Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Brutal Planet Review

Brutal Planet
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Having been an Alice Cooper fan for well over ten years, I thought I knew what to expect from his latest outing, "Brutal Planet." Those expectations were thrown out the window upon first listening because there's no way to prepare for how near-perfect this disc is. "Brutal Planet" is Alice's best CD since the gory days of the original Alice Cooper Group, and the reason is simple: It's like nothing he's ever done. This is a charging, fist-pumping, head-banging version of the usual glam-style treatment we've come to expect from the master of all that is dark and unholy. Every track hits home in some aspect, whether political, social or personal. "Wicked Young Man," "Cold Machines" and "Sanctuary" prove that theory with a vengeance. Perhaps the best track, however, is "Take it Like a Woman," a throwback to "Only Women Bleed" that takes sentimentality on one of life's grimmest subjects to new heights.
Overall, anyone can prove that this planet is rotten, but no one can do a better job proving that the music on it doesn't need to be.

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Japanese version of the original shock rocker's 2000 album.Produced by Bob Marlette (Union, Alice In Chains) and executive produced by Bob Ezrin ('The Wall', 'Dark Side Of The Moon', 'Destroyer', and Alice's own classic 'Welcome To My Nightmare'). It incl--This text refers to an out of print or unavailable edition of this title.

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Zombie Live Review

Zombie Live
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.....a few weeks ago, this was supposed to be a cd-dvd with a great art-book. As it turns out, no art-book (that I can go without) and, even worse, no dvd (that annoyed me quite a bit). That's right : no live footage, no animated videos. It seems that the live dvd will be released around spring 2008. In other words : we'll have to wait four or six more months before it comes out. So, yes, this live album is awsome, it rocks hard and Rob Zombie is still a genius. But it's not the audio/visual fest I was waiting for. However, I must insist on one point : this live album is f**king great. And sorry about my bad english : I'm from europe and doing my best.

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The long-awaited first live album from Rob Zombie has arrived. A brain-bashing, soul-shaking sonic earthquake, ZOMBIE LIVE (Geffen Records/UMe), released October 23, 2007, in both clean and explicit versions, spans songs from the hard rocker's entire career. Rob Zombie has sold over 15 million albums worldwide and continues to be one of Geffen Record's top selling artists. Recorded in 2006 during the tour supporting the Educated Horses album, which hit #5 on the Pop chart, ZOMBIE LIVE finds Zombie leading a supercharged band featuring guitarist John 5, bassist Piggy D, drummer Tommy Clufetos and was produced by long-time co-writer and producer Scott Humphrey.

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Special Forces Review

Special Forces
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Lotsa dark humor and hard rockin' music with a new wave flavor make this a must-have. Favorite tracks: Skeletons In The Closet and You're A Movie.
Alice had fallen out of favor when he released this album in 1981 which stalled at US #125. That's the only explanation I can think of for it not yielding a handful of hits. This is a peppy, slick, high-energy feel good album with some of Alice's funniest lyrics. The (very) loose theme is some kind of para-military fantasy and the album begins with a helicopter (which Aldo Nova would steal a year or so later for Fantasy) dropping the head banging song Special Forces into your ears. There is a good cover of Seven and Seven is (a mixed drink?) and a piece of fluff about a transvestite policeman, Prettiest Cop On The Block, which is probably the weak link in the chain of tunes.
Don't Talk Old To Me comes at you with a real punk feel. Generation Landslide adds a few lyrics to the classic from Billion Dollar Babies, but not much else. Skeletons in the Closet is as good a song as Alice ever did, and could've fit on any of his more popular albums. It begins with a nice faux harpsicord and ends with the trademark whispering of "Alice Alice..." This is an obligatory track for your next Halloween party mix.
You Want It, You Got It and You Look Good In Rags continue the hard punk sound Alice was experimenting with here quite successfully. Vicious Rumours rocks pretty hard and closes out the album where it began with guns loading and helicopters flying. The stand out piece, though, is You're A Movie, which features Alice as a General, who is the reincarnation of Patton, with Hannibal's heart, and Alexander's prowess. It is delightfully smug and condescending. After 21 years I still laugh out loud everytime I hear it.
This is the perfect cure for a bad day or a boring drive. It's hard not to nod along and smile as Alice struts and frets his hour or so on your CD player.

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1981 album for Warner Brothers. 10 tracks, including a coverof Love's 'Seven And Seven Is' and a live version of 'Generation Landslide '81'.

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Welcome To My Nightmare (Expanded & Remastered) Review

Welcome To My Nightmare (Expanded and Remastered)
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The sound of this remaster is gorgeous! I usually ho-hum at remasters, and can't tell much difference, but this is an exception. The sounds are sharper, crisper. Little sounds and lost instrumentation have been brought up from the background. and some of the weird noises have been given more prominence. I listened to both CD versions back to back, and I could hear major differences. The original CD seems to have been designed to suit more classic rock tastes, but this one seems to have been mastered to suit the tastes of Alice fans.
This reissue was produced by Brian Nelson and David McLees. Sound was produced by Bill Inglot. It was remastered by Dan Hersch at Digiprep-not by Bob Ezrin as the editorial review incorrectly states (check the liner notes before reviewing!)
It comes with a ten page booklet with some nice archive photos (that made me wish there were more photos and that they were larger!) from the "Welcome To My Nightmare" tour and a text piece by Jeffery Morgan-which basically praises Alice to death and doesn't tell fans anything they didn't already know-but it's still nice to read.
The three alternate songs were taken from Alice's ABC TV Special, "The Nightmare," co-starring Vincent Price, which was first broadcast 4/25/75. This is not the "Welcome To My Nightmare" concert video-this is a series of vignettes acted out by Cooper and Price that is nearly impossible to find by conventional means. Maybe this CD will generate interest and they will re-release it. In any case, they do not detract from the album at all...in fact, they add a little closure to it.
"Devil's Food" has alternate lyrics-probably mandated by television executives, but in my opinion the lyrics are even more potentially offensive! Leave it to Alice to pull that off. The music is different as well, trippier, more far out. The end of "Devil's Food" is played out without the Vincent Price monologue. "Cold Ethyl" is much the same with perhaps a more enthusiastic performance from Alice, he really gets into the "ooooooh so cold" bit. "The Awakening" has radically altered lyrics that fit just as well...it is a sweeter, more innocent alternate ending to the nightmare closed out by Vincent Price's lovely voice telling Alice the nightmare is never over.
Now as to the original tracks on the album: The title song begins the album with a whispery invitation to sample some of the disturbing images in Alice's haunted toy box. The song features creepy guitar work by Dick Wagner and Steve Hunter and ends with a rousing fanfare of horns welcoming you into the nightmare. The bizarre guitar work is really brought out in the remaster, up to the level of the horns, it gives it a much weirder sound.
Next up is "Devil's Food," a song about the Devil getting ready for a hot date or maybe a hot meal. As the song winds down Alice treats us to a monologue by Vincent Price, a full eight years before Mr. Jackson would do the same on his "Thriller" album. He portrays a museum curator with an obsession with spiders. This leads us right into "The Black Widow," Alice's Spider King who demands that we love him or be devoured. The little sounds are really brought out here and Alice's vocals sound more distinct. The two guitars are more clearly separated.
The next three songs are fun tunes that add musical diversity to the album. "Only Women Bleed" was Alice's first ballad and would mark the beginning of a string of melancholy hits throughout the rest of the seventies. "Some Folks" is a Broadway kick-line number about anger, violence, lust and pain. "Department of Youth" is a pre-teen anthem about kids running the world-the scariest thought on the album! All of them sound crisper and more precise. The violins on "Only Women Bleed" are much more prominent.
The chilling mood returns with "Cold Ethyl," the most upbeat song about necrophilia ever written. "One thing I miss is Cold Ethyl and her skeleton kiss...We met last night making love by the refrigerator light." There is a woman moaning excitedly under the music in this song-which is really brought out in this remaster. I like the extra edge it gives the song.
"Long Ago," "Stephen" and "The Awakening" form a story about a little boy (or is he a great big man?) with some sort of multiple personality disorder who can't figure out why all his friends are gone, all his toys are broken and people keep dying, until...well, buy the album and see for yourself. "The Awakening" is one of the coolest punch-lines to an album I've ever heard. The eerie tone of these songs is served well by the sharp ultra clear remastering of this CD. The creepy sounds, hidden voices, and far off calling of Stephen's mother are all more prominent in the mix of sounds. It made the listening experience all the more chilling.
"Escape" closes out the album and is about escaping from the nightmare. Because Alice at heart is a sweet guy all his stories have happy endings. "Welcome to My Nightmare" is no exception. In the end, we wake up, and wipe the cobwebs from our eyes, and realize that we are back in the daytime world. Don't worry; we can get back to the nightmare if we need to. After all, aren't nightmares just a way to escape from our sometimes mundane lives?
If you are debating getting this remaster because you already have the CD of "Welcome To My Nightmare"-and it is already a perfect CD, I urge you to take the plunge. I believe this is even better, or at least as good, but delightfully different. The three alternate songs are a must for any fan. The improved clarity of sound, and the brightening of some of the background instrumentation make it well worth buying.

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Original '75 release digitally remastered. Includes 3 bonus tracks - 'Devil's Food', 'Cold Ethyl' & 'The Awakening'-all alternate takes. Remixed by original album producer Bob Erzin from original master tapes. WB/Rhino Records. 2002.

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Constrictor Review

Constrictor
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"Constrictor" was the very first CD I ever bought and this was my first Alice Cooper CD. I had heard "School's Out" of course, but had never really paid attention to who performed it. I went to see "Friday the 13, Part 6" and was immediately taken by "He's Back (The Man Behind the Mask)" during the end credits. So decided to pick up Alice's disk to see how the rest of the album was. Thanks to Jason and another batch of hapless counselors at Camp Crystal Lake, I found Alice Cooper. "Constrictor" features what is best about Alice's music. Great songwriting, laden with wit and catchy hooks and chorus'. The songs on "Constrictor" are some of Alice's best. "Teenage Frankenstein" is a song only Alice Cooper could pull off. The guitar driven ode to teenage angst is fun and catchy, and Kane Roberts guitar work is just made for cranking up the car stereo. "Life and Death of the Party" is a personal favorite with fantasic guitar work, and a song that is hurt in no way by the electro-drumming. "He's Back" should become part of your Halloween mix CD! I think one of the best songs on the disk is "Simple Disobedience". The chorus is catchy and again the electro-drumming really keeps the song moving. "The World Needs Guts" is a great, in your face metal track, with some of the coolest lyrics Alice ever penned.
I see several reveiwers slammed Alice for the electric drums, and synth use on this disk, but that was just a product of the times. What is great about Alice Cooper is that he wasn't using the latest technology as a crutch, but rather he used it to enhance his songs. It's great that Alice Cooper is willing to take risks and try out various musical styles. As a fan, I may not always care for the end product, but I can appreciate how Alice is always giving something new to his fans. Look beyond the techno stuff and you will see that "Constrictor" still features simply great songwriting.

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Raise Your Fist & Yell Review

Raise Your Fist and Yell
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Alice hones the sound of Constrictor on Raise Your Fist and Yell, and blends it with typical Alice Cooper lyrics. The result is one of Cooper's best solo albums ever. Lock Me Up is a great metal song, and should remain in Cooper's live set list. The drumming is insane on Lock Me Up, a real headbanger. Not That Kind of Love is funny, and another straight ahead metal tune. Give the Radio Back and Raise Your Fist and Yell is Cooper's response to the 80's, Tipper Gore led PMRC attack on heavy metal. Kane Roberts gets to flex his metal muscle with Prince of Darkness, and unlike Constrictor, Kip Winger's bass work is in the forefront of most songs. The reason to buy Raise Your Fist though is for the trilogy of songs: Chop-Chop-Chop, Gail and Roses on White Lace. These three songs tell the story of a murderer and his crimes against a would-be bride. The story is fascinating and Cooper once again creates an audial horror movie. Gail may be Cooper's creepiest song next to Former Lee Warmer. This is one Alice Cooper CD you won't be able to put away for long, perfect for the Halloween season.

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1987 album for the shock metal innovator.--This text refers to an alternate Audio CD edition.

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Lace & Whiskey Review

Lace and Whiskey
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I have this Album on original vinyl, and I love the thing. The mickey spellane novel motif is an interesting image for Alice. Idk if the CD is the same, but on the inner record sleeve, it shows Alice wearing white shirt and tie,and a black fedora, loading what seems like a .38 revolver, with an unfiltered cigarette in his mouth, makes him look that much bad ass. The songs are great, and this album in general is one of Alice's finest in my eyes.

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1977 Warner Brothers album featuring the top 10 smash 'You And Me'. 10 tracks total.

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