Showing posts with label modern rock. Show all posts
Showing posts with label modern rock. Show all posts

Brutal Planet Review

Brutal Planet
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Having been an Alice Cooper fan for well over ten years, I thought I knew what to expect from his latest outing, "Brutal Planet." Those expectations were thrown out the window upon first listening because there's no way to prepare for how near-perfect this disc is. "Brutal Planet" is Alice's best CD since the gory days of the original Alice Cooper Group, and the reason is simple: It's like nothing he's ever done. This is a charging, fist-pumping, head-banging version of the usual glam-style treatment we've come to expect from the master of all that is dark and unholy. Every track hits home in some aspect, whether political, social or personal. "Wicked Young Man," "Cold Machines" and "Sanctuary" prove that theory with a vengeance. Perhaps the best track, however, is "Take it Like a Woman," a throwback to "Only Women Bleed" that takes sentimentality on one of life's grimmest subjects to new heights.
Overall, anyone can prove that this planet is rotten, but no one can do a better job proving that the music on it doesn't need to be.

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Japanese version of the original shock rocker's 2000 album.Produced by Bob Marlette (Union, Alice In Chains) and executive produced by Bob Ezrin ('The Wall', 'Dark Side Of The Moon', 'Destroyer', and Alice's own classic 'Welcome To My Nightmare'). It incl--This text refers to an out of print or unavailable edition of this title.

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Endless Wire (W/Dvd) Review

Endless Wire (W/Dvd)
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When a popular band does not release a studio album of new material for over two decades, diehard fans can never be sure what to expect. I have been a Who fan since I saw them play "I Can See For Miles" on the Smothers Brothers television program, many years ago. After that moment, I saved my allowance money to buy "The Who Sell Out", which remains one of my very favorite albums to this day. I continued to follow the band closely up through the Kenny Jones years and until "It's Hard", feeling at that time that the Who was producing music that was still vital despite changes in its sound and despite original Who drummer Keith Moon's death.
It wasn't until a few years ago when I saw The Who at the Gorge Amphitheatre at George, WA that I thought of them again as a functioning band. They gave an incredible performance on a wonderful night, on the late bassist John Entwistle's final tour. After that show, I wondered if there would ever be any new studio material, particular after the sad passing of Entwistle. A few years later, I found myself on pins and needles awaiting the release of "Endless Wire".
Not knowing what to expect, when I first listened to this new album I was taken back through the Who's history, but also into the future. While certain parts of "Endless Wire" may recall the earlier Who, some parts incorporate later Who sounds and recall some of guitarist/composer Pete Townshend's best solo work... but this album sounds like it is all here, happening right now. My thought after hearing "Endless Wire":
This is The Who in the 21st Century.
Stripped-down arrangements on songs such as "Tea and Theater", "Man In a Purple Dress" and "God Speaks of Marty Robbins" heighten the sense of intimacy within this music. As Townshend ages, he continues his spiritual journey; as a result, one difference between this and earlier Who music is that more songs touch more directly on faith, mortality and eternity. The title track "Endless Wire" is a joyful-sounding song about something infinite and glorious, something of near-mythical proportions which Townshend has discovered within music itself. In "God Speaks of Marty Robbins", he sings "I knew I'd find music and time were the perfect plan..." On the other hand, he doesn't seem to be in support of organized religion at all, as "Man in a Purple Dress" appears to be all about the importance of the individual, above churches, in finding one's spiritual self.
Roger Daltrey sounds older, wiser and deeper, but he certainly does not sound weary. He sings with vigor, and he proves he is still the consummate vocal conduit for Townshend's lyrics. As Daltrey has done in the past, he spans an emotional spectrum with his rich vocals. Townshend's voice is also in good form, despite its descent into mostly baritone territory. The production is impecccable; it tends to be dry in places, with very little reverb or effects added on sparely-arranged numbers, causing some of these guitar-and-vocal arrangements to sound naked, almost vulnerable. Zak Starkey is a fine drummer, and he can change his style whenever he needs, to suit the needs of the band. Pino Palladino works well as the band's bass player, and long-time band associate John "Rabbit" Bundrick adds keyboards that fill out the sound. Check out the keyboards in the album opener "Fragments"... now what song does that remind us of?
I couldn't have asked for a more perfect return by The Who from studio exile. Their energy is still there. Townshend's songwriting and guitar playing have not diminished with time, and Daltrey sounds as good as ever. "Endless Wire" takes me back to my boyhood Who memories through some familiar rhythms and sounds, as it pulses with the life of The Who. It also takes me ahead into a time of maturity. It reassures me that the passage of time does not always mean that good things become lost. Despite the loss of two revered band members over the years, The Who has aged like a fine wine, learning to discover and rediscover good musical things along their journey. I am looking forward to hearing their NEXT studio release, confident that it will be as immediate, as relevant and as important as "Endless Wire".
I am now going to go crank up "Mike Post Theme" full blast!


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The Bonus DVD is 28:17 in length and features the followingtracks: Mike Post Theme (from the new album Endless Wire)And 4 classic hits: Won't Get Fooled Again Baba O Reily Behind Blue Eyes Who Are You

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MUTEMATH Review

MUTEMATH
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Mute Math have been labelled the New Big Thing, which is a pretty hefty label to carry. Somebody's going to be disappointed, and most bands aren't strong enough to carry the title.
But this solid self-titled debut just might rise above the average, with its solid rockers and knack for good harmonies. This fledgling band expands up the solid guitar pop with extra flourishes and solid melodies -- it's not the most mind-blowing, but it's a solid sound all around.
It kicks off with "Chaos," an infectious little song that is simply crammed with instrumental goodness -- sharp drums, swirling guitars and airy electronica. It's perhaps their catchiest song on here, and good way to get you into their music -- it's a more complex tune than it appears to be at first glance.
It's followed up by a colourful array of different sounds -- this music is almost paradoxical in its complex simplicity and solid subtlety. They dabble in various styles, including epic guitar pop, brief instrumentals, haunting electronica-edged pop, and even some colourful funky-edged pop. They wind down with "Stall Out," a softer song that quietly wraps the album up with an electropop edge.
Mute Math started impressing people with their "Reset EP," and as they gained a following, they started handing out their debut on concerts. You gotta love these boys for that alone. But the cycling complexity of their pop music is an extra reason to enjoy what they turn out on their debut.
At first listen, it sounds a lot like Mute Math is a pretty typical indiepop band. Listen more closely, and hidden rhythms and shimmers of sound will start to emerge under the hooks. They have the swirling (and fuzzy) guitars, solid basslines and similarly solid drumming by Greg Hill, Roy Mitchell-Cárdenas and Darren King respectively. But the sound is upped a notch by vocalist Paul Meany's swirling keyboards, which add an extra dimension to their hidden melodies.
Meany sounds kind of like a harder, hoarser Sting, and he's at his most compelling in the sprawling rocker "Break the Same," where he howls, "The different stars tonight/Will somehow fade the same/And all the tears we cry/Tell us were made the same!" The lyrics need a bit of work, since they tend to be a bit lackluster verbally, even as they rhapsodize on loneliness, collapse and "broken hopes." They become more compelling when you actually hear them.
Mute Math makes a solid debut in their self-titled album, and prove that they are a new band that definitely is worth watching. Keep on rocking, boys.?

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Every now and then a band explodes from the grassroots. Thanks to phenomenal Internet exposure that led to soldout shows across the country, Mute Math is just such a story. Playing this summer at Bonnaroo, Lollapalooza and on the Warped Tour has resulted in the group\'s major-label debut with a selftitled album. An inspired Alt-Rock band from New Orleans, Mute Math melds hip-hop–styled beats, moments of beauty and grandeur, big hooks, and vocals that pay homage to classic rock.

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Armistice Live (CD/DVD) Review

Armistice Live (CD/DVD)
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I've been in love with Mute Math since the day I first heard them, and this CD makes me love them even more. I pre-ordered it the day I had heard about it and I'm so glad I did. These four guys are such amazing musicians, energetic performers, and all around great guys. Their live performances are truly second to none, and this set allows you to experience it without going to a concert (though I recommend you do!!!) All of the bonus material is great to watch, and the Control video is so cool!!! This CD/DVD set is worth every penny I paid for it, and so much more.

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'Armistice Live,' the new DVD/live CD combo featuring New Orleans band MUTEMATH. Recorded and filmed at the famous Tabernacle in Atlanta, Georgia, during MUTEMATH's Fall 2009 Armistice Tour, the DVD includes 90 minutes of concert footage, along with the 'Making of Armistice' documentary, previously unreleased studio vlogs, and bonus copies of MUTEMATH's now-popular short-form music videos,including the never-released 'Control' video!

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The Best Yet Review

The Best Yet
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Switchfoot is certainly a driving force within the realm of Christian Rock, and after six albums, they've certainly cemented their place. So in-between their current crossroads, they want to make sure you know they're still around, so they've put out a best-of album. And of course, as is the case with all best-ofs, they open a can of worms to wiggle about.
But the usual pitfall is avoided here, by coming out with a strong set of songs that represent the vastness of Switchfoot. A strong set of 18 tracks anchor the release, almost maxing out the allowed time for a CD, but they add nothing you've never heard before. Of course there's a bias towards "The Beautiful Letdown," with it making up a third of the album. And also not surprisingly, the album has mostly songs from their last three releases. The range is a very good overview of the band, from the classic "Learning to Breathe," the haunting "Only Hope," to the amazing "Twenty-Four." You'll also get their Chronicles of Narnia track, "This Is Home."
And while it's still a pretty good overview, and better than what most bands do, they still left out songs like "Chem 6a," "New Way To Be Human," "You Already Take Me There," and "Paparazzi." Trivial sure, and fan-favorites all the way, they still did a good job regardless. But then there's the classic best-of question of, "Who's this for, exactly?" The answer is of course limited to the new fans, and the hardcore fans. Of course, if you get the special edition with the DVD, it just becomes that more appetizing.
So overall, for a best-of release, it gets a lot right. Good song selection from a great band. I'd rather the band released a b-side album like Relient K and Anberlin have done, or a professional live album, since they put on a great show. But for the audio portion, there just aren't many reasons to buy. Consider however if you get the edition with the DVD.

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The Best Yet is Switchfoot's first greatest hits compilation and it features the best songs from all their albums. Over the course of 10 years, Switchfoot has become one of the most successful and respected bands in rock music and they are is known for creating groundbreaking music that is compelling for both its sound and presence, and socially aware lyrics. With their breakthrough album The Beautiful Letdown, Switchfoot's music resonated with a broader audience and they saw two singles climb into the Top 10 at Pop Radio.

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