Showing posts with label covers. Show all posts
Showing posts with label covers. Show all posts

True Colors Review

True Colors
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This album certainly has a lot of memories attached to it for me. Then again, all 80's music has a special memory for all of us. The first time I remember hearing "True Colors" was in late November of 1986, I was 17 and a junior in high school working late in the town grocery store. I was the only person left in the store to close up late, and I turned up the radio and Cyndi Lauper started singing her song. It had been a while since I had heard her voice on the air. Her last hit was "Goonies" in late summer of 85'. I really loved "True Colors" it came out at just the right time of year. In late November of 86', when its cold outside and the wind is blowing and you had to wear a coat. Those were great memories, and also about 2 months later in January of 1987, that's when I first heard "Change of Heart". Both of these songs remind me of my small hometown in Oklahoma during the fall and winter. Of a fun job that I didn't have to take too seriously and mopping the floor after the store closed. Turn up the 80's tunes! If you like Cyndi Lauper, then you'll love this album. It's quite a bit slower than her first album "She's So Unusual", but then again it's also 2 years later also. The music started to change as the world started to change. I urge you to buy this album, it's truly a classic!
David

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RK 40313

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Acid Eaters Review

Acid Eaters
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I admit, this isn't the best "Ramones" disc ever, but it's something fun. I actually think half of these covers work really well, it's the other half that's just so-so. Overall I'd call this a must for the fanatic, but others could pass on it. I will say this though, most cover songs usually make me want to hear the artist covered, but in this case, I just want to hear more "Ramones".

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Strange Little Girls Review

Strange Little Girls
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I'm not sure I'll ever completely grasp Tori Amos' vision for this album. Strange Little Girls is an record of cover songs, and as I understand it, Amos wanted to give a female perspective to how men see women in music. Either the gender politics are beyond me, or she didn't do it quite right (I'll wager it's the former). She definitely hits the bull's-eye a few times though. The song that best accomplishes her goal is her harrowing rendition of "'97 Bonnie & Clyde," Eminem's vicious song about a man who kills his wife and throws her in the sea to get rid of the body. Amos's naked delivery of the song, hushed, spoken vocals over a spooky strings sample, is downright frightening. I think that fact that it makes me uncomfortable to listen to it is a testament to her success.
"Raining Blood" is one of the most shocking songs here. The original, by "extreme" metal band Slayer, was full of fierce vocals and crushing guitars. Here, Amos strips it to nothing but a piano and a weird bass synthesizer, and ironically injects the song with more menace and evil than the original ever had. It's a creepy cover that plays out more like the soundtrack to a nightmare than a song.
Amos' alteration of tone with these songs often changes them radically. What was an innocent little song before becomes threatening, wrenching, or indignant. Think back to the Crucify EP, where Tori completely warped Nirvana's "Smells Like Teen Spirit" in a way that completely changed the impact of the song (at least for me). That's the effect she's going for, I figure. Her experimentation doesn't always work though. "Heart of Gold" is so cacophonous and the vocals so awkward that I can't really appreciate it. "Real Men" is pretty, but quite similar to the original. Even when I don't understand the message, I appreciate the lovely singing and minimalistic music. "Enjoy the Silence," "Rattlesnakes," and "Time" are all beautiful songs, even if Amos' implications of sex are beyond my meager brain.
I wouldn't say I'm disappointed, mainly because I wasn't even sure what to expect. I like this album, even if I must concede to not entirely understanding it. Artistically, she probably knows what she's doing. Even so, I'm eager for another release of original material.

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No Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 18-SEP-2001

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Dreams Review

Dreams
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Prime Cuts: Midnight Train to Georgia, Yesterday, Alone Again (Naturally)
Where have all the good songs? In today's music economy of dwindling sales, instead of crafting more new to-be classics, many of the revered artists (including Barbra Streisand, Rod Stewart, and Barry Manilow) have gone back to revisit the past. Regardless of what that says about the current state of music today, the past is indeed a treasure trove to mine. For his 30th album, this seventy year old crooner has decided to traipse the songs from the rock era that have been touchstones in his own life. Nevertheless, instead of prostituting himself by singing them karaoke style, Diamond has deconstructed them, imbued them with his patented nuances, and skimpily dressed them often with just piano, guitars and strings. Perhaps his sessions with Rick Rubin have rubbed off on him, Diamond has stuck to the adage less is more. Though this is mostly a downbeat stripped down affair, Diamond sings them with a quiet passion that is uplifting and heartfelt. Nevertheless, song choices are somehow safe as Diamond has chosen some of the more well known songs from the rock era including two from the Beatles ("Blackbird" and "Yesterday"), Leonard Cohen ("Hallelujah"), Leon Russell ("A Song for You"), Randy Newman ("Feels Like Home") and even himself ("I'm a Believer"). It would have been even better if Diamond were not just hover around these icons' signature tunes and maybe tackle a few more obscure tunes.
Diamond shows that he is the master of interpretation on Gladys Knights and the Pips' "Midnight Train to Georgia." Here with just his plaintive tenor awash with all the weathered scars and some haunting harmonica riffs, the feeling of missing someone far away has never more real than on this rendition of this superb tune. Another heart tugging moment comes with Diamond's sober take of the Beatles' "Yesterday." Backed mainly by the piano, Diamond takes his time to squeeze out every ounce of emotion from this ballad. Though the strumming of the acoustic guitar on "Alone Again (Naturally)" gives a brisk rhythm, it nevertheless does not take away the song's lofty message of finding hope in the times of death, heartbreak and spiritual isolation. While Linda Ronstadt gave Randy Newman's "Feels Like Home" a bombastic uplift a few years ago, Damond's take is more like one you would hear performed to an intimate crowd in a coffee shop.
Diamond resurrects his own "I'm a Believer." This time round, there is less of an urgency that perhaps comes with maturity. Diamond here takes in time to delve into the spiritual recesses of the song giving it a more seasoned reading. Also, with the maturation of years, Diamond's take of Leon Russell's "A Song for You" is more believable. When he sings about "I've acted my life in stages/ten thousand people watching" you know they are merely scripted rhetoric. While Whitney Houston transforms "A Song for You" into a slick dance anthem on her brilliant album "I Look to You," Diamond takes the jazzy route topped off with some excellent saxophone solos. More intimate bounds abound with an almost campfire feel as Diamond recounts some life lessons on "Losing You."
Perhaps the major quibble that will be fired at Diamond is that 14 ballads all of them performed in a stripped down fashioned may require more attention and careful listening. Things would have been more sustaining if a few uptempoes and/or a few duets were added. Nevertheless, in this day and age where lyrics are repetitive and cliché, these classics remind us again that good songs are perhaps historical. But it's good that Diamond has gone back to the past: revisited these gems, re-lived them again and given them some a fresh coat of interpretation. This project is indeed a labor of love and "Home" is indeed where the heart is.


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On Dreams, Neil Diamond performs a selection of his all time favorite songs of the rock era.Neil pays homage to some of the world's greatest songs and songwriters.Dreams includes works originally recorded by such legendary artists as The Beatles, The Eagles, Randy Newman, Bill Withers, Leon Russell, Leonard Cohen and more.On Dreams, Neil interprets the songs in a very personal way. Across a musical career spanning nearly five decades, Neil Diamond has sold more than 125 Million albums worldwide, with his last studio album Home Before Dark debuting at # 1 in the US and abroad.His most current release, Hot August Night NYC DVD, is already certified double platinum.Neil has a remarkable track record of 16 Top Ten albums, and 37 Top Ten singles, plus a Golden Globe Award, a Grammy Award, and Neil was named 2009 MusiCares Person of the Year.

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Masterful Mystery Tour Review

Masterful Mystery Tour
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MASTER[piece]FUL MYSTERY TOUR is brilliant and in my mind a perfect album.
Oh the pure headbanging joy and humor it inflicts on the listener!
There are a few na-sayers stating that there are 'old' songs on the album and oh how lame that is- while I understand where they are 'sort of' coming from--- have they actually listened to this amazing album?
No, seems they haven't because the new incarnations of the 'older and re-recorded' songs are a million times better, not to distract or downplay from the original versions.
They're tweeks here and there in these versions of the 're-recorded' songs- faster tempo's, new lyrics, new riff's, amazing sound quality AND we haven't even talked yet about the NEW songs- look out, pure geniuses at work!
Take Running for Your Life, which was available for a long, long time on their myspace page as a live track- the one from MMT is completely different! When they started playing the MMT version live, some fans were like "i love this new song" and they would have to be reminded that actually this song has been in their live set for years, it is just in a different form and for my taste much, much improved and better.
Let me put it to ya this way- if you don't own a Beatallica CD and are curious and about getting one...
-- go buy this album and you will not be disappointed, in fact you will (99% fer sure) share your new found joy with others and spread the word of Beatallica. Perfect for in the car, at home, at a party, at work, etc.
nuff said-

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