Showing posts with label bad music. Show all posts
Showing posts with label bad music. Show all posts

Invisible Touch (W/Dvd) Review

Invisible Touch (W/Dvd)
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I'm writing this review for people who are actually trying to decide whether to buy the album. No doubt, reading the reviews here is confusing because half the people love it and half the people hate it. Genesis is one of the biggest acts of the rock-pop era...and that's without the solo work of its members, Peter Gabriel, Phil Collins, Mike Rutherford (of Mike and the Mechanics) and various more obscure projects. THIS album is the band's biggest POP album success. It's got FIVE top 10 singles and two more songs that charted in the top 40. How many albums can you say that about?? So why do some people hate it? Well, Genesis started as a progressive rock band that focused on long (10 to 20 minute), complicated songs that displayed a huge degree of musicianship. Unlike most prog bands, the vocals were always good. Still, the poetic, complicated lyrics about mythical creatures, etc, do turn off general audiences. When Phil Collins took over on lead vocals after the departure of Peter Gabriel (Phil had just been the drummer up to that point), the band stayed prog for a while, but in the 80s, drifted into more melodic, romantic, shorter, and, yes, poppier songs. Some musical snobs pretend that the Gabriel era was all about art and the Collins era was all about selling out. It's just not true. Some of the Gabriel stuff still sounds great, but some of it is hopelessly dated. Gabriel stopped making that kind of music when Genesis did. It ran its course. And make no mistake: EVERY Genesis album, including this one, ALWAYS features great musical playing and some progressive elements (the big prog track here is Domino, a three part song). Not only was Phil a great singer; he was one of the best rock drummers of all time. The title track of this album is a great pop song, but most of the other "pop" songs here have some weird little edge to them or some kind of darkness that make them stand out from other pop songs. Tonight, Tonight is pretty murky for a pop song. The few ballads are about as good as ballads get and deserved their "hit" status. This was actually the first album I bought. I was a radio kid until I heard this album. This was my "gateway album" that steered me from solely radio pop toward more complicated fare. Domino changed my life. I'd never heard a 10 minute song before...with lyrics about melting children, no less! And a whole instrumental track? But the album is so LISTENABLE. It's like a spoonful of sugar helping the medicine go down--progressive music in a tasty pop frosting. NOTE: If you like this, the NEXT step in Genesis is Duke. That 1980 album had what I consider the best mix of real progressive rock and melodic or pop sensibilities. It's my favorite Genesis album. Best Gabriel album? Selling England By the Pound. Working your way BACKWARDS in Genesis a great way to discover the band for people unfamiliar with progressive rock or technical music. It's a fun band with a diverse catalogue of music. Enjoy!

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Bark at the Moon Review

Bark at the Moon
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The 2002 remastered "Bark at the Moon" CD is actually more of a remix than a remaster. Needless to say, a side by side comparison will show that the music itself (not just the tonal quality) sounds different from all previous releases of this album. If you're a young fan who's brand new to Ozzy's music and thus have never really heard the "Bark at the Moon" album, you might like this somewhat modern-sounding remix. Otherwise, if you're a long-time fan who knows the original album inside and out, you may be totally repulsed by the difference in the CD's music.
Ozzy re-re-released his first two solo albums on CD in 2002, but without any mention on the outside packaging that they were actually RE-RECORDINGS done with different musicians! In an attempt to get out of paying royalties to the musicians who played on the original album, Ozzy had the original bass and drum tracks re-recorded by his current band mates. (Quite an insulting way to treat the remaining band who not only made the late Randy Rhodes' a legend, but also helped bring Ozzy out of Black Sabbath's shadow -- if not reverse that situation entirely.)
The 2002 "Bark at the Moon" CD is essentially a remix of the 1983 original, not a re-recording. But you'd have no way of knowing from reading the outside packaging or even the CD booklet. In and of itself, the remixed album admittedly sounds rather good in places. Although in a few other places it sounds like Ozzy's singing behind a wall (which is not an uncommon side effect found on badly produced metal albums). Overall the CD music is very cohesive sounding, unlike what you get when you, oh say, try to re-record drums. Here there's a little more boominess, different guitar and drum fills, more rhythm guitar and less keyboards. It's now a somewhat modern-sounding metal album.
But is this what people expect when they buy a "remaster"? For the long-time Ozzy fans: please be aware that this simply isn't the same "Bark at the Moon" you bought in the 80s! If, like me, you've become very familiar with "Bark at the Moon" after years of listening, then listening to the remixed album might come as a shock. Not that it's been remixed as a dance album or anything extreme like that, but gone are all those little fills and solos your ears have come to learn. The bell tolling at the start of "Center of Eternity" sounds like it's been shifted down an octave, like somebody throwing a rock at a pot of water.
If you still need a replacement for your scratchy vinyl or warbled cassette copy of "Bark At The Moon", try to get the 1995 remaster instead. It will sound like what a remastered CD should sound like: just as you remembered it musically, but with superior audio quality.

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Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007.--This text refers to an alternate Audio CD edition.

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Under My Skin-Special Japan Tour Version Review

Under My Skin-Special Japan Tour Version
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The Japanese version is wonderful, with 3 video clips "My Happy Ending", "Nobody's Home" and "Don't Tell Me". Includes too 2 documentary with 20 minutes each, the first show the tour in U.S, making off, production, interview with Avril in a Hotel. the documentary end with the video clip "Don't Tell Me"
The second documentary of 20 minutes, includes your diary, visit to BBC in London, and a visit to others points of London, the documentary end with the video clip "Nobody's Home"
These region 2 Code, play perfectly in my Piooner receiver, maybe in others apparels too.
All in all, a excellent Japanese special edition, with these wonderful bonus DVD! It is as gold for a Avril Fan like me!
The 2007 album of her "The Best Damn Thing" is really poor, maybe in your fourth album until 2010 she back to form!
Under My Skin is much more mature! Enjoy with these version!


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Japanese limited edition re-release of her 2nd album. Includes a previously unreleased bonus track, & a bonus DVD with promotional videos, live footage, an MTV diary & more.The DVD is in theNTSC format, but Region Code 2...not compatible with North American/U.S. DVD players.

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No Strings Attached Review

No Strings Attached
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Ok, when I first saw this I was REALLY shocked too, here's the deal with it though. It comes in one of those packages, where it's really thick, and then it opens on two sides and has two cds in it. The first CD is just like any no strings attached you can buy with the two extra tracks "i'll never stop" (which ROCKS) and "if only through heavens eyes" (which also rocks, it's on the light it up soundtrack.) Then on the other side there's a CD that's like forest green, and it says "nsync bonus ep" and it has the other five songs on it, two remixes of bye bye bye (which you can only find on "bye bye bye the remixes" and is only sold as a record at amuzenet.com for like... five bucks, seven with shipping. then there's two remixes of it's gonna be me, both are on the "it's gonna be me remixes," and an intstrumental of i'll never stop which can be found on the i'll never stop single. I hope that's enough info for you!! it comes in a really cool cover thin that's green with little black pokadots all over it that stick up... and on the back lists all the songs on the cds together. bye bye bye!!

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Includes the bonus tracs I'll Never Stop, In Heaven's Eyes and Bye Bye Bye (Teddy Larry Club Mix)--This text refers to an alternate Audio CD edition.

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Born Free Review

Born Free
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Being a Kid Rock fan since way back when, I was already prepared and pre-warned that what was going to be on this album was not the hip-hop or metal stuff, but a more classic feel. Now, after hearing the album, I can say I'm not overly disappointed, but I feel there was a little too much focus on production rather then making a hit song. Kid Rock stated he wanted to make more songs like "Picture" & "Only God Knows Why" but I honestly don't think anything on this album comes close to being as memorable. I'm not saying the album is bad at all, it's just I think Rick Rubin may have focused on the wrong aspects of the production of this album rather then what really mattered. I first heard Rick Rubin's work back in 1995 when he produced AC/DC's "Ballbreaker" album, and despite what others may have to say about it, I think he did a great job of it. On this album, I'm not sure why Rubin wanted to replace Kid Rock's band "The Twisted Brown Truckers" with other musicians. As someone has already stated in their review too, "why? There is nothing special about the musical aspect of this album" which I couldn't agree more with. Tho I could hear a difference between how what the TBT and this band would have done it, it's not that noticeable a difference, and i'm sure Rick Rubin could have gotten the exact same sound out of them.
"Born Free" is a decent track, starting off sounding country then progressing into somewhere between classic rock and southern blues with a pop element mixed into it.
"Slow My Roll" sounds a bit like a Creedence Clearwater Revival song, then rolling into a ZZ-Top goes countryish. Not bad, but could easily be forgettable.
"Care" - This track I felt didn't belong on the album, the whole hip-hop/rap lyric thing mixed into a country song just didn't work here, at least not in my opinion. I thought i'd heard this song before, and sounded kinda cheap.
"Purple Sky" - Kicks off with a country/blues upbeat, then rolls into something that reminds me of "All Summer Long" re-written into this tune. It's a decent track tho.
"When It Rains", starts off a little slow, but is one of the best tracks of this album to me. I guess we'd all like to forget what we have learned and live back when we didn't know what we know now, so anyone can relate to this song.
"God Bless Saturday" - Kicking off with a low dirty southern guitar riff, then into something that reminds me of "Takin' Care of Business" with more Creedence Clearwater Revival lyrics over it. Not a bad song either.
"Collide" - I know a lot of you love Sheryl Crow, and even Bob Seger, but I do not know what is so special about this song? I think too many people are aware of Sheryl & Kid doing "Picture" so they have skipped to this song for that reason, but I still say, it's no "Picture", it doesn't come close.
"Flyin' High" - Kid Rock stated that this album would not be him screaming out his own name anymore, but quite frankly, I am pretty sick of hearing about his love of Detroit now. It almost seems to be a bit of a rehash of the song he and Uncle Kracker did called "Heaven" which was a lot better.
"Times Like These" - easily forgettable.
"Rock On" - At first I wondered if this was a cover of the classic song of the same title, but it's not. at this point i was also tired of hearing the "1,2,3" intro. I couldn't help but feel this slow, almost balled was just the same song I had been hearing all through this album. Kid wrote on his last album "It's the same old song spinnin' but the same songs always the same" which is evident here. Again, easily forgettable.
"Rock Bottom Blues" - It's still a low down country sound, but with the harmonicas and more upbeat drums, things begin to pick up again. Some parts of this song remind me of previous Kid Rock songs he has done, in particular "Rock N Roll Paintrain" but it's still one of the better numbers on this album.
"For the First Time In a Long Time" - Ok, by now, we get it, OK? Kid Rock's clouds have lifted and he enjoys life. However, this doesn't even sound like Kid Rock. Singing in a rather high key, if someone played this to you, and you had no idea who it was, you probably would not guess it's Kid. But then when the backing vocals of the chorus kick in, you'd probably think it does. It's not a bad song, but not one i'd say is a favorite.
Overall; I just don't hear the stand out tracks, if this was meant to be more "Picture", "Only God Knows Why", "Blues Jeans & A Rosery" then I'm afraid I just did not hear anything on this album that matched up against those classics. There is some decent stuff to be heard here, but I think all the hype I was hearing about this album has just left me feeling a little let down. It's a much better album then a lot of artists 2010 releases i've heard, but I don't think you will find that smash hit by Kid Rock emerge from this album, or hear that this is another Grammy/CMA award winning album.


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Kid Rock will release his 8th studio album, 'Born Free,' on November 16th via Atlantic Records. The record was produced by Rick Rubin and mixed by Greg Fidelman. The first single from the album will be, appropriately, 'Born Free' which hits radio September 14th. 'Born Free' is in many ways a transformational album for Kid Rock. While there is still the edge, wit, and swagger of previous albums, he doesn't rap, there's no metal - there isn't even a parental warning sticker. Says Kid Rock, 'The catalyst for this record was Detroit, and my thoughts on the world through the lens of Detroit. Watching everything go downhill over the past few years, the economy, the loss of jobs everywhere, I wanted to make a record that reflected the times but that still had soul.'The bulk of the album was recorded live in a two week span in Los Angeles with a stellar cast of musicians including Heartbreaker Benmont Tench, Red Hot Chili Pepper Chad Smith, David Hidalgo from Los Lobos and Chavez guitarist Matt Sweeney. Studios in Detroit, Nashville and Atlanta were used to incorporate collaborations with Bob Seger, Sheryl Crow, Zac Brown, Trace Adkins, and in a pairing surely never to be replicated - T.I. and Martina McBride on the track 'Care.' Kid Rock and Rick Rubin, as friends, have spent many hours talking about their respective histories - starting in hip-hop, crossing into and creating new territories - as well as the need for a great new American classic rock record that challenges the field. 'Born Free' is in part the result of those conversations - an album that is meant to be played from start to finish.

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The Best Damn Thing (CD/DVD Deluxe Limited Edition) Review

The Best Damn Thing (CD/DVD Deluxe Limited Edition)
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I purchased The Best Damn Thing explicit/DVD deluxe, and all I have to say is that she has come a long way since Under My Skin three years ago! This album combines the perfect blend of classic punk-rock Avril with enough ballads to keep those satisfied who prefer the slower, emotional side of Lavigne! The best part of this particular edition is that the DVD (almost an hour long) shows all kinds of scenes with Avril recording and writing for this CD. Listen to it again after watching this, and you will get a better understanding of what her songs mean to her! So buy The Best Damn Thing right now, and discover the new, Limoncello drinking Avril Lavigne!!!

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Studio: Sony MusicRelease Date: 04/17/2007

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