Showing posts with label bruce. Show all posts
Showing posts with label bruce. Show all posts

Bruce Springsteen & the E Street Band Live in Barcelona Review

Bruce Springsteen and the E Street Band Live in Barcelona
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This is the first time ever, in Springsteen's 30-plus-year career, that an entire show, from start to finish, has been officially released, whether audio or video ...
Setlist: The Rising/Lonesome Day/Prove It All Night/Darkness on the Edge of Town/Empty Sky/You're Missing /Waitin' on a Sunny Day/The Promised Land/Worlds Apart/Badlands/She's the One/Mary's Place/Dancing in the Dark (end of broadcast)/Countin' on a Miracle/Spirit in the Night (solo piano)/Incident on 57th Street (solo piano)/Into the Fire
First Encore: Night/Ramrod/Born to Run
Second Encore: My City of Ruins/Born in the U.S.A./Land of Hope and Dreams/Thunder Road
For [the price] how can you say no?
Awesome stuff. Don't miss it.

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BRUCE SPRINGSTEEN & THE E STREET BAND LIVE IN BARCELONA This is the first time an entire live concert is available on DVD Includes hits, fan favorites and rarely performed songs Also includes bonus featurette, "Drop The Needle & Pray: The Rising On Tour" with never before seen live footage, interviews and photosTracklisting: Disc 1 1.The Rising 2.Lonesome Day 3.Prove it All Night 4.Darkness On the Edge of Town 5.Empty Sky 6.You're Missing 7.Waitin' on a Sunny Day 8.The Promised Land 9.Worlds Apart 10.Badlands 11.She's the One 12.Mary's Place 13.Dancing in the Dark 14.Countin' on a Miracle 15.Spirit in the Night 16.Incident on 57th Street 17.Into the FireDisc 2 18.Night 19.Ramrod 20.Born to Run 21.My City of Ruins 22.Born in the USA 23.Land of Hope and Dreams 24.Thunder Road 25.Bonus Documentary: "Drop the Needle and Pray: The Rising on Tour," featuring rare live footage of historic shows at Boston's Fenway Park and New Jersey's Giants Stadium, exclusive interviews with Springsteen and E Street Band members, and unpublished photos chronicling 'The Rising' tour.

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Ghost of Tom Joad Review

Ghost of Tom Joad
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If there were any justice in this world, this album would've sold the 11 million copies that Born In The U.S.A. did, due in no small part to its widely misunderstood title track. Alas, as Springsteen proposes on this album, there is no justice. While Springsteen's best-known and best-selling music may always remain his early songs filled with cars, girls, and the dreams of youth, and while that may be the image that most people have of the man, this album is undoubtedly the work of a mature genius. Not since the early Bob Dylan records has the seamy underbelly of the American life been explored so thoroughly and heart-breakingly in popular song. Influenced, obviously, by John Steinbeck's The Grapes of Wrath (actually, the movie adaptation, as one sees in the linear notes) as well as other literary and news items focusing on immigrants, the working class, and the downtrodden - as well as drawing upon previous songsters who have explored this territory, such as Dylan and Woody Guthrie - The Ghost of Tom Joad is a set of story songs, done in the heart-breaking and plaintive way that only Springsteen could do them. The stories are mosly set in California, often near the Mexican border, and involve the deeds of illegal aliens and other working class heroes involved in America's secret economy. Musically, this album is bleak and involved mainly Springsteen alone on acoustic guitar and occasionally punctuated with harmonica, as on his Nebraska album; however, a few songs feature other players, including some intriguingly subtle keyboard work that fits the mood so well you hardly know it's there. Springsteen sings these songs in the slurring drawl that they deserve, paying little heed to pitch or meter, and they can be hard to understand at times. This album doesn't make for easy listening. One cannot play this as background music, driving music, or at a party like one can many of The Boss's records with The E Street Band: this is definitely an album that you must devote your full attention to. It is one of the few records that truly deserves to be listened to when you're alone at night in your room with the lights off. Be prepared to cry, be prepared to feel your heart ache - be prepared to be moved. One of the true masterpieces of American rock music, and a criminally overlooked record which I hope some day will receive the praise it is due.

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Vinyl Classics reissue of this 1995 album comes as a vinyl look-a-like CD that's packaged in a die-cut see-through slipcase. 12 tracks. Sony.--This text refers to an out of print or unavailable edition of this title.

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Seven Moons Review

Seven Moons
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I've heard the "Truce" album as well as the "BLT," and this is by far the best collaboration between Trower and Jack Bruce. His bass playing is still incredible, and he sounds wonderful on this "Seven Moons" CD.
Robin as usual is fantastic on guitar, but that's because he's one of the best, and I don't care what other people or critics have to say about him, he's in the same league and even better than some of the most famous guitarists ever, including Hendrix, Beck, Page, Clapton, you name them, Robin is right there with the best of them, but the sad thing is he's never got the recognition he deserves.
This is a great CD, not one bad track on it, and if you're a fan of Trower and Jack Bruce, I recommend you get it. It's much better than I had anticipated, and I'm very glad to have purchased it without ever hearing one complete song on it.
Glenn Signal Hill,CA

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Vinyl LP pressing of this 2008 album from this duo consisting of British Rock legends Jack Bruce (Cream) and Robin Trower (Procol Harum). The duo made two joint recordings in the early 1980's, and teamed up again for this record, this time with British drummer Gary Husband (Level 42). What makes Seven Moons such a success is that Bruce and Trower each play to their strengths, Bruce brings his distinctive croon/moan to bluesy, riff-oriented tunes dominated by Trower's playing. They conjure a Power Rock trio sound which touches on Cream and Hendrix yet draws from their own deep, dark wells of experience.--This text refers to the Vinyl edition.

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Working on a Dream (Deluxe Version with bonus DVD) Review

Working on a Dream (Deluxe Version with bonus DVD)
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Optimism and Springsteen haven't gelled well in the past. "Human Touch" and "Lucky Town", the 1992 two-fer that saw Bruce waxing truly optimistic for the first time in his career, rate among the least memorable efforts of his career; they weren't bad, per se, but they lacked a certain something. (The songs were recorded without the E Street Band, which was undoubtedly a contributing factor; but above and beyond that, the arrangements and lyrics suffered from a certain sameiness and genericism that left the majority of the tracks unmemorable.)
Fans will be pleased to know that, while "Working On A Dream" (Columbia, 2009) sees Bruce once again venture into the realm of the positive, he's both a) with E Street this time and b) kept his songwriting skills on top form.
The first thing longtime Springsteen fans will notice about this album is that the focus here is firmly on the music. The album is bookended by two of his more narrative-driven songs - eight-minute epic Western "Outlaw Pete" and Golden Globe-winning movie theme "The Wrestler" - but elsewhere, it's all about the sonic experimentation, rather than storytelling. The songs here hop across a veritable plethora of genres and styles: "My Lucky Day" is a foot-stomping rocker that sounds like it was written in the "River" sessions. "Tomorrow Never Knows" is a beautiful easy-listening tune that sounds more like the '50s than anything Bruce has ever written. "Working On A Dream" is an Orbison-esque plush pop tune. "Good Eye" is what can only be described as electronic rockabilly.
This variety makes the album one of the most enjoyable listens in Bruce's history. On first listen, you've no idea what will come next: harmony-laden "This Life" segues into the cacophonous "Good Eye"; the relentless joyful "Surprise, Surprise" - possibly the Boss' poppiest tune ever - fades into the melancholy, calliope-backed "The Last Carnival", a touching track clearly dedicated to dear departed ESB member Danny Federici.
"Kingdom of Days" is one of Bruce's finest ballads of all-time: the guy from "Born to Run" is all grown up now; no longer desperate to get out of this place, he's happy to lay on "the wet grass, as autumn breeze drifts through the trees", and "count the wrinkles and the grays" of his lover beneath the covers. Bruce's maturity pervades the album: reflecting on past lovers who were "life itself, rushing over [him]"; coming to recognise that "where the river flows, tomorrow never knows".
Not everyone will enjoy every track. Many have criticised the "trite sentiment" of "Queen of the Supermarket", and the "lyrical simplicity" of "Surprise, Surprise". These may be valid criticisms, but they did not hamper my enjoyment of the album even slightly.
The deluxe version of the album comes with a 40-minute DVD that includes some footage from the studio sessions creating the album, as well as the video for "A Night With the Jersey Devil", a Halloween song Bruce released for free via his website last year.

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Limited CD/DVD edition includes a bonus DVD that contains 30 minutes of behind-the-scenes footage on the making of the album. 2009 album by one of the finest American songwriters of his generation. Working on a Dream was recorded with the E Street Band and features 12 new Springsteen compositions plus a bonus track: 'The Wrestler'. . It is the fourth collaboration between Springsteen and Brendan O'Brien, who produced and mixed the album. Springsteen also wrote an eponymous song for Darren Aronofsky's 2008 film The Wrestler. The song, also titled 'The Wrestler' won the Golden Globe Award for Best Original Song. SBME. 2009.

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Bruce Springsteen with the Sessions Band: Live In Dublin (2007) Review

Bruce Springsteen with the Sessions Band: Live In Dublin (2007)
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Mix in hot jazz, a bit of gospel, blues, zydeco, bluegrass and country. Season with Bruce Springsteen and bake at high temperature in an Irish oven for what is perhaps the tastiest concert video of 2007.
This is not your anthemic, rock-til-you-drop, Born-in-the-USA Bruce. That energy is still there, but directed here into the American folk songbook, music written between mid 19th to mid 20th century and reflecting the concerns of the agrarian and working class, from the Oklahoma farmer of My Oklahoma Home, to the slave Old Dan Tucker, to African American dock workers of Pay Me My Money Down. This music was appropriated in the 1950's and 60's by politically active singer/songwriters such as Pete Seeger and Bob Dylan, and through them the music comes down to us in the 21st century through Springsteen.
Ten of the songs from the original 2006 Seeger Sessions disc are here, as are a handful of new numbers and songs from the extended Seeger Sessions release (How Can a Poor Man Stand Such Times and Live, When the Saints Go Marching In, This Little Light of Mine, American Land, Long Time Comin'), as well as new arrangements of some of Springsteen's less well-known songs (If I Should Fall Behind, Growing Up, Blinded By the Light, Atlantic City, and Highway Patrolman).
For long time fans the old songs in new-old clothes will be unrecognizable by the opening melody alone. It's not until Bruce starts singing that your mind begins racing to place that particular set of lyrics with a title. All of these newly outfitted tunes show some inventiveness, but the ones that worked best for me were If I Should Fall Behind and Highway Patrolman, quiet performances showcasing the lyrics, and Blinded By the Light, which like it's original rock incarnation is a wild, foot-stomping show closer.
In fact most of this show will have you tapping your feet and signing along. This is a joyous performance, and you can see that the musicians are enjoying themselves as much as the audience. If you have some room in front of your television, clear out that space and get ready to dance.
About the only downside to this release is that it's not a document of one evening, but a compilation of three. In itself that decision was not as critical as the one to delete all on stage banter, including song and band introductions, often one of the more enjoyable parts of any Springsteen show. The editing work is also noticeably poor at times with the action not in sync with the sound, presumably where the director chose to insert shots from nights other than those from which the sound was recorded.
Otherwise, this is a great DVD and watching it was the most fun I've had in front of the television in months.
#

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Bruce Springsteen With The Sessions Band Live in Dublin'features 23 songs drawn from the band's performances in Dublin, Ireland atThe Point on November 17, 18 and 19, 2006. Songs include fan favorites from'The Seeger Sessions,' radical interpretations from the Springsteensongbook and rare songs appearing for the first time on any Springsteenrelease.The DVD captures the band during the finale of its multi-leg 2006tour. The Word Magazine (UK) said of a concert on this tour, "I have never, makethat NEVER, seen a show better than the one mounted by Bruce Springsteenand his (Sessions) band."The Washington Post declared, "It was the bestlive show I've seen in at least five years.(And I've seen a few.)" Documented with nine cameras, the concert was filmed in High Definition(HD). Atlantic City Eyes On The Prize Jesse James Further On (Up The Road) O Mary Don't You Weep Erie Canal If I Should Fall Behind My Oklahoma Home Highway Patrolman Mrs. McGrath How Can A Poor Man Stand Such Times And Live (Bruce SpringsteenVersion) Jacob's Ladder Long Time Comin' Open All Night Pay Me My Money Down Growin' Up When The Saints Go Marching In This Little Light Of Mine American Land Blinded By The Light Special Feature: TWO BONUS TRACKS Love Of The Common People We Shall Overcome

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Way It Is Review

Way It Is
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I was a junior high schooler watching NBC's music video show "Friday Night Videos" (if I remember the name correctly) back in 1986 when I heard "The Way It Is." It wasn't until the early 90s when I finally picked-up this CD; used. I almost traded it in about five years ago for something else. Needless to say, I still have it, and suprisingly (to me) it has become one of my favorite albums today.
The Amazon.com review was right on the mark, by stating that Bruce Hornsby and the (venerable) Range are "long overdue for reevaluation." The piano work is suberb, Hornsby's vocals are so smooth, and the writing reflects subtle notes of sociological problems, and life's wonderful moments ("The Way It Is" and "Mandolin Rain" respectively). His backup band rounded out the sound of this album very well, making it one of the most complete and cherished recordings of the 1980s.
It's been out of the limelight for years, but for those who dig this album up, a wonderful listening experience will become their's for a long time to come.

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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: HORNSBY,BRUCE & THE RANGETitle: WAY IT ISStreet Release Date: 07/07/1987

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Live In Dublin Review

Live In Dublin
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I'll echo the other reviewers and say that this is undoubtedly the best live CD I've ever heard, a testament to a combination of the music, lyrics, players, and timeliness of the message.
Springsteen is almost impossible to review, but I'll just say that, as much as I loved the Rising, Live in Barcelona, and Devils and Dust, the Seeger Sessions and this live album have taken him into a musical stratosphere that maybe only Bob Dylan and Willie Nelson can touch -- pure Americana.
Most of the other reviewers have adequately pointed out the highlights, but I'll say that the mournful dirge that the band transformed "When the Saints Come Marching In" to made tears stream down my face when I first heard this version, especially as it comes in the set after "How Can a Poor Man Stand Such Times and Live". Folk music is as relevant as it ever was.
If you like any strain of Americana roots music -- blues, folk, jazz, gospel, Western swing, roots country, mountain/Scots/Irish music -- this concert will blow you away and make you sing with the crowd.

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Born To Run: 30th Anniversary 3-Disc Set (CD/2DVD) Review

Born To Run: 30th Anniversary 3-Disc Set (CD/2DVD)
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Born To Run is the album that took Bruce Springsteen from a struggling recording artist who was almost dropped by his label to simultaneous covers of Time & Newsweek. All the hype surrounding the album is justified as it is a brilliant collection of songs. From the opening harmonica on "Thunder Road" to the closing of the mini-opera "Jungleland", Bruce tells us about Wendy, Terry, Mary, The Magic Rat & Barefoot girl and we hear their stories. Most of the songs deal with escaping one's dull and dreary life for something better. The means of escape are the highways and backstreets. "Born To Run" is an all time classic and I get chills up my spine every time I hear the opening riffs. "Tenth Avenue Freeze-Out" tells of the origins of the E Street Band. "Meeting Across The River" is underrated and when Bruce played it on his recent tour, it got huge applauses. The production has a big sound to it. On some songs it sounds like a hundred instruments are playing. Bruce wanted a Phil Spector Wall of Sound feel and the album achieves that goal. Jon Landau, his future manager, said after seeing Bruce in concert in 1974 that "he just saw the future of rock 'n' roll". Born To Run helped fulfill that prophecy. Finally, Sony offers a remastered version of the album which one of first to be released on cd in the late 80's. The sound quality is superb and the big sound of the album comes through beautifully. It would have been enough to just have a remastered cd, but this set ups the ante with two DVDs. The first is a full concert from the Hammersmith Odeon in London and it shows a skinny, bearded Boss showing off why his live shows from that era are legendary. The second DVD is a documentary detailing the making of the album and it contains all the key players including Ernest "Boom" Carter who drummed on the title track as well as an integral part of the early E Street Band, keyboardist David Sancious. On top of all that, you get a great booklet that contains unreleased photos. It would be great if Sony takes this approach with other albums in Mr. Springsteen's catalog as this treatment is long overdue for an artist of his stature.

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30th ANNIVERSARY 3 DISC SETCONCERT DVD Never-before-seen 1975 concert from Hammersmith Odeon, London featuring over 2 hours of music.DOCUMENTARY DVD Definitive story of "Wings For Wheels: The Making of Born to Run" with new interviews & rare archival footage.BORN TO RUN CD First time in newly-remastered digital sound. Includes 48 page booklet of rare and unpublished photos.

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Live In New York City (2CD) Review

Live In New York City (2CD)
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When Bruce Springsteen reformed the E Street Band to mount a world tour that would stretch out over the course of 1999 & 2000, amid the ecstasy of it all, there were some questions surrounding the tour. It had been twelve years since the band played a full tour together and with most of the band pushing fifty would they still have the spark and fire that made them the most cohesive and electrifying live act in music. Well any questions that were out there were quickly erased the moment they hit the stage. Like a fine wine, the band has gotten better with time. They may not be able to put on the four hour marathons they once did, but they were much tighter than they had ever been, making the music crisper and more passionate. This live set is taken from the last two shows on the final stop of the tour, Madison Square Garden, New York City and are the basis for his first televised concert performance on HBO. As Mr. Springsteen often does, he reworks songs in concert, giving them a different edge. "Youngstown" is transformed from the quiet acoustic number on The Ghost Of Tom Joad into a searing, blazing rocker marked by a buzzsaw guitar solo by Nils Lofgren which segues perfectly into another burner, "Murder Incorporated". "Born In The USA" is done in its original early Nebraska version with some impressive slide acoustic guitar by Mr. Springsteen. The song takes on a starker quality and strips away any confusion about what the song is about. "If I Should Fall Behind" finds Little Steven, Patti Scialfa, Mr. Lofgren and the Big Man, Clarence Clemons sharing the mic with Mr. Springsteen in one of the most poignant moments from the shows. "Tenth Avenue Freezeout" becomes a r&b soaked, sermon about the rededication and respiritualization of the band where Mr. Springsteen involves the crowd in a singalong and introduces the band members. "The River" is still the somber tale of despair but Mr. Clemons sax solo cuts through it like a beacon of light. The rest of the album is superb including rousing versions of "My Love Will Not Let You Down", "Out In The Street", "Ramrod", "Two Hearts" which has great harmonization between Mr. Springsteen & Little Steven, a stirring "Lost In the Flood" and a powerful "Atlantic City". The album also contains two songs specifically written for the tour. "The Land Of Hope & Dreams" closed out most shows on the tour and in it Mr. Springsteen sings of a train that is open to everyone, saints and sinners alike, that will carry you to the promised land if you are willing to board it. The song has a driving beat and is uplifting. "American Skin (41 Shots)" is the controversial song about the police shooting of Amadou Diallo. In it, Mr. Springsteen assumes the voice of an African-American mother who cautions her son that even doing nothing can get you killed. The song is classic Springsteen and with it he shows that he still has his finger on the pulse of current events and his music not only entertains, but also informs and makes you think. It's hard to believe that it's been fifteen years since the release of his first live album, the sprawling Live 1975-1985, but Live in New York City shows that Bruce Springsteen & The E Street Band are still the best live act in music and probably the greatest of all time.

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