Showing posts with label wallstretcher. Show all posts
Showing posts with label wallstretcher. Show all posts

Too Dark Park Review

Too Dark Park
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"Too Dark Park" is the best-loved Skinny Puppy album amongst hardcore fans and certainly a good place to start for the uninitiated. SP's previous effort "Rabies" (1989) is slightly easier to listen to, mostly due to slick production courtesy of Al Jourgensen (please tell me you know who that is). However, unless your mind is of the warped and delinquent variety, you'll find that Skinny Puppy is ANYTHING but easy listening. Skinny Puppy is a horror show for the ears, sonic masochism, a terrible but engaging nightmare that you can't wake from. In that respect, TDP is arguably the most quintessential Puppy album. It's harsh, dense, chaotic, and angry as hell, a culmination of the sound that they had been driving towards since they banded in 1982. (Their next album, 1991's "Last Rights", is a slight departure into experimentalism while 1996's "The Process" sounds like a completely different band.)
But be forewarned. I suspect that most people won't be able to recognize this as music. People who consider industrial-lite fluff like Filter and Stabbing Westward "cutting edge" or "hardcore" are in for a big, big (big) shock. In fact, they'd probably do best to pass on this band; I doubt they'd "get it". But you're probably here because you want something BIZARRE and DIFFERENT!
"Too Dark Park" jerks to life with "Convulsion", probably the most dense and chaotic track on the album. Inter-cut with samples from a documentary on LSD, Nivek Ogre's vocals and lyrics make it clear upfront that he's just about lost it. "Tormentor", the next track, is my favorite. Cevin Key and Dwayne Goettel morph what could've been a relatively standard industrial-dance track into something dark and sinister. "Spasmolytic" is just flat out insane. Phrases and words are strung together in maniacal fashion, suggesting an intense and hellish drug withdrawal whilst living in urban squalor. The single version of "Spasmolytic" gets the minimalist treatment, making it spookier and decidedly better (it should've been on this album, but you can get it on "The Singles Connection"). "Rash Reflection" shares a similar electro-sound with "Tormentor", but is decidedly more claustrophobic and terrifying. I'll stop here, but suffice it to say that every track is its own private nightmare and every one is equally as good as the next.
The lyrics are written in a drug-crazed William S. Burroughs style of free association. It's hard to understand what's going on, but that's all part of the experience. TDP forces you to live the nightmare of drug addiction/withdrawal and the mental chaos associated with it; the music adds emotional and visceral chaos, churning the whole vile mixture out of control. In case you're wondering, you don't have to be an addict or ex-addict to appreciate it - I've never touched a hard drug in my life. Drugs are a central theme, but there's so much more going on here.
As great as this album is, it's not even my favorite Skinny Puppy album. In the beginning they had a lo-fi 80's synth sound that was just perfect, plus they used a lot of obscure horror movie samples = fun times. So while this album is great, it gets even better.
Brap on.

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Spiritchaser Review

Spiritchaser
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Blending a seamless mix of Native American and African styles of music into their synthetic brew, the final album from Dead Can Dance is also their must fully actualized. Not for casual background listening or mentally agitated states, "Spiritchaser" has filled my days at times when I've needed to sit back (or lay down) and reconnect with life and a more peaceful point of consciousness.
"Spiritchaser" is also a very earthy, sexual CD for me. As the liner notes state, there is a belief that organic instruments, made from living creatures, then contain part of the soul of the creature and make each instrument the voice of the soul from which it was created. That kind of reverence permeates the eight songs on "Spiritchaser," where the sounds and the voices seem to manage to seep into the listener's essence, touching hearts as gently as they touch minds. (Although you have to smile as the song "Indus" gracefully references George Harrison's "Within You Without You.") To close, "Spiritchaser" is the kind of CD you listen to when you wish to have an environment that surrounds and envelops you.
PS. I will heartily recommend this CD to fans of Delerium, Deep Forest and earlier Enigma, even though they are only marginally related.

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Out of print in the U.S.! Import pressing of this 1996 album, the final release from one of the 4AD label's most popular and influential bands. At the core of Dead Can Dance is guitarist Brendan Perry and vocalist Lisa Gerard, who created a body of work that remains invigorating and uniquely their own. Eight tracks. 4AD.--This text refers to an out of print or unavailable edition of this title.

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Underworld Live - Everything Everything Review

Underworld Live - Everything Everything
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Ok... I've seen Underworld, live, three times.
Each time was different and out of this world.
I've been trying to describe the experience of seeing
Underworld to a good friend of mine... when I discovered
this DVD. I slapped this DVD in, pumped up the volume, and
danced like no one was watching. At the end, my friend was
red in the face, I was sweating bullets, and we both felt like
we just left the best club on Earth. Spiritual.

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Revolutionary British electronica group Underworld move their innovations to another format with this video release. Using some of the most advanced sound technology available, Underworld are able to recreate the unpredictable euphoria of their live performances. As artists as well as musicians -- the band members also run the renowned graphic design firm Tomato -- Underworld have designed live performances which are all-encompassing multimedia experiences. This hypnotic pairing of cutting-edge sound design and innovative visuals lends itself perfectly to the video format and makes EVERYTHING, EVERYTHING a must for the Underworld fan and technophile alike.

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A Hundred Days Off Review

A Hundred Days Off
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I'm always amused by the so-called "true fans" who only want their favorite bands to produce the same album over and over again. Sure, "Second Toughest in the Infants" was and is a great album...but whatever happened to judging an album on its own merits? You can't compare AHDO to 2nd Toughest, because, quite simply, the albums are 6 years removed. Would any Underworld fan really be happy if the group HAD produced the same album 3 different times, just because it did well critically? What artists worth their salt write music for CRITICS?? I am quite pleased with Underworld's new direction, actually. "2 Months Off" is a bright and cheerful barnburner, and a great choice for a single (the video for it was just perfect)...and the final percussion break left me wanting more, in a good way. "SolaSistim" blew me away as well, although in a different sense. I'd really like to hear the group try an all downtempo album after hearing that song.
It sounds to me like Hyde and Smith are using Emerson's departure as a launching point for new ideas (good or bad), which I always welcome from any artist...it's just unfortunate that the majority of listeners will always be comparing this current incarnation of Underworld with its early years. I loved Beaucoup Fish (God bless Jumbo!), and I love A Hundred Days Off...and I could care less what anyone else thinks. If musicians constantly lived in the past, music would certainly be boring, eh?

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To coincide with their winter 2003 visit to Australia comes the release of this limited edition 2-CD tour edition ofUnderworld's triumphant album 'A Hundred Days Off'. Thebonus CD features seven tracks, 'Rez' (Live), 'Cowgirl'(Live), 'Two Months Off' (King Unique Mix), 'DinosaurAdventure 3D' (Funk Devoid Remix), 'Dinosaur Adventure 3D'(Darren Price Remix), 'Two Months Off' (Enhanced Video) &'Dinosaur Adventure' (Enhanced Video). V2. 2003.--This text refers to an out of print or unavailable edition of this title.

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