Showing posts with label fusion. Show all posts
Showing posts with label fusion. Show all posts

Live With the Jan Hammer Group Review

Live With the Jan Hammer Group
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Having read the previous reviews I feel as if I'm not referring to the same record. But, as those old Latin guys said, "de gustibus non est disputandum". This 1977 live recording was made in a decade in which Frank Zappa so aptly declared that "Jazz is not dead... it just smells funny". Many jazz and rock credentials were tainted by failed attempts to turn the flirting between jazz and rock into a 'lasting relationship', and a number of records from that era are best left forgotten. This one, however, is not among those. On the contrary, it portrays a successful concert of a cohesive group of impressive musicians providing ample opportunities to hear just why is Jeff Beck indisputably one of the most amazing guitarists in popular music. Charmingly outdated (if only slightly) recording of a very good (sound) quality from the days when synthesizers were still monophonic, this record features inspired and passionate playing of Jeff Beck (g), Jan Hammer (ky, v), Fernando Saunders (b, g, v), Tony Smith (d, v) and Steve Kindler (vn, syn, g). Among rather uneven records of Jeff Beck, this is one of the few that has my undivided attention every time I listen to it. I'd give it solid 4 stars but I'll add one more in an attempt to increase the overall rating - Jeff deserves it.

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Trading 8s Review

Trading 8s
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If you're worried that having guest guitarists would transform this album into a shredfest with little regard to the music, think again. All of the musicians are playing tasty licks to complement the tunes and also bring out the best in Carl's playing.
Carl is a master guitar player and musician. He not only plays well, he has great TONE and feel. A must for those who appreciate quality music.
Another benefit...the CD is NOT over compressed like a lot of today's CDs.
It sounds great!

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Pepper cake announces the new CD of Carl Verheyenex supertramp guitar with a new album called Trading Eights. He recorded 10 songs and singled out 6 of them to feature 6 of his favorite guitar players actually trading solos, and in many cases 8 bar phrases with him. The result is an inspiring mix of styles and musical energy.Robben Ford playes a blues, Joe Bonamassa an up tempo instrumental, Albert Lee a country style song and Steve Morse a soulful ballad.Rick Vito turned in some beautiful slide playing and Scott Henderson tore up our version of George Harrisons Taxman. Some special guests on that record which was recorded in 2008. Carl is on tour through Europe on more than 40 shows in 2 months! Please welcome a guitar hero!

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Paint the World Review

Paint the World
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Here, Chick took a very different approach to the Elektric Band paradigm, namely he left more open space for improvisation as opposed to mapping out nearly every last note or being overly concerned about airplay potential. There was also a major lineup change, Chick and saxophonist Eric Marienthal being the only holdovers from the first EB. The new participants were guitarist Mike Miller, drummer Gary Novak and bassist Jimmy Earl.
And did the change help? Mostly, YES!
The band overall ahs a much looser feel to it, thanks in no small part to drummer Gary Novak who brings an entirely different attitude and approach than Dave Weckl's, not a slam, just a contrast. Gary has a wonderfully loose funky creative style of drumming that is a good fit for Chick's music.
Bassist Jimmy Earl comes into the equation taking the unusual approach of NOT soloing at all, but preferring to concentrate on making the music groove, and groove he does! Not everyone can do what his predecessor John Patitucci did so beautifully (namely play lead bass and NOT come off like a show-offy wanker) and Jimmy wisely keeps that in mind, but his playing is FAR beyond anonymous thumping P-Bass minimalism too.
Guitarist Mike Miller is a real treat too, bringing a tart, biting sound and an angular melodic sense to the table yet playing with a lot more soul than uber-chopsmeister Frank Gambale could ever hope to. His biting solo on "Ritual" is especially fun to dig into.
However, I wish I could be as enthusiastic about Eric Marienthal's playing. Granted, he has chops and all, but for me, comes up short in the creativity department, as it seems he plays the same Sanborn-esque licks over and over again with little variation when not navigating Chick's twisty melodies. I've always thought of him as the EB's weakest link. IF there had been NO sax at all, this disc might've earned a 5 star rating without much trouble.
But that said, I dare say, the songs themselves are a LOT more fun to listen to here, as opposed the the uptight and overly fussed with and mind-numbingly predictable predecsssor "Beneath The Mask". There's far more breathing room for each musician and a much looser organic sound in general. Chick actually goes rather sparing on the synths here, preferring to hit mainly pianos. One of the discs high points is "Ritual" a more biting electrified version of a piece that originally appeared on his excellent 1981 release "Three Quartets". "Tumba Island" is a rather odd yet endearing piece based on some dance music that Chick hear while on vacation on a particular island. Elsewhere, the twisty melodies fly and everyone sounds like they're having a ball playing, which is VERY important.
It's a shame this version of the EB didn't stay together very long, at least judging by what was on here, it could've evolved into a VERY exciting electric-jazz outift. Definitely recommended, gripes about EM notwithstanding.

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Songs Include : 1. Paint The World 3:58 / 2. Blue Miles 5:32 / 3. Tone Poem 6:51 / 4. CTA 5:49 / 5. Silhouette 1:43 / 6. Space 6:08 / 7. The Ant & The Elephant 7:33 / 8. Tumba Island 5:58 / 9. Ritual 7:36 / 10. Ished 7:18 / 11. Spanish Sketch 8:07 / 12. Reprise 2:50

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John McLaughlin and the 4th Dimension - Live At Belgrade (2009) Review

John McLaughlin and the 4th Dimension - Live At Belgrade (2009)
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This fabulous show, recorded live in Belgrade by Serbian TV, confirms the impression that the illustrious guitarvirtuoso never has sounded better than here in his mid 60s. Playing as visionary and innovative as ever, constantly going for the edge. And the more conservative John McLaughlin fans make take comfort in the fact that he here mostly plays his slightly phased jazzguitar, rarely using the laptop for synth effects.
The band is stellar with the versatile Gary Husband playing keys and sometimes supplementing Mark Mondesir on the drums. Whereas Dominique di Piazza is downright outstanding on the bass. I guess he might top my list of 'underrated basslegends'. Actually he had to jump in with short notice when the bands original bassplayer, the young superstar Hadrien Feraud had a fingerinjury. Di Piazza, a catholic pater, played with Mclaughlin on the landmark "Que Allegria" album and fortunately we get his feature number from that album "Hijacked". But that's really only one of several jawdropping solos, superfast but at the same time artistic and creative.
No Mahavishnu classics, but 3 songs from the brilliant "Floating Point"album, and the gorgous ballad "Nostalgia" from the MO3 period.
Like the Five Peace Band with Chick Corea this is fusion at its absolute best. Daring and mindexpanding.

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First official full length concert DVD by John McLaughlin. Guitarist John McLaughlin and the 4th Dimension featuring Gary Husband on keyboards and jungle kit, Mark Mondesir on drums and Dominique di Piazza on bass. This electrifying concert was recorded in Belgrade during the summer of 2008. 104 minutes. NTSC all region.Tracks:1. Senor C.S.2. Little Miss Valley3. Nostalgia4. Raju5. Sully6. Maharina7. Hijacked8. The Unknown Dissident9. 5 Peace Band / Mother Tongues

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Beneath the Mask Review

Beneath the Mask
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This is in my opinion one of Chick Corea's best albums to date and certainly one of the best by the Elektric Band. There's no way you can go wrong when the band has the best on each instrument. Dave Weckl on drums, John Pattitucci on Bass, Frank Gambale on Guitar, Eric Marienthal on Saxes and, of course, Chick on keyboards. This album happened right after Chick purchased his Yamaha SY99 and his experimentations with it are just outstanding. (just listen to "99 Flavors"!) I had the pleasure/honor to see these five artists perform the music from this album on tour at Glassboro State College (now Rowan University). I can tell you first-hand that Dave Weckl plays the entire beginning of "Jammin E Cricket" alone (the bass licks are sampled and triggered by electronic drum pads). It's absolutely wild. This is some of the best modern jazz playing that you will hear. PERIOD! If you like jazz with a rock/funk/latin edge, then buy this album! NOW!!!

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Five Peace Band Live (Bril) Review

Five Peace Band Live (Bril)
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Any list of the top jazz releases for this year must include this live set taken from the critically-acclaimed Fall 2008 European tour of the "super-group" that was named by John McLaughlin.
The draw may be the two iconic fusion artists - Chick Corea and McLaughlin - but saxophonist Kenny Garrett has a number of outstanding solos, his work on Hymn to Andromeda is an incredible salute to "Trane," and drummer Vinnie Colaiuta emerges out of the mix with a solid style that must be heard to be fully appreciated.
Corea's introduction to Dr. Jackle is blues personified and leads to the band taking full flight with ample space to push one another to sweet solos. McLaughlin keeps his electric guitar is sizzling on Raju, The Disguise and Senor C.S., but his subtle interplay with Corea on Someday My Prince Will Come is the true gem.
Bassist Christian McBride has several very expressive acoustic solos that are grand examples of his artistry. Herbie Hancock guests on piano for In a Silent Way/It's About That Time.
The band is currently on the North American leg of its world tour, with the 2-CD release only available at the shows. This is fusion that is steeped in the history that began with Miles Davis and remains vibrant through those who helped pave the trail continuing to stride in a new direction some 40 years later.

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From intimate duets to intricate acoustic jazz to burning jazz/rock/funk...this is one of the most important collaborations for jazz in our times!This special 2-CD set features the two musical legends in performance together; each displaying their unparalleled artistic integrity.Five Peace Band Live was recorded from the band's 2008 European Tour and features the amazing performances of the stellar musicians Christian McBride, Kenny Garrett, and Vinnie Colaiuta, along with special guest Herbie Hancock!

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Two Against Nature Review

Two Against Nature
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Steely Dan is like an enigma. The true die hard fans have longed and yearned for anything by this dynamic duo. Finally it is here. The nine new songs in Two Against Nature deliver what any fan desires - the familiar sound with unfamiliar songs. Although they are spectacular live and we all should have the various box sets available (the best is on MCA), this recording is a must and will appeal to the fans from before as well as an entire new generation of Steely Dan fans. A must buy.

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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: STEELY DANTitle: TWO AGAINST NATUREStreet Release Date: 02/29/2000

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To The One Review

To The One
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Hailed as a tribute to one of John McLaughlin's biggest heroes, the illustrious John Coltrane, this rather short album (40 min.s)is slightly more jazzy than its predecessor, the excellent "Floating Point".
Recorded with his present band 4th. Dimension it features Mark Mondesir on drums, while the versatile Gary Husband (Allan Holdsworth, Jack Bruce, Robin Trower)shines on keys and drums. With a new stellar bassplayer Etienne M'Bappe, taking over from Hadrien Feraud and Dominique di Piazza, and doing so in finest style.
Lots of fine interplay and fine soloes, the record brimming with inspiration, good chemistry and mutual respect amongst the musicians.
The compositions might not be the most poignant ever from John's creative mind, though the title track is another of those hauntingly beautiful Mclaughlin ballads. Anyway this brilliant release shows that he - like his friend Jeff Beck - just keeps getting better and better. Still dazzling virtuosity, still a deep spiritual undercurrent that certainly can bring Coltrane to mind.


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With his new album To The One, iconic guitarist, composer and 2010 Grammy Winner John McLaughlin looks backwards and forwards simultaneously. The six original songs are hauntingly evocative - with roiling rhythmic swells, modal expanses, and telepathic group interaction echoing the profound influence of John Coltrane's 1965 spiritual jazz masterpiece A Love Supreme. The music of To The One was set down in the studio with very few overdubs, by McLaughlin's current performing outfit, the Fourth Dimension: Gary Husband (keyboards, drums), Etienne M'Bappe (electric bass), and Mark Mondesir (drums). Compositional devices clearly inspired by Coltrane are fused with elements of McLaughlin's own multifaceted approach, all delivered with a group empathy and shared vision that harkens back to Coltrane's fearless mid-'60s quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison. The effect of Jones' kaleidoscopic approach to rhythm and drumming is especially felt, brilliantly recast and explored via McLaughlin's gift for complex metrical structures.

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Live UK Tour 75 Review

Live UK Tour 75
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Always have and probably always will love live albums,specially archive releases,such like this one.'Live UK...' was recorded for a radio program that took place on December 5,1975 at the Nottingham Polytechnic,following the release of their 'Cunning Stunts' longplayer.Six tracks,with a duration of more than 75 minutes of really great '70's progressive.Noticed here that keyboardist Jan Schelhaas has replaced group co-founder David Sinclair.Considering THAT factor,this disc isn't a bad choice at all.Sound is good.Cuts I liked best were "Show Of Our Lives" and the two 17-minute plus epics "The Love In Your Eye" and "For Richard"(my personal Caravan favorite).Give it a spin.

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This live set was recorded on 12-5-75 at Nottingham Polytechnic for a live radio broadcast & features live versions of songs from the 1975 album, 'Cunning Stunts', plus several favorites from earlier albums. 76 minutes of classic progressive rock from one of the originators of the Canterbury scene. Includes eight page booklet with rare photos & liner notes. MLP. 2003.

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Traffic - The Last Great Traffic Jam (with Bonus CD) Review

Traffic - The Last Great Traffic Jam (with Bonus CD)
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Where to start? As a long-time Steve Winwood fan, I've grabbed everything I could get by Spencer Davis Group, Traffic, Blind Faith, solo material and side projects. Among these include several live concerts, such as Traffic Live in Santa Monica (released on laserdisc), a live 1987 concert for the German RockPalast, and the Austin City Limits performance for PBS. I've also seen Traffic twice, in 1973 and in 1994 (from which tour this was filmed).
The 1994 concert tour, promoting `Far from Home', was one of the best concerts I'd ever seen, and I've seen many. I was hoping the energy and musicianship I saw then had been captured for this DVD, and I'm happy to confirm it was.
Before commenting on the music itself, it should be noted that this is more than just a concert DVD. Woven into the film is footage of the band as they traveled the U.S., just being normal people (well, famous rock star normal), with such images as Winwood shining his shoes, or Bramlett and Winwood playing air guitar to the drone of a livestock auction show on TV. It's clear that the band enjoyed good rapport and had fun doing the tour.
With Winwood and Capaldi of the original band (more on that later), joined by Roscoe Gee (from `When the Eagle Flies'), Randall Bramlett, Mike McEvoy and long-time Winwood collaborator Walfredo Reyes, Jr. (who played on the live RockPalast, the Austin City Limits show and the About Time CD), these guys cook!
Concentrating their set on mainly Winwood/Capaldi compositions, they kick off in fine form with `Pearly Queen' and `Medicated Goo', giving freshness to these classic tunes with tastefully extended jams, Winwood blazing on guitar. ` Mozambique', from Far From Home, offers a glimpse as to the direction Winwood would take on About Time. An instrumental, it has a world-music type feel with fiery guitar work. The classic song `40,000 Headmen' has Winwood switching to organ, and the band pure perfection. Bramlett's flute work was true to the original, but was not merely derivative. Exquisite!
Another favorite, the instrumental `Glad', moves Winwood to piano for a rousing version, with an extended piano solo. The band offers a letter-perfect take on `Walking in the Wind' from the 1974 release `When the Eagle Flies), a song rarely done live.
The crowd was enthralled to silence as the opening chords to `Low Spark' began. I've heard this song countless times over the years, but this is the definitive version. It has never sounded better! With energy to spare, they kick into `Light Up' (they use abbreviated names instead of the full song title), with the late Jim Capaldi on lead vocals. To be honest, this is one Traffic song that I never really cared for, usually skipping it when I played `Low Spark'. While it's the same song, what a difference this performance makes! Capaldi's exuberant stage persona created an almost intimate atmosphere in the large auditorium, and the song segues into a long, rhythmic boogie jam with each band member giving a brief solo, followed by a mind-numbing Winwood guitar solo. No guitar player has anything on this guy! Amazing.
The version of `Dear Mr. Fantasy' found here is notable for two reasons. First, it was captured at an outdoor daytime concert in California; the other footage was from night performances in concert halls. Secondly, it had Jerry Garcia playing guitar with the band. Now, Deadheads will probably like that, but for me, it was no great shakes. Garcia looked really bad physically (as another reviewer noted), and frankly, I didn't think he added anything. His countrified slide noodlings didn't really fit the song, and when Winwood played his guitar solo, he virtually blew poor Jerry out of the water.
Closing the disc are two crowd-pleasers. First, the lovely `John Barleycorn', with only Winwood on acoustic guitar, Bramlett on flute and Capaldi on tambourine, presenting yet another textbook offering of superb musical craftsmanship. The final song, which must end every concert Winwood performs, was the obligatory `Gimme Some Lovin'. This version was reminiscent of the performance captured on `Welcome to the Canteen', with an extended, polyrhythmic arrangement, with lots of percussion.
To those that think Dave Mason's absence was a big loss, I disagree. Although he was an original member, his song contributions were weak, apart from the classic `Feelin' Alright'. And, while he was a gifted guitarist, he wasn't particularly distinquished. Moreover, he wouldn't collaborate with the other band members on songs, which was a source of tension throughout their relationship. It's no musical loss that he's absent.
While this release was under the Traffic name, it really is more of a Steve Winwood/Traffic hybrid performance. Winwood is much more energized and in command here than in any other live performance mentioned earlier. He has great musicians who work flawlessly together, and this DVD captures that dynamic perfectly.
I paid less than $14.00 for this, and it included an excellent bonus CD with acoustic versions of '40,000 Headmen', `John Barleycorn' and `Low Spark'. I cannot recommend `The Last Great Traffic Jam' highly enough. It's a joy to have.

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LAST GREAT TRAFFIC JAM - DVD Movie

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World Tour Review

World Tour
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Zawinul and the Syndicate turn in muscular performances from 1997. Covers much of the Syndicate catalogue as well as cuts from "My People" and "Stories of the Danube". OG style Fusion, World Beat and BeBop; World Tour has it all, and it smokes! Weather Report for the 90s! I have seen them several times and this CD really captures what the shows are like: high energy, furious improv exchange, thundering grooves that can modulate to sensitive introspective explorations and then turn back again on a dime, played by the some of the best musicians in the world. Features Drummer Paco Sery, Percusionist Manolo Badrena, Guitarist Gary Poulson, Bassists Victor Bailey and Richard Bono (Manolo Badrena played on "Heavy Weather" and Victor Bailey replaced Jaco). Shame no earlier work with Gerald Veasley or Matthew Garrison included. If you enjoy the Zawinul Syndicate studio releases or Weather Report, then this CD is a must buy.

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