Showing posts with label ac dc. Show all posts
Showing posts with label ac dc. Show all posts

If You Want Blood You've Got It Review

If You Want Blood You've Got It
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The ultimate live 'Rock 'n' Roll' album - bar none, no arguments. This album is like a big, everlasting bone, that should be gnawed at in a frenzy, then buried and dug up every time there's a party or the pack are going out.
This is heavy rock as it's supposed to sound, loud, dangerous, tongue in cheek, and right in your face.
The opening guitar damage of "Riff Raff" comes straight out your speakers, dragging you round the walls like a sledgehammer with claws. "If you want blood" captures AC / DC in their rebellious prime. Angus Young rushing round the stage like an electrocuted school kid with it all to prove.
The school boy image sometimes hides the fact that Angus is one of the finest Rock 'n' Roll guitarists to hit the boards, you can almost hear him moon the audience in "Bad Boy Boogie".
The late, great Bon Scott tells stories as only he could, leaving nothing to the imagination, even in the song titles. Try "The Jack" or "Whole Lotta Rosie". The rhythm section of Angus's elder brother, "Malcolm", the absurdly hardrockin "Cliff Williams" & old Thundersticks himself, "Phil Rudd" don't let up for a second and you don't want them too either. What makes this mongrel's hair stand on end is half way through "Problem Child", Angus turns it up to eleven and sends the crowd onto another plain of ecstasy.
By the final conclusion of "The Rocker", you look round and your air guitar is in pieces and so are you.
This album was recorded in 1978. A year later Bon Scott left us and AC / DC were never the same. Good yes, this good never. If you haven't got an AC / DC album, get this, forget the rest.
Mott the Dog.

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Let There Be Rock Review

Let There Be Rock
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In my humble opinion, this is, by far, AC/DC's best album. It is rawer, faster, heavier, nastier and more brutal than "High Voltage" or any other album by them, and I'm sure that, at the time, not too many thought that was possible.
1. Go Down-5/5. Excellent upbeat, hard driving song with very sexually charged lyrics. You can almost imagine Bon Scott saying these things to the women he would meet. This song has a driving beat that doesn't let up.
2. Dog Eat Dog-5/5. Another great, heavy, upbeat song. The lyrics are one of Bon Scott's best and actually had something to say besides his typical rock 'n' roll lyrics. One of the best.
3. Let There Be Rock-5/5. Another signature AC/DC song. The lyrics to this are the best ever for AC/DC. Although this song is long, it never wears you down because the fast beat never slows down. One of their best ever.
4. Bad Boy Boogie-4/5. A little bluesy, with a bit of a dancy feel to it. One of the weaker songs on here, but still great.
5. Problem Child-3/5. This is one of my least favorite songs ever by AC/DC. I wish that "Crabsody In Blue" would have been put on here instead as it was on the Australian release. It's just a bit too long and a little boring.
6. Overdose-4/5. Heavy riffing with an excellent vocal delivery from Bon Scott. Hard driving rocker, if a bit too long.
7. Hell Ain't A Bad Place To Be-5/5. Another fantastic heavy rocker. Hard driving and full of attitude. One of the best on the album.
8. Whole Lotta Rosie-5/5. My personal favorite AC/DC song ever. This song is fast and furious, nasty and sexy, driving and relentless. This has AC/DC's best guitar riff and Bon Scott's best vocal delivery. Absolutely perfect!
This is the most furious, raw and heavy album that AC/DC ever created. The songs definetly live up to the great title. I consider this one of rock's greatest albums ever, whether you are an AC/DC fan or not.

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Digitally remastered European vinyl LP pressing of this 1977 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour.Eight tracks. Sony/BMG.--This text refers to the Vinyl edition.

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The Razors Edge Review

The Razors Edge
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This album was what AC/DC needed after a series of relatively mediocre albums. (for AC/DC that is, those are still better than 99% of recorded music) The album opens with the blistering Thunderstruck, which is already a staple of many aspiring rock guitar players. The record follows this with a bevy of hard rockers, Fire Your Guns, Moneytalks, Rock Your Heart Out, Are you Ready, and If You Dare, all of which bring back memories of the High Voltage and Highway to Hell albums. The tracks not mentioned above still dish out plenty of good-old rock 'n' roll, they're just not quite a memorable. The only track that leaves one wanting would be the absurd Mistress for Christmas, and if you take it as a joke (which I assume it is) even it's not too bad.

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Black Ice Review

Black Ice
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It's a good album, folks. Mind you, I'm totally easy to please when it comes to AC/DC. I embrace their all-sound-same style and just look for relatively solid execution. But Black Ice is probably their best release since Fly on the Wall (which is under rated, IMHO). Let me expound. The production on Black Ice is everything a hard rock record should have. Every instrument sounds through the mix clearly. The snare sounds awesome. The guitars sound awesome, which power amp distortion that gets gritty when they push it, but cleans up when they play lightly. Seriously, it has less "distortion" than pretty much any album in the Brian Johnson era but still sounds heavy. The mix is NOT brick wall limited at all, and you can hear/feel the dynamics in the guitar playing so that when they back off, your ears get the break they need just like a live performance. Also, they showed enough restraint in the low end EQ that even when I crank my stock car stereo up the bass doesn't flub out. And after listening to ten songs cranked way up, my ears aren't worn out by loudness-wars pummel like on so many records today. It's probably mixed "loud" relative to '70's records, but shows a lot more dynamics than nearly any heavy music coming out nowadays.
And Brian Johnson sounds really good! Really good. Probably the best since Flick of the Switch, once again. I don't know what physical work he's done on his voice, but he's lost the about-to-die strain I could hear on Stiff Upper Lip. They keep him in the middle of the mix rather than out front, but that works well. He's not buried in the mix like on Fly on the Wall.
Angus plays slide on one tune, which I first thought would be gimmicky when I read about it, but really works great. Sounds awesome. Williams and Rudd sound great, per usual, with Williams bass given a slightly more prominent role. He plays eighth note pumps on virtually every tune, over Rudd's straigh on 4/4 beats. The rhythms are very much allsoundsame, however, if you're looking for something to criticize. The beats, tempos, and that eigth note bass line are pretty predictable. But it's AC/DC after all.
There really aren't any filler tunes on the album either. Every song rocks really well. And unlike their last five albums or so, Johnson's voice doesn't grate on me after listening to five or six songs straight through. Every song is about a seven, eight or nine on a ten scale. On the flip side, I'm not sure which song is a ten on a ten scale, making the choice of radio single less than obvious. But, again, all the songs are at least a seven, so there's no point in the album where the energy gets sucked out. The band is incredibly tight. I know it's a studio album so maybe that's a "duh" statement. But they play together so tightly throughout, which is part of their signature sound. It also makes their sound really predictable, along with the predictable rhythms as mentioned above.
Lyrically, there's not much going on here. Most of the sexual innuendo of their '70's and '80's albums is gone now, which is probably a good thing after tunes like "Cover You in Oil" and "Stiff Upper Lip" made it seem to me that they were trying too damned hard (no pun). The songs are mostly about rocking or about being loud or whatever. Often it's "Whatever" as I'm not sure I could pass a content test about the lyrical content at this point. The Young brothers wrote the lyrics again, as they have done the past several albums. I will say that they haven't written any really stupid lyrics on Black Ice, which is a nice change from the last few albums which all had a couple songs that made you think "WTF?" about the lyrics.
In summary, there's no new ground broken here, which won't surprise anyone. But the production is absolutely awesome, Johnson sounds better than he has a right to, and the band is playing tight as a drum. I may be a dinosaur, but AC/DC still has a unique sound to me that I'm not getting from a lot of new groups. In fact, with so many bands like The Sword copying Black Sabbath so faithfully, I wonder why there aren't more bands stealing from the AC/DC formula. You have Buck Cherry and a couple others, but still no band sounds like AC/DC. I expected this album to sound like Stiff Upper Lip, which was ok but not great. But Black Ice sounds way better than Stiff Upper Lip.

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Black Ice is the first full-length studio album of all-new material from AC/DC since the release of "Stiff Upper Lip" in 2000. Produced by Brendan O'Brien at the Warehouse Studio in Vancouver, BC, Black Ice premieres 15 new AC/DC compositions and performances including the album's first single, "Rock 'N' Roll Train".

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Fly on the Wall (Dlx) Review

Fly on the Wall (Dlx)
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If memory serves me, the mid 1980s weren't too kind to AC/DC. After a string of million selling albums, the band saw its sales decline, and it lost much of its thunder to more polished, radio-friendly groups (Van Halen, Motley Crue, Def Leppard). AC/DC could have jumped on a bandwagon, done the USA for Africa thing, and dabble with synths to be more "relevant" and "current" with the times. Instead, they released in 1985 "Fly on the Wall," which stubbornly follows the same formula these Aussies have been using since the early 1970s. This release seems to get a bad rap in some circles, and let's be honest: it won't make anyone forget about "Highway to Hell." Even so, it's 40 minutes of pure dumb fun that makes for a wild ride. The singles "Danger" and "Sink the Pink" are obnoxiously loud anthems that have singer Brian Johnson and guitarist Angus Young doing what they do best: create catchy and head-banging rockers. Johnson's voice always sounded like he swallowed a box of nails, but it sounds even more mangled on this CD. And the music, remastered with care by Sony, projects with aggressive force and sounds best when played at maximum volume. In retrospect, I think "Fly on the Wall" is one of AC/DC's more underrated albums. While it ain't no classic, it's still a fun trip from one of the most consistent and likable bands around.

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Live (Dlx) Review

Live (Dlx)
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This album hasn't been recieved well in ANY circle; critics despise it, fans overlook it. The CD has fared best amongst the uninitiated, which was me back in 1992. My first three CD's were purchased at almost the same time: Metallica's "Black Album," Aerosmith's "Get a Grip," and AC/DC's "Live." I still love all those albums. It puzzles me that "Live" gets very little respect considering the high quality of the band's material. "Thunderstruck" is better live than on the "Razor's Edge." "Who Made Who" live is a total classic. "TNT" is very different from Bon's version, but not inferior. Sure, the "Back in Black" material is not as good as the original stuff, but the same is not true for the mid-80's-through-1990 songs.
Perhaps everyone is partial to the first incantation they remember from the band. A good majority of the fans, swear by Bon Scott's 70s version of AC/DC (something I've never been partial to). Many prefer Brian Johnson's 80s band. And both of those camps tend to ridicule the post 1991 stuff, myself included. After this album there was the Last Action Hero Soundtrack and a couple albums with three-star material at best. Then again, if that were true, "Live" captures AC/DC at the end of their stride, not their peak. Ahh, for me none of that matters. I think we're all fond of the first album we ever hear by a band, and this was mine for AC/DC. This is how I remember them.
Overall: 8 out of 10.


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Double CD collector's edition of AC/DC's 1992 live albumdigitally remastered and reissued in a special digipak plus a 16 page full color booklet containing all original albumart, many unpublished photos, classic memorabilia and new2003 liner notes. 23 tracks. Epic.

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AC/DC - No Bull (Live Plaza De Toros De Las Ventas, Madrid) (1996) Review

AC/DC - No Bull (Live Plaza De Toros De Las Ventas, Madrid) (1996)
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Don't get me wrong, I love AC/DC, which is why I bought the DVD. The concert is amazing, and that's the whole problem. The camera work and editing is so disjointed and frenetic, you never get to watch the band in action. The entire concert is filmed with switches between cameras almost as fast as the music, and I guess that is what the director was going for. But there is never focus on the band as a whole, or their interactions, let alone concentrating on any one member for more that 1 second.
Huge disappointment.

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NO BULL - DVD Movie

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