Showing posts with label canada. Show all posts
Showing posts with label canada. Show all posts

Go Chuck Yourself Review

Go Chuck Yourself
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Well this cd is a great addition to your Sum 41 collection. The cd is great. Deryck says some funny things during some of the songs! It's really funny! It has all the best Sum 41 songs, and you'll never get tired of it. It has a couple songs from all of the cds. That's pretty much it, it sounds different hearing them live, but it's a good different. This is definitely worth the money, you'll won't get tired of this cd!

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This Live Album was Recorded in London and Ontario During their Recent "go Chuck Yourself "Tour Through Canada.

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Meat Loaf: In Search of Paradise (2008) Review

Meat Loaf: In Search of Paradise (2008)
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First off, I give this 3 1/2 stars. They don't have a half-star option.
This is a documentary about the rehearsal stages and first several shows of a Meat Loaf tour through Canada to promote Bat Out Of Hell 3. The case is VERY misleading, as it lets you think you are going to see a full concert and even lists songs in the setlist of the concert as if you're going to see them. YOU WILL NOT SEE A WHOLE SONG. YOU WILL SEE SNIPPETS OF SONGS. The majority of the footage is Meat dealing with the various details of tour. There's quite a bit of attention paid to the Paradise On The Dashboard light controversy: the alleged indecency of him performing the number with Aspen Miller due to her perceived age. (She was 28 at the time of filming/touring.) Maybe even too much time is devoted to this. It honestly felt like this was the theme of the entire documentary.
We also see pieces of Meat's rituals before a show, and it shows the extreme level of perfection he demands from his crew, but mostly from himself. He is hardest on himself and never seems satisfied. This isn't the usual Rock Star ego trip, he continues to push himself to be better, louder, faster, and the best. He does so at a toll on his health, and we repeatedly see him pass out after shows.
I would recommend this to hardcore Meat Loaf fans, but casual fans or someone expecting to see a full or at least partial concert could easily come away disappointed.

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Actor, performer, and multi-platinum rock icon Meat Loaf reveals surprising shades of himself - and a fertile creative mind in constant flux - in this intimate and highly entertaining theatrical feature documentary that was celebrated as an official selection of the 2007 Montreal World Film Festival. The time is early 2007, one of the most stressful in Meat Loaf's career, when he is about to launch his most ambitious tour ever: an 18 month long marathon to support Bat Out Of Hell III, the final album of the legendary Bat Out Of Hell trilogy. His exhausting, and often poignant, journey takes him from rehearsals in Burbank, California through the first leg of his tour through Canada. Along the way, an unexpected media controversy erupts over the staging of one of his songs - a controversy that raises questions about his art and its ability to mature and transcend as it traverses multiple generations - bringing into focus the drive (and demons) that have fueled his over-the-top stage persona for almost 40 years.

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The White Stripes: Under Great White Northern Lights (2010) Review

The White Stripes: Under Great White Northern Lights  (2010)
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This video is an adventure. It's the second White Stripes live DVD, following the concert-only Under Blackpool Lights. This DVD, however, is more of a documentary with live shows thrown in, rather than a concert DVD.
For those unfamiliar with the Stripes, they are a Detroit-based duo of Jack and Meg White (whom Jack presents as brother/sister though they were actually married AND divorced before their second album was released). Jack loves novelties and is obsessed with the number 3, and the band's motif of red, white, and black. If you are a fan of most types of rock, you will love them (or at least some of their assorted songs, there's at least one for everyone). I watched this with my parents (my mom loves Elvis and my dad is a Zeppelin fan), and immediately afterward they wanted me to add the White Stripes to their computers/iPods.
The movie follows the band as they tour each Canadian province and play shows, not only in concert halls, but in parks, on boats, on buses, in schools, and with native Canadians. It gives you a look into the day-to-day of Jack and Meg, and what their ambitions for the band and themselves are as far as the tour goes; Jack also gives great insight into what direction he follows and what creative process he uses for the band. Meg even talks, and they talk about why she never talks, to some laughs for those of us who know Meg as a shy, rarely-interviewed introvert. Interspersed as well are the novelty concerts that are paired with each major show, which show really not the novelty of each show but of Jack and Meg themselves, two oddballs with an idea that a band can be creative within the confines of an idea and a motif, and to explore this motif to its limit.
Now, on to the concerts themselves: blown away. Jack's live shows are heartfelt performances, and he plays to each different audience as if it were a group of his closest friends, knowing exactly what songs to play, including the fa- favorite B-Side cover version of Dolly Parton's "Jolene," which always seems so passionate (even though it's told from the point of view of a woman). Each song is a concert-ready version of its album counterpart, generally not played the same way ("Fell In Love With A Girl" uses chords strummed individually with little distortion, as opposed to the ever-popular studio version), and you can see that they work to make each show special. They play without a set list, and so it's more of a jam session of your favorite White Stripes songs. When Jack plays the B-Side Black Jack Davey in a park with Meg on the tambourine, giving very little or no notice that they were playing there, it conjures images of Bob Dylan and Joan Baez. It's those small town where maybe they've never even heard anything the Stripes have done, only in name do they know them, maybe a rumor of their tour of Canada, but you can tell the people know something special is happening, and in each town a crowd gathers that is very substantial for how small the town itself is.
By the end of the tour, you can see why they canceled their U.S. tour: they seem very weary and stressed out. And when the video ends with Meg crying as Jack plays piano and sings "White Moon", you can tell they've been stretched thin, but it seems like they loved the journey, and you will, too.

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92 minute documentary film containing footage from the 2007 Canadian tour shot and directed by Emmett Malloy.In the summer of 2007, shortly after the release of their 6th album 'Icky Thump', The White Stripes headed north of their hometown of Detroit to embark on an ambitious journey across Canada. The plan was to play a show in every province and territory in Canada, from B.C. to Newfoundland to Nunavut. 'Having never done a tour of Canada, Meg and I thought it was high time to go whole hog... from the ocean to the permafrost' says Jack White. 'We wanted to play out of the way towns that don't usually get shows... the shows are better, it's better for the people, it's a better experience, it's way more unique, something interesting is going to happen... hopefully.'White called upon filmmaker Emmett Malloy to come and document this trek for the band. Malloy had directed videos forthe band in the past, and seemed eager to hit the road with them. Equipped with a couple of 16mm cameras, and a few other documenting devices, the band and crew all headed north. The end result was 'Under Great White Northern Lights'. 'Under Great White Northern Lights' is a visual and emotional feature length film documenting The White Stripes making their way through Canada and culminating with their 10th anniversary show in Nova Scotia. The film documents the band playing shows all over Canada; from local bowling alleys, to city buses, and onward to the legendary Savoy Theater for the10th Anniversary show. A show that turned out to be the longest show the band had ever done on stage together.The film captures intimate moments of Jack and Meg both on and off stage as they travel through some of the mostremote parts of the northern Yukon Territory. Along the way, they have some nice casual conversations about their ten years together, fire cannons, play some of their biggest songs together on stage, and even play a 'one note show.' The cameras were there to capture every waking moment.What 'Northern Lights' does best, is document one of the biggest bands in the world, playing to local crowds in small towns. Some of these towns were so small that many of the locals had no idea who The White Stripes were - they just knew something big was going on in their town. This forced a band that had been together for a decade to go back to a place reminiscent of the first shows they ever played together. For the first time in a long time, no one knew who they were and they had to make a first impression with their music. The live footage captured in this film shows that Jack and Meg were clearly ready for this.Beyond the live footage, some of the films most memorable moments happen off-stage - offering an insightful look into the very private and complex world that is The White Stripes. It was shortly after this tour that The White Stripes canceledtheir fall tour of the United States - making the ten year anniversary a truly pivotal milestone for this legendary band.Blu-Ray track-listing:1. Let's Shake Hands2. Black Jack Davey3. Black Math4. Little Ghost5. Blue Orchid6. The Union Forever7. Icky Thump [Version from Film]8. Apple Blossom9. Wheels On The Bus10. We Are Going To Be Friends11. Let's Build A Home12. Catfish Blues13. Hello Operator14. Screwdriver15. Cold Cold Night16. Slowly Turning Into You17. Lord Send Me An Angel18. Jolene19. I Want To Be The Boy To Warm Your Mother's Heart20. Catch Hell Blues21. I Just Don't Know What To Do With Myself22. Death Letter23. Prickly Thorn, But Sweetly Worn24. Fell In Love With A Girl25. When I Hear My Name26. Wasting My Time27. My Doorbell28. Seven Nation Army29. White Moon

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Permanent Waves Review

Permanent Waves
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...excluding Neil Peart's entry into the band.
Mostly recorded in 1979, PERMANENT WAVES (1980) marked the starting point for Rush's full-blown entry into condensed, accessible progressive rock. They abandoned the 20-minute suites and mystical lyrics for catchy progressive song structures, and more human, worldly-related topics. But, Geddy Lee (vocals/bass/synths), Alex Lifeson (guitars) and Neil Peart (drums/lyrics) didn't lose their brilliance in composition, even if most of the track lengths were fit for radio.
"The Spirit of Radio" is an ever-popular track, and seems to still get as much radio airplay as it did over two decades ago. A catchy, melodic track with cerebral lyrics dealing with no other than the radio, and it's effect on us listeners (i.e. music fans.)
"Freewill" is a philosophical rocker dealing with personal beliefs (e.g., god, fate, stars) and the consequences - positive or negative - of them. Neil Peart seems to be quite ambiguous in his lyrics, and you can't necessarily tell what *his* personal beliefs are at times. He seems to be playing more a role of devil's advocate, which in some cases is probably the smartest part to play.
"Jacob's Ladder" brings slight resemblance to Rush's 70s period, as this is the most *proggish* on the album, and more than likely can please fans of that particular period. Mostly instrumental, it's an atmospheric rocker which leans toward the darker and heavier side. Highlights of the track are the instrumental section in 5/4, and later, a spatial, instrumental section featuring guitarist Alex Lifeson (later joined by band) playing a snaky riff in 13/8, while Neil is keeping time nicely, and Geddy lends some darkly airy synths on top it all. This track bears considerable King Crimson influence, though clearly, it's still Rush's trademark sound.
"Entre Nous" is something of a ballad, but with intellectual-oriented lyrics. Alex Lifeson's trademark atmospheric arpeggios, Geddy's subtle, but commanding vocal combine nicely to make a highly compelling track.
"Different Strings" is the soft tune on the album. Though possibly seen as a warm up to the following track, it stands nicely on it's own. Poignant as well.
"Natural Science" is the other most *proggish* number on the album. Written in three sections, the lyrics mostly deal with nature and the enviornment. Complex musicianship is very apparent, but doesn't overshadow the strangely catchy and addicting elements found here.
This would be a perfect place to start for anyone interested in Rush. Features a nice balance of complex musicianship and accessibility that's hard to beat. Recommended.

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Japanese only paper sleeve SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research into LCD display manufacturing SHM-CDs feature improved transparency on the data side of the disc allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD players. Warner. 2009.--This text refers to an alternate Audio CD edition.

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Rush - Beyond the Lighted Stage (2010) Review

Rush - Beyond the Lighted Stage  (2010)
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Saw "Beyond" last night at a one-night special showing in a Minneapolis theater, and it is without a doubt one of the most interesting and entertaining films I've seen this year, and beyond. And yes, yes, I'm a Rush fan...but I'm not a RABID Rush fan. I'm missing a few of their albums and while I have a ticket to see them in concert this fall, that will be the first time. I say this only by way of stating for the NON-Rush fan: Don't let that deter you from seeing this great documentary. There is so little actual music in it, that anyone, even those just interested in human interest stories and biopics, will find plenty to love here. There is close friendship, tragedy, very comical moments, inspiration...the whole package. And how great is it to see "rock stars" who are intelligent and generally lacking an over-inflated sense of ego? I think my favorite moment in the film might have come when the trio was aboard a plane, heading, if I remember right, to their next concert, and they all three pulled out books and began to read. I didn't see what everyone was reading, but Alex was half through Christopher Hitchens' God Is Not Great: How Religion Poisons Everything. I have a hard time picturing just about any other rock stars doing something like that--with the possible exception of Bad Religion's Greg Graffin.
One funny thing from the film showing of "Beyond." I arrived fairly early, and then three other guys sat down to my left, and then a few minutes later another guy was about to sit in the single seat remaining to my right, and I asked him, "Couldn't get your girlfriend to come either, huh?" And he said, "No, my wife wouldn't come." And the guys to my left said, "Yeah, ours either." So there we were, a row of middle-aged, none-too-thin white dudes, enjoying the hell out of this movie. It had a good tribal sort of feeling to it, bonding with like-minded strangers like this. So when you pop this into your DVD player, maybe have some buds around to enjoy it with you.

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2011 GRAMMY NOMINEE: BEST LONG FORM MUSIC VIDEORush is one of rock's most influential bands. Ranked third in consecutive gold or platinum albums after The Beatles and The Rolling Stones, the band enjoys a devoted following by legions around the world and is revered by generations of musicians. Yet, their incredible success story has, up to this point, remained largely untold. Now comes the new documentary Rush: Beyond The Lighted Stage, the first comprehensive exploration of the extraordinary power trio. Featuring never-before-seen archival footage and interviews with notables such as Jack Black, Billy Corgan, Trent Reznor, Taylor Hawkins (Foo Fighters), Kirk Hammett (Metallica) and Gene Simmons, this film explores the forty-year career and phenomenon behind what could be the world's biggest cult band. This 2-disc DVD in deluxe packaging features over 3 hours of video, including a 1.5 hour bonus disc of never-before-seen live performances, special features, and deleted scenes from the film. A 12 page color booklet of rare and unreleased photos is also included.

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Festival Express Review

Festival Express
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Folks, I can only say...it sure brings tears to my eyes to see
these people again, the ones that are gone. Richard Manuel singing "I shall be released", Rick Danko jamming with Jerry Garcia "no more cane", and especially seeing Pigpen blowing harp
during "new speedway boogie", and the shots of Janis singing two
great tunes "cry to me" and "tell mama". I guess I'm getting nostalgic in my old age, but these musicians meant a lot to me when I was young, providing the soundtrack to a lot of my youthful escapades. The Band played the best concert I ever saw
in 1970 in Pittsburgh, just a few months after this film was shot, so they are captured here in practically the same spirit.
I went to see the Flying Burrito Brothers once in 1971, but couldn't get into the bar because my girlfriend was underage, but they are shown here as a four piece singing "lazy days", so I finally get to see them perform.
This is a wonderful film capturing a wonderful cross country music express. The only complaint - woefully short for my taste- I could take a few more hours of this.

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Festival Express is a rousing record of a little-known, but monumental, moment in rock n' roll history, starring such music legends as Janis Joplin, The Band, and the Grateful Dead. Set in 1970, Festival Express was a multi-band, multi-day extravaganza that captured the spirit and imagination of a generation and a nation. What made it unique was that it was portable; for five days, the bands and performers lived, slept, rehearsed and did countless unmentionable things aboard a customized train that traveled from Toronto, to Calgary, to Winnipeg, with each stop culminating in a mega-concert. The entire experience, both off-stage and on, was filmed but the extensive footage remained locked away -- until now. A momentous achievement in rock film archeology, Festival Express combines this long-lost material with contemporary interviews nearly 35 years after it was first filmed. DVD Features:DVD ROM FeaturesTheatrical Trailer


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