Showing posts with label popera. Show all posts
Showing posts with label popera. Show all posts

Soundstage Presents: Josh Groban - An Evening in New York City Review

Soundstage Presents: Josh Groban - An Evening in New York City
Average Reviews:

(More customer reviews)
"Josh Groban - An Evening In New York City" is Josh Groban's most recent PBS concert.
The concert was filmed at the Rose Hall at Jazz at Lincoln Center in New York City. The concert has a more intimate, theater-like feel, reminiscent of Josh's first PBS concert. This type of setting suits Josh's voice best.
Josh performs a mix of songs from his best-selling albums, including "Awake," "Alla Luce del Sole," "You are Loved (Don't Give Up)," and others, plus a cover of the song "Not While I'm Around" from the Stephen Sondheim musical, Sweeney Todd. This concert features guest appearances from jazz trumpeter Chris Botti on "Broken Vow" and, for the first time live, acclaimed jazz pianist Herbie Hancock on "Machine."

This concert shows how much Josh has grown as a performer and an artist over the years. He has broken out of his shell and has taken more risks with his music.
He has expressed an interest in doing more stripped down shows in smaller venues for his next tour. If this is an example of what's to come, then it will definitely be a treat not to be missed.

Click Here to see more reviews about: Soundstage Presents: Josh Groban - An Evening in New York City

In this Soundstage special event, Josh Groban performs favorites from his best-selling albums in an intimate theatre setting. Taped at Rose Hall at the "Jazz at Lincoln Center" in New York City, this stunning performance includes Alla Luce del Sole", "You Are Loved (Don't Give Up)", and "February Song". Special guest appearances by acclaimed jazz pianist Herbie Hancock and trumpeter Chris Botti.
An internationally renowned performer who has sold more than 23 million albums worldwide, Josh Groban has thrilled a legion of devoted fans with his flawless baritone and extraordinary stage presence.

Buy Now

Click here for more information about Soundstage Presents: Josh Groban - An Evening in New York City

Live From Las Vegas - The Harem World Tour (2003) Review

Live From Las Vegas - The Harem World Tour (2003)
Average Reviews:

(More customer reviews)
Before my actual review is even to begin, I feel compelled to dispel nonsense about Sarah's supposed lip-synching. She doesn't. I made a road trip when she visited the west coast and saw three of her shows consecutively. If she lip-synchs, she must record a new track every night because each show was different. These allegations come about because sometimes, her lips don't synch perfectly with the singing. You'll notice that these instances occur almost always with close-up shots. The reason for this is this: Her concerts are recorded twice. She goes through the entire show without an audience so the director can get some nice close-up shots, then she does it for real in front of a live audience. The reasoning for this method is quite simple. To get the type of close-ups desired, the camera would be parked up on a crane with a film crew surrounding it right in front of the artist. A paying audience would riot if cameramen and stagehands were right there on stage hovering around Sarah. I know this isn't what people really want to know, but the editors have done an absolutely fantastic job putting the show together in a way that is totally seamless. It really is Sarah singing live, and while the method isn't what people want (I know we all want a DVD that shows footage only from the live audience show), but it's either we get to see her up close this way or we don't. If you go to her official site's fan section, you'll see they make absolutely no secret of this fact. In fact, there are photos from the first closed-set taping, which I believe a select group of lucky fans were able to sit in on and watch happen. Her official camp is absolutely candid about this process, and those who discredit her in their reviews are just ignorant of this process. Now, on to the review...
While One Night in Eden has more undeniable charm and La Luna drew us into another world more effectively, this latest concert hallmarks a great period in Sarah Brightman's career. She pulls all the stops in this one, and the sheer scope of what she puts together is a perfect accompaniment to this point in her career: she is at the top. If you think only getting the abridged soundtrack is enough to give you a taste of the Harem experience, you're dead wrong. You'll have to see this DVD, because the audio alone cannot portray the wonderful costumes, dances, and pure theatrics Sarah brings on stage.
The costumes are sheer decadence (meaning, of course, they are luxurious and fantastic). The diva is in top form, both vocally and physically, despite her age of forty-four, which she doesn't look anything like, mind you. The show is a lighting extravaganza, with the lighting director using each and every method and trick in his arsenol to use each and every bulb to highlight Sarah's presence. Together with the entourage of dancers who dance around her, Brightman is portrayed almost as a queen straight out of 1001 Arabian Nights. This, however, is how her fans know her best. Her shows almost always showcase her as the aloof goddess hovering on stage where her fans may best worship her. Despite all this, however, she still manages to come across as a warm, personable, charismatic performer.
While this concert was a little bit more 'showy' than I prefer seeing her, it was nonetheless dazzling. Sarah does not share a stage well, though, and she's best when she's the sole object of attention. The best performances feature her in this way: Who Wants to Live Forever, La Luna, Nessun Dorma (which was amazing), What a Wonderful World (probably the most memorable performance of the concert). The dancers, however, were terrific during the interludes. (My only gripe with the dancers was the 'biker chick' number where not only the dances, but the costumes were horribly out of place during the performance of 'Arabian Nights.) Featured vocalists Violet (née Amelia Brightman, Sarah's youngest sibling), Shwetta Shetty (indipop artist who contributed vocals on the Harem album), and Eli Barak were each brilliant. Shwetta, especially, is a powerhouse talent that brought much-needed 'ooomph' to Arabian Nights and What a Wonderful World.
Harem is a wonderful ride from beginning to end. She starts off strong with Harem then ends with the ever-crowd-pleasing Question of Honour. The camera captures each song very well. There is none of the fast camera changes, funky camera tricks, and downright schizoid camera handlings we've come to know and hate from recent concert releases -- thank God. (On a side note, I really wish that trend would die.) The camera is handled reverently, respectfully, and, most of all, maturely.
Video noise is the downfall of this DVD. It was destined to be the pinnacle concert DVD, but the director chose to use film that was subpar to what we expected. Pictures are not as crisp and clear as they were on La Luna, and the video noise is worse on this DVD than it is on One Night In Eden. Strangely enough, many scenes seem to be a bit 'smokey' in color. The color is not as vibrant or clear in some scenes because of this foggy quality. The worst is during far-away shots, because you can barely make out her face due to the video noise. For this reason, La Luna still ranks #1 as being the best DVD. Sound, however, on Harem Live is lush, rich, and everything I expected it to be. You can definitely see the images, and the only reason it was distracting for me was because I was expecting something just as good (or better) than La Luna when it came to video quality. Everything does show up well and it is watchable, don't get me wrong. I just wish video quality was better, because Brightman's concerts are such a visual feast for the eyes.
The extras on the second disc include some entertaining interviews with her entourage. It also includes a photo sequence that shows various photos, and while it plays, a few remixes of Harem songs play in the background -- worth listening to if you enjoyed the Harem album! There's also a video quiz that is quite infuriating, but the prize is a password to access a prize on the official site (this offer may or may not be still available, since it was a limited time offer). I finished the quiz and got my prize from the official site which was free photos of Sarah in concert from the Harem Tour called 'The Signature Collection.' I paid for s/h, of course, but that's more than fair.
All in all, this concert is still a must-have. It is a triumphant extravaganza sure to please fans and non-fans alike. It's a spectacle, and ranks high as one of my favorite concerts.

Click Here to see more reviews about: Live From Las Vegas - The Harem World Tour (2003)



Buy Now

Click here for more information about Live From Las Vegas - The Harem World Tour (2003)

The Phantom of the Opera (Highlights from the 1989 Original Canadian Cast) Review

The Phantom of the Opera (Highlights from the 1989 Original Canadian Cast)
Average Reviews:

(More customer reviews)
I'm a Sarah Brightman fan(atic), but I owe it all to the original cast recording. My love for Sarah began with the Phantom of the Opera, which I first listened to as a child. Now an adult more than a decade later, I'm still not tired of those songs.
I'll assume that if you're interested in this recording, you're already familiar with the songs and are interested in knowing how this holds up to the OLC (original London cast) recording and/or the new movie soundtrack.
Rebecca Caine is a terrific Christine. It took a little getting used to her, but her vocal prowess is commendable. She also comes from a more classical background and her voice sounds much more operatic than either Sarah or Emmy Rossum, so perhaps that is why a lot of reviewers have accused her of sounding 'old.' Sarah Brightman's strength is her tone color. Her voice has a pure, crystalline tone, which was the greatest thing she brought to the role of Christine, because just the sound of her voice could convince you she was Christine. Emmy Rossum, being a teenager, had no problem sounding like one convincingly (not to mention that she did a fine job of acting). What Rebecca Caine brings is fantastic vocal agility and control. Caine's Christine is one who could easily, easily, easily have unseated Carlotta. Whereas Sarah slides into her notes, Rebecca hits them. It's also a delight to hear the emotional 'oomph' she puts behind her performance.
I actually liked Colm Wilkinson. Colm Wilkinson is no Michael Crawford. Heck, he's no Gerard Butler. I would have to agree with other reviewers that at times, he falls behind both Michael and Gerard. Michael's a terrific lyric tenor, Gerard's got a great rock tenor thing going on, and Colm's got a nice enough voice, but. he. tends. to. sing. like. this. and. it. gets. annoying. after. a. while. Unfortunately, he over-pronounces his words, too. So why did I start off this paragraph saying that I liked Colm then proceed to bash him? Well, it's all true, but I still appreciated that he brought something new to the table. Note that I said he falls behind Michael and Gerard "at times." This isn't the case during all the other times. Both Michael Crawford's and Colm Wilkinson's phantoms have a lilting quality to their singing which is both charming and haunting. I'm listening to Colm Wilkinson's 'Music of the Night' right now and it holds its own to other versions. Why? His style of singing fits the song. It may not work for some of the other songs, but it works for Music of the Night. Basically, Colm has the goods, but his performances are hit-and-misses because of his very distinct singing style. When he's good, the man is terrific... perhaps *gasp* better than Michael Crawford! When he's a little off, however, he's still enjoyable, which is much more than I can say for the next one...
Byron Nease. He overacts, and it's downright distracting and annoying. All my criticisms for Colm are overlookable and forgivable, because all his problems are mild. I wish I could say that about Byron Nease's performance. I honestly do not know why he was chosen to play Raoul. First off, his voice is too harsh and a bit boorish. If you've seen Disney's Beauty and the Beast, imagine the character Gaston singing opera. If they had a good Raoul for this recording, I could very well see the Canadian cast being on par with the OLC cast. The two recordings would be toe-to-toe, however, without a decent Raoul, the OLC version still wins out. The biggest problem with Byron's performance is his Raoul is devoid of the earnesty, gentility, and refinement we expect from Raoul. All Byron's Raoul has is enthusiasm, and too much of it! I had to keep from laughing from his exclamations during Think of Me. His sound is also more operatic, but where it works for Rebecca, it's a hit against Byron because he needed to tone down his acting. Add overacting on top of an operatic tenor and you have an overdone character. However, when he does tone it down for All I Ask of You, he does well. Regardless, he can't compare with Steve Barton or Patrick Wilson even when he's 'on.' What you basically have is a miscast actor in the case of Byron Nease. He just wasn't Raoul material to begin with.
I'm glad I purchased this soundtrack. It was delightful to get another taste of POTO from a different perspective with different voices. Colm Wilkinson's "Music of the Night" is spellbinding and Rebecca Caine's operatic soprano and vocal control is breathtaking. I just wish Angel of Music was included on this CD, but this was still fun to listen to. While the OLC recording still ranks as my favorite (everything just came together more successfully), the Canadian cast recording is still an achievement. Though it has its hit-and-miss moments, when it shines, it shines brightly.

Click Here to see more reviews about: The Phantom of the Opera (Highlights from the 1989 Original Canadian Cast)

1990 Polydor release featuring highlights from Andrew Lloyd Webber's epic musical by the Original Canadian Cast, including Colm Wilkinson and Rebecca Caine. Directed by Harold Prince, it features 17 tracks, including 'Think Of Me', 'Notes/ Prima Donna', 'Masquerade' and 'Wishing You Were Somehow Here Again'.

Buy Now

Click here for more information about The Phantom of the Opera (Highlights from the 1989 Original Canadian Cast)

Sarah Brightman - La Luna (Live in Concert) Review

Sarah Brightman - La Luna (Live in Concert)
Average Reviews:

(More customer reviews)
I saw the concert live- it was unquestionably the best concert that I have ever been to. I would reccommend this concert to anyone- no matter what kind of music you like, you WILL enjoy this concert! the music was astonishing, and the presentation was unparalled. all of the britneys, christines, and maddonnas of the world could learn a lot from sarah brightman!
There are differences between the VHS and the DVD versions of this concert.
Here is a listing of the songs:
The DVD Track list is: 1. La Lune 2. Winter in July 3. Scarborough Fair 4. Who Wants To Live Forever 5. 3. Hijo De La Luna 6. Figlio Perduto 7. La Luna 8. La Califa 9. Pie Jesu 10. Nessun Dorma 11. Siren/Deliver Me 12. He Doesn't See Me 13. Whiter Shade Of Pale 14. There For Me 15. Twisted Everyway 16. Phantom Of The Opera Suite 17. Wishing You Were Somehow Here Again 18. Music Of The Night 19. Question Of Honour 20. Moon River 21. Time To Say Goodbye the VHS track list is: 1. La Lune 2. Scarborough Fair 3. Hijo De La Luna 4. Figlio Perduto 5. La Luna 6. Deliver Me 7. He Doesn't See Me 8. Whiter Shade Of Pale 9. There For Me 10. Nessun Dorma 11. Pie Jesu 12. Music Of The Night 13. Question Of Honour 14. Moon River 15. Time To Say Goodbye END

Click Here to see more reviews about: Sarah Brightman - La Luna (Live in Concert)

Track listing: 1. La Lune 2. Winter in July 3. Scarborough Fair 4. Who Wants to Live Forever 5. Hijo de la Luna 6. La Luna Interlude I 7. Figlio Perduto 8. La Luna 9. La Califfa 10. Pie Jesu 11. La Luna Interlude II 12. Nessun Dorma 13. Siren 14. Deliver Me 15. He Doesn't See Me 16. La Luna Interlude III 17. A Whiter Shade of Pale 18. There for Me 19. Twisted Every Way 20. Phantom of the Opera Suite 21. Little Lotti 22. Wishing You Were Somehow Here Again 23. Music of the Night 24. A Question of Honour 25. Moon River 26. Time to Say Goodbye

Buy NowGet 27% OFF

Click here for more information about Sarah Brightman - La Luna (Live in Concert)

The Christmas Collection Review

The Christmas Collection
Average Reviews:

(More customer reviews)
This is absolutely the most beautiful Christmas music I have ever heard. Especially outstanding is Panis Angelicus, The Lord's Prayer and Ave Maria. But even White Christmas, which I have never particularly liked, is given a new and beautiful treatment.
Their voices range from soft and tender to a soaring cresendo,on all the songs. And I agree with Mr. Preiser, Carlos' voice is magnificant and provides the foundation for this wonderful, glorious music.
I highly recommend this album.

Click Here to see more reviews about: The Christmas Collection

Japanese pressing includes Christmas card/poster with first pressing only. BMG. 2006.--This text refers to an out of print or unavailable edition of this title.

Buy Now

Click here for more information about The Christmas Collection

Sarah Brightman - One Night in Eden (1999) Review

Sarah Brightman - One Night in Eden (1999)
Average Reviews:

(More customer reviews)
I was under the mistaken impression that Amazon were there to sell products, not put people off. The childish and spiteful Editorial review by Marshall Fine is completely inappropriate and misrepresents this excellent concert entirely.
While I respect the views of the people who had reservations about the concert, Fine's so-called 'review' is a very different affair. That this creature should attack Sarah's 'pudgy build' - precisely the same kind of comment that triggered Karen Carpenter's ultimately fatal anorexia - speaks volmes about the kind of fool he is.
Sarah, like Marilyn (size 14) Monroe, has a beautiful womanly figure. Marshall Fine obviously prefers 100 lb catwalk models to normal-looking women who understand that females are supposed to retain body fat, as a survival mechanism, they being the childbearers of the species.
That aside, this is a wonderful concert which features many great songs and is a visual delight. Sarah looks gorgeous throughout, as you might expect.

Click Here to see more reviews about: Sarah Brightman - One Night in Eden (1999)

Studio: Emi Music DistributionRelease Date: 03/16/2006

Buy NowGet 36% OFF

Click here for more information about Sarah Brightman - One Night in Eden (1999)

Defined (Australian Tour Edition) Review

Defined  (Australian Tour Edition)
Average Reviews:

(More customer reviews)
This and all Amici albums go from my house, to my car, to my office. I find them to be the perfect mixure of romantic Opera story telling and contemporary orchrestration. Great for a dinner party or to concentrate at work. Outstanding.

Click Here to see more reviews about: Defined (Australian Tour Edition)

TO CELEBRATE AMICI FOREVER'S FORTHCOMING AUSTRALIAN TOUR, THE "OPERA BAND'S" STUNNING NEW ALBUM 'DEFINED' WILL BE RE-ISSUED AS A VERY SPECIAL TOUR SOUVENIR.THE "DEFINED: 2006 AUSTRALIAN TOUR EDITION" WILL CONTAIN TWO BONUS TRACKS; 'THE POWER OF LOVE' AND 'WE ARE THE CHAMPIONS TOUR DATES' AND WILL FEATURE STRIKING NEW ARTWORK.

Buy Now

Click here for more information about Defined (Australian Tour Edition)