Showing posts with label jeff beck. Show all posts
Showing posts with label jeff beck. Show all posts

Live With the Jan Hammer Group Review

Live With the Jan Hammer Group
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Having read the previous reviews I feel as if I'm not referring to the same record. But, as those old Latin guys said, "de gustibus non est disputandum". This 1977 live recording was made in a decade in which Frank Zappa so aptly declared that "Jazz is not dead... it just smells funny". Many jazz and rock credentials were tainted by failed attempts to turn the flirting between jazz and rock into a 'lasting relationship', and a number of records from that era are best left forgotten. This one, however, is not among those. On the contrary, it portrays a successful concert of a cohesive group of impressive musicians providing ample opportunities to hear just why is Jeff Beck indisputably one of the most amazing guitarists in popular music. Charmingly outdated (if only slightly) recording of a very good (sound) quality from the days when synthesizers were still monophonic, this record features inspired and passionate playing of Jeff Beck (g), Jan Hammer (ky, v), Fernando Saunders (b, g, v), Tony Smith (d, v) and Steve Kindler (vn, syn, g). Among rather uneven records of Jeff Beck, this is one of the few that has my undivided attention every time I listen to it. I'd give it solid 4 stars but I'll add one more in an attempt to increase the overall rating - Jeff deserves it.

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Official Bootleg Usa 06 (W/Book) Review

Official Bootleg Usa 06 (W/Book)
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First of all, it should be noted that this same CD is available direct from JB's own web site at less than half the price of this Japan import. Also, it's a great disc and I highly recommend it.
HOWEVER:
As you can see from the Los Angeles Greek Theater ticket image I loaded above, I attended that show. The Greek event had many additional songs, guests and aspects that were unique to that show. While this CD has some great performances, sadly, most of what made the Greek date so special never made it to this disc.
Below this is a review I wrote for some fellow JB-heads the morning after. After you read this, and then listen to this disc, you'll probably roll your eyes and go "aw, geeeeeezzzz", the way I did.
9/29/06:
Well, let's go see Jeff Beck and do The Time Warp Again, because this show was a complete 180 from my expectations. There was little of the recent techno-based material; the majority was from the Blow By Blow/Wired and earlier eras, so it was obviously designed to be a "greatest hits" show.
Of special surprise, after opening with "Beck's Bolero", the band launched into my favorite Billy Cobham tune, "Stratus". Drummer Vinnie Colaiuta isn't Cobham (but then, who is?), but Vinnie is a monster on the skins in his own right and did a great job.
This band was a quartet, with Jason Rebello on keys, who had all the Hammer-Korg lightning solo routines down to a -T. But the real treat came as the band were joined sporadically throughout the show by great guests, most notably Beth Hart.
Hart tore thru a smokin' set of "You Shook Me", "Going Down", which segued into James Brown's "I Got The Feelin", Sam Cooke's "A Change Is Gonna Come", and more than adequately filled Rod Stewart's shoes on "I Ain't Superstitious". (NONE of which is on this CD)
L. Shankar, most notable for his stint with Peter Gabriel in the 90's, came out to assist on electric violin on a gorgeous "Naida", complete with a great Indian percussion turn by Colaiuta. (The L. Shankar version is not on this CD)
Without Jennifer Batten on stage to push him, there seemed to be less guitar-pyrotechnics from Beck. But, as there were nearly as many slow numbers as upbeat tunes, listening to him showcased against quiet accompaniment, especially with his unmatched skill at harmonics, was a real treat.
The show had a few nasty hitches: Beck broke a string in one number, then his Marshall stack developed a bad intermittent and recurrent buzz that finally had him on his knees, guitar unslung and yelling "mother******!", while the tech desperately tried to solve the problem. You could see he was just mortified to his core, but the crowd gave him a consoling standing ovation.
After the first hour, they took a 10-minute break to "set-up", and a string ensemble joined the proceedings. Apparently, the Greek show was the only venue on this tour to get this:
9/11/06, Billboard Magazine: Jeff Beck has a special surprise in store for the audience at his Sept. 28 performance at Los Angeles' Greek Theatre. During the show, Beck will be joined by a 14-piece string section to perform for the first time a selection of material from his 1975 album "Blow by Blow" in the manner it was recorded. The string arrangements are being overseen by legendary producer George Martin.
The all-female, easy-on-the-eyes ensemble were thoroughly enjoyable on the slow numbers, but hopelessly drowned out otherwise.
That is, until the encores. The first was the version of Lennon's "A Day In The Life" he has been doing for the past few years, only with the string section, it was just stunning. (Not on this CD, either, arrrgggh) The last number was Beck, a cappella with a bottleneck, and the ensemble with Rebello conducting, on a gorgeous "Over The Rainbow". (Well, at least this made it to the disc!)
I enjoyed this show more than the 2001 Batten-quartet Gibson Ampitheatre show, which was marred by overwrought sound and annoying lighting. Here, the sound was perfectly balanced and the lighting respectfully subdued. I think Beck's playing is more raw and incendiary with Batten, but, again, this was an enjoyable experience tailored to the long-time fan, and with all the Greek-only facets, it was a very unique show.
(And, it could have made for an even more awesome 2CD set.)
(Sigh.)

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Japanese Blu-Spec CD pressing of this classic album. The Blue Spec format takes Blu-ray disc technology to create CD's which are compatible with normal CD players but provides ultra high quality sound. Sony. 2009.--This text refers to an alternate Audio CD edition.

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Don't Mess With A Big Band: Live Review

Don't Mess With A Big Band: Live
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In a recent online poll Brian Setzer was voted "The World"s Greatest Living Guitarist". If you are skeptcal about this I urge you to check out the phenomenal new double disc album "The Brian Setzer Orchestra: Don't Mess With A Big Band". Recorded during the band's 2009 tour of Japan "Don't Mess With A Big Band" offers up 19 exciting and innovative tracks including some old time rock and roll, a few swing numbers and a boatload of Setzer's favorite genre rockabilly. I rarely buy "live" recordings but this one was a "must" purchase as soon as I learned about it.
Word has it that Brian Setzer has a huge guitar collection spanning many decades and brands. He is known to prefer the vintage models and Brian put a number of them through their paces during the group's tour of Japan. "Jaw-dropping" is the term the record company uses to describe Brian's guitar work on this album. I would most certainly agree! There are so many highlights on these discs but I would have to single out Brian's amazing interpretation of Nikolai Rimsky-Korsakov's classical piece "Flight of the Bumblebee". "Honey Man" features what has to be the most amazing piece of guitar work that I have ever heard. Listen and see if you agree! Meanwhile, the balance of the orchestra is on top of their game throughout as well. As always the brass section is terrific and I actually enjoyed their work every bit as much. Among my favorite tracks on Disc One are "Batman" (the original ABC- TV series theme), the swingin' sound of "The Dirty Boogie" and the group's remake of the 1958 Eddie Cochran classic "Summertime Blues" which is quite true to the original. Great stuff!
But I liked Disc Two even more! From the earliest days of his career Brian Setzer's first love has been rockabilly and the entire second disc is devoted to this genre. Each and every one of these ten tracks is a winner. You can tell that the Japanese audience just eats up this stuff. "Gene and Eddie" is a tribute to rockabilly pioneers Gene Vincent and Eddie Cochran. What a super tune! And Stray Cats fans will be happy to hear that several of the group's most popular numbers including "Stray Cat Strut", "Rock This Town" and of course "Jump, Jive An' Wail" are included here as well. I found that it is virtually impossible to sit still while this album is playing.
"The Brian Setzer Orchestra: Don't Mess With A Big Band" includes a nicely done 12 page booklet featuring s number of remarkable photos from the Japanese tour. My first instincts proved to be right. This is an album definitely worth owning and something I will listen to again and again. Very highly recommended!



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"Don't Mess With A Big Band" is a sizzling recording of The Brian Setzer Orchestra's 2009 tour of Japan. Brian is in rare form and the display of guitar-playing (raw and live as it was played on the night) is truly jaw-dropping! The album contains all of his biggest hits (Stray Cats & The Brian Setzer Orchestra) and includes a couple of rare gems that he had never previously performed live.

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Thank You Mr Churchill Review

Thank You Mr Churchill
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Rarely does an album come along of this caliber. From start to finish it is simply amazing. The rocking track with Peter's son Julian, the track with legendary Motown Funk Brothers, Matt Cameron on drums (Pearl Jam / Soundgarden) throughout, and even the instrumental track simply make me speechless. This is classic Frampton evolving and reflecting on the ups and downs in his life. The guitar work is right up there with all the legends. Do yourself a favor and pick up this album. You will not be disappointed. Best album since Frampton Comes Alive!

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Following his Grammy Award-winning instrumental album, 2006's Fingerprints, Peter Frampton returns with Thank You Mr. Churchill (A&M/New Door/UMe), his most personal collection to date.The 11-song set, co-produced and co-engineered by Frampton, features the legendary guitarist at his most incisive lyrically as he tackles the battles that wage within us and the outside forces that rage around us. His searing guitar work flows over every song, setting the mood. "This album is very autobiographical," Frampton says. "It starts with my birth, which I thank Mr. Churchill for bringing my father back from the Second World War." Recorded at his home studio in Cincinnati, Churchill is deeply intimate, weaving tales of loss, love and redemption and the lessons learned along the way. Churchill also includes Frampton's reflective take on troubling world events, including the Wall Street bailout ("Restraint") and even the tragic case of Megumi Yokota, a Japanese girl kidnapped more than 30 years ago by North Korea ("Asleep at the Wheel"). Frampton wrote all tracks on Churchill, penning many with longtime collaborator Gordon Kennedy. His co-producer/co-engineer, Chris Kimsey, was the engineer on Frampton's first solo record, 1972's Wind of Change. Co-engineer Don Gunn (Death Cab For Cutie) also contributes to Churchill. Guests include Pearl Jam drummer Matt Cameron, who also played on Fingerprints, and the legendary Funk Brothers, who appear on Frampton's Motown homage, "Invisible Man." Frampton remains one of the most celebrated artists and guitarists in rock history. At 16, he was lead singer and guitarist for British teen band, the Herd. At 18, he co-founded one of the first super groups, seminal rock act Humble Pie. His fifth solo album, the electrifying Frampton Comes Alive, is one of the top selling live records of all time.

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Crossroads: Eric Clapton Guitar Festival 2007 (2007) Review

Crossroads: Eric Clapton Guitar Festival 2007 (2007)
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Well first of all, this is a fantastic show, and it's in Chicago. The line up is stellar and everyone is having a great time. Yes there could have been others there as we all know- Larry Carlton, Robben Ford, Steve Vai and maybe even Les Paul--and with Blues folk Otis Rush -who has been sick and of course Bo Diddley (who had a tune dedicated to him by Robbie Robertson and had suffered a stroke earlier this year) Chuck Berry (he lives close!) Jody Williams maybe a lot of others...
But you can't please everyone and I thought the show was a nice mix. Very entertaining and the various combinations which played together (the real highlight of this DVD) seem to work well. I am a Blues enthusiast and the Blues in this show is fantastic. Hubert Sumilin plays great as does Robert Cray-who usually has no effects, but pulls off a little delay in "Poor Johnny". And Johnny Winter, who is also ill, brings back the fire in "Highway 61" as noted his slide playing is still phenomenal, and he gets applause from Derek Trucks!
B.B. King is very charming as usual at 82 and does well with Jimmie Vaughan, Hubert and Robert Cray. Well presented and touching with Eric in the wings. In Disc 2 we have John Mayer and the charismatic Los Lobos who start it off. Then the masterful Jeff Beck always amazing as he was when I first saw him with Rod Stewart on vocals at the Newport Jazz Festival in 1968. His quartet with Tal Wilkenfeld on bass, originally an Aussie from Sydney (Bondi) now based in the US-she is a stunner she may be the next Jaco Pastorius or Charlie Mingus and sexy too! I agree with other reviewers this band should tour now! Maybe Tal can sing?
Eric's set is great of course. I saw it in Australia this year (twice). Great selection of not the usual E.C. classics--well Doyle Bramhall II does "Outside Women Blues" on Disc 1. He does things from early in his solo career and of course a tribute to George Harrison. The highlight is his sub-set of Blind Faith tunes with Stevie Winwood. I haven't heard "Presence of the Lord" since I was 19 years old!!! Just superb. "Had to Cry Today" with Winwood and Clapton playing double lead is also excellent. This was worth the whole price of the DVD.
Yes, everyone has the items and artists they would wish for. This set does include Jeff Beck thankfully, but the whole show is well presented.
I am a Blues person but can appreciate Albert Lee and Vince Gill, too. This DVD will satisfy most musical tastes. The end with Buddy Guy, after ZZ Top in Texas, was also appropriate and proper even if Buddy did not have his incredible Sax player with him on the night. Buddy is a Chicago Blues icon and you could not have had a guitar show in Chicago without him. The final jam of the day "Sweet Home Chicago" with Buddy, John Mayer, Johnny Winter, Robert Cray, Jimmie Vaughan, Hubert Sumlin and Eric was a perfect end to the show.
This DVD is a must for guitar fans of all genres. The extras include snippets of performances of Tab Benoit, with his 72 Telecaster Thinline, playing with Skunk Baxter, Harvey Mandel (a native of Chicago of Canned Heat fame) with his strange custom axe and a very attractive young woman "Orianthi" getting an interesting Blues sound out of a PRS.
It is commendable that this show is different and varied and is a great companion volume to the first Crossroads DVD. And this Chicago edition has the comic wit of Bill Murray--I loved his intro of Eric Clapton while he was dressed up like the Clapton of '68 with perm and painted Gibson SG- wow! Lastly, it was very interesting and touching to 58 year olds like me, who have played guitar all of our lives, when Bill came out at the start of the show and played "Gloria" ("the only song I can play") I am sure many many folks out there had a tear in their eye with that memory!

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The second Crossroads Guitar Festival - a day-long concert featuring legendary music & collaborations - was held on July 28, 2007 to benefit the Crossroads Centre in Antigua. Filmed in HD, this two disc DVD features over four hours of historic performances from that day. Since it's inception, Eric Clapton's vision for the festival has been to create an event where his friends & contemporaries can have fun & jam together for the benefit of a good cause.

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Soulbook Review

Soulbook
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(3.5 stars)
Rod Stewart's latest CD, "Soulbook," has him singing fairly well but it's not exactly the best album he has ever released. For Rod's fans when he was doing a much, much different style of music, this may not be for them unless they also like this genre of music, too. Rod's voice may not be quite as strong as it was twenty or more years ago; but that's the aging process. I will say that Rod still delivers his songs from the heart and that's admirable. The track set lets the songs flow rather well into each other and that enhances the album but then again there are a few missteps along the way. Some numbers are stronger than others for sure!
"It's The Same Old Song" is very well done; and this starts the album off in a good direction. The drums and percussion add a lot to the arrangement. The music fits in very well with Rod's vocals and he never misses a beat, either! "My Cherie Amour" features Stevie Wonder singing with Rod; I like it but this is truly Stevie's song. Moreover, at this stage in his life Rod's voice just can't measure up to the Stevie's original performance back in the day. Sorry, Rod! On the other hand, however, "You Make Me Feel Brand New" charms me with its beauty; Mary J. Blige does a great job with Rod and that's grand. They should do more duets together! I also really like "(Your Love Keeps Lifting Me) Higher and Higher;" the arrangement works wonders for this classic tune.
"Let It Be Me" is a stunner that has Rod Stewart singing wonderfully with Jennifer Hudson. Hudson was the perfect choice for this duet--heck, she could sing out the phonebook and I'd be standing there applauding! Rod's vocals are also easy on the ear. In addition, "Rainy Night in Georgia" is a big highlight of this album. "What Becomes of the Broken Hearted" is another song that gets a fine treatment; Rod sings this and the backup singers harmonize to perfection.
Whether or not you'll like the other tracks depends on your personal preferences. To my mind, other songs that make the grade include "You've Really Got a Hold on Me" and "If You Don't Know Me by Now." The arrangements for the other tracks are good but they could have been better and Rod's voice just isn't quite solid enough to rank as high in my book as it used to rank although I do get the clear impression that Rod sings with all his heart and soul and I admire that.
Overall, "Soulbook" is an album for people who like classic soul music and covers of those tunes; and Rod Stewart diehard fans may want to get this because they would probably like to have everything Rod ever did or will do. The more casual fan, however, would do well to keep looking for other soul albums; this is a pretty good album but it's just not completely distinguished.

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2009 album from the Grammy Award winning Rock 'n' Roll Hall of Famer. SoulBook is a collection of classic'60s and '70s era Soul favorites sung by one of the most interpretive voices in music. Stewart is personally passionate about this project, which is a return to his beginnings when he fronted The Jeff Beck Band and the critically-revered band The Faces, iconic in the history books for fusing American roots music - Rock, Soul and Blues. Soulbook reunites Stewart with his longtime collaborators, producers Steve Tyrell and Steve Jordan, of Rolling Stones/Xpensive Winos fame, who also brought in top musicians Ray Parker Jr., Waddy Watchel, Darrell Jones, Dean Parks and David Paich to join Rod in the studio for the album.

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Emotion & Commotion Review

Emotion and Commotion
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"Emotion and Commotion" is Jeff Beck's much-anticipated new release. Clocking in at just about 40 minutes, there is no wasted space on the disc. I will not go through track by track, as the other reviewers have done a nice job summarizing each song. Basically on this album, Beck leaves behind the high-powered techno and electronica flavors of his previous albums "Jeff," "You Had It Coming" and "Who Else" and goes for a more laid-back, worldly groove of classic rock fusion with classical undertones. Besides his amazing tone, these songs are wonderful. The covers are arranged well and tastefully done. Anyone who can transition from the beautiful "Somewhere over the Rainbow" to Screamin' Jay Hawkins' "I Put A Spell On You" and back to Jeff Buckley's "Lilac Wine" and make it cohesive within the album is doing something right. The Beck originals, "Hammerhead" and "Serene" are also well-written.
I recently started listening to Jeff Beck a couple years ago. I admit that I am a newcomer to his music. As a guitar player, I cannot even begin to comprehend Beck's tone and virtuoso skills. I am blown away by what he is able to achieve on his instrument. This album is highly recommended to 1)Any Jeff Beck fan (obviously), 2)Anyone who plays the guitar and wants to understand what is capable on the instrument, 3)Anyone who wants to explore creative and exciting new music, produced by one of the most criminally under-rated musicians of our time. Hope this helps!

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For his first studio album in seven years, Grammy-winning guitarist Jeff Beck returns with an eclectic mix of tracks that find the guitar virtuoso accompanied by a handpicked cast of talented musicians, as well as several songs accompanied by a 64-piece orchestra. Rhino unleashes the Rock and Roll Hall of Famer s restless genius with EMOTION & COMMOTION. Beck recorded EMOTION & COMMOTION late last year at Sarm Studios in London with award-winning producers Steve Lipson and Trevor Horn. To create the album s diverse sound, Beck used a number of musicians, including appearances by frequent collaborators Vinnie Colaiuta (drums), Jason Rebello (keyboards), and Tal Wilkenfeld (bass). The album also includes contributions from a trio of singers: Imelda May ('Lilac Wine'), Olivia Safe ('Elegy For Dunkirk'), and Grammy-winner Joss Stone ('I Put A Spell On You' and 'There s No Other Me').To complement the innovative tones he coaxes from his guitar, Beck recorded with a 64-piece orchestra on songs that range from Puccini s immortal aria 'Nessun Dorma' and Elegy For Dunkirk from the film Atonement to 'Somewhere Over The Rainbow' from The Wizard Of Oz and Jeff Buckley s interpretation of 'Corpus Christi Carol.' Beck says the idea of pairing his guitar with an orchestra evolved from the version of Gustav Mahler s Symphony No. 5 he recorded a few years ago. 'It turned out amazingly well, but I didn t want to commit to an entire album of classical music. What appealed to me instead was the idea of bringing together these seemingly contradictory sounds on different kinds of nonclassical music.'In addition to the orchestral pieces, EMOTION & COMMOTION showcases a number of original compositions. For 'Hammerhead,' Beck fires the rocker s opening salvo through his wah-wah pedal before falling into a deep groove carved out by the rhythm section and horn arrangement. At the opposite end of the sonic spectrum, the airy arrangement that elevates 'Never Alone' provides a wide-angle soundscape for Beck s imagination to freely explore the high-flying melody.Before launching a world tour to support EMOTION & COMMOTION, Beck will unite with Eric Clapton in February for a series of exclusive shows in London, New York City, Toronto, and Montreal. The guitarists both former members of the Yardbirds will play separately before taking the stage to perform together. After the shows with Clapton, Beck will play South Korea, Hong Kong, Australia, and Japan before returning to America for the U.S. leg of the tour starting mid-April and including an appearance at the New Orleans Jazz Festival on May 1. For Beck, the new album and tour follows in the wake of a triumphant 2009 his most successful year ever. Among the many highlights were a sold-out world tour; his second induction into the Rock and Roll Hall of Fame; the release of the platinum-selling Performing This Week... Live At Ronnie Scott s, which earned a Grammy nomination for 'A Day In The Life'; and magnificent performances with his band at the 25th Anniversary Concert of the Rock and Roll Hall of Fame at Madison Square Garden.

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Whirld Tour 2010-Live in London Review

Whirld Tour 2010-Live in London
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This is the best live set I've experienced. All the epics are here, plus the ballads. It's pointless to identify "highlights" because the whole thing is one big highlight. It was designed to be that way, or at least that's how it comes across. All the guys give standout performances, but Neal Morse really, really shines. His voice has somehow gotten smoother and just generally better since the previous Live in Europe release (which is in itself an awesome live set). He hits almost all the "high" notes from the studio recordings. Not to take away from the other guys, because everyone turns in their personal best live vocal performance to my ears.
This group of guys is special, and this live set is proof of that. In the liner notes Roine tips his hat to Neal's belief that there's more going on here than just good tunes. There's definitely something more; something to feel.
Bridge Across Forever (the song) is a personal standout. Neal and Roine together really exemplifies what makes this group unique. As a matter of fact, for my taste, Transatlantic is the best thing any one of the members has ever done. That says a lot, considering the collective works of Mike, Neal, Roine, and Pete.
I recommend this as highly as I possibly can.

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2010 three CD live release from the Progressive Rock band formed by Dream Theater's Mike Portnoy and Spock's Beard's Neil Morse. Includes a three and« hour set list on three CDs.

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