Showing posts with label 1995. Show all posts
Showing posts with label 1995. Show all posts

Ghost of Tom Joad Review

Ghost of Tom Joad
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If there were any justice in this world, this album would've sold the 11 million copies that Born In The U.S.A. did, due in no small part to its widely misunderstood title track. Alas, as Springsteen proposes on this album, there is no justice. While Springsteen's best-known and best-selling music may always remain his early songs filled with cars, girls, and the dreams of youth, and while that may be the image that most people have of the man, this album is undoubtedly the work of a mature genius. Not since the early Bob Dylan records has the seamy underbelly of the American life been explored so thoroughly and heart-breakingly in popular song. Influenced, obviously, by John Steinbeck's The Grapes of Wrath (actually, the movie adaptation, as one sees in the linear notes) as well as other literary and news items focusing on immigrants, the working class, and the downtrodden - as well as drawing upon previous songsters who have explored this territory, such as Dylan and Woody Guthrie - The Ghost of Tom Joad is a set of story songs, done in the heart-breaking and plaintive way that only Springsteen could do them. The stories are mosly set in California, often near the Mexican border, and involve the deeds of illegal aliens and other working class heroes involved in America's secret economy. Musically, this album is bleak and involved mainly Springsteen alone on acoustic guitar and occasionally punctuated with harmonica, as on his Nebraska album; however, a few songs feature other players, including some intriguingly subtle keyboard work that fits the mood so well you hardly know it's there. Springsteen sings these songs in the slurring drawl that they deserve, paying little heed to pitch or meter, and they can be hard to understand at times. This album doesn't make for easy listening. One cannot play this as background music, driving music, or at a party like one can many of The Boss's records with The E Street Band: this is definitely an album that you must devote your full attention to. It is one of the few records that truly deserves to be listened to when you're alone at night in your room with the lights off. Be prepared to cry, be prepared to feel your heart ache - be prepared to be moved. One of the true masterpieces of American rock music, and a criminally overlooked record which I hope some day will receive the praise it is due.

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Vinyl Classics reissue of this 1995 album comes as a vinyl look-a-like CD that's packaged in a die-cut see-through slipcase. 12 tracks. Sony.--This text refers to an out of print or unavailable edition of this title.

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Mirror Ball Review

Mirror Ball
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Neil Young and Pearl Jam's impressive musical collaboration has a live sound, with thick, unpolished guitars, heavy drums and crashing drums everywhere, as if in rehearsal mode. Though these songs completely rock out, there's an old-fashioned sense to them, a sort of archaic vibe for the respect of rock and roll music. The comraderie and naturalness between Pearl Jam and Young is unmistakable -- the combination fits like well-worn slippers. The heavy guitar chops on such songs as "Song X," "Act of Love" and the epic "I'm the Ocean" are all as intense and rocking as any Pearl Jam or Neil Young album out there.
The bold repetativeness of "I'm the Ocean" -- one of the best songs on the album -- is proof that none of these guys need to prop up their songs with hokey, unneeded sonic effects from the studio. It's one of those songs that could go on forever without getting old, and it practically does. The drum beat alone is mesmerizing, but Young's observational lyrics are also impressive. The fact that it sounds like a raw rehersal take in the studio makes it even better. "Big Green Country" is a rolling, high-energy song that clicks on all cylinders, a countryman's version of mosh. Only at "Truth Be Told" does the pace and volume on "Mirror Ball" come down considerably. The raunchier "Downtown" was released as a single, and with its references to Led Zeppelin, hippies and a huge Jimmy Page-like riff, it delivered the goods.
Two portions of "Mirror Ball" -- the middle and very end -- feature a hymnallike organ, the heartwrenching backdrop for Young's short lyrical spot that is aching in its tenderness.
Both Pearl Jam and Neil Young share the same integrity and ideals, lyrically and musically, especially on such classic rock-sounding monsters like "Peace and Love" and "Throw Your Hatred Down." Eddie Vedder's lone vocal contribution on "Peace and Love" is hearfelt and well-placed, an unforgettable moment, like a star in the gloriously murky haze of guitars.
And listen for Young's own beautiful closer, "Fallen Angel," perhaps one of the sweetest, most emotional endings to any album ever. "Mirror Ball" may be a somewhat obscure release now, but it was one of the best albums made in the 1990s, and a dynamite collaboration of sounds.


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Neil Young's eagerly-awaited follow-up to the Grammy-nominated will include the epic \Act of Love

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Daydream Review

Daydream
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I don't understand why some naysayers don't give Mariah the props she deserves. This is an artist who is not only an extraordinary singer but she also writes each and every one of her own songs, composes her music, produces her records, provides her own backing vocals and even takes part in directing her music videos. Unlike most "divas", Mariah is also one of the few artists who always sings "live" (unlike Celine, Janet or Madonna who use vocal tracks or lip synch in theirs concerts) when she performs. Can you get any more talented than this! Since her debut, Mariah Carey has sold nearly 130 million records (and counting!) worldwide.. more than any other (female) artist. And this feat she has accomplished in less than 10 years!
Daydream is one of the best albums in her career (followed by Butterfly) so far. My favorite tracks are Fantasy (both versions), Always Be My Baby, Open Arms, Melt Away, Forever, and I Am Free. But I love every single track on this album. One Sweet Day, Underneath The Stars, and When I Saw You plus Daydream, Long Ago and Looking In are also good songs. If you haven't purchased this album yet, go and get it as soon as you can because you don't know what you are missing. If you like this album you should love Butterfly.
One of my other Mariah favourites is Music Box but it has a more pop sound to it as opposed to R&B/Hip Hop. But they are all great albums.

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Japanese version featuring a bonus track: "Fantasy (Def Club Mix)".

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