Showing posts with label jam band. Show all posts
Showing posts with label jam band. Show all posts

By a Thread-Tour Edition Review

By a Thread-Tour Edition
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I've been a Mule fan since the first album. Seen them twice, once back in the day, the second time a few months ago.
Just got the new album and love it. I love Warren's playing and singing. The band seems to have gelled into a more cohesive unit, and in new bass player Jorgen, I think warren's found his felix pappalardi.
I'm surprised to see the negative reviews here. Really? You guys don't like this?
All musicians change (if they're paying attention to their muse) and warren has taken a turn more towards hard rock, classic rock then blues.
The riffs and songs are groovier and crunchier. That's why I like 'em. The sound of the album is more like a led zep or hendrix record, without being imitative, but with warren's great voice.
The band has evolved and grown and changed. Warren's tone has changed, on this record. You want blues, listen to the Allmans. (who i love as well.)
You want crunchy, funky, groonin' guitar tone and playing, buy this CD!
I can't believe you guys don't love this!


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2009 release, the first studio album in three years from the critically lauded Rock outfit. Recorded largely at Willie Nelson's Pedernales Studio in 2009, the album s origins are apparent from the first track, 'Broke Down On The Brazos', named after the nearby river, with a deep Texas stomp for the backbeat and featuring the trademark guitar-work of ZZ Top founder Billy Gibbons.--This text refers to an alternate Audio CD edition.

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Road Trips: Vol. 2, No. 2 - Carousel 2/14/68 Review

Road Trips: Vol. 2, No. 2 - Carousel 2/14/68
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I had somewhat overlooked this Road Trips series until I saw some of my favorite shows released on it - 6/16/ and 6/18/74, and now this - so I'd say this is an even more worthy purchase than Dick's Picks Vol. 22, being that 2/14/68 is probably the Dead's best show of the year. The first half of the performance includes nice early versions of what would become the Live/Dead material; much of it is still in the embryonic stage, but it is rewarding none the less. But during the 2nd set (dedicated to the memory of Neil Cassidy who recently died) we get a start to finish live performance of Anthem of the Sun, the Dead's Live/Studio hybrid, including near definitive versions of New Potato Caboose, and as other reviewers have mentioned, Alligator. THE Alligator, folks, the one that is actually used for the live portions of Anthem. And The New Potato is bested only by the absolutely EPIC version on Two From The Vault. Not to mention, there is a GREAT Phil Lesh (bass) dominated version of Spanish Jam tossed in the middle of the Anthem Suite that is one of the best I have ever had the pleasure of hearing. Get this only if you are prepared for one of the wildest rides in Dead history...a bit of hyperbole perhaps, but I challenge you to find a better performance of early Grateful Dead.

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Valentine's Day, 1968 in San Francisco's legendary Carousel Ballroom was an extraordinary experience, and it's all captured here - as the first complete show in the Road Trips series. Thanks to a trusty 8-track tape machine, we can enjoy this magical performance that catches the band at a pivotal moment in the exploration of their own sound. It was a night where the band tried out all their newest songs - ones that we now know as classics!
The package includes an essay by Blair Jackson with some amazing anecdotes about Neal Cassady's powerful impact on the band.
All discs are mastered (in HDCD) by Jeffrey Norman.
Track listing:
Disc 1
1. Morning Dew
2. Good Morning Little Schoolgirl
3. Dark Star
4. China Cat Sunflower
5. The Eleven
6. Turn On Your Lovelight
Bonus tracks from January 1968:
7. Viola Lee Blues (1/20/68 Eureka)
8. Beat It On Down the Line (1/23/68 Seattle)
Disc 2
1. That's It For The Other One
i. Cryptical Envelopment
ii. The Other One
iii. Cryptical Envelopment
2. New Potato Caboose
3. Born Cross-Eyed
4. Spanish Jam
5. Alligator
6. Caution (Do Not Stop On Tracks)
7. Feedback
8. In the Midnight Hour

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Road Trips: Vol. 3, No. 3: Fillmore East 5.15.70 Review

Road Trips: Vol. 3, No. 3: Fillmore East 5.15.70
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Consisting of three discs-75,78,76 minutes each approximately (a fourth disc,78 minutes in length if you purchase from G.D., who has a lower price, in a timely manner),which contain most of both sets from that night. All tracks are unreleased except track 5 on the bonus disc ("Easy Wind"), which you can hear on the collection "Fallout From The Phil Zone",a 2CD set put together by Phil Lesh. The sound is uniformly good with only a couple of instances of any sonic anomalies,which aren't anything to get excited about. The discs are slipped, bare, into a tri-fold cardboard holder. The booklet lists song titles, song lengths, composer (s) and whether the track came from the first or second show. Musicians are listed with instruments-the usual good job done by the Dead folks. Blair Jackson wrote the notes, a look back at those particular shows, the second which he attended, and the many tracks that were to appear on "Workingmnan's Dead" and "American Beauty". There are also a number of atmospheric color photos of the band-individually and in concert.
For Deadheads who find the bands acoustic numbers (hear the above 2 albums if you're new) as deeply satisfying (or almost) as their electric excursions into the outer reaches of space, this set will do nicely. Anyone familiar with the bands music during this era will find many songs found on the above mentioned studio albums, plus a couple of songs not as well known. And the magic of a live setting gives this music that something intangible the Dead are known for. The Dead, who had released "Live Dead" only a few months before, had now incorporated country songs and old blues tunes into their repertoire. Garcia had begun playing with NEW RIDERS OF THE PURPLE SAGE, and Bob Weir had also started to add a number of tried and true country songs into the Dead's live sets. Songs like "Don't Ease Me In" by the great country blues artist Henry Thomas, and "The Rub", "She's Mine", and "Katie Mae" by Lightnin' Hopkins, alongside country songs like "Silver Threads and Golden Needles", were given the Dead treatment, which wasn't really a stretch because the band routinely incorporated into their set lists different genres of music from the beginning. GRATEFUL DEAD lyricist Robert Hunter (who was living with Garcia at the time) was also looking back to the music that had inspired him in the early days, and was starting to write more folk, country, and blues themes into his songs.
The first disc (the early show) contains a large chunk of the first show (more from that show is on a portion of the bonus disc + tracks from the previous night in St. Louis),and songs like "I Know You Rider", and "Aint't It Crazy (The Rub)" set things up for a relaxed evening with the GRATEFUL DEAD-which of course morphs into the electric portion with "Casey Jones","St. Stephen", and so on. If you don't have the bonus disc, which contains a number of great tracks, the song selection on these three discs is just fine for getting the feel of what was happening on stage.
The second disc (beginning of the late show) is again acoustic at the outset (something the band didn't do to often) with some nice versions of "Deep Elem Blues", "Black Peter", and "Friend of the Devil". On "She's Mine" and "Katie Mae", Pigpen steps up to the mic with his gravelly blues voice while the subtle acoustic underpinnings contrast with his rough voice nicely. These tracks are evidence of just what the band lost with his death. The track "A Voice From On High",with Marmaduke and David Nelson (from NEW RIDERS OF THE PURPLE SAGE) on extra vocals and a nicely played mandolin, give this track a deeper country feel than other tracks here, and is a nice surprise. From there the group (after a short introduction by the late Bill Graham) shifts into its electric mode and proceeds to deliver the kind of music the band is known for. The song "I Know You Rider" is given an electric outing, which is in stark contrast to the acoustic version from the first set, which shows how the band could take a song in any direction they felt like at the time.
The third disc (of the late show) continues the electric portion of the show with "Good Lovin'" (with a drum solo), and then a good "Dark Star" (with some nice electronic sounds)/"St. Stephen"/"Not Fade Away"/"Turn on Your Lovelight", and ends with "Cold Jordan", a nice way to end the show. The contrast between the acoustic numbers and then the often transcendent electric portions of this show once again prove the GRATEFUL DEAD were capable of going in virtually any direction they chose (and some they didn't consciously choose), and could start off at one point and then somehow end up somewhere else. But it all seems to somehow make sense-even if you're not hearing this music in a live setting. Garcia's guitar, with the band weaving in and out,over and around him is, at times, capable of lifting you up and transporting you to that special place that only the Dead were capable of doing. Very few bands had (have) that certain "something" that separates good bands from great ones-and the GRATEFUL DEAD had it.
If your tastes run towards the period (1970's)when the band was bringing in close harmonies together with acoustic instruments, and then segueing into that satisfying electric sound that only they could develop-this is something worth purchasing. The chance to hear not one, but two acoustic sets before their electric excursions into the nether regions of space shouldn't be missed. This is one of the better "Road Trips" sets the band has released-the care the band take no matter if the music is acoustic or electric is evident. So, sit back and let the music work its special magic, you won't be sorry.

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Disc 1: 1. Don't Ease Me In 2. I Know You Rider 3. Ain't It Crazy (The Rub) 4. Long Black Limousine 5. New Speedway Boogie 6. Casey Jones 7. St. Stephen> 8. That's It For The Other One> I. Cryptical Envelopment II. Drums III. The Other One IV Cryptical Envelopment 9. Cosmic Charlie 10. New Minglewood Blues.Disc 2: 1. Deep Elm Blues 2. The Ballad of Casey Jones 3. Silver Threads And Golden Needles 4. Black Peter 5. Friend Of The Devil 6. Uncle John's Band 7. She's Mine 8. Katie Mae 9. A Voice From On High 10. China Cat Sunflower> 11. I Know You Rider 12. Cumberland Blues 13. Hard To Handle 14. Morning Dew 15. Dire Wolf.Disc 3: 1. Good Lovin' 2. Dark Star> 3. St. Stephen> 4. Not Fade Away> 5. Turn On Your Lovelight 6. Cold Jordan.BONUS DISCFeatures more selections from the Fillmore East plus a blistering sequence from Meramec College in Kirkwood, Missouri.1. Friend Of The Devil.2. Candyman3. Cumberland Blues4. Cold Jordan5. Easy Wind6. Attics Of My Life7. Bit It On Down The Line8. Next Time You See Me9. New Speedway7 Boogie10. St Stephen11. Not Fade Away12. Turn On Your Lovelight

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Road Trips: Vol. 3, No. 2 - Austin 11/15/71 Review

Road Trips: Vol. 3, No. 2 - Austin 11/15/71
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This is a good show with some clear highlights although for the first few songs everyone seems very laid back except for Jerry. The band opens with a sluggish Truckin' and then slightly off versions of Bertha and Playing In The Band with Jerry unleashing some blistering licks. Deal and Jack Straw are both okay but the show picks up with Loser with the whole band now hitting their stride. Beat It On Down The Line is a fun song and is quite enjoyable. The show hits a serious level with a great jam of Dark Star->El Paso->Dark Star->Casey Jones. It's funny to still hear some of the band playing Dark Star when El Paso starts (sort of a Dark Paso). The first set ends with a new One More Saturday Night.
The second set starts with a good Me And My Uncle. Ramble On Rose and Mexicali Blues show up in early version and are quite nice. Both Brokedown Palace and Me And Bobby McGee are also in fine form and I love the early '70's versions of these along with You Win Again. The set ends with a rocking Not Fade Away->Goin' Down The Road Feeling Bad->Not Fade Away. I should point out that several of the songs were new with this tour as was Keith Godchaux. The bonus disc was outtakes from the night before.

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By the time the Dead returned to Municipal Auditorium on November 15, 1971, they had resoundingly affirmed their interest in Americana by putting out the twin masterpieces Workingman's Dead and American Beauty (as well as the live "Skull & Roses"), but the band still had a few surprises up their sleeves, including a great young piano player, Keith Godchaux, and a cornucopia of fine new songs. The entire fall '71 tour showed the thrilling impact that Keith's arrival had on the Dead's ever-morphing sound - talk about a quick study! - and Austin, just his sixteenth show with the band, is certainly among the strongest of that era, and a worthy choice for the latest installment in the Road Trips series, presented in its entirety.
Sound quality is crisp and clean, and sonic sultan Jeffrey Norman has once again mastered the whole deal to the HDCD spec. Included, as always, is a booklet with a lively historical essay and cool period pics.
Early versions also come with a bonus disc featuring the hot show at Fort Worth's Texas Christian University the previous night, 11/14/71.
Track listing:
1. Truckin'
2. Bertha
3. Playing In The Band
4. Deal
5. Jack Straw
6. Loser
7. Beat It On Down The Line
8. Dark Star>
9. El Paso>
10. Dark Star
11. Casey Jones
12. One More Saturday Night
Disc 2
1. Me And My Uncle
2. Ramble On Rose
3. Mexicali Blues
4. Brokedown Palace
5. Me And Bobby McGee
6. Cumberland Blues
7. Sugar Magnolia
8. You Win Again
9. Not Fade Away>
10. Jam>
11. Goin' Down The Road Feeling Bad>
12. Not Fade Away
13. Johnny B. Goode
Bonus Disc - early editions only
1. China Cat Sunflower>
2. I Know You Rider
3. Sugaree
4. Truckin'>
5. Drums>
6. The Other One>
7. Me And My Uncle>
8. The Other One>
9. Wharf Rat>
10. Sugar Magnolia

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The Black Crowes - Freak N Roll into the Fog (2006) Review

The Black Crowes - Freak N Roll into the Fog (2006)
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There has been much talk of the death of rock and roll in the last couple of decades, but I disagree. Like most elements of our world, rock music has evolved, and it has morphed into different sounds and different genres. The purest form of rock music, however, has been kept alive in recent years - almost exclusively - by the Black Crowes.
Maybe the best thing about this concert DVD is that it is truly representative of a standard Crowes show. Most of their shows consist of a good cross-section of songs from all of their recordings, as well as an unreleased cut or two, extended jams, and a couple of choice covers thrown in. The Crowes are known for never playing the same show twice, and quite simply, this band doesn't know how to not bring it strong each and every night. This is not a band that needs to hide behind stage theatrics nor excessive effects to entertain. To coin a phrase, it's simply the music that does the talking.Each Crowes concert is a unique experience unto itself, and this DVD is lightning in a bottle.
Having been a fan of this band since the beginning, I can state with confidence that the band is hitting on all cylinders at this point in time more than any other.Chalk that up to life experience, a new maturity, or something else, the Crowes are peaking at a time in their career when most musical artists are looking at their best days in the rearview mirror. The Black Crowes are choosing to write new history, and inviting everyone along for The Song.
Hit the lights, light your favorite incense, and turn up your surround sound. Rock and roll has many forms, but in its purest form, it is the truth, and the Black Crowes are the truth.

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Shot live at San Francisco’s Fillmore Auditorium in August 2005, The Black Crowes present a set of their all-time greatest hits with their first-ever DVD, Freak ‘N’ Roll ...Into The Fog.Shot in Hi-Def, this two-and-a-half-hour concert features an impressive mix of material from The Crowes’ 6 studio albums, including hits like "Sting Me", "Jealous Again" and "Hard To Handle". Acoustic versions of "She Talks To Angels" and "Sunday Night Buttermilk Waltz" are also highlights of this show.Tracklisting: 1) (Only) Halfway To Everywhere 2) Sting Me 3) No Speak No Slave 4) Soul Singing 5) Welcome To The Goodtimes 6) Jealous Again 7) Space Captain 8) My Morning Song 9) Sunday Night Buttermilk Waltz 10) Cursed Diamond 11) She Talks To Angels 12) Wiser Time 13) Non Fiction 14) Seeing Things 15) Hard To Handle 16) Let Me Share The Ride 17) Mellow Down Easy 18) Remedy 19) The Night They Drove Ol’ Dixie DownBonus Feature: Behind-the-scenes short film.

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Formerly the Warlocks Box: October 8 & 9, 1989 (6 CD Set) Review

Formerly the Warlocks Box: October 8 and 9, 1989 (6 CD Set)
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The Dead's Fall 1989 Tour began with a couple of surprise shows at Hampton Coliseum in Virginia. The Dead hadrecently brought back We bid You Goodnight in July while Death Don't Have No Mercy followed in September. Jerry had done an interview with Relix around this time talking about reviving songs for the band's 25th Anniversary with both a new studio album and a live album in the works.
10-8-89:
The first show opens with a nice version of Foolish Heart before giving way to Walkin' Blues. Candyman is nice and was a bit rare at the time being played only every once in a while by this time. Me And My Uncle->Big River, Stagger Lee, Queen Jane, Bird Song->Promised Land are all great but had a lot wondering where the "surprise" was in these surprise shows. The second set opened with the first Help On The Way/Slipknot since 1985 and is quite well performed. Next up, a strong Victim Or The Crime gives way to a strong Eyes Of The World. The Drums->Space segment is really good as the following I Need A Miracle->The Wheel->Gimmie Some Lovin'->Morning Dew. And We Bid You Goodnight ends the show on a great note.
10-9-89:
The second night's show opens with a Feel Like A Stranger that most will know as being the one from Without a Net: Live. The new album title track Built To Last is played quite well as is the following Little Red Rooster. Ramble On Rose is a joy to behold. We Can Run is better than some while Jack A Roe is hot. Stuck Inside Of Mobile With The Memphis Blues Again is it's usual fun self. The set ending Row Jimmy->The Music Never Stopped is very well played. The second set opens with a hot Playing In The Band before giving way to Uncle John's Band which goes back into Playing In The Band. At this point, one would expect something like Terrapin Station but the first few notes make that a long gone memory. The first Dark Star in five years is quite amazing, to put it simply. This isn't a trivial Star but a monster with a nice full jam. The Drums->Space->Death Don't Have No Mercy is quite impressive. I actually find the rest of the second set to be good but unimpressive. The encore is a different matter as the first live Attics OF My Life since 9-27-72 Dick's Picks, Vol. 11: Stanley Theatre, Jersey City, NJ, 9/27/72.

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In October 1989, the folks who were lucky enough to score tickets for the "Warlocks" shows in Hampton were treated to two of the most exciting shows of the year. Every song was recorded with the state-of-the-art Le Mobile remote recording truck and recently mastered to HDCD specifications, so needless to say, it sounds like you're there, in the best seats in the house.
The Hampton "Warlocks" box collects every note of the band's two "stealth" shows spread over six CDs. This collector's set comes packaged in a wooden replica of a cigar box (Virginia being a tobacco state dating back to colonial times), and is filled with all sorts of goodies, from a photo-laden historical essay to various pieces of cool memorabilia from the time.
Track listing:
Disc 1
1. Foolish Heart
2. Walkin' Blues
3. Candyman
4. Me and My Uncle
5. Big River
6. Stagger Lee
7. Queen Jane Approximately
8. Bird Song
9. Promised Land
Disc 2
1. Help On The Way
2. Slipknot!
3. Franklin's Tower
4. Victim or the Crime
5. Eyes of the World
6. Rhythm Devils
Disc 3
1. Space>
2. I Need A Miracle
3. The Wheel
4. Gimme Some Lovin'
5. Morning Dew
6. We Bid You Goodnight
Disc 4
1. Feel Like A Stranger
2. Built To Last
3. Little Red Rooster
4. Ramble On Rose
5. We Can Run
6. Jack-A-Roe
7. Stuck Inside of Mobile with the Memphis Blues Again
8. Row Jimmy
9. The Music Never Stopped
Disc 5
1. Playing In The Band
2. Uncle John's Band
3. Playing In The Band
4. Dark Star
5. Rhythm Devils
Disc 6
1. Space
2. Death Don't Have No Mercy
3. Dear Mr. Fantasy
4. Hey Jude
5. Throwing Stones
6. Good Lovin'
7. Attics of My Life

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Gov't Mule Review

Gov't Mule
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Warren (guitar & vocals) and Woody (bass) used to be in a modern incarnation of the Allman Brothers Band, and you can certainly hear some of the A.B.B. style here. Long jams, that gritty southern rock feel.
But Gov't Mule take that sound and add some more dimensions to it. They make it heavier, louder, more kicking (with a big boost there from Matt Abbts on the drums). They also stretch out the jazzy improvisation side of the music with some great instrumental numbers.
People rave about Warren's guitar playing, and rightly so - he's hot soloing, fills out a big sound on rhythm parts, and uses dynamics well. What they often fail to mention is his big blues voice. It's no accident that they lead off with an a cappella number.
I think my favorite on this album is Left Coast Groovies, with some unusual rhythms in the riffs and some great lyrics about California new-age wife swapping air-headed spiritual-movement-of-the-week types.
If you like jammin music like the Allman Bros, but have been craving something heavier and more focussed, this is it.

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No Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 27-JUN-1995

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Road Trips: Vol. 1, No. 4 - From Egypt With Love Review

Road Trips: Vol. 1, No. 4 - From Egypt With Love
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The Dead returned from Egypt and played five nights at Winterland Arena. This release has it's major focus on the last two shows of the run, October 21st and 22nd.
The first disc recorded on the 21st, starts with a groovin' and movin' Sugaree followed by a rockin' Passenger. Stagger Lee and I Need A Miracle give the hometown crowd a preview of two new songs. The remander of the disc is filled with the last half of the second set. I Got My Mojo Working is a good version coming out of space with War's Lee Oscar filling in on harp. The Other One is massive before flowing into one of the best Stella Blues out there. Sugar Magnolia is a nice set ender following on the heels of Stella while U.S. Blues is a fitting encore.
The second disc recorded on the 22nd, features Egyptian percussionist Hamza El Din and his choir on Ollin Arageed before leading into Deal. Next up is a sweet Peggy-O followed by a hot Jack Straw. The Scarlet Begonias->Fire On The Mountain is hot followed by an equally impressive Not Fade Away->Goin' Down The Road Feeling Bad with legendary guitarist John Cipollina guesting on the last half of the release.
The bonus disc is made up of four songs from the 21st with the last two from 10-17-78.

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The newest installment of Road Trips, titled "From Egypt With Love", is culled from the Dead's five-night run at Winterland a month after they returned from their triumphant journey to Cairo. Each night, the band treated hometown fans to a slide-show of their travels. At two of the concerts, Hamza El Din joined the Dead for versions of "Ollin Arageed" to summon even more of the flavor of Egypt. Other special guests during the run included harmonica ace Lee Oskar (of War) and guitarist John Cipollina (of Quicksilver Messenger Service).
Road Trips Vol. 1 No. 4 includes...
- Two CDs of music drawn from two of the five shows - October 21 and 22, 1978
- Audio lovingly mastered (in HDCD) by Jeffrey Norman
- Long-lost photos and eye-opening liner notes by Blair Jackson
Track listing:
Disc 1
1. Sugaree
2. Passenger
3. Stagger Lee
4. I Need A Miracle
5. Got My Mojo Working
6. The Other One
7. Stella Blue
8. Sugar Magnolia
9. U.S. Blues
Disc 2
1. Ollin Arageed
2. Deal
3. Peggy-O
4. Jack Straw
5. Scarlet Begonias
6. Fire On The Mountain
7. Not Fade Away
8. Goin' Down The Road Feeling Bad

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Rocking the Cradle: Egypt 1978 (2CD/1 DVD Set) Review

Rocking the Cradle: Egypt 1978 (2CD/1 DVD Set)
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The long-awaited release of: "Egypt 1978" is over. Was it worth a 30 year wait? For me, yes it was, good or bad this package is an accurate document of a legendary event, The Grateful Dead playing right in front of The Great Pyramid and right next to The Sphinx. The 3 record set was due for release in early 1979, to help pay the 1/2 Million dollars of debt that this vacation cost the band. Jerry Garcia, wasn't happy with the tapes and the plan was canceled.
Over the years many tapes have circulated from audience and soundboard sources. I saw a lavish bootleg CD set at a record collector's show in 1996. This Box contained 8 Cd's, a hardshell book, a poster, stickers, the works. The vendor, wouldn't go under $80.00 for the package, and I passed on the deal. The tapes that I have heard, were high-quality sound and good to not-so-good performances by The Dead.
This set of two CD's {3, if you buy it from The Grateful Dead Website} and a DVD of 13 songs, and a short home movie of band and friends in Cairo, and on The Nile. This is a nice package, of an event of legendary proportions.
30 YEARS OF BAD VIBES:
The band didn't play well in Egypt, The equipment did weird things in the 110 degree heat, No: "Blues For Allah" performed, The amps melted together in the sun, The piano was outta tune, Billy could only drum with one arm, Donna was singing 'Flat' again, No hash was allowed to be smoked on stage, only behind the amps, No: "Dark Star" performed, not enough Stella Beer, after the crew stole all of it, The King's Chamber deep inside the Great Pyramid wasn't successful for use as an echo effect for the concerts, sand in equipment...ETC, ETC, ETC.
THE MUSIC:
After 30 years of rumors like that, you will have to be the judge of this package. The music here isn't better or worse than any other Live Dead CD's available already...It is DIFFERENT from other things, that you have already heard before. And that is the reason that it was released in the first place. The Grateful Dead plays DIFFERENTLY under a full eclipse of the moon next to the massive paws of The Sphinx than it does in Winterland back in San Francisco. Everything that makes this group special IS here, but on: "Rocking The Cradle" the music takes on new shapes and forms, textures and colors are unique to this recording.
"Ollin Arageed" featuring Hamza El Din and the Nubian Youth Choir, melts into a sparkling; "Fire On The Mountain". "New, New Minglewood Blues" features a wonderful solo from Keith on "Outta-Tune" piano, that lays waste to almost every other keyboard player anywhere. "Stella Blue" is a tune, that I have never payed much attention to, here on this CD, it is amazing! Some of this is lackluster, but I have found more GOOD than BAD here. A Grateful Dead Show contains peaks and valleys, there is serious detail to flow and dynamics within every concert, and when that doesn't work out...well, it doesn't work out all the time, such is LIFE.
THE FILMS:
The DVD contains 13 songs from the concerts, and a feature called; "The Vacation Tapes" of band, crew and friends in Cairo and on the Nile. These videos are not shot by a professional film crew and are of homemade quality {jerky camera movement, fuzzy & out-of-focus zoom-ins and outs, cameras way off target.} Had the band produced some video by a professional crew, the results could have been amazing, as is these curios are interesting and show a little insight into the world of The Grateful Dead. The DVD is interesting but not essential.
I Like this Set, and have been playing the CD's, in rotation with other GD music since it arrived at my door. I have less use for the DVD, but I will give it another try a few months down the road. The booklet is fine, and the package with the fold-outs, is nice as well. A book about this entire event is still available, it is entitled: "Truckin' With The Grateful Dead To Egypt" by Robert Nichols. This book was published in 1984 with the band's approval, it is an interesting read, and it includes many photos and graphics that I have never seen anywhere else.
This set of music and visuals is a welcome addition to the growing bulk of live performance work available from The Grateful Dead.
Four Stars !!!


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Grateful Dead, Rocking the Cradle: Egypt 1978 is a 2 CD/1 DVD set that marks the 30th anniversary of The Dead's historic concerts at Giza, featuring more than three hours of rare and previously unreleased music remastered in HDCD, plus over 100 minutes of extremely rare, previously unseen concert and behind-the-scenes footage.

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Europe 72 Review

Europe 72
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There are three seminal, essential live Grateful Dead albums, each a bit different, but each containing all the elements orf improvisation, multiple musical styles, and ensemble tightness that made the Dead so unique. These are Live Dead, Grateful Dead (Skull and Roses) and Europe 72. It is impossible to pick one over the other as *the best* of the officially released live Dead albums, and if I had to, I could live with no Dead albums other than these three, but I could not give up any one of them.

Europe 72 contains both some of the tightest compact versions of several Dead tunes, as well as some of the most ethereal extended jams. For those interested in the magic of what used to happen when everything just jelled exactly right, listen to Weir's unique idiosyncratic rhythm-lead solo between China Cat and I know you rider (yup - That's Bobby playing the lead). There are lots of examples of this jam on other live Dead recordings, but nowhere does the playing of all band members synergize in the segue as well as on this cut. Trucking-Prologue-Epilogue Morning Dew is basically one long piece of music. Epilogue gets really nice and jazzy and stretches things out like only the Dead could. Prologue merges into a Morning Dew that has a Bobby-Keith rhythm guitar/piano section that is so tight that even after listening to it for more than 30 years there are still parts where I can't tell if I am hearing Bobby or Keith. Jerry's vocals and lead are are stronger and more emotional on this than on any other Morning Dew available anywere. Europe 72 also features a wider range of styles from Jerry and the boys than either Live Dead or Skull and Roses, ranging from very countrified on Cumberland Blues to rock on One More Saturday Night to good old trademark Greatful Dead style everything but the kitchen sink on the long jams.
This is a great album. The new tracks are a nice feature, but not one of them is as strong as any of the originals (But Jerry's pedal steel on Looks' Like Rain is a nice touch). Still, this is one (of 3) Dead albums that is an absolute must for DeadHeads of all ages.

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Expanded & remastered in HDCD, this reissue of 1972 livealbum includes seven bonus tracks, 'The Stranger (Two Souls In Communion)', 'Looks Like Rain', 'Good Lovin', 'Caution(Do Not Stop On Tracks)', 'Who Do You Love?', 'Caution (DoNot Stop On Tracks)' & 'Good Lovin'. Featuring some ofJerry Garcia's last-ever pedal steel guitar playing withthe Grateful Dead. Includes expanded booklet as well withrare photos & all-new liner notes, packaged in doublegatefold Digipak. Warner/Rhino. 2003.

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Already Free Review

Already Free
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After releasing the tour de force album SONGLINES in 2006, I have eagerly awaited the follow up from the very talented Derek Trucks Band. While the newly released ALREADY FREE does not match the majesty of SONGLINES, it's still is a very good album by one of the best working bands out there.
To me, this album represents a tightening of their eclectic approach to music, no doubt trying to consolidate their fame as a great live group. ALREADY FREE focuses on the blues/soul side of the band at the expense jazz/world fusion side. While I miss the expansive jams that have highlighted their previous releases, the focus on songcraft and tight ensemble playing does not diminish the joy factor too much. Derek and the band provide a solid set of tunes in a swamp-funk blues style while expanding their songwriting chops and serving up some choice covers. My favorites include the opening semi-obscure Dylan tune DOWN IN THE FLOOD, BACK WHERE I STARTED which features a great vocal turn by Mrs. Trucks, Susan Tedeshi, GET WHAT YOU DESERVE and the slide guitar showcase I KNOW.Actually, all the songs are pretty good, to my ears, there's no real weak link here. The copy that I received also has 3 bonus tracks including a back porch blues called THE CHICKEN ROBBER SONG and a slow simmering instrumental SWAMP, another highlight. Throughout the album the band provides solid backing and provides good space for Trucks to solo. With all his chops, Trucks does not showboat as a soloist. He articulates his message short and sweet and always perfectly within the context of the song.
I hope that by taking a more conservative direction on this release that the DTB can gain some more well deserved recognition. I also hope that with that recognition that the band does on occasion revisit the wide ranging influences that have made their previous albums such a treat for music lovers. In the meantime, I'm sure I'll be getting plenty of listening pleasure from this one.


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Nearly a year in the making and brimming with a newfound focus on original material, Already Free is The Derek Trucks Band's natural evolution as they move forward integrating influences that span a variety of musical genres. Known for their blues roots, the group takes this album well beyond blues to incorporate the larger sounds of rock & soul. Already Free, features a stirring cover of Bob Dylan's Down In The Flood as well as the new songs, Down Don't Bother Me and Get What You Deserve. Guest appearances on the album include vocals from Susan Tedeschi and Doyle Bramhall II.

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Road Trips: Vol. 3, No. 1 - Oakland 12/28/79 (2 CD + Bonus Disc) Review

Road Trips: Vol. 3, No. 1 - Oakland 12/28/79 (2 CD + Bonus Disc)
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1979 was another year of transition in the ever evolving story of the Good Ol' Grateful Dead. Keith and Donna Godchaux, were terminated in February, and along comes Brent Mydland, a more well-rounded player than Keith, due to his colors and tones with the Hammond organ, Fender Rhodes piano and a growing stack of synthesizers, that Keith was shy to use as he prefered grand piano and ONLY grand piano.
After a tenuous start in the spring, Brent began to feel more comfortable as a member of the band and find his place within the scope of the group's musical soundscapes. The word was out, a new fire had been lit within The Grateful Dead, and Brent was the spark.
The end-of-the-year run at the Oakland Auditorium in a legendary run of shows that has already seen a few Offical releases on CD, and here is another not to be missed. "Sugaree" sets the tone of what is to follow, 16 minutes of guitar fun from Jerry & Bobby, and about the best vocal performance from Jerry that you are ever gonna hear. "Mama Tried>Mexical Blues" is pure Bobby with it's brassy tone and high energy. "It's All Over Now" a Bobby Womack tune made popular by The Rolling Stones, get's the "Dead Treatment" and it's more good rockin' fun. A nice "High Time" takes us into: "The Music Never Stopped" to close out the first set and disc one.
"Alabama Getaway" is about the best version that I have heard and soon we are smack in the middle of a perfect rendition of: "Terrapin Station" that again features Jerry in his best vocal light, this music is beautiful, it is long and jamming. "Terrapin" towards the end, was all but impossible for the band to play. Here on this disc, it is stellar. Just as "Terrapin" leads you to believe it's all downhill from here on, up comes a killer version of "Playing In The Band" and now it sinks in, the quality of this show isn't going to let you down, the ride is still climbing the hill.
After the normal "Drums>Space" comes a nice laid-back: "Uncle John's Band" but it ain't over, as "I Need a Miracle>Bertha) Good Lovin" pack a one, two, three punch to rap things up in the highest fashion. "Casey Jones" and "One More Saturday Night" are not going to let up and cool down this blazing attack of music, these are fitting encores to finalize this great night of music.
After two discs of "Blazing Dead" the bonus disc is taken from the very next performance on the 30th of December of this Oakland stand. This night isn't as strong as what happened on the night that proceeded it, but I'm glad to have it included herein as part of the package. The highlights on this bonus CD are the: "Lazy Lightnin'>Supplication, that brings back more smoke and flames of the show of the 28th. "Truckin'>Wharf Rat" is another great pairing that make this bonus disc, a great extra present.
The "Road Trips" series, is a great addition to live Grateful Dead releases. And, this edition is one of the very best ever, to add onto an ever growing pile of Grateful Dead music.
Four Stars!


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The latest installment in the Road Trips series, now entering its third big year (and ninth release overall) is bound to become a favorite. Road Trips Vol. 3, No. 1 is the complete show from December 28, 1979, part of the sparkling run that has already given us the excellent Dick's Picks: Vol. 5 (from 12/26/79). You'll recall that these year-end concerts, held at the Oakland Auditorium because Winterland had closed down for good the previous New Year's Eve, were the first holiday shows featuring new keyboardist Brent Mydland, who joined the band in April 1979. The new lineup had been gaining momentum with each passing tour since that spring, and by December was truly hitting its stride. It helped, too, that the band was in the midst of recording their Go To Heaven album, so they were really playing together a lot during this period. This 12/28/79 concert is a blast: a super high-energy rock and roll show that also has its share of spacey jams and exploratory passages.
Track listing:
Oakland Auditorium Arena, December 28, 1979
Disc 1
1. Sugaree
2. Mama Tried >
3. Mexicali Blues
4. Row Jimmy
5. It's All Over Now
6. High Time
7. The Music Never Stopped
Set 2:
8. Alabama Getaway >
9. Greatest Story Ever Told
Disc 2
1. Terrapin Station >
2. Playing In The Band >
3. Rhythm Devils >
4. Space >
5. Uncle John's Band >
6. I Need A Miracle >
7. Bertha >
8. Good Lovin'
9. Casey Jones
10. One More Saturday
Limited Edition Bonus Disc
Oakland Auditorium Arena, December 30, 1979
1. New Minglewood Blues
2. Candyman
3. Ramble On Rose
4. Lazy Lightning >
5. Supplication
6. Scarlet Begonias >
7. Fire On The Mountain >
8. Let It Grow
9. Truckin' >
10. Wharf Rat

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Road Trips, Vol. 3 No. 4: Penn State-Cornell '80 (3CD) Review

Road Trips, Vol. 3 No. 4: Penn State-Cornell '80 (3CD)
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I should start out by saying that I find the performances very good but the problem with this release is that the tape speed wasn't corrected and, as a result, the songs all run slow by about 3.2% which is alot. These shows were taken from standard cassettes make on a tape deck that ran slow. All the songs are played strongly in my humble opinion and, if this was adjusted to the right speed, it would get 5 stars. One major plus is that there's NO BONUS DISC with this one so if you don't have the money upon first release, there's nothing to miss. Another major plus is that you can hear all the instruments quite well in the mix (including Brent's Keyboards).

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Road Trips, Vol. 3, No. 4 combines two back-to-back college shows in a 3-CD set. The Dead performed dynamic versions of a number of favorites on May 6, 1980, at Penn State and May 7, 1980, at Cornell University. Every instrument has its place in the wide stereo spread of these two performances.
Track listing:
Disc 1
Penn State (5/6/80) and Cornell (5/7/80)
1. Jack Straw
2. Peggy-O
3. Me and My Uncle
4. Big River
5. Loser
6. Cassidy
7. Row Jimmy
8. Lazy Lightning
9. Supplication
10. Althea
11. Lost Sailor
12. Saint of Circumstance
Disc 2
Penn State 5/6/80
1. China Cat Sunflower
2. I Know You Rider
3. Feel Like A Stranger>
4. He's Gone
5. The Other One
6. Rhythm Devils
7. Space
8. Wharf Rat
9. Around and Around
10. Johnny B. Goode
Disc 3
Cornell 5/7/80
1. Shakedoown Street
2. Bertha
3. Playing In The Band
4. Terrapin Station
5. Rhythm Devils
6. Space
7. Saint of Circumstance
8. Black Peter
9. Playing In The Band
10. Good Lovin'

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Phish - Bittersweet Motel (2000) Review

Phish - Bittersweet Motel (2000)
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Full disclosure: I am a Phish fan. I'm not quite a die-hard fan, I've probably seen them less than 10 times live, but I've listened to hours of bootlegs. One of the shows I saw was at Red Rocks in Colorado during a thunderstorm. Not a drop fell on us, buffered by the foothills, we had nothing but blue sky above us. But behind the stage, we looked down on a dark storm pouring on Denver, with bolts of lighting creating an intense light show. Phish opened with a Divided Sky, the crowd went nuts, and a catecholinergic soup bathed my nucleus accumbens like never before. Guess you had to be there. Which is the point, and the flaw in this movie.
I liked Bittersweet Motel. I liked the backstage look at the band interacting. It had the effect of demythologizing the members. Like anything that takes on a life of its own, the reality behind Phish is both fascinating and disappointing. The guys are basically likeable, guys you can imagine yourself drinking beers and laughing with. At times they seem to take themselves too seriously, come off as your basic high school band geek, or even come off as jerks. Just like your overgrown college buddies who stop by unannounced.
The best is watching Trey respond to negative reviews. I don't know quite why, but nothing amuses me more than artists reacting to critics. Beethoven's letters to critics are hilarious, Tchaikovsky is said to have committed all his negative reviews to memory, word for word, until his dying day. Trey makes a point of letting us know he doesn't care what people think. But he's clearly smoldering underneath, and it's all there for our entertainment.
What I didn't like was the selection of songs in the movie. Whether trying to explain the phenomenon to people who don't get it, or trying to entertain those already converted, I don't think this was the right mix of musical moments to get the job done. Too many of the slow, somber songs and not enough great jamming. There are some high-energy jams but not necessarily their most creative handiwork, in my opinion.
I do think the movie conveys the fun of being a fan. Loved the footage of the mass nude scene. I loved hearing the stoners pontificating, reconciling the rich girls versus the more authentic hippie girl in her VW bus: "the girls rolling up in their Cherokees, their pits are shaved obviously..." but "it's how you're brought up, it's not their option...they're both on the same level, everyone here is chill."
Thumbs up overall, it'll entertain and make you wish you were back at a show.

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Bittersweet Motel takes a look at the iconoclastic musicians of Phish, one of rock and roll's most successful touring bands, a group Rolling Stone Magazine has called "the most important band of the '90s." This 80-minute documentary tracks the band over the course of a year--on and off stages across the United States, Europe and at home in Vermont. The film wraps with an extensive section devoted to one of Phish's grand festivals, "The Great Went," where 70,000 fans descend on the tiny village of Limestone, Maine, for a spectacular multi-day musical event. Director Todd Phillips, best known for his groundbreaking films, Sundance Award winner Frat House and the blockbuster comedy Road Trip, reveals the amazing phenomenon of the band--their music, loyal fans and spectacular live shows. Phillips presents a compelling film that every music fan will find fascinating.

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LivePhish 04/03/98 Review

LivePhish 04/03/98
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4/3/98 Nassau is truly one of the groundbreaking Phish shows of all time. The Island Tour, which contained 2 shows at Nassau and 2 shows in Providence, came on the heels of perhaps Phish's best tour ever(Fall 97) and in many ways was a continuation of the magic that began in 97. This was a special time to be a Phish fan as we felt the boys could accomplish ANYTHING on any given night. I beleive this was the best of the 4 shows on the Island Tour, although among Phish circles you will hear just as many phans site the next night in Providence as the best of the bunch. That's how strong these 4 shows were. Anyway this show kicks off with a blistering Mike's>OHP>Weekapaug. Any show that kicks off with Mike's Song will no doubt be a teriffic show and this night was no exception. This was also in my opinion the best Mike's groove of the year, and I've heard em all. Weekapaug is particularly amazing with soaring grooves throughout. The rest of the set is somewhat standard except for a typically gorgeous Reba. Set 2 is where the real magic begins. To begin the set we got a Roses are Free that may be among the top 5 Phish jams of all time. Roses had only been played 2 times before this performance and never before contained any kind of extended jam. This version is a total monster. It's close to 30 mins long and contains some of the most fluid, themactic improv I've ever heard. Just a pure jem. The Piper that follows is almost equally as amazing though not quite. It mellows out into a space jam that is just jaw-dropping. Loving Cup always shreds a room and this again was no exception. Next was the comic relief part of the show. After Loving Cup a fan ran up on stage and was chased off by Pete Carini, the Drum Tech. In the intro of Antelope Fish says something like, "If you're gona run up on the stage don't let Carini get you." After that they proceed to do a little vocal interplay with the phrase "Carini's gonna get you" Very cool stuff. The Antelope itself is a very strong version which may get overlooked. What a sick set this is!! Now on to the encore. Wow, what can I possibly say about this. The crowd at this point was in a total frenzy and literally begging for more. So of course the boys rip into none other than a smoking Carini>Halley's Comet>Tweezer Reprise!! One of the all time great encores for one of the all time great shows. GET THIS SHOW!!!!

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Soon after Phish began preparing to record "Story Of The Ghost", the band played some live shows in the northeast, labeled the Island Tour. They did two shows at Nassau Coliseum and two at Providence Civic Center. Each of these titles is comprised of three CDs. Set two of the second Island Tour show consisted of four songs: "Roses Are Free", "Piper", "Loving Cup", and "Run Like An Antelope". Also includes bonus soundcheck material from the 4/2/98 and 4/4/98 shows.

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