Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Hijo De La Luz Y De La Sombra Review

Hijo De La Luz Y De La Sombra
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El primer trabajo sobre la poesia de Miguel Hernandez era genial, aqui ha perdido mucha melodia y quedan los poemas dentro de un sonsonete que achica los poemas en lugar de crecerlos.

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Astral Weeks Review

Astral Weeks
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This is probably my favorite album of all time. I've listened to it countless times, and it never gets old. Those other reviewers who don't "get it" make a few valid points:
1) It isn't perfectly played.
2) The songs aren't polished.
3) It isn't Van's strongest collection of songs.
First of all, it isn't necessary for great music to be note-perfect. ASTRAL WEEKS is about the magic of improvisation-- the suspended thrill of playing (and listening) on the cusp of discovery. In that way, the album is a perfect marriage of music and lyrics, as Van bends and twists the language in an effort to TRANSCEND the earthly significance of his words, to conjure a piece of heaven out of the frustration and pain that wracks his existence. Like Ray Charles did 15 years prior, Van fuses gospel and blues, the sacred and the profane.
For those of you hear only hippy-dippy (...), you're obviously missing the unbearable heartache that haunts these songs. Cypress Avenue deals with unrequited, perhaps forbidden love. Madame George captures the mixture of joy and sadness that comes with lost innocence, getting on "the train" that takes one away from a place of safety and comfort. Ballerina is a burst of effusive passion, but the object of the singer's affection is separate from him, a spectral fantasy that he can only gaze on with paralyzed amazement. Thank god these rough gems weren't polished for radio consumption-- their unique, spontaneous quality would have been ruined.
I concede that this isn't Van's strongest collection of songs, but it's hard to think of these tracks as "songs" in the conventional sense-- impressionistic sketches, maybe, but they hardly lose any artistic merit because of that. ASTRAL WEEKS is not a jazz album, but it certainly brandishes a jazz mentality-- the triumph of feel over form, emotional release over craftsmanship. If that's not your cup of tea, then proceed directly to MOONDANCE. But if you're searching for a true musical journey-- in the truest sense of the word-- then ASTRAL WEEKS is the apogee.

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Pressed on 180gram vinyl. Mastered from the original analog master tapes and it features all original packaging 1968's Astral Weeks remains not only Morrison's masterpiece, but one of the greatest records ever made. A haunting, deeply personal collection of impressionistic Folk styled epics recorded by an All Star Jazz backing unit including bassist Richard Davis and drummer Connie Kay, its poetic complexity earned critical raves but made only a minimal commercial impact. Astral Weeks had been dark and anguished.--This text refers to the Vinyl edition.

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Live In London (2009) Review

Live In London (2009)
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I swore I would not open this DVD until after seeing L. Cohen in Oakland the Monday after next. But I'm so glad I broke my vow.
This is one of the most wonderful concerts I've ever seen captured on DVD.
The band and Leonard's singers are top-notch, and one senses that they feel as though they are a part of something special.
The songs span nearly 40 years of a canon that is second to none.
Most amazing of all,though, is how a digital disc can cut through its own technology and exude so much warmth and passion. Even when the camera shows a close shot of Cohen, one can still sense the warmth, love and admiration coming from the ecstatic London audience.
As for Leonard Cohen...if he were to do nothing but sing, that would be enough given the wonderful breadth of material performed at this concert.
However, his gentle and gracious command of the stage provides this show an added depth and dimension. Within the span of minutes he can be hilarious, self-deprecating, humble, poignant, appreciative...and I could easily go on with the superlatives to describe his on-stage demeanor.
Very often I make a point of remembering to trust the art and not the artist. In the case of Leonard Cohen, I tend to trust both. His warmth seems genuine. Unlike so many of his stature, his humility comes across as real. His spoken words are every bit as powerful as those that are sung. Given the way that the barriers are broken down between the singer and the band and the audience...to the point where it feels as though they are all part of one celebratory evening...such humility, graciousness and warmth cannot be anything but genuine.
The highlights are too many to mention: "Suzanne" sounds as fresh as it did 40 years ago. "Anthem" sounds more urgent today than when it was first penned. "The Future" & "First We Take Manahattan" are even more biting now in the 21st Century than when they were first penned. Cohen's increased age gives songs such as "Boogie Street," "Tower of Song," & "Democracy" a world weariness that makes these songs all the more penetrating. His lovely "If It Be Your Will" sounds as much like a prayer as it does one of the loveliest songs ever written. If I don't stop now, I'll wind up writing accolades about every song on this DVD. Yes, it is that wonderful!
I've been fortunate to see so many of the greats in my lifetime - legends whose works will be remembered for decades to come. Some have been surly and stand-offish. Others have been appreciative and welcoming toward their audience.
It is refreshing to see the best of everything embodied in this Leonard Cohen concert. Songs that are amongst the best ever written, still performed with a passion (as well as with the added wisdom that comes from Cohen being 74 years young), with a band & audience & singer all equally committed to one another.
There are moments when I laughed out loud at Leonard's deadpan, wry humor. There were times when tears welled in my eyes from the sincerity of the words that came out of his mouth, either spoken or in song.
In a day and age where so much seems packaged and perfunctionary, it is refreshing to see & hear someone such as Cohen whose observations can warm the heart or cut like a knife to get to the heart of a matter. He is the real deal. No airs, no faux modesty...just a man with four decades' worth of majestic material, with an excellent band whose respect for Cohen is reciprocated by their singer with his respect for their talents & abilities, along with a genuine warmth & sense of humanity that allows Leonard Cohen to turn a large London venue into a setting that is as intimate as being in one's living room.
Without a doubt, one of the finest, most moving and most satisfying concert DVDs I've ever seen.
I'm glad that I opened this prior to April 13. Seeing this makes me look forward to seeing Cohen in a small Oakland theater even more so than I already was.
However, had I not been fortunate enough to have gotten a ticket for his upcoming concert, I have to say that this DVD would have been a more than fine consolation. It is worth every cent. The staging, lighting, musicianship, song selection and sound are painstakingly stellar, obviously given great care & much thought.
This is a true gem, a most worthy representation of one of the greatest songwriters of our time.


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For over four decades, Leonard Cohen has been one of the most important and influential songwriters of our time, a figure whose body of work achieves greater depths of mystery and meaning as time goes on. His songs have set a virtually unmatched standard in their seriousness and range. Sex, spirituality, religion, power - he has relentlessly examined the largest issues in human lives, always with a full appreciation of how elusive answers can be to the vexing questions he raises. But those questions, and the journey he has traveled in seeking to address them, are the ever-shifting substance of his work, as well as the reasons why his songs never lose their overwhelming emotional force. Documentaries, awards, tribute albums and the ongoing march of artists eager to record his songs all acknowledge the peerless contribution Cohen has made to what one of his titles aptly calls "The Tower of Song."
In 2008 Leonard Cohen embarked on his first tour in 15 years. Quickly recognized as musical folklore in the making, 29 of the original dates sold out almost immediately, leaving fans and critics alike hailing the show as a once in a lifetime experience. By popular demand, the Canadian/UK tour was extended and by the end of that year it had reached 84 markets worldwide, selling more than 700,000 tickets. The Live In London release fully captures and recreates the extraordinary show from that tour that earned Cohen more than 80 five-star reviews for his performances. Track Listing: 1. Dance Me To The End Of Love 2. The Future 3. Ain't No Cure For Love 4. Bird On The Wire 5. Everybody Knows 6. In My Secret Life 7. Who By Fire 8. Hey, That's No Way To Say Goodbye 9. Anthem 10. Introduction 11. Tower Of Song 12. Suzanne 13. The Gypsy's Wife 14. Boogie Street 15. Hallelujah 16. Democracy 17. I'm Your Man 18. Recitation w/ N.L. 19. Take This Waltz 20. So Long, Marianne 21. First We Take Manhattan 22. Sisters Of Mercy 23. If It Be Your Will 24. Closing Time 25. I Tried To Leave You 26. Wither Thou Goest


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Live In London Review

Live In London
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Leonard Cohen is still a magnificent performer, even at 73-years old, and this concert captures that fact wonderfully. This two-disc cd set was recorded live at the concert in London at the O2 Arena on July 17th, 2008. Sony has done a marvelous job in putting this package together. Both cds are filled to maximum capacity and Amazon's tracklisting above is correct. There are several nice photographs of the event in the included booklet with liner notes by John Aizlewood.
The performance is spectacular on this set and very typical of the level of quality the current world tour has been regularly achieving at various venues. The backing singers and band members are all in top form and Leonard himself sounds in good voice. Sharon Robinson and the Webb sisters provide background vocals, while Roscoe Beck, Neil Larsen, Javier Mas, Bob Metzger, Dino Soldo, and Rafael Bernando Gayol comprise the band. Leonard throws out some light banter at times and probably is too gracious in the regular and profuse compliments he gives out to his supporting players.
On a technical level the recording is very good and sounds better than most live cds. The cds are mastered by Bob Ludwig, a well-known and respected mastering engineer. He did a fine job here as the music shows no signs of overcompression or clipping. The audience is well-behaved and generally can not be heard during the songs, though vigorous applause greets each song and Leonard's sly jokes.
The set captures the live magic of Leonard Cohen's current tour with many fine performances. While not every song on here is the definitive live version, many are great like "Tower Of Song" and "Who By Fire". Anyone with a marginal interest in the music of Leonard Cohen needs to pick up this cd set. It is essential in my estimation as a document of Leonard Cohen's current live performances. Hopefully more dates from this tour will be officially released.

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For over four decades, Leonard Cohen has been one of the most important and influential songwriters of our time, a figure whose body of work achieves greater depths of mystery and meaning as time goes on.His songs have set a virtually unmatched standard in their seriousness and range. Sex, spirituality, religion, power - he has relentlessly examined the largest issues in human lives, always with a full appreciation of how elusive answers can be to the vexing questions he raises.But those questions, and the journey he has traveled in seeking to address them, are the ever-shifting substance of his work, as well as the reasons why his songs never lose their overwhelming emotional force. Documentaries, awards, tribute albums and the ongoing march of artists eager to record his songs all acknowledge the peerless contribution Cohen has made to what one of his titles aptly calls "The Tower of Song." In 2008 Leonard Cohen embarked on his first tour in 15 years. Quickly recognized as musical folklore in the making, 29 of the original dates sold out almost immediately, leaving fans and critics alike hailing the show as a once in a lifetime experience. By popular demand, the Canadian/UK tour was extended and by the end of that year it had reached 84 markets worldwide, selling more than 700,000 tickets. The Live In London release fully captures and recreates the extraordinary show from that tour that earned Cohen more than 80 five-star reviews for his performances.

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Leave Your Sleep Review

Leave Your Sleep
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Releases by Natalie have been few and far between since she left 10,000 Maniacs, so the release of the first new material in 7 years will be welcome news to her fans. Natalie is now signed to the Nonesuch label and this album is available in 2 different versions. A 2 disc set [the Complete Works] and a Selections from the Album Leave Your Sleep [Selections from it] . Initially Natalie wanted to release it in two separate volumes, but the record label decided it would be better to release it as a double album - as it currently sits so high in the Amazon charts the marketing men obviously got this right. I think there will be a lot of people who will turn their nose up at this because of what it is percieved to be - childrens poetry set to music. But anyone who has heard any tracks from it will be pleasantly surprised.
That music and poetry should meet at some point is not a surprise. There has over the years been a number of musical projects related to the work of different poets, I can think of the "Now & In Time to Be" project that featured the works of WB Yeats or Rufus Wainwright recent trips into Shakespeare territory. And now we have this release. An initial glimpse at the poets involved lead to the thought "who be them?" as I had never heard of many of them before, but dont let that put you off.
This is not an album for children. It is at some level an album about childhood. From Natalie's own words it features poetry "about, for or by children" and "a child's emergence into the world of language". It may well appeal to children, but it is, as far from, a kids record as you can imagine. The complexities of the arrangements and the music itself make it something far more mature, almost encyclopedic in its exploration of different musical genres. It really is an amazing record. Many of these poems, taken at face value, you think could have never made an interesting song. But how wrong you would be. All the songs seem to have a life of their own. Even when the lyrics seem throwaway, the final finished song is not, and that says so much about Natalie's skill and ability, as an arranger and vocalist.
Some of the songs that stand out for me are - "Nursery Rhyme of Innocence" a poem about a child verging on adulthood, not a kids song at all, recorded with the wonderful Irish band Lúnasa. It has a deeply celtic feel to it, and sounds like it has always been destined to be a traditional folk ballad. "Isabel" has a real rollicking old-timey stringband feel to it, with lovely fiddle, banjo and guitar playing. The song "It makes a change" almost has a late 1960 English pop feel to it. For some reason it reminds me of the Beatles. "Bleezer's ice cream" has a bouncey/jazzy setting to it, while the song "The peppery man" goes for a very deep south bluesy/jazz backing - with Waits-ian beat and brass section and gospel-like harmonies. "The King of China's daughter" takes us too a sound that seems totally Chinese, accompanied by traditional instruments and players, again with lovely harmonies. There is a very nice video of this on Natalie's website. "If no one marries me" has a very haunting acoustic sound allowing the lyrics to stand out. "Spring and fall" reminds me of something that Kate Bush might record and has a very sad orchestral sound. You almost need to keep a checklist for the genres this album delves into.
There is a very dreamy quality to much the album - the songs and lyrics have innocence to them at one level but on some levels a darkness and melancholy to them. Some of the lyrics maybe nonsense, but there are couplets from them, which make sense and strike a cord with the listener. As well as painting very vivid images in the imagination. The album covers such a wide variety of musical genres that its suprising it holds together so well as a single work, but that is down to Natalie's voice which has never sounded better. Her voice is so clear and restrained and has a beautiful vibe to it. You can almost sense that she is singing to, or with, her daughter.
Natalie's belief in this project is to be commended, she funded the project herself, in order to maintain control and retain the rights over the music. Natalie is on record as saying she actually had 50 songs prepared for the project and these are the final 26 she chose for the project. So I imagine there is a possibilty there may be a volume 2 at some point in the future, especially as this looks destined to be a great success, and I for one would be over the moon! [With or without the cow] .
The only thing that is disappointing about the album is we have to wait longer for an album of new material, written by Natalie. It really is a great album, one I have been looking forward to since seeing her appearance on Celtic Connections back in January. It has been well worth the wait. In short I would recommend this album to anyone who got as far as searching for this page on Amazon.
Highlights:
Nursery Rhyme of Innocence
The Dancing Bear
The Peppery Man
It makes a change


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'This album captures so many magical moments, the best times I've ever had as a musician,' declares singer-songwriter Natalie Merchant of 'Leave Your Sleep,' her ambitious, two-disc Nonesuch debut. Merchant, celebrated solo artist and one-time voice of 10,000 Maniacs, took on what could have been a daunting task: she's adapted 19th and 20th century British and American poetry - well-known and obscure works, anonymous rhymes, children's lullabies, all of it timeless material full of direct emotion - and fashioned new songs from these words. Among the poets she chose were Robert Graves, Charles Manley Hopkins, Edward Lear, Ogden Nash, and Robert Louis Stevenson. The project, five years in the making, has clearly had a liberating effect on Merchant. Never has she sounded so free-spirited, so full of musical adventure, whether backed by small jazzy combos or elegant chamber ensembles. The tracks she's created range from exotic ('The King of China's Daughter') to earthy ('Peppery Man'), soothing ('I Saw A Ship A-Sailing') to swinging ('The Janitor's Boy'), mischievous ('It Makes A Change') to moving ('Spring and Fall'). The string arrangements are particularly stirring, recalling Joshua Rifkin's now-classic work on Judy Collins' 'Wildflowers.' There's plenty of child-like wonder, counterbalanced with grown-up sophistication. Says Merchant, 'It was an exciting, new approach for me to work with rhythm and rhyme schemes created by other writers. The poems inspired vastly different musical settings with their themes that ranged from humorous and absurd to tragic, romantic, and deeply spiritual. Over the course of three years I wrote 40 of these poem-songs and 30 were eventually recorded.' Merchant co-produced 'Leave Your Sleep' with Venezuelan musician-composer Andres Levin, a frequent collaborator of David Byrne and Arto Lindsay, and one of the creators of the eclectic Red Hot charity series. Over the course of a year's worth of exhilarating, musically shape-shifting sessions, they drew upon no less than 125 musicians from the varied worlds of, among other things, Cajun, country, jazz, chamber music, R&B, Celtic, and reggae. The revitalized Merchant explains, 'I called on old friends and approached many new musicians I only knew through admiring their work... The sessions were recorded in live ensemble workshop settings that captured pure and authentic sounds played with incredibly fresh and spontaneous energy.' 'Leave Your Sleep' is an inspired return for Merchant, her first studio album in six years - an effort long awaited by her considerable fan base. It also marks her 25th year as a uniquely successful major-label artist, one whose work has consistently enjoyed equal measures of commercial and critical success. Though she has regularly lent her talents over the last few years to the many nonprofit causes she supports, Merchant has actively returned to the concert stage in recent months, previewing material from 'Leave Your Sleep,' on a series of dates in England and continental Europe. A full U.S. tour is being planned for summer 2010.

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Tour De Force (Live) Review

Tour De Force (Live)
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Just FYI, this CD is the same as the "Best of GSH Live" CD with a slightly different cover.

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Two CD set with over 100 minutes of music from one of the most important progenitors of rap music. Includes live versions of much of Gil Scott Heron's best-known work. 13 tracks. Prestige Elite Records Ltd. 2004.

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