, Christina Aguilera, Annie Lennox and Celine Dion, produced and co-wrote all but one of the songs on I Stand with Menzel.
Idina Menzel Photos

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