Showing posts with label robin trower. Show all posts
Showing posts with label robin trower. Show all posts

Victims of the Fury Review

Victims of the Fury
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Originally released in January 1980, Robin Trower's seventh LP "Victims of the Fury" proved to be his ultimate crowning achievement. It had been five years since what I consider to be his last truly great release before this, 1975's "For Earth Below." The three albums that came in between, 1976's "Long Misty Days," '77's "In City Dreams," and '78's "Caravan to Midnight," while all being good, I feel were somewhat uneven in quality for Trower standards.
That's why when Robin and company ushered in the new decade with "Victims of the Fury," both blues and heavy rock fans alike had reason to rejoice. While the at the time 34-year-old Robin originates from London and from a clearly English background, his emotionally rich and vivid playing, along with the ever soulful vocals of bassist James Dewar, were more rooted in U.S. blues of the past. Hence, Trower's LPs throughout the '70s always charted higher in America rather than in his own home country.
Being only five years old in 1980 when this album was first released, I was introduced to Trower's music much later on in the '90s with the "Essential Robin Trower" compilation. While collections like that are great for that purpose, I eventually picked up all the original albums, including the one being reviewed here "Victims of the Fury."
This record, as stated, is nothing short of a masterpiece. From the opener "Jack and Jill," Robin introduces his jangly, reverby guitar and some of the most fluid riffing he had ever created and more rooted in heavy rock than ever before. From there, the chorus on the title track really made it stand out to me on the "Essential" CD and hearing it here in its original LP placement position is amazing. Side one of the original album closes out with the breathtaking "Only Time," which paints an emotionally rich picture so vivid through the sounds you hear and the vocal lines are very poetic as well.
The reason I say in the headline that you must get the 1989 Chrysalis pressing of this CD rather than the 1997 BGO disc (which also had "Caravan to Midnight" tacked on), is that the latter switches the LP's original running order around and eliminates three of its compositions, "the Shout," "Fly Low," and what is one of Trower's best ever songs, "Ready for the Taking," which features one of his most mesmerizing riffs ever, truly brilliant. I am listening to it now and am still swept away by its essential beauty and power.
If you can't find or afford the original Chrysalis CD though and don't have a turntable to listen to the record, then definitely download the missing tracks here on Amazon. You won't regret it.
All in all, some of the best blues rock ever created from one of the genre's most amazing power trios. Highly recommended.

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Seven Moons Review

Seven Moons
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I've heard the "Truce" album as well as the "BLT," and this is by far the best collaboration between Trower and Jack Bruce. His bass playing is still incredible, and he sounds wonderful on this "Seven Moons" CD.
Robin as usual is fantastic on guitar, but that's because he's one of the best, and I don't care what other people or critics have to say about him, he's in the same league and even better than some of the most famous guitarists ever, including Hendrix, Beck, Page, Clapton, you name them, Robin is right there with the best of them, but the sad thing is he's never got the recognition he deserves.
This is a great CD, not one bad track on it, and if you're a fan of Trower and Jack Bruce, I recommend you get it. It's much better than I had anticipated, and I'm very glad to have purchased it without ever hearing one complete song on it.
Glenn Signal Hill,CA

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Vinyl LP pressing of this 2008 album from this duo consisting of British Rock legends Jack Bruce (Cream) and Robin Trower (Procol Harum). The duo made two joint recordings in the early 1980's, and teamed up again for this record, this time with British drummer Gary Husband (Level 42). What makes Seven Moons such a success is that Bruce and Trower each play to their strengths, Bruce brings his distinctive croon/moan to bluesy, riff-oriented tunes dominated by Trower's playing. They conjure a Power Rock trio sound which touches on Cream and Hendrix yet draws from their own deep, dark wells of experience.--This text refers to the Vinyl edition.

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Robin Trower - Living Out of Time: Live (2005) Review

Robin Trower - Living Out of Time: Live (2005)
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After waiting for months, my copy of Robin Trower's new DVD, "Living out of Time" arrived yesterday and went straight into the DVD player. Man, it was sure worth the wait!
If you love Robin Trower -- or electric blues guitar in general -- you simply cannot go wrong with this DVD. It contains a good balance of the classic Trower songs from the James Dewar era and his newer material, including one song so new, it's not on any album yet! There's also a bonus section with a neat photo gallery; actual photos, not just stills from the video (many have some nice time-laps and processing effects). There's also a nicely shot and very informative interview with Robin (did you know that at one time, he had the same manager as the Beatles, or that the development of his sound took place in San Francisco AFTER the death of Jimi Hendrix, or that he didn't feel he took the guitar seriously until after he left Procol Harum?). Learn how Robin became a "Strat-Man" and why Robin feels he is living out of time, and proud of it! Good stuff. But I didn't buy this DVD for the bonus material...
Folks, I have many, many live concert DVDs and the quality varies greatly from one to another. In many cases the mix between instruments and vocals isn't balanced correctly or the audio is not crisp and clean. In other cases, the video has problems (i.e., too dark, or fuzzy and grainy, cameramen who don't know how to video a rock performance -- or good camera work ruined by bad video editing) etc. That is not the case with Living Out of Time! Not only is the performance superb, but the DVD production is one of the best I've seen and heard. The audio quality is fantastic (apparently right off the main board). The kick drum is solid, the snare and cymbals are tight and clean, the bass and vocals are sharp and bold and Robin, well, he sounds as good as I've ever heard him on any recording.
...And the video is outstanding! Very bright and clear, with great close-up shots of Robin's fantastic scales, multi-note bending (with and without whammy bar) incredible finger vibrato, and overall "fret board gymnastics" -- but there's even shots of Robin's foot-pedal work! I also wasn't expecting anything unusual about the stage lighting, just a standard club set-up. Again, not the case here! There are some great lighting effects and unusual graphics projected on a full stage screen behind the band. While the lighting is unique and interesting, it does not detract from the performance, but instead, enhances it (check out the lighting effect on the close-up shots of Davey during "Please Tell Me").
Drummer Pete Thompson (of the 70's / 80's British band Shotgun and long-time Trower collaborator) has just the right sound and style for this material. Bassist Dave Bronze is another long-time Trower collaborator (in addition to Eric Clapton, Sting, Procol Harum, Phil Collins, Jeff Beck, Stuart Copeland, Bo Diddly, Roger Daltry, David Gilmore, Brian Ferry, George Harrison and Ray Davis, to name but a few) sounds smooth, fat and `dead-on target'! Oh, did I mention Dave was also voted British Blues Connections 2000 Bass Player of the Year? :-)
As others have mentioned, Davey Pattison does indeed sound reminiscent of the late/great James Dewar. But he adds his own stamp of character and style to the vocals. I have also been a long-time fan of Ronnie Montrose and Davey Pattison's band Gamma, and I can hear the Gamma sound -- along with Dewar's -- in this performance. There's also a lot of the classic, bluesy, 1960's Eric Clapton / Cream sound to Davey's vocals (think "Crossroads"). It all comes together quite nicely.
While staying true to his sound, Robin doesn't just replicate the older versions of his classic songs, instead he add a great deal of new licks, breaks and modulations that really kept them interesting. His newer material is right up there with the best of his classics.
Highlights include the up-tempo, blues-rock "Rise up Like the Sun", the pensive and moody "Breathless" -- where Robin takes a turn at lead vocals as well (and to my surprise, has a very effective voice for this style). There's also some amazing new soloing and breaks in classics like "Daydream" and "A Little Bit of Sympathy" -- and a perfect recreation of the mystifying guitar sound of "Bridge of Sighs" that I fell in love with so many years ago (with new interpretations of the classic licks).
So, if you loved the unique, swirling, gliding, vibrating, sustaining, double-stopping, wah-wah'ing sounds of Robin Trower, well, here they are in all their glory! I don't generally evaluate anything at the maximum available points, but I can honestly think of nothing they could have done to make this DVD any better - so I must give it 5 out of 5 stars. I guess the only surprise was the polite, but much retrained reaction of the German audience (definitely not an American crowd - they would have been goin' nuts)!
I had understood Robin Trower had retired a while ago, if true, I'm sure glad he changed his mind! If you love Robin Trower (or classic Cream, Stevie Ray Vaughn, Buddy Guy, or the bluesier side of Jimi Hendrix) this DVD is not only a winner, but a true "must have". I've heard that Robin and this line-up are working out a U.S. tour in mid-to-late 2006; don't miss `em (I'll definitely be there)!
Cheers!
"The Doctor"
(Somewhere in California)


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This fascinating 13-song performance was recorded by the famous WDR Rockpalast on Robin Trower's 60th birthday, March 9th 2005 at the Crossroads Festival in Germany.Trower's career has spanned more than four decades and he is considered to be one of the

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