Showing posts with label movie soundtracks. Show all posts
Showing posts with label movie soundtracks. Show all posts

Monster's Ball Review

Monster's Ball
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When I saw the film "Monster's Ball," I was struck by the strange choice of music for this story set in the South. Instead of something reflecting the musical tastes of its characters (country and western), it is electronic, eerie and moody. The intent, I assume, is to reflect the emotional and social isolation of the two main characters. The music has an effect similar to the choice of music for the film "Dead Man Walking," which featured Pakistani singer Nusrat Fateh Ali Khan -- also eerie, moody, and strange, but appropriate to the nearly surreal ambiance of the movie. Both films, set in the South, concern death and execution. Perhaps the uneasiness of the music is appropriate for the subject matter.
The 12 Ashe and Spencer tracks on the CD are wonderful, with layers of shifting sound, drones, marimba, guitar, piano, occasional rhythms of percussion, all evoking gentle three-dimensional spaces. At first I was disappointed that the CD ends with four tracks of pop songs (country, country-rock, and R&B), but after several listenings, I now believe the somewhat mournful character of them flows naturally out of the electronic tracks. The shift to singing voices and more conventional instrumentation becomes a welcome alternative, and you realize that the isolation, yearning, and private sorrows portrayed by the film and reflected in the electronic tracks also underlie the last tracks as well. They are all of a piece after all.
I recommend this CD for lovers of ambient, "space" music, who also enjoy the sound of country music, and can understand that marginal aural world where they flow into each other.

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Strange Days: Music From The Motion Picture Review

Strange Days: Music From The Motion Picture
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There is no other way to put it...this is the best soundtrack i have ever listened to. One of the cool aspects in that all the songs (except the Jericho One song and the Lords Of Acid song) appear on the soundtrack in the order the appear in the film...so if you've seen the movie, you go through this cd going "this is when Lenny was watching Faith perform" and "this is where Lenny and Mace kiss at the end" and for a fan of the movie, that is kinda cool. The only flaw of it (that's only worth a mention) is that after you hear Lori Carson's song near the end, you don't want to listen to anything else. It's a great soundtrack to a great film.

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Who's That Girl: Original Motion Picture Soundtrack Review

Who's That Girl: Original Motion Picture Soundtrack
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Ok, Who's That Girl is one of the most underappreciated movies made by Madonna. The critics and SHOCKINGLY the fans feel iffy about the intire movie. The very thought of fans bad talking the movie makes me emotional. The movie was MEANT to be a campy-like comedy and those who GET Madonna GET it PERIOD!. As a die hard fan of Madonna's since my childhood, I understand the intent of the movie's material and it IS a REAL GOOD movie. Most importantly, let me just say that the ''Who's That Girl'' song will FOREVER be inspirational to me. It started in 1987 when I was going on 6 years old and MTV was on almost if not every home television set. I would watch MTV videos, and at 6 years old in the 80's let me tell you that music videos seemed like HUGE peices of million dollar art work. Well, the summer of 1987 was when I first viewed Madonna's video for Who's That Girl and I remember dancing to it, laughing at the movie clips intertwined in the video, and most importantly the little oh' so adorable Madonna cartoon throughout the video--that cartoon made me the artist that I am today!. I have been drawing since 1987 (Grade School), and sketching throughout Jr. High, held some awards in High school for drawing and now I design for clothen options for future opportunities like fashion designing, advertisement and/or cartoons. I am honored with the gift and talent I possess but I must say that I do owe part of my talent to Madonna Louise Veronica Ciccone for sparking that talent hidden within that I (of course) always had. Madonna touched me then with her cartoon debut in the ''Who's That Girl'' video and nothing she does today goes unloved by me!. Oh' and let's face it, the song is one of the most rhythm driven songs of her's among MANY--''Causing A Comotion'' and ''The Look Of Love'' are definitely 2 major greats as well!

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Coming Out of Their Shells Review

Coming Out of Their Shells
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This is such a blast from the past and made so many people happy. Very quick delivery and item arrive in excellent condition. Definitely would use this seller again in the near future. Thank you

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Soundtrack Review

Soundtrack
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I couldn't be happier with Linda Eder's latest release, Soundtrack. And a huge thank you to both Eder & her label, Verve, for giving the fans new albums two years in a row - way to deliver, Eder & team! As a film music album, Soundtrack is a throwback of sorts to the type of music that garnered Eder legions of fans - Broadway showstoppers and standards - but with a generally more understated, intimate feel to the set. Her first album for Verve, The Other Side of Me, was a departure from that previous norm. While I loved that release, it's decidedly more laid-back, country feel marked quite a change from releases like It's No Secret Anymore or By Myself. Soundtrack sees Eder interpreting 11 songs from a wide variety of films, ranging from the Henry Mancini-Johnny Mercer penned "Charade" (from the 1963 film of the same name) to "Falling Slowly" from the 2007 sleeper hit Once. From the well-known to the more obscure, Eder takes each song and puts her own unique spin on the lyric and arrangement. It would've been so easy for Eder to deliver power-ballad versions of classics like Elvis Presley's "Can't Help Falling in Love" or Bryan Adams "(Everything I Do) I Do It For You." However, I'd argue that you'll be hard-pressed to find versions that are more elegant, understated, and emotive than Eder's take on these classics. The lyric is front and center, and Eder proves once again that she's a master at wringing ever drop of emotion, every nuance, from the words of a song. Another of my favorite tracks is the stunning version of "Falling Slowly" - the power in this arrangement and delivery gives one chills! While the Presley and Adams songs are perhaps not unexpected song choices, Eder also ventures into some surprising territory by putting her own unique spin on the BeeGee's "If I Can't Have You" and the Beatles' "Help," the latter a tribute to her son's love for their music. Prior to hearing the album, some of the song choices (like the Beatles' cover) had me wondering if Eder could successfully pull off her own version. I need not have doubted. The entire album has a cohesive, beautifully constructed feel to it, and Eder succeeds in making each song her own. Sountrack would be an excellent companion piece to Eder's 2003 musicals-themed album, Broadway, My Way. It's also a great set with which to introduce new fans to Eder's work, in how it successfully melds her ability to interpret classic song with the more laid-back, country-touched arrangements she's favored in recent years. This album is another winner from Ms. Eder, one I'll be enjoying for years to come.

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Linda returns to her Broadway roots on this release. The 12 tracks span roughly the last 50 years in cinema, from Mancini's "Charade," the title tune of the 1963 movie starring Cary Grant and Audrey Hepburn, to "Falling Slowly," the Academy Award winner from Once, the 2007 Irish musical film. The originals may be familiar and beloved, but Eder and her band dramatically reworked the arrangements, rendering the songs in an intimate, fireside style. Other highlights include an aching version of Yvonne Elliman's 1977 disco hit "If I Can't Have You," from Saturday Night Fever and a faithful rendition of "Valley of the Dolls," the theme of the 1968 flick that Dionne Warwick turned into a No. 2 pop hit.

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The Lord Of The Rings: The Two Towers Review

The Lord Of The Rings: The Two Towers
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Howard Shore's Fellowship of the Ring score was a revelation. Who knew that the composer of The Game and The Cell had such a mastery of the leitmotif approach to scoring? FOTR of the ring left us with fully fleshed out themes (the Ring theme, the Fellowship theme, the Hobbit theme, the Riders March, the Isengard march, the Lorien theme) and haunting motifs (Arwen's motif, Aniron, Gandalf's lament, the 'Moth' theme, the betrayal theme, Gollum's theme). The Two Towers offers both revised presentations of the old and a stunning collection of new material.
Of the old, the Ring theme opens the album in a bold statement, followed by Goldenthal-like strings that take us back into the percussion and male choir of the Moria episode of FOTR. In "The Forbidden Pool", the Ring theme is most deftly developed, intertwined with Gollum's motif for the moment in the film that corresponds to the Henneth Annun segment of the novel. Also of note is the renewed Fellowship theme, which opens "The Uruk Hai" in grand style and proclaims the peak of the Riddermark charge in "Forth Eorlingas". The Isengard March (Shore's answer to Williams' Empire March) is twisted and turned into a charge for Gandalf in "The White Rider" (hear the opening!) and in "Isengard Unleashed", the brass is amazingly low. There are many other reprises of the old material, my favourite being the reappearance of, of all things, the 'Moth' motif in "Isengard Unleashed".
Of the new, there is the theme of the Riddermark, stated frequently in a number of tracks ("The King of the Golden Hall", "Riders of Rohan", "Hornburg"), and memorably played for the Hardinger by Dermot Crehan. A lovely theme for woodwinds appears in the second half of "The White Rider", reappearing in "The Hornburg". And then there are the action motifs: a minute into "Forth Eorlingas" will have you out of your seat! Not to mention the action motifs unveiled in "Helms Deep", which are heavy on percussion.
It's a triumph for Shore and his collaborators. Darker in overall feel and denser in orchestration that its predecessor, if either were conceivably possible. Kudos to the role call of vocalists: Isabel Baykradian (on "Evenstar", my favourite track), Sheila Chandra ("Breath of Life"), Elizabeth Fraser (thankyou Ms Fraser for the opening of "Isengard Unleashed", it's good to have you back for another score), Hilary Summers ("Farewell to Lorien"), Ben Del Maestro ("Forth Eorlingas" and "Isengard Unleashed") and of course... Emilliana Torrini. Collectively they give Enya a run for her money (and collectively probably cost less as well).
"Gollum's Song" song is rich and duplicitous, as much a song for Gollum as for men in general and all who can be corrupted by the Ring. It's a perfect answer thematically to Enya's "May it be", which praised Frodo's incorruptability. I suspect, after "The Two Towers", that incorruptibility will be brought into question.
And here's to Howard Shore's incorruptibility. May it be The Return of the King completes the most powerful series of film scores since, well, you know what trilogy I was going to say.

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The Smooth Sounds of Josh Rouse (DVD & CD) (2003) Review

The Smooth Sounds of Josh Rouse (DVD and CD) (2003)
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Josh Rouse, is by far, one of the best unknown artists out there. This DVD/CD set includes 2 discs of over 3 hours of pure enjoyment. Let me start out with the DVD:
The DVD contains a live concert during New Years Eve in 2003. The live concert is just awesome. The only disappointing part of the concert is that the band does not have a saxaphone player to accompany the song "Love Vibrations". They play mostly all 1972 songs, but add a little bit of other songs from his earlier albums such as "Under Cold Blue Stars", "Home", and "Dressed up like Nebraska". The other part of the dvd is just a bio to know Rouse a little bit better. He talks about his music, and how it affects him. It just portrays that the singer is having a fun time with his music. The only downer about this DVD is that it shows some highlights from the 1972 DVD, which is just wasted film I've already seen. With that, i give the DVD a 4/5.
The CD is very awesome. The price is really good to get a DVD and an actual album of unreleased songs from Rouse. My favorite song has to be "Pittsburgh". The song has a very jazzy rock feel to it. Most of the CD is very mellow and smooth. Its a great CD to have for old Rouse fans. I rate this a 5/5.
So, one 4, and one 5: 4 1/2. So, I rated this a five star. This is a great collection to own if you are a big Rouse fan. If you've never heard of him, definately go out and purchase his latest CD: "1972". Its awesome.
Can't wait for his new album in 2005!!!


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The Smooth Sounds Of Josh RouseDVD and CD package is the follow-up to Josh¹s incredible 1972 album. The DVD is a full-length live show, capturing Josh Rouse and band in the midst of his massive 1972 world tour, and highlights songs from the beloved 1972 album alongside classics from his earlier releases. Included on the DVD is a documentary, ³The Many Moods Of Josh Rouse² featuring interviews with Josh, his band and peers from other acclaimed musical acts artists and producers. Also, there is a full album's worth of rare and previously unreleased Josh Rouse music included on a separate CD, hand-selected from his personal cupboard of recordings by Josh himself. What more could you ask for?

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The Fantasticks: The (1993) Japan Tour Cast Recording - The Definitive New American Cast Album Review

The Fantasticks: The (1993) Japan Tour Cast Recording - The Definitive New American Cast Album
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This recording of "Fantasticks" is a must for anyone who loves the show - and almost everyone who has seen it does love it. The only criticism that could be made of this recording is that Alfred Lakeman as El Gallo, the narrator who holds the show together, lacks the dash, charisma and soaring voice of Jerry Orbach from the original recording. But then, Mr. Obach is someone that would be impossible to replace in almost any role he has done. Yes, the same Jerry Orbach in "Law and Order" created legendary performances in "Fantasticks"; "Carnival"; the original "Chicago"; "Promises, Promises"; Lumiere in the film of "Beauty and The Beast"; "42nd Street" and others. So replacing a truly magnetic star is a tough assignment for anyone. It's a crime that he does not have the opportunity to display his singing voice more often today.
This recording preserves the wonderful poetic diaglogue that is so much a part of the magic of this show. It is a treat to have the dialogue of the Old Actor and Mortimer in "The Old Actor's Farewell" as well as El Gallo's "You Wonder How Such Things Begin" and the beautiful "Curious Paradox" (yes, the latter two are on the original recording too, but to have them in this context is wonderful).
Then there is the bonus track of "A Perfect Time To Be In Love" written for the 30th Anniversary tour with Robert Goulet that comes just before "Soon It's Going To Rain" in the show. It is a lovely addition to an already legendary score.
Don't abandon the original recording, but get this one to make memories of this wonderful show even better.

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Scent Of A Woman: Original Motion Picture Soundtrack Review

Scent Of A Woman: Original Motion Picture Soundtrack
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As a matter of fact I bought this CD not as much due to Mr. Newman's original scrore, but since I liked very much the treatment of the beatiful Spanish song "La Violetera" in key moments of the film. Mr. Newman's music is very good, but the Spanish and Argentine music he used was much better. The performances of "The Tango Project" are superb. "La Violetera" is probably the nicest Spanish song, talking of a florist; it is widely known in its original version in Spain and Latin America, and moreover, came to international light thanks to Charles Chaplin's "City Lights" where it was the Leitmotif of the blind florist girl (a very adequate use indeed). The tango "Por una Cabeza" is probably the highlight of the score, because it is the piece danced by Al Pacino; unfortunately the other tango "Caminito", played by the orchestra at the restaurant, does not appear here. It is a petty. As a whole, I like the CD very much, especially the two performances of "The Tango Project", but just because they are more touching to my cultural heritage. Nonetheless, I praise both Mr. Newman's personal compositions as well as his perfect use of other's melodies.

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No Description Available.Genre: Soundtracks & ScoresMedia Format: Compact DiskRating: Release Date: 19-JAN-1993

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Le Tour De M Review

Le Tour De M
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French rocker -M- releases an awesome live cut of his most popular tracks from albums 'le Bapteme' and 'je Dis Aime,' and includes a few new tidbits for us too.
For those who haven't experienced -M- before, his music is a fusion of rock/pop/funk that plays with a bunch of other genres, including classical and jazz. -M- is famous for his high voice and incredible control as well as his guitar prowess (he plays everything from mediterranean to Hendrix-style rock).
This album covers a bunch of great -M- songs, and spans genres. The inclusion of other material, like the Jimmy Page-esque bluesy 'le blues de soustons' or the funky 'Jamman' really helps to satisfy the listener's desire for MORE SOLO GUITAR MATERIAL... but it still isn't enough to do -M- full justice. In fact, if I have one complaint about 'Le tour...' it's that the whole album, while creative with the original songs' substance, is a little held back in terms of face-melting guitar material. -M- has a number of cool solo videos on youtube.com, and loves to tease us with bits of his stuff in his albums; even with a few tracks dedicated to his solo guitar, I was left wanting more!
This is, however, a great album. The sound is almost entirely un-messed-around-with, and really imparts the feel of 'live concert!' better than a lot of doctored live albums out today. A lot of great songs are on this 2-disc release... it's definitely worth your buy if you like -M-, if you like rock/jazz/funk, or just want to listen to something fun and creative.
If you're interested in other -M- material, check out the albums 'Le bapteme', 'Je dis aime,' and 'qui de nous deux'.

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2001 Live Recording from the French Pop Star. M is the Winner of Prestigious 'victoire De La Musique' for his Live Performance in 2000. M Has Sold Almost 500,000 Records in the Last Two Years and One of the Most Talented Young Artists in France.

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