Showing posts with label uk music. Show all posts
Showing posts with label uk music. Show all posts

The Resistance (CD/DVD) Review

The Resistance (CD/DVD)
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I've been obsessed with Muse since Origin of Symmetry and I'll have to say this cd worried me when I first heard Uprising before it's release. First off, a little background for me. I play in an instrumental prog/experimental band and run a small recording studio. Other bands I adore are Porcupine Tree, Radiohead, Opeth, Pink Floyd, Dredg, and Sigur Ros to name a few...
With that said, Absolution is my favorite Muse hands down. I was slightly bummed by the direction the last album took and was unsure of the future of Muse. HAARP rid me of my fears there.
The Resistance (after many listens) is a huge step in a new direction that they were only pointing at with Black Holes and Revelations. The problem with this album is its song placement and short length for this wide array of styles. If they wanted to really explore each of these areas and sounds, then I believe another 15 minutes or so divided between each style would help solidify this album and make it their cornerstone.
Uprising - This is a good track but no way to start off the cd. This song does not represent the rest of the album at all even if it is powerful and catchy with a great sing-along chorus
The Resistance - The first track that caught my ears on the cd, the title track is definitely a standout with an even balance of creativity and catchiness. I relate this track to Map of the Problematique off their last cd, until the prechorus where it reverts into a style not heard since Absolution. Great bass work on this song.
Undisclosed Desires - the most underrated track on the cd. As poppy as this track seems on the first listen, it is an incredibly gutsy track to add to the disk.. This really reminds me of something from Thom Yorke's Eraser cd, on steroids...with a more glammy Matt Bellamy flair to it. I actually realllly like this track when I don't think of it in the context of the rest of the album. If there were some sort of lead in/out tracks for this it would possibly make more sense and be more at home on the album.
United States of Eurasia - Love this track. It has all those Muse elements that everyone has loved throughout their career. There is the definite Queen influence here, but it was just as noticeable on Knights of Cydonia... Never-the-less its still an amazingly good and epic track. What other rock band uses Chopin? seriously people...
Guiding Light - Eh, it's ok. By no means a bad track, but nothing i'm going to write home about. It does its job.. fill the spot after United States of Eurasia when you are still thinking...what the hell just happened?!?
Unnatural Selection - New Born?? catchy tho.
I Belong to You - A strong look at their earlier work with a fun break in the intensity, the French is a nice addition as well. Fun track.
Exogenesis Symphony - THIS IS THE MUSE I'VE BEEN WAITING TO HEAR! as the Overture begins I feel that there is something amazing getting ready to happen.. and it does.. from Matt Bellamy's own excellent orchestrations to the chord progression to his falsetto melody over the top.. this track is incredible. The second and third pieces are perfectly done as well. This is the set of tracks that should've been the big centerpiece to this album to really wow fans. Instead it is tacked on the end like some last minute stroke of genius.
If I were setting up the track listing here to make this a successful disk, here's what we'd be looking at
United States of Eurasia
Resistance
Guiding Light
Exogenesis Symphony 1,2,3
Uprising
MK Ultra
I Belong to You
Unnatural Selection
but thats just me.... however, after several listens, certain parts of this album are my favorite things Muse has ever done, other tracks could have at least been better placed..
I am pleased with this addition to my Muse collection and will continue to support one of the best bands the world has seen in a very long time.

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Special CD+DVD version: DVD contains 30 minute 'Making Of' the album. Following seven years of near solid touring, Muse escalated from being the biggest band in Teignmouth in 1997 to one of the biggest bands in Europe by 2004. With each successive album, they pushed the musical envelope with a fusion of progressive rock, electronica, and Radiohead-influenced experimentation, creating an emotive, passionate sound. Muse's reputation as one of the best live rock bands in the world is well deserved with their exhilirating live performances drewing critical acclaim, industry buzz, and a loyal and rabid fan base.

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H.a.a.R.P. Tour-Live from Wembley Review

H.a.a.R.P. Tour-Live from Wembley
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HAARP is the answer to the question of why Muse scoops just about every single "best live act" award that they are nominated for. We're talking about a band that has been able to master every single aspect of live entertainment on a career that has spanned over the past 10 years.
Being lucky enough to witness Muse on stage 6 times, I have to say that their performance never gets boring, and it's never short of fascinating. Matt Bellamy's voice, guitar riffs and distortions bring all that on-stage magic, backed of course by the stunning drum performance of Dom Howard, and the brilliant bass lines and backing vocals of Chris Wolstenholme.
Anyone who's been lucky enough to witness the Muse live experience knows that it's powerful, over the top, and enchanting.
In other words, Muse makes U2 look like Hannah Montana.
I truly wanted to give this DVD a 5 star review, but the only thing that stops me from doing so is the lack of extra features. Certain songs from the performance on the night of June 17th are missing, as well as songs from the 16th that weren't played on the 17th, including:
- Sing For Absolution
- Bliss
- City of Delusion
- Citizen Erased
- Sunburn
- Man of Mystery
- Microcuts
Let's just hope that we will be able to witness these performance, on a Blu-Ray release of HAARP.
Nevertheless HAARP could easily be considered among the best concert DVD releases ever.

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CD/DVD (NTSC/Region 0 pressing.) The DVD features the entire concert performed at the New Wembley Stadium, Londonfor two unprecented Sold Out shows on June 16th and 17th, 2007 that are increasing recognised as amongst the definitive live moments of the year. Muse were the first band to take the stage at the stadium since its redevelopment: Now those who were amongst the 150,000 lucky ones and those who couldn't get tickets can relive these events with the release of a brand new CD/DVD packageof the shows featuring the huge hits from 2006's Global Hit album, Black Hoes and Revelations, as well as Muse classics including 'Plug In Baby', 'Time is Running Out', 'Feeling Good', 'Hysteria', 'New Born' and others.

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