Showing posts with label pop vocal. Show all posts
Showing posts with label pop vocal. Show all posts

The Oak Ridge Boys Christmas Review

The Oak Ridge Boys Christmas
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The Oaks have recorded several Christmas albums but this was the first, recorded at the peak of their popularity in 1982. What makes this album different from so many others is the composition of the group - four men with very different voices who managed to harmonize well.
The contrasting voices mean that even standards like Silver bells, White Christmas, Silent night and O holy night sound distinctive. However, most of the songs here are either original or covers of obscure songs, like Eddy Raven's Thank God for kids.
The set begins with the infectious Jesus is born today (It is his birthday). This is followed by my favorite track, Christmas is painting the town, an up-tempo fun song featuring a children's chorus. Next comes another upbeat song, Christmas Carol, about a woman who enjoys singing Christmas songs. The tune reminds me of the Kenny Rogers classic, Coward of the county, but that's no bad thing and anyway it's a great song. Santa's song is another up-tempo, fun song. Happy Christmas eve, Thank god for kids, Little one and Mary Christmas are other great songs.
The mood is upbeat throughout and this is a great album for country fans that may also appeal to a wider public.

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Bring Ya to the Brink (Snys) Review

Bring Ya to the Brink (Snys)
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Cyndi Lauper's career has seen her success fluctuate from dizzying highs to off-the-scale lows, with a startlingly diverse artistic palette and long gaps between albums doubtless accounting for the lion's share of the inconsistency. She flourished as a pop culture ingénue with her eccentric, flamboyant image, but this contrasted with her more inherent identity as a state of the art song stylist and inventive, highly skilled songwriter and musician. Now a quarter century has passed and the average person is still at a loss for words to properly define Lauper. Regardless, she has never sounded more at home on brand new dance floor-ready studio album "Bring Ya to the Brink." The girl who just wanted to have fun is either having the time of her life or doing a damn fine job of making listeners believe it.
A definite nod to her core fanbase in the LGBT community, the theme of "Bring Ya to the Brink" does not showcase the New York native's soaring range as her 2003 chestnut covers collection "At Last" did, for example. Rather, it boasts frenetic, club-ready beats and propulsive, repetitious melodies, replete with disco ball imagery. That is exactly as it is supposed to be. From the funky, loquacious opener "High and Mighty" with its temperamental synths to the sweeping gust of wind that is "Set Your Heart," the album is wall to wall uptempo energy, making it an ideal summer disc.
Some could say that Lauper is aping Madonna, whose last two LPs were aimed straight at nightclubs and dance floors. However, the key difference is that "Bring Ya to the Brink" neither flagrantly tips the hat to the past nor makes an earnest effort to keep things trendy or Top 40 savvy. Instead, Lauper mixes together 80's new wave stylings with easy, effusive beats that are nothing if not indicative of the late 2000s to create a sound neither retro nor modern, but simply the genesis of her atypical artistic vision. The most important thing, however, is that it never fails to entertain.
Hooks run aplenty on "Echo," a bittersweet slice of Eurodance, as well as lead single "Same Ol' Story," a 12"-length gem which is currently climbing the club charts thanks to its fluffy production values reminiscent of ace 70's collaborations between Donna Summer and Giorgio Moroder. Indeed, as Lauper declares on the sweaty, propulsive "Give It Up," "I've got to get back to the floor!"
With this new direction she has her cake and eats it too, as she continues to make heady statements and social commentary where she sees fit in spite of the levity that surrounds. "Lyfe," with its memorable chorus ("Lyfe/It can shake ya/It can break ya/It can bring ya to the brink") serves as a prime example, as does "Raging Storm," a meditation on problems inherent in the values of today's cultural landscape:
"Rich man, poor man, beggar man, thief/You can fool some people, but you can't fool me/Harbor all the hate and greed/Threaten demise of democracy/There's a raging storm in a troubled sea/But you're clouding my mind with celebrity."
Second single "Into the Nightlife" is the most instantly addicting with its gyrating snyths, stomp-on-glass production values and cheeky, sexual lyrics ("Shirtless wonders wreck my sight under the light"), providing the most potent chance for a crossover to pop radio, while "Rocking Chair," a frothy, mercurial collaboration with Basement Jaxx, provides a mighty hook and eye-popping lyrics. It's a joy to hear Lauper wrap her vocals around its juicy, uncontainable melody.
"Lay Me Down" with its haunting, inescapable melody and evocative lyrics is the album's arguable highlight, while "Rain on Me" closes the disc with a wistful, bittersweet high note that is exemplary of Lauper's unique voice as a songwriter.
"Bring Ya to the Brink" continues Lauper's career with another top notch release. Each track is a gem with no trace of filler. Lauper never fails to reveal new aspects of her unique, thoroughly entertaining talents as both a singer and songwriter, and this new release keeps the bar raised high.

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Explicit Version. Cyndi Lauper's 2008 album, Bring Ya To The Brink,is Cyndi's first album of new material in 12 years. More than 25 years after her debut, Cyndi is still exploring new artistic territory. With Bring Ya To The Brink, she found herself inspired by beat drive music that has filled dance clubs throughout Europe and No. America. Sony. 2008.

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