Showing posts with label pop opera. Show all posts
Showing posts with label pop opera. Show all posts

Soundstage Presents: Josh Groban - An Evening in New York City Review

Soundstage Presents: Josh Groban - An Evening in New York City
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"Josh Groban - An Evening In New York City" is Josh Groban's most recent PBS concert.
The concert was filmed at the Rose Hall at Jazz at Lincoln Center in New York City. The concert has a more intimate, theater-like feel, reminiscent of Josh's first PBS concert. This type of setting suits Josh's voice best.
Josh performs a mix of songs from his best-selling albums, including "Awake," "Alla Luce del Sole," "You are Loved (Don't Give Up)," and others, plus a cover of the song "Not While I'm Around" from the Stephen Sondheim musical, Sweeney Todd. This concert features guest appearances from jazz trumpeter Chris Botti on "Broken Vow" and, for the first time live, acclaimed jazz pianist Herbie Hancock on "Machine."

This concert shows how much Josh has grown as a performer and an artist over the years. He has broken out of his shell and has taken more risks with his music.
He has expressed an interest in doing more stripped down shows in smaller venues for his next tour. If this is an example of what's to come, then it will definitely be a treat not to be missed.

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In this Soundstage special event, Josh Groban performs favorites from his best-selling albums in an intimate theatre setting. Taped at Rose Hall at the "Jazz at Lincoln Center" in New York City, this stunning performance includes Alla Luce del Sole", "You Are Loved (Don't Give Up)", and "February Song". Special guest appearances by acclaimed jazz pianist Herbie Hancock and trumpeter Chris Botti.
An internationally renowned performer who has sold more than 23 million albums worldwide, Josh Groban has thrilled a legion of devoted fans with his flawless baritone and extraordinary stage presence.

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Les Miserables (Highlights from the Complete Symphonic International Cast Recording) Review

Les Miserables (Highlights from the Complete Symphonic International Cast Recording)
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I own this recording, plus the full cast 10th anniversary CD, and this one is my favorite by far. Gary Morris as Valjean does a superb job and puts more emotion into his singing than Wilkinson. His range is amazing, and his passion for this role is obvious. I also enjoyed Debbie Byrne as Fantine, and thought she did a great job. Aside from the fact that this is a "highlights" cd, this is my favorite recording of Les Miserables.

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Symphony: Live in Vienna (CD & DVD) Review

Symphony: Live in Vienna (CD and DVD)
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It's great to finally have the opportunity to review this spectacular concert DVD and CD. The clarity of the audio recording is amazing. There isn't as much verbal contact between Sarah to her audience on the CD, but the DVD is the full thing, just as the audience saw it when they were there. I believe this DVD runs circles around The Harem world tour DVD 100 times, which makes this purchase totally worthwhile. The photos are stunning and the printing of the glossy booklet make everything look so nice. The DVD is purple and the CD is black with silver lettering.
Sarah's costumes and hair are gorgeous and she is definitely glowing and looking more pretty than ever. There is one small difference from the studio recording of "Fleurs Du Mal" and the recording on the dicsc. What I'm saying is...Sarah doesn't do that high-pitched vocalise while the violin solo comes in in the intro of the song, compared to the studio album recording. I wonder if it would've wrecked the intro to the song if she did sing it while moving down the middle aisle.
"Sanvean" written by Lisa Gerrard (Dead Can Dance) is a beautiful vocalise consisting of no lyrics but just sounds. That is what I love about this song. It's just so haunting and original, and Sarah does it very well, even if some say she's too breathy. "Canto Della Terra" is beautiful and Alessandro Safina looks & sounds amazing as Sarah's duet partner. Together, they blow everyone away with their breathtaking live rendition of the song. "Atessa" is very pretty and much better than expected. It really doesn't appear they used any playback for this concert, meaning Sarah used her own voice for the whole recording. I was actually expecting Atessa to be dubbed from the studio recording because of that very outstanding high note at the end, which is incredibly hard to do without screaming it.
"POTO" turned out to be quite nice, although it was a little too fast-paced compared to the original version. But the rock concert edge gives it a totally new edge and Sarah was still able to sing over the volume of the rock band and the pipe organ high above her and Chris Thompson. Oh, that reminds me, in "I will be with you"...my only negative comment would be; Chris Thompson looks a bit tired and sounds winded. If I hadn't known already what he looks like, I would've thought they pulled someone off the street to sing with her, although the rock edge was still there in his voice. Fortunately enough, Chris shines in "POTO", and he and Sarah really blew me away when I heared the performance for the 1st time. The CD bonus track "Vide Cor Meum" is beautiful and really fits in well with the theme of the album. It could've worked really well in the traclisting on the studio album "Symphony" too.
It's really wonderful to have this beautiful package and I'll cherish it for many years to come. This is by far, Sarah's best live performance to date...although there are some really amazing live performances on her other live DVDs. But this one really showcases Sarah's live singing voice, and how well she can work with a rock band. Get this item and you'll agree, it's totally worth the wait and the money.

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In January 2008, Sarah Brightman recorded and filmed Symphony -- Live in Vienna within the mystical walls of Stephansdome Cathedral in the heart of where classical music evolved -- Vienna, Austria. Renowned for its awe-inspiring Gothic architecture, the cathedral was the perfect setting to enter the magical world of Symphony lead by the voice of the beautiful, gothic-angel. The concert includes repertoire from her album Symphony and some of her most popular songs ("Phantom of the Opera," "Time to Say Goodbye"). COMBO PACKAGES TRACKLISTING* 1. Pie Jesu 2. Fleurs du Mal 3. Symphony 4. Sanvean 5. Canto della Terra (duet w/Alessandro Safina) 6. Sarai Qui (duet w/Alessandro Safina) 7. Attesa 8. I Will Be with You (Where the Lost Ones Go) (duet w/Chris Thompson) 9. Storia d'Amore 10. Pasión (duet w/Fernando Lima) 11. Running 12. Let It Rain 13. The Phantom of the Opera (duet w/Chris Thompson) 14. Time to Say Goodbye 15. Ave Maria 16. Vide Cor Meum (*bonus track)DVD extras: The Production (interview with Sarah Brightman) The Songs (interview with Sarah Brightman) The Location (interview with Father Anthony Faber and historian Elisabeth Lloyd-Davis) Photo Gallery Extras RT approx. 45 minutes Total RT for combo pkgs approx. 75 minutes

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Live From Las Vegas - The Harem World Tour (2003) Review

Live From Las Vegas - The Harem World Tour (2003)
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Before my actual review is even to begin, I feel compelled to dispel nonsense about Sarah's supposed lip-synching. She doesn't. I made a road trip when she visited the west coast and saw three of her shows consecutively. If she lip-synchs, she must record a new track every night because each show was different. These allegations come about because sometimes, her lips don't synch perfectly with the singing. You'll notice that these instances occur almost always with close-up shots. The reason for this is this: Her concerts are recorded twice. She goes through the entire show without an audience so the director can get some nice close-up shots, then she does it for real in front of a live audience. The reasoning for this method is quite simple. To get the type of close-ups desired, the camera would be parked up on a crane with a film crew surrounding it right in front of the artist. A paying audience would riot if cameramen and stagehands were right there on stage hovering around Sarah. I know this isn't what people really want to know, but the editors have done an absolutely fantastic job putting the show together in a way that is totally seamless. It really is Sarah singing live, and while the method isn't what people want (I know we all want a DVD that shows footage only from the live audience show), but it's either we get to see her up close this way or we don't. If you go to her official site's fan section, you'll see they make absolutely no secret of this fact. In fact, there are photos from the first closed-set taping, which I believe a select group of lucky fans were able to sit in on and watch happen. Her official camp is absolutely candid about this process, and those who discredit her in their reviews are just ignorant of this process. Now, on to the review...
While One Night in Eden has more undeniable charm and La Luna drew us into another world more effectively, this latest concert hallmarks a great period in Sarah Brightman's career. She pulls all the stops in this one, and the sheer scope of what she puts together is a perfect accompaniment to this point in her career: she is at the top. If you think only getting the abridged soundtrack is enough to give you a taste of the Harem experience, you're dead wrong. You'll have to see this DVD, because the audio alone cannot portray the wonderful costumes, dances, and pure theatrics Sarah brings on stage.
The costumes are sheer decadence (meaning, of course, they are luxurious and fantastic). The diva is in top form, both vocally and physically, despite her age of forty-four, which she doesn't look anything like, mind you. The show is a lighting extravaganza, with the lighting director using each and every method and trick in his arsenol to use each and every bulb to highlight Sarah's presence. Together with the entourage of dancers who dance around her, Brightman is portrayed almost as a queen straight out of 1001 Arabian Nights. This, however, is how her fans know her best. Her shows almost always showcase her as the aloof goddess hovering on stage where her fans may best worship her. Despite all this, however, she still manages to come across as a warm, personable, charismatic performer.
While this concert was a little bit more 'showy' than I prefer seeing her, it was nonetheless dazzling. Sarah does not share a stage well, though, and she's best when she's the sole object of attention. The best performances feature her in this way: Who Wants to Live Forever, La Luna, Nessun Dorma (which was amazing), What a Wonderful World (probably the most memorable performance of the concert). The dancers, however, were terrific during the interludes. (My only gripe with the dancers was the 'biker chick' number where not only the dances, but the costumes were horribly out of place during the performance of 'Arabian Nights.) Featured vocalists Violet (née Amelia Brightman, Sarah's youngest sibling), Shwetta Shetty (indipop artist who contributed vocals on the Harem album), and Eli Barak were each brilliant. Shwetta, especially, is a powerhouse talent that brought much-needed 'ooomph' to Arabian Nights and What a Wonderful World.
Harem is a wonderful ride from beginning to end. She starts off strong with Harem then ends with the ever-crowd-pleasing Question of Honour. The camera captures each song very well. There is none of the fast camera changes, funky camera tricks, and downright schizoid camera handlings we've come to know and hate from recent concert releases -- thank God. (On a side note, I really wish that trend would die.) The camera is handled reverently, respectfully, and, most of all, maturely.
Video noise is the downfall of this DVD. It was destined to be the pinnacle concert DVD, but the director chose to use film that was subpar to what we expected. Pictures are not as crisp and clear as they were on La Luna, and the video noise is worse on this DVD than it is on One Night In Eden. Strangely enough, many scenes seem to be a bit 'smokey' in color. The color is not as vibrant or clear in some scenes because of this foggy quality. The worst is during far-away shots, because you can barely make out her face due to the video noise. For this reason, La Luna still ranks #1 as being the best DVD. Sound, however, on Harem Live is lush, rich, and everything I expected it to be. You can definitely see the images, and the only reason it was distracting for me was because I was expecting something just as good (or better) than La Luna when it came to video quality. Everything does show up well and it is watchable, don't get me wrong. I just wish video quality was better, because Brightman's concerts are such a visual feast for the eyes.
The extras on the second disc include some entertaining interviews with her entourage. It also includes a photo sequence that shows various photos, and while it plays, a few remixes of Harem songs play in the background -- worth listening to if you enjoyed the Harem album! There's also a video quiz that is quite infuriating, but the prize is a password to access a prize on the official site (this offer may or may not be still available, since it was a limited time offer). I finished the quiz and got my prize from the official site which was free photos of Sarah in concert from the Harem Tour called 'The Signature Collection.' I paid for s/h, of course, but that's more than fair.
All in all, this concert is still a must-have. It is a triumphant extravaganza sure to please fans and non-fans alike. It's a spectacle, and ranks high as one of my favorite concerts.

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Il Divo - Encore (2006) Review

Il Divo - Encore (2006)
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This group is phenomenal. Their voices and harmonies are excellent and they sound and look great. This cd is really good and it's been a long wait to actually 'see' them perform. I'm not usually a fan of opera, but these guys bring about something special to this genre and some of it might be to do with their look and their youth, but I don't think anyone could really deny the talent these guys have. See, Simon is usually correct. This is a great dvd.

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Since IL DIVO released their debut album in 2004, they have gone on to become one of the biggest acts in the world, selling 5 million albums across the globe and reaching Number 1 in 13 countries.Encore features a specially shot performance set in the beautiful Teatro Romano de Mérida in Spain. Featuring Si Tú Me Amas, Isabel, O Holy Night, Heroe and All By Myself (Solo Otra Vez) from 'Ancora' this stunning performance shows IL DIVO at their breathtaking best.In a 60 minute documentary, exclusive to this DVD, Carlos, David, Sebastien and Urs reveal for the very first time their feelings on their transformation into global superstars, recording 'Ancora', their plans for the future and their forthcoming debut world tour!Special commentary from Simon Cowell, of American Idol fame, explains his vision for IL DIVO on the Documentary portion of the DVD.Also featuring the videos for "Unbreak My Heart (Regresa A Mi)" and "Mama," this is the complete visual collection for all discerning IL DIVO fans.*Documentary chapters are as follows and include the Mérida performance tracks listed above: What Is Il Divo?The BeginningAuditionsThe VoicesUrsSebastienCarlosDavidInitial SuccessAncoraMéridaCredoThe TourThe FutureTotal DVD running time is over 60 minutes.

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Symphony Review

Symphony
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I simply love the CD. Picked up my copy this morning and popped it into the CD player. Wow, totally worth the 4-year wait! I was more than thrilled to hear the eclectic array of songs Sarah has chosen for Symphony. There's an edge to the album, which was coming sooner or later, and I'm relieved to finally hear something a little more close to home, rather than her fully themed albums from before. Symphony offers a little something for everyone. The songs which caught my attention are: Gothica, Symphony, Sanvean, Attesa and, surprisingly, Running. "Sanvean" is a Dead Can Dance cover tune, which is beautiful. Even though I reviewed the MP3 of "Running" and bashed it, I've grown to liking it because of that tribal beat which pops up around the middle of the song. I still think that Gustav Holst's original (Jupiter, from "The Planets") should've been left untouched, but Sarah has put her touch on that such classic just the same.
Symphony is voluptuous and living proof that Sarah is truly the best-selling Soprano of all time. Sarah uses a lot more of her higher, not necessarily operatic range on the album, which is pleasing to the ears, cos she's got a really lovely pop voice too. I haven't heard some notes she belts out, in a long time! The whole ethereality of the photos throughout the digipack & booklet are really nice, though some clever editing & airbrushing has been done, giving Sarah a truly different appearance in the photos. Her blonde wig is interesting with that braid across the front top portion of her head. I don't think she makes a great blonde, compared to her long, cascading raven tresses. And the backdrops...how ethereal and lofty everything seems. I like it. It's theatrical and playful at the same time. Sarah has picked up on a totally different fashion style. I love that white angelic number she wears, looking down upon her altar ego in the red dress down below.
Glad to know that Andrea Bocelli has been brought back to Duet with Sarah on "Canto Della Terra". So pretty and breathy and really packs a wallop of sound! I don't really care for Paul Stanley's voice on "I Will Be With You", compared to the original SB version, sung with Chris Thompson. His is a more soothing, smooth voice. But I realize Sarah was going for something a little more edgier, so I presume that is why they settled with the Paul Stanley version for the album.
Tracklisting is as follows:
01. Gothica - 1:20
02. Fleurs Du Mai - 4:10
03. Symphony - 4:47
04. Canto Della Terra - featuring Andrea Bocelli 3:59
05. Sanvean - 3:50
06. I Will Be With You (Where The Lost Ones Go) - featuring Paul Stanley - 04:31
07. Schwere Träume - 3:22
08. Sarai Qui - featuring Alessandro Safina 3:56
09. Storia d'Amore - 4:03
10. Let It Rain - 4:17
11. Attesa - 4:26
12. Pasión - featuring Fernando Lima
13. Running - 6:09
I don't know about the American edition, but my Canadian edition (the cd itself) is glossy red with silver lettering. It's very pretty and unlike any of Sarah's previous discs. I highly recommend purchasing Symphony, because it's really a wonderful album with a lot to offer.
Bonus material is available, through visiting Sarah's official website, once you've purchased the CD.


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Japanese pressing of the famed vocalist's 2008 featuring one bonus track: 'Forbidden Colours'. Symphony is Sarah Brightman's firststudio album for five years. Recorded in Germany, Symphony features all new songs and is created with Sarah's long-time producer Frank Peterson. The repertoire ranges from beautiful ballads 'Symphony', 'Fleur du Mal' and epic power rock scores 'I Will Be With You' to interpretations of the work 'Jupiter' from Holst's The Planets on 'Running' to Faith Hill's 'There You'll Be' sung in Italian as 'Sarai Qui' and many more.On this album Sarah reunites with Andrea Bocelli to sing 'Canto Della Terra', as well as singing duets with Fernando Lima (Mexican tenor) on 'Passion' and Paul Stanley (Kiss) on 'I Will Be With You (Where The Lost Ones Go) '. The album showcases Sarah linguistic vocal skills by singing in Spanish, Italian, French and for the first time German.EMI.--This text refers to an alternate Audio CD edition.

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La Luna Review

La Luna
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Congrats Sarah! I've been taken to the moon & back. The long awaited Brightman disc has arrived. The songs are ranging from her amazing classical renditions to her angelic versions of pop hits. Sarah is dreamy & laid back in her new cd "La Luna".Don't let the idea of Sarah brightman singing cover versions spoil your likes for her.
The first track "La Lune" brings the hair up on my neck just by listening to the keyboard intro. The 2nd track, "Winter in july", is one of Sarah's "pop married to classic" tracks. The lyrics are heartfelt & reflect her feelings about life. "Scarborough fair" is light and dreamy and "A whiter shade of pale" is operatic and revisited "à la Sarah". Beethoven's "Figlio Perduto" is my 2nd fav. track, I love how Sarah rearranged it to fit her voice. "How Fair this place" is pretty, but too short. The tracks continue into one another, like a multi-mood story of music. I find that tracks like "Here with me" and "Hijo De La Luna" are different tunes all together because "Hijo De La Luna" has a ballroom sound to it, with Spanish lyrics. It is sung à la Kate Bush. "Here with me" is more rock or "Dive-ish". "Gloomy Sunday" tones down the pace resulting in a bluesey, rainy-day track. Keeping with the moon theme, the title track "La Luna", is absolutely amazing. Sarah builds suspense in every breath of this track. Her voice soars as the song reaches its climax, wowing me every time. Unfortunately, the orchestra slightly drowns Sarah out at the end. The disc also features a hidden track. It is a breathy, up close & personal version of "Moon River". Sarah knows how to catch the attention of her fans.
The photos in "La Luna" are breath-taking, right down to the album cover.I dig the space-age lettering of her name on the cover. In comparison, Eden took on a heavier classical flavour, as so with "Time to say good-bye". Nevertheless, "La Luna" balances Sarah's career between "Dive" back in '93 to the present. Don't consider her slowing down even though the thought of a greatest hits double set sounds quite interesting.
I've had the golden opportunity to see Sarah in Montreal at the Molson Center on september 18 for her "La Luna" tour. Describe it, you say, Well, I have one word......EXTRAORDINARY! To hear her is one thing, but to see this woman perform was simply amazing. Definitely worth the money! Sing on Sarah! Hers is definitely one of the glorious voices.

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The Christmas Collection Review

The Christmas Collection
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This is absolutely the most beautiful Christmas music I have ever heard. Especially outstanding is Panis Angelicus, The Lord's Prayer and Ave Maria. But even White Christmas, which I have never particularly liked, is given a new and beautiful treatment.
Their voices range from soft and tender to a soaring cresendo,on all the songs. And I agree with Mr. Preiser, Carlos' voice is magnificant and provides the foundation for this wonderful, glorious music.
I highly recommend this album.

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Japanese pressing includes Christmas card/poster with first pressing only. BMG. 2006.--This text refers to an out of print or unavailable edition of this title.

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Defined (Australian Tour Edition) Review

Defined  (Australian Tour Edition)
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This and all Amici albums go from my house, to my car, to my office. I find them to be the perfect mixure of romantic Opera story telling and contemporary orchrestration. Great for a dinner party or to concentrate at work. Outstanding.

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TO CELEBRATE AMICI FOREVER'S FORTHCOMING AUSTRALIAN TOUR, THE "OPERA BAND'S" STUNNING NEW ALBUM 'DEFINED' WILL BE RE-ISSUED AS A VERY SPECIAL TOUR SOUVENIR.THE "DEFINED: 2006 AUSTRALIAN TOUR EDITION" WILL CONTAIN TWO BONUS TRACKS; 'THE POWER OF LOVE' AND 'WE ARE THE CHAMPIONS TOUR DATES' AND WILL FEATURE STRIKING NEW ARTWORK.

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