Showing posts with label sheryl crow. Show all posts
Showing posts with label sheryl crow. Show all posts

The Globe Sessions Review

The Globe Sessions
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I really don't get all this business about this album being too 'whiney'. The only whining I hear is the people reviewing it. I think it's just a fine album. My CD doesn't have the bonus track, but I think it still sounds great. It runs the gamut from Rock to ballads and does it successfully. I love 'There goes the Neighborhood' and obviously 'My Favorite Mistake', but the sound of the CD is well-rounded all over. I like the whole concept of making the disc sound like it was recorded on an old reel-to-reel tape recorder. My opinion is that if you like Sheryl Crow, then you should buy this album and form your own ideas about whether you like it or not. I almost didn't buy this CD because of the things that I had heard about it. I would've been missing out. Don't let that happen to you.

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Japanese Exclusive Version featuring a Bonus CD with Five Or Six Live Tracks Recorded During her European Tour. Limited Release Only Availbe for Three Months

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Sheryl Crow: C'mon America 2003 Review

Sheryl Crow: C'mon America 2003
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I'm sure the show was great, but my head's still reeling from the editing that must have been done by a teenage boy who suffers from severe ADHD and lives off of sugar and playstations. Well, at least that's what it felt like.
Pros: Sheryl is gorgeous, she's in top condition, the energy was high, and she looked like she was having a ball. The concert comes packed with a great setlist with numerous favorites.
Cons: Like many people have mentioned, both the filming and editing, for lack of a better word, sucks. The cameras zoom in, zoom out, blur out of focus on purpose just to re-focus (for effect, I guess). It's weird, because instead of focusing on Sheryl, the next shot inevitably zooms in on her guitarist's hand or her drummer's head. (I'm not kidding, they zoom in on hands, a LOT.) You also don't get more than 5 seconds in any one shot. Her bandmate's must be happy, because you see a lot the camera shares tons of love with her band--too much. I'm all for giving the rest of the band credit and screentime, but I don't pay for a concert DVD to see that much of the band.
I'm watching the DVD right now, and the shot's just moved from Sheryl's head, to a close up of the lead guitarist's hand, to a wide shot of the stage, to the discoball, to Sheryl's backside--all complete with zooms, blur effects, kaleidoscope effects, and swivels and swirls of camera moment--and all this took place in less than 30 seconds.
It's almost as if they desperately wanted a to give the DVD a "high energy" feel. Either that, or everybody in the editing room were hyper sorts who forgot to take their sedatives the day they put the DVD together. It didn't quite nauseate me, but it certainly got annoying in a quite a couple of spots when you just want to watch Sheryl for more than a few seconds at a time.
Silly me, I even read the reviews here and went ahead and bought the DVD, thinking the other reviewers exaggerated a bit about the schizophrenic editing. I don't know who okayed the job, but I would have told them to redo the whole thing within two minutes of watching it. They call it editing; I call it "slice, splice, and slap together."
Please, a little compassion for those who get motion sick or dizzy easily!

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C'MON AMERICA 2003 - DVD Movie

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Tuesday Night Music Club Review

Tuesday Night Music Club
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The best thing about this re-issue in my opinion is the liner notes...
the bonus songs on CD2 only prove that they didn't belong in the front line of her work as most are languid and without direction. The DVD is a HUGE disappointment to me as most all the videos were previously available on her greatest hits DVD..and aside from a couple of minor videos for songs that weren't hits I was looking forward to "VALUABLE STUFF a documentary featuring on-the-road, backstage soundcheck and live footage recorded during the tuesday night music club tour 1993-1995"...which almost takes longer to read than watch! Most of these re-issues (see Depeche Mode as a prime example or Genesis) feature the artists discussing the making of the record and I figured we'd be getting that along with the extra footage described when ALL we get is a few minutes of b roll footage strung together for 12 minutes...to call THAT a documentary is an insult to documentaries. I think this is horribly overpriced at $30 for 15 minutes of extra video and 10 left over songs. In today's economy getting people to shell out $30 for something they already own ...should be done with more value in mind.


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The spectacular debut album that launched Sheryl Crow into rock music consciousness has been expanded both musically and visually for the 2CD/1DVD "Tuesday Night Music Club - Deluxe Edition."Along with the original 1993 album, the package adds a second CD containing B-sides, rarities and out-takes, as well as a bonus DVD featuring the album's videos ("Leaving Las Vegas," "All I Wanna Do," "Strong Enough," "Can't Cry Anymore," "Run, Baby, Run" and "What I Can Do For You," plus a rare alternate version of "All I Wanna Do" directed by Roman Coppola) and a newly produced documentary comprised of on-the-road, backstage, soundcheck and live footage from the original album tour.Highlighting the bonus CD for "Tuesday Night Music Club - Deluxe Edition" are four previously unreleased recordings from 1995 that were intended for the follow-up album--"Coffee Shop," "Killer Life," "Essential Trip Of Hereness" and "You Want More"--each only now mixed by original "Tuesday Night Music Club" producer Bill Bottrell.In addition, Bottrell remixed the album's "I Shall Believe" specifically for this "Deluxe Edition."The bonus CD also includes a trio of U.K. single B-sides ("Reach Around Jerk," an alternate "The Na-Na Song" titled "Volvo Cowgirl 99" and a cover of Eric Carmen's "All By Myself"), a tribute album cover of Led Zeppelin's "D'yer Mak'er," and "On The Outside," a contribution to an "X-Files" soundtrack album."Tuesday Night Music Club" has proved to be a landmark achievement even beyond propelling Crow's own formidable career by inspiring and influencing countless female singer-songwriters, perhaps even saving that genre from extinction in the grungy days of the early `90s.Certified seven times platinum and charting at #3, the album spawned five Grammy® nominations and three wins: Best New Artist and a pair for "All I Wanna Do," including Record of the Year.Three songs reached the Pop Top 40--the gold "All I Wanna Do" (#2), "Strong Enough" (#5) and "Can't Cry Anymore.""Leaving Las Vegas" cracked the Modern Rock Top 10."Somehow amidst the dance divas of MTV and the dark angst of Seattle grunge," writes her manager, Scooter Weintraub, in the liner notes, "Sheryl's salty voice, twangy Telecaster, frayed Levis, red curls and bent upper lip scratched their way into the musical culture."In 1999, she was ranked among VH1's "100 Greatest Women of Rock & Roll."

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Globe Sessions (W/Sweet Child of Mine) Review

Globe Sessions (W/Sweet Child of Mine)
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"The Globe Sessions" is Sheryl Crow's third album and among those first three, in my opinion, her most exciting one. It's quite easy to tell that with this album she was making the music that she wanted to make and not just music that was approved by studio executives. Among the most impressive aspects of this particular album for me are the tracks that would definitely be classified as country or country rock. I am by no means a country music fan but if they all sounded like this beautiful Missouri girls brand of it, I certainly would be.
Apart from the most popular song on the album "My Favorite Mistake," which has received more than ample airtime over the years, this album is populated with some of Sheryl Crow's best material to date. Whether one is looking at these songs from the pop or country aspect, they can all be classified as good to great music.
I highly recommend this album to those that are interested in listening to good music that is well written and performed by a beautiful woman with a beautiful voice who sings with an incomparable depth of emotion in each and every song; whether she's attempting to emote joy or sadness in her songs, she gets it down perfectly! {ssintrepid}

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Detours Review

Detours
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If 2002's sun-drenched "Come On, Come On" found a nail-biting Sheryl Crow unsure of her position as pop tunesmith or serious singer/songwriter, 2005's "Wildflower" - her "art" record as she dubbed it - certified she could straddle the line without compromise.
She continues that progression with the aptly-titled "Detours," sifting through a myriad of topics like her breast cancer battle, broken engagement to Lance Armstrong and adoption of a baby boy. She may have been sidetracked, but she embraces the rhythm of life, an artist true to form.
Crow reunites with Bill Bottrell, producer of her 1993 debut "Tuesday Night Music Club," and the results are compelling and thoroughly listenable. Lo-fi opener "God Bless This Mess" is wall-to-wall Crow, reiterating the song's title line despite hazy post 9/11 life, while the jaunty radio-ready rock of the futuristic blue-collar anthem "Gasoline" and bouncy single "Love Is Free" keep the pace.
She bares her soul on "Make It Go Away (Radiation Song)" and delivers a high-octane rocker in the politically conscious "Shine Over Babylon," but the revelatory title track and cheery, swashbuckling "Out of Our Heads" keep the colors from running too dark.
In spite of life's hardships she finds comfort in "Peace Be Upon Us" and the gorgeous "Love Is All There Is" without a trace of sap left on her fingers, while perfect closer "Lullaby For Wyatt" finds Crow fully aware of the trials of motherhood as she tenderly croons "you're mine...for a time."
Crow is a rare flower of a talent in an entertainment industry full of weeds and flash-in-the-pans, but she is not fragile. Transforming the personal into the universal, she has the rare power to make listeners consider not just themselves but the ambiguous world they live in and keep things entertaining and fresh all the while.

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Sheryl Crow is set to release her sixth studio album, DETOURS. The album marks the return of producer Bill Bottrell, who previously worked with Crow on her breakthrough debut album Tuesday Night Music Club, which earned the singer three Grammy Awards, and sold more than ten million copies worldwide. "This is the most honest record I've ever made. It's about being forced to wake up," says Crow.
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Wildflower Tour-Live from New York (1996) Review

Wildflower Tour-Live from New York (1996)
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Beware this dvd does not play on region code 1 even though it says all regions in the description. I am awaiting return instructions from the seller.

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Sheryl Crow: Wildflower Tour - Live in New York (2006) Review

Sheryl Crow: Wildflower Tour - Live in New York (2006)
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I have Sheryl Crow's Soundstage appearance TiVo'ed and this seems to be that concert plus about 7 songs. It's really great and would recommend it. Although, my favorite Sheryl DVD remains C'Mon America from 2003. Wildflower is a great winter cd. And Sheryl, well she's the cat's pajamas, as far as I can tell. I just wish she would have performed Anything But Down. I saw her tour this summer with John Mayer and the live version of that song rocked the house.

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SHERYL CROW - WILDFLOWER TOUR - LIVE FROM NEW YORK FEATURING:Run Baby Run Hard To Make A Stand Maybe Angels Good Is Good Letter To God If It Makes You Happy I Know Why The First Cut Is The Deepest Strong Enough Wildflower Chances Are It Don't Hurt Always On Your Side Where Has All the Love Gone Everyday Is A Winding Road BONUS: Perfect Lie Mississippi

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