Fame the Musical (1999 Original American Cast Recording) Review

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(More customer reviews)This Cd is pretty good, but I do need to compare it to the Original London Cast Recording (which is hard to find.) The new Cd certainly has its high points but it also has many weak spots, namely the vocals of the character Carmen (Natasha Rennalls)and Tyrone (Dwayne Chattman). Just for the record, I saw Natasha Rennalls (now Natasha Neary) play the part of Carmen in Los Angeles. She was PHENOMENAL. But this recording does not do her justice. The vocal director has her sing it too bubble gum pop. When I saw her live she didn't sing like that. Also, her dancing was AMAZING, and her stage presence was very commanding. But I do have to complain about the song "In LA" when she takes the key higher to sing, "oh, they know how to do it in L awww." Not LA. L AWWW. What were they thinking? I was so disapointed. If you wanna hear the definitive version of "In LA" get the London Cast sung by unknown DIVA Loraine Velez who belts the song like there's NO tomorrow!
On the plus side there are a lot of great singers on this CD. Miss Sherman (Regina Le Vert) and Miss Bell (Kim Cea) belt their way through "The Teacher's Argument" like it's some kind of singing contest. It's amazing and sung better here than the London Cast. Also Le Vert belting her soulful rendition of "These Are My Children" is wonderful too.
Serena and Nick are great too played by Jennifer Gambatese (Tarzan & All Shook Up) and Gavin Creel (Millie, Mary Poppins). "I Wanna Make Magic" definitely sounds better sung by Creel. His voice is strong and smooth. Gambatese does well with the bulk of the songs "Let's Play A Love Scene" & (reprise), "Think Of Meryl Streep". Although I am partial to the London Cast sung by Gemma Wardle.
One of the roles in this show that always gets the audiences attention is the lovable Mabel, the girl who can't stop eating! Dioni Michelle Collins (Little Shop of Horrors) does well with her one hilarious song "Mabel's Prayer". But if you wanna hear it belted out of this universe, definitely get the London Cast. It's sung by now Sonia Swaby (Gigi MISS SAIGON COMPLETE RECORDING, Nancy "As Long As He Needs ME" from OLIVER in HEY MR PRODUCER! VIDEO) She really knocks it out of the park.
As a whole the Cast works well together to produce a fun filled album but it's too bubble gum, and not dark enough for my liking. Lots and lotsa of energy but maybe too much. Once again, since the London Cast was the first to perform the show, that's the way it was originally intended to be. It's sounds darker.
But on the other hand, a notable plus is that this album features the song when Carmen and Schlomo are rehearsing "Bring On Tomorrow" which is NOT on the London Cast.
I'd give this CD 3 1/2 stars if I could. So there are good and bad, now it's time for you to decide. Now, there is also FAME on 42nd Street. I say get them all to compare, and to enjoy!

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Soundtrack Review

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(More customer reviews)I couldn't be happier with Linda Eder's latest release, Soundtrack. And a huge thank you to both Eder & her label, Verve, for giving the fans new albums two years in a row - way to deliver, Eder & team! As a film music album, Soundtrack is a throwback of sorts to the type of music that garnered Eder legions of fans - Broadway showstoppers and standards - but with a generally more understated, intimate feel to the set. Her first album for Verve, The Other Side of Me, was a departure from that previous norm. While I loved that release, it's decidedly more laid-back, country feel marked quite a change from releases like It's No Secret Anymore or By Myself. Soundtrack sees Eder interpreting 11 songs from a wide variety of films, ranging from the Henry Mancini-Johnny Mercer penned "Charade" (from the 1963 film of the same name) to "Falling Slowly" from the 2007 sleeper hit Once. From the well-known to the more obscure, Eder takes each song and puts her own unique spin on the lyric and arrangement. It would've been so easy for Eder to deliver power-ballad versions of classics like Elvis Presley's "Can't Help Falling in Love" or Bryan Adams "(Everything I Do) I Do It For You." However, I'd argue that you'll be hard-pressed to find versions that are more elegant, understated, and emotive than Eder's take on these classics. The lyric is front and center, and Eder proves once again that she's a master at wringing ever drop of emotion, every nuance, from the words of a song. Another of my favorite tracks is the stunning version of "Falling Slowly" - the power in this arrangement and delivery gives one chills! While the Presley and Adams songs are perhaps not unexpected song choices, Eder also ventures into some surprising territory by putting her own unique spin on the BeeGee's "If I Can't Have You" and the Beatles' "Help," the latter a tribute to her son's love for their music. Prior to hearing the album, some of the song choices (like the Beatles' cover) had me wondering if Eder could successfully pull off her own version. I need not have doubted. The entire album has a cohesive, beautifully constructed feel to it, and Eder succeeds in making each song her own. Sountrack would be an excellent companion piece to Eder's 2003 musicals-themed album, Broadway, My Way. It's also a great set with which to introduce new fans to Eder's work, in how it successfully melds her ability to interpret classic song with the more laid-back, country-touched arrangements she's favored in recent years. This album is another winner from Ms. Eder, one I'll be enjoying for years to come.

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Linda returns to her Broadway roots on this release. The 12 tracks span roughly the last 50 years in cinema, from Mancini's "Charade," the title tune of the 1963 movie starring Cary Grant and Audrey Hepburn, to "Falling Slowly," the Academy Award winner from Once, the 2007 Irish musical film. The originals may be familiar and beloved, but Eder and her band dramatically reworked the arrangements, rendering the songs in an intimate, fireside style. Other highlights include an aching version of Yvonne Elliman's 1977 disco hit "If I Can't Have You," from Saturday Night Fever and a faithful rendition of "Valley of the Dolls," the theme of the 1968 flick that Dionne Warwick turned into a No. 2 pop hit.

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From Paris to Berlin: Aust Tour Edition Review

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(More customer reviews)I love this group, I can really get into their music. I've heard this cd and thought it awesome. What I don't like is $30+ for a cd. When the price comes down I'll get it.
Inflated pricing is one of the many reasons so much music is pirated, I'm sure.

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Album from this Danish dance act, who made thier musical debut in 1997--This text refers to an alternate Audio CD edition.

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