Showing posts with label willie nelson. Show all posts
Showing posts with label willie nelson. Show all posts

The Highwaymen - Willie, Waylon, Cash & Kris - Live Review

The Highwaymen - Willie, Waylon, Cash and Kris - Live
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If I were lucky to have been at this concert, it would be one of the few times where I could walk out and say.....Now THAT was a great concert!
Next best thing to being at the live concert is this videotape of country greats/legends. What a grand event with legendary heroes - the immortal Johnny Cash, quivering voice of Waylon Jennings, the talented songwriting of Kris Kristofferson and of course the versatility of Willie Nelson.
In between the songs are short snippets of separate anecdotes the four share about each other. They have respect, love and admiration for one another. The music is superb, the audience receptive and the band a core of excellent musicians.
The concert offers a diverse array of music from Willie's jazzy and sultry "Nightlife" to the comedic "Boy Named Sue" and the spiritual "Why Me Lord".
Johnny Cash sings the patriotic "Ragged Old Flag" and Waylon does his classics- "Mamas Don't Let Your Babies Grow up to Be Cowboys", "Are You Sure Hank Done It This Way", "Ain't No Good Chain Gang" and "Luckenbach, Texas".
Also included are the traveling tunes like "City of New Orleans" and "Highwayman". Johnny Cash sings his classics, "Ring of Fire" and "Folsom Prison Blues". The other three join him for a fantastic performance of "Big River". A perennial favorite is Kristofferson's "Me and Bobby McGee".
On the softer side - Waylon's "Amanda" and the beautiful song "Always On My Mind". Willie does this one in his original classic way.
And there are the cowboys tunes, "Silver Stallion" "Last Cowboy Song". The four lend a voice to each other's songs. They are always on stage together.
Some songs I wasn't very familiar with like "Trouble Man", "Best of All Possible Worlds", "They Killed Him" and "Living Legend". But to hear them is an introduction to wonderful songwriting, something that country music lacks today. "On the Road Again" - what better way to end a show than with that catchy, fun road song.
The tape was shot at Long Island's Nassau Coliseum in 1990 and runs 98 minutes. There are 25 songs! So enjoy a great show that will never be duplicated again. .....Rizzo


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Willie Nelson & Friends: Outlaws & Angels Review

Willie Nelson and Friends: Outlaws and Angels
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This live outing from Willie Nelson & friends is a good set. To a great extent, I found the announcer's introductions over the music to be irritating with repeated listenings. I'd rather just hear the music and look @ the insert to see who's playing. However, the music is great! Toby Keith & Willie smoke on the openers, "Georgia On A Fast Train" & "Ramblin' Fever" with Joe Walsh on guitar. Willie gets soulfully blusey with Al Green's somewhat over-enthusiastic exclamations on "Rainin' In My Heart." Shelby Lynn is a talented artist who does a great croon on Willie's western swing version of "Stormy Weather." Pop icon Carole King joins Willie for the classic melody "Will You Still Love Me Tomorrow." This track was the reason I picked up the CD & did not disappoint as these two musical veterans blend lovingly onstage. Lee Ann Womack (whose new CD "There's More Where That Came From" is great!) does a lively job with Willie that makes it seem that they're having great fun together. Townes Van Zandt's often-covered tune "Pancho & Lefty" is given a great reading with Willie, Merle Haggard & Toby Keith. Willie joins Lucinda Williams on "Overtime," a song she recorded for her stunning "World Without Tears" CD. Their voices blend seamlessly, expressing great longing. "Comes Love" is a great standard that's been recorded from everyone from Toni Price to Peter Cincotti. Here, Rickie Lee Jones' jazzy swagger joins Willie Nelson for a spirited version of this classic standard. This live set is interesting to see how Willie blends with a diverse group of artists. Enjoy!

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The new live album from Willie's 3rd USA Network Special features Willie performing with some of his closest friends and biggest legends making music today including Los Lonely Boys, Keith Richards, Merle Haggard, Toby Keith, Lucinda Williams, Al Green, Shelby Lynne, Jerry Lee Lewis, Ben Harper, Kid Rock and many more!

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Willie Nelson & Friends: Live & Kickin Review

Willie Nelson and Friends: Live and Kickin
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Willie Nelson Live & Kickin' delivers the goods! Sure Wyclef Jean is no Julio Iglesias on "To All The Girls I've Loved Before," but so what. His quirky interpretation is not the catastrophe others have claimed it to be.
Such quibbles about an offbeat interpretation or two do not dilute the overall charm and fun of this disc, especially Willie and Toby Keith kickin' it all out on "Beer For My horses." (If there is any justice, radio stations will replace the studio version of "Horses" with the live version heard here -- the way the live "Okie from Muskogee" replaced the original studio version on the radio airwaves in 1970 and has now become the version of choice for Merle Haggard fans.)
Other stand-outs include Shania and Willie on "Blue Eyes Cryin' In The Rain," and the offbeat coupling of Willie and Nora Jones on "Wurlitzer Prize," originally made a classic by Willie's late, great good buddy Waylon Jennings.
I thoroughly enjoyed this CD and would recommend it to anyone who loves Willie and his music -- and is not afraid to hear these songs in a refreshing and different light.

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CD > POPULAR MUSIC > JAZZ

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The Highwaymen - On the Road Again Review

The Highwaymen - On the Road Again
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"On the Road Again" is a good video portrait of the Highwaymen. This hour long DVD is as close as most will ever come to a Highwaymen show. The camaraderie and bond between Waylon, Willie, Johnny and Kris is as apparent here as it is invisible on the corresponding album. The sentiment that the group is made up of four ol' friends comes across strongly. Relevant interview fragments are sprinkled between and within songs. Regardless of who your favorite Highwayman may be, the song selection is good as the band plays most of the favorites that one would expect like the Dukes of Hazzard Theme, Folsom Prison Blues, Me and Bobby McGee and Riders in the Sky. The United Kingdom may seem like an odd place for a Highwaymen video concert, but the boys explain their connection with the land and people. While the video production is good, the sound could be better. At times, the audio sounds like an audience recording. "On the Road Again," may be the essential document to showcase the Highwaymen's power, talent and warmth.

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Item Name: The Highwaymen - On the Road Again; Studio:White Star

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Willie Nelson: Last of the Breed - Live in Concert (2007) Review

Willie Nelson: Last of the Breed - Live in Concert (2007)
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"Last of the Breed" is a remarkable DVD, recording Willie Nelson, Merle Haggard and Ray Price, live in concert, on the last night of their same-named tour, March 25, 2007 at the Rosemont Theatre. These three old friends, who do love to make music together -- and let's emphasize the "make" in that -- have been doing it for decades, and all are members of the Country Music Hall of Fame. They're three old white guys -- Haggard is 70, Nelson, 74, and Price, 81 -- standing solid and performing, with nearly 100 years of performance between them. They may well be the last of the great honky tonk performers, and the last of the Texas Swing singers, too. They are backed in concert by the Grammy-winning Ray Benson and Asleep at the Wheel, and Ray Price's Cherokee Cowboys. The road, on which they have all made their livings, features prominently. The DVD, a feature-length recording, gives us 35 songs, captured in high definition and 5.1 digital surround sound, plus extras such as extensive interviews with the principals, a photo gallery of the show, and a tour by Nelson of his bus. In fact, we get to see so much of these artists, we can almost begin to think we know them a little. By the way, it's easy to differentiate this DVD from the same-named CD: the DVD documents most of their greatest hits; the CD doesn't. There are only six songs that appear on both.
The concert is opened by silky country crooner Price. He delivers some of his biggest hits: "San Antonio Rose," "Crazy Arms," a powerful "Release Me and Let Me Love Again," and a melodic "Make the World Go Away." He does, as well, two great Kris Kristofferson numbers, "Help Me Make It Through the Night," and "For the Good Times." Asleep At The Wheel then gives us swinging versions of "Route 66," and "Miles and Miles of Texas." Price returns later in the show with an emotionally resonant "Night Life," which Willie Nelson had a hand in writing.
Merle Haggard has been quoted as saying that music saved his life. He once told the late country music great Johnny Cash that every one of the three concerts Cash gave at California's San Quentin prison was very important to him. Cash replied that he didn't remember Haggard's playing with him on those occasions. Haggard said he'd been incarcerated. And he's just as honest and gritty as a singer. He here performs several of his hits, such as "Take me Back to Tulsa," and, possibly his biggest, "Okie from Muskogee," which he wrote himself: he duets on this with Nelson, that 74-year old hippie, giving the song unexpected spice. He also has a harmonic duet with Nelson on Townes Van Zandt's "Pancho and Lefty," reprising the song, a popular favorite, they recorded together years ago. Haggard further delivers a gorgeous "That's The Way Love Goes," by Lefty Frizzell and Sanger D. (Whitey) Shafer, and several more of his own songs: the lovely "Silver Wings," the rollicking "I Think I'll Just Stay Here and Drink," and "Ramblin' Fever," again with Nelson. Freddy Powers then gives us "I'm Gonna Sit Right Down and Write Myself A Letter."
Willie Nelson can render a song, any song, with a passion and purity few artists can match. Furthermore, the man does just seem to like to travel and make music with his friends: I was once lucky enough to catch him in New York's Central Park, one beautiful blue sky spring evening, playing and singing with Johnny Cash, Kris Kristofferson, and Waylon Jennings, then calling themselves The Highwaymen. Lots of good vibes bouncing around. Anyway, on this DVD, Nelson and Ray Price duet on the timeless "Crazy," one of the first songs Nelson ever wrote, a big career-making hit for Patsy Cline. Nelson then does a warm "You Were Always on My Mind." Finally, he delivers rollicking versions of his own "On the Road Again," and "You Don't Think I'm Funny Anymore." And another of his signature tunes, "Whiskey River."
The world is unlikely to deliver another recording of such a once-in-a-lifetime collaboration as this, of these artists, especially with Asleep At The Wheel also on hand. You'd best get it.

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They are the Last of the Breed - the elder statesmen of classic country music who have inspired artists for generations. No one else sings country music with the passion and purity of Willie Nelson, Merle Haggard, and Ray Price, and in March 2007, these living legends and Country Music Hall of Famers united on-stage for a once-in-a-lifetime concert event. Now, the final, epic performance of their Last of the Breed tour has been captured in high definition and 5.1 digital surround sound to give fans the ultimate concert experience. Backed by the Grammy Award winning Ray Benson and Asleep At The Wheel and Ray Price s Cherokee Cowboys, THE LAST OF THE BREED: LIVE IN CONCERT delivers a feature-length master class in honky-tonk and Western swing.WILLIE NELSON, MERLE HAGGARD, AND RAY PRICETHE LAST OF THE BREED: LIVE IN CONCERT features live performances of 35 songs including: Always On My Mind, Crazy, For The Good Times, Make The World Go Away, Mama Tried, Night Life, Okie From Muskogee, On The Road Again, Pancho And Lefty, RamblinFever, Route 66, San Antonio Rose, Silver Wings, Sing Me Back Home, Take Me Back To Tulsa, That s The Way Love Goes, Whiskey RiverDVD Features: Interview of Willie Nelson, Merle Haggard, and Ray Price on Willie s Buss by Ray Benson; Willie s Personally Guided Tour of His Bus; Photo Gallery

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Two Men With The Blues Review

Two Men With The Blues
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In early 2007 two of contemporary American music's greatest icons, jazz trumpeter and composer Wynton Marsalis and country music legend Willie Nelson, teamed up for a couple of unforgettable nights at New York's Lincoln Center.
Both love the blues, and love to play it over-easy, Nelson's vocal staying light and playful.
This album is the souvenir from those evenings. What you don't get is the sight of two aging legends twinkling convivially at each against the night lights of Manhattan, without which the flowering of audience applause around each solo is a little frustrating...
The pair are backed by a crack five-piece band firing on all cylinders - saxophonist Walter Blanding, pianist Dan Nimmer, bass man Carlos Henriquez, harmonica player Mickey Raphael and Ali Jackson on drums.
There are all kinds of blues - downhearted, rude, even goodtime blues. The sort on this recording could be called country blues, because of the presence of Willie Nelson. There are also several party blues, and quite a few pieces, such as "Stardus"t and "Georgia on My Mind", that aren't blues at all.
But the main point is that it's all fun. Nelson, from Texas, and Marsalis, from Louisiana, have no trouble finding common ground. The latter contributes some majestic playing, in the manner of Louis Armstrong. Altogether, as with some of the best blues, this doesn't make you sad, it makes you feel better.
Nelson has always been ready to take on challenges. Here, he turns on the downhome charm, as he joins Marsalis's compact group for a set that has the unpretentious aura of a jam session.
Nelson's vocals on "Stardust" are a touch brighter than Hoagy Carmichael may have intended but the effect is leavened by a smokey, gently twisting trumpet line full of yearning beauty courtesy of Marsalis. Another Nelson standard, "Georgia On My Mind", has a sweet, subdued but compelling intimacy and could legitimately lay claim to the title of ultimate standout track on an album of standout tracks.
Peak of the album: the heady, hard-core blues-ballad rendition of "Night Life", "Caldonia", which swings amiably and "Bright Lights, Big City", which exudes the requisite swagger.
A mandatory buy.
Moment Of Forever
From The Plantation To The Penitentiary


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The event was simply billed as "Willie Nelson Sings the Blues," but the historic two-night stand on January 12 and 13, 2007 at Jazz at Lincoln Center was far more than that. Call it a summit meeting between two American icons, Willie Nelson & Wynton Marsalis, two of the most significant figures in modern-day country and jazz, who discovered common ground in their love for jazz standards and the blues. Their performance stirred the sounds of New Orleans, Nashville, Austin and New York City into a brilliantly programmed mix that was equal parts down-home and cosmopolitan, with plenty of swing and just a touch of melancholy. To say that these shows were a hot ticket would be an understatement. Luckily, the tapes were rolling and the results of this unique collaboration now constitute the Blue Note album Two Men With The Blues for everyone who couldn't cram into The Allen Room.Featuring great playing from one of the hottest bands around these classic tracks are given new life by the extraordinary dual talents of Willie Nelson and Wynton Marsalis.At a time when most people are thinking of retirement, Willie has never been busier.His profile has been high in recent weeks with his various career retrospective releases and sold out tour and this album can rightly stake it's place alongside anything else he has done.Wynton rarely sounds so relaxed and both of these musical giants are clearly having the time of their lives together on these new interpretations of some of the greatest songs of the 20th century.

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Last of the Breed Review

Last of the Breed
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With close to 100 years of performing under their collective belt buckles, country music legends Merle Haggard, Willie Nelson and Ray Price have certainly earned the right to enjoy a quiet life of retirement.
Turning 70 on April 6, Haggard is the youngster. Willie will celebrate his 74th on April 30. Price is the elder statesman, having hit mile marker 81 in January.
Rather than easing into their twilight years, however, the three superstars just wrapped up a whirlwind tour, covering 15 cities in 17 days, and releasing their new 2-CD set, "The Last of the Breed."
Write it down. This CD will rake in a trophy case full of honors. There's not a bad cut out of the 22 classics that made it onto the set list, although some may be disappointed by the omission of hits like "Night Life," "For the Good Times," "Pancho and Lefty," and "Okie from Muskogee."
There are some real gems on the new CD."Heartaches by the Number," the Mickey Newbury song that became one of Price's first hits in 1959, features smooth supporting vocals by Vince Gill.
Haggard and Nelson's poignant cover of Lefty Frizzell's "Mom and Dad Waltz" is haunting and will make you stop whatever you're doing to listen and remember those who have gone on.
Price and Nelson tip their hat to Hank, Sr. covering "Lost Highway," Williams' hit written in 1948 by Leon Payne. Price and Nelson seem most comfortable together and just when you think it can't get any better, the Jordanaires, Elvis' beloved backup singers, chime in with pitch-perfect harmonies. Goose bump time, for sure.
There's a touch of jazzy blues in "I Gotta Have My Baby Back," with each musical master taking a phrase or two. The cover of Floyd Tillman's tune is one of the nicest little surprises, tucked in at the conclusion of disc one.
If there was any doubt about Price's staying power as a pure singer, his work on this cut puts it to rest. He's smooth, suave and the king of cool. Nothing against Merle and Willie, but the years of hard-living show up in each note they sing. Price must have gone to bed early during his years on the road, because his pipes are still strong and silky.
Cindy Walker's song "Going Away Party," originally recorded by Bob Wills, is enjoying a recent revival. These men owe a lot to Wills, the King of Western Swing, and the prolific Ms. Walker, who died last year in her hometown on Mexia. Willie released a CD called "You Don't Know Me: The Songs of Cindy Walker" last year.
This cut is a great way to honor two of country music's most influential artists. Having Johnny Gimble's fiddle and the Jordanaires' backup makes the cut sheer perfection. Walker and Wills would be proud.
"Why Me," the 1972 Kris Kristofferson song, is a tour de force. Willie and Merle delivery is captivating. Kristofferson makes a brief appearance, too. Listening to these men sing, knowing their much-publicized histories of wine, women and more than a few brushes with the law, just deepens the heart and soul of the melody. It's a haunting moment not soon forgotten.
"The Last of the Breed" will go down in the history books as one of the best collections ever to have been laid down in a recording studio. It will clean up at the Grammys and will take all comers at the Country Music Association's big annual awards bash. Write it down.
Enjoy!

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Let's be clear: Last of the Breed is a story - actually, anovel, if not an epic - unto itself. The title sums it up pretty well: Onthese two discs three classic performers, Ray Price, Willie Nelson, andMerle Haggard, band together on songs they've known and loved for years.Their contributions don't need elaboration. Each is a legend. All threehark back to a time that's in some ways gone. When you consider the livesthey've lived, the world that formed them as artists, and even thelandscapes they knew as they began playing in beer joints and backwaterclubs long ago, then the truth of those four words, Last of the Breed,comes clear.Look a little closer, and they take on another reference, to the songs aswell as to the giants who celebrate them here. Whether drawn from deep inthe tradition, back from the well of Gene Autry, Lefty Frizzell, and FloydTillman, or picked from the more recent catalogs, this music conveys afeeling that might be mistaken for nostalgia but is in fact a timelesseloquence.They don't write or sing `em like this anymore.

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Willie and the Wheel Review

Willie and the Wheel
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Willie Nelson has once again found his forte. Willie has combined with the best Western swing band, Asleep At The Wheel, for a joyous romp through 12 tracks of classic American swing. You will find yourself smiling', stompin' your feet, clappin' your hands and singing along with the group.

Willie and his friends sound like they are having such a good time that we can't help but enjoy ourselves. This is one of the best CD's of the year. It is said that Jerry Wexler the rock n roll impresario tried to bring Willie and the Wheel together many years ago and finally realized his dream just before Wexler's death last year.
Willie and the Wheel start out with 'Hesitation Blies' and right away we know this is sumthin' great. The fiddling is the best there is, along with Willie's voice.
'Right or Wrong' Willie sings along with Ray Benson of the Wheel- this is the old time western dance hall songs from the 1940's.
'You gotta 'Fan It', cool it, fan it till the cows come home'- how often do hear this kind of lyrics that give you the picture of life down home.
'Bring It On Down To My House' is one of those tunes that lighten our steps and brings joy to the old bones.
'Corrine, Corrina' the old time song we all know is one of the better renditions around.
'Im Sitting On Top Of The World' sung with the Wheel's Elizabeth McQueen is a honky tonk send up that could be my favorite.
Vince Gill and Paul Schaffer introduce 'South' but it is Eddie Rivers that brings the song on home.
'Won't You Ride In My Little Red Wagon' brings us the sense of joy and fun to be had on this CD- a mix of jazz, blues and swing, it has it all.
Asleep At The Wheel has helped Willie connect with his inner Bob Wills, and the best of Willie's sounds. The fiddles, piano, and steel guitar bring this CD to life. Willie has never sounded better, and the Wheel has added the vibrance that brings this CD the feisty, swing sounds. Can't you see the couples whirling around the dance floor? Willie and the Wheel have brought us all down to the heart of Americana. My best friend found this CD-he was correct as always, this CD rocks!
Highly Recommended. prisrob 02-10-09
One Hell Of a Ride (4-CD Box Set)
Reinventing the Wheel

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Asleep at the Wheel has been reviving western swing music for almost forty years and Willie Nelson has been playing, well, just about every type of music (except maybe rap) for well over forty. The two acts come together on February 3 to salute the western swing sound on Willie and the Wheel .Ray Benson told the 9513 - Willie s our lead singer, and we do all the Western swing stuff and I mean the old stuff. Milton Brown, Cliff Bruner, Spade Cooley, Bob Wills. It s got Willie, the Wheel, and some horns. It s gonna be pretty cool.- In a separate interview with Live Daily, Benson explained the origins of the album - Jerry Wexler originally came up with this concept back when Willie was on the Atlantic label but before the record could be made, Willie left Atlantic for CBS Records and so the idea was shelved.- Jump ahead to 2007 when the Wheel went out on the Last of the Breed tour with Nelson, Ray Price and Merle Haggard. Wexler went to one of the shows and started pushing to do the album again.- Jerry wanted us to do this album and I'm glad we got to do it for him, and that he heard it before he passed on,- Nelson said in a statement.Benson says they are also planning a tour together starting February 11 in Red Bank, New Jersey. - Willie and I are cooking up quite a concert. Not only will we be playing songs from the new album, we'll also perform Willie's classics together with Asleep at the Wheel and a full horn section. There will be a few surprises too!-- Vintage Vinyl News

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