Showing posts with label indie pop. Show all posts
Showing posts with label indie pop. Show all posts

Luna - Tell Me Do You Miss Me Review

Luna - Tell Me Do You Miss Me
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I saw the premiere at the TriBeCa film festival and enjoyed the film immensely - and notably so did more tepid fans in tow. It's beautifully filmed, well-paced, and of course nicely scored. It provides an often funny and sometimes sad look into the realities of band life and the mixed emotions of deciding it's Time to Quit. The film is a fitting send-off for one of my favorite bands, and in many ways the indie pop era and the lost state of mind of Downtown NYC.

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In Tell Me Do You Miss Me, the four members of the celebrated New York-based indie-rock band Luna confront the ceiling of their ambition, the harsh realities of their modest success, and their conflicted feelings about each other as they embark on their final world tour and uncertain futures. Laced with moments of both humor and melancholia, Tell Me Do You Miss Me earnestly exposes the underbelly of a touring rock band in their final days together. Supported sonically with Luna’s dreamy catalog of indie-pop and visually with lush travelogue footage-with adventurous stops in England, Japan, and Spain-Tell Me Do You Miss Me is an elegy for an era. Track Listings:Fuzzy Wuzzy Black Postcards Speedbumps Freakin' And Peakin' Cindy Tastes Of Barbeque Sideshow By The Seashore Still At Home Friendly Advice This Time Around Bewitched Rock Your Baby California (All The Way) Everybody's Talkin' Broken Chair 23 Minutes In Brussels

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Mass Romantic Review

Mass Romantic
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First,you'll be captivated by Neko's vocals in "Mass Romantic" and "Letter from an Occupant." Then you'll fall for other high energy songs like "The Body says no" and "The Slow descent into Alcoholism." Eventually you'll realize that the relatively unorthodox tunes like "Execution day" and "The Mary Martin Show" are your favorites.
With over-the-top layering the Mass Romantic Album will remind you of some old perky Brit-pop, but at the same time it is so original and flavorful that your musical palate will be tickled. If you ever enjoyed pop rock, you will be dazzled by this joyous romp from the New Pornographers. Easily one of the best albums of the past few years.

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Electric Version Review

Electric Version
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This CD rocks right from the moment you put it into your CD player to the moment you take it out (that is if you ever want to take it out, I sure don't want to quite yet). Top-notch songwriting infused with 70's rock/new wave, layers of sweet crunchy guitar, and very distinctive vocal harmonies. Mmmm. Neko Case is a highlight on this record, as always she's fantastic. They're just one fantastic band, certainly a bright spot in the world of pop music today. This album should be blasted out of car windows on a summer day.

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This is the second album from Vancouver's supergroup,featuring Carl Newman (Zumpano), Neko Case, Dan Bejar(Destroyer), & other local luminaries in a joyful cascadeof slightly jaundiced power pop songs that'll knock yoursocks off. The hooks are huge & the wit & songwriting areoff the map. 'Forty staggeringly catchy minutes offour-part harmonies & Wall of Sound production, explodingwith energy & joy' - Rolling Stone. Matador. 2003.

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Digital Ash in a Digital Urn Review

Digital Ash in a Digital Urn
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"Digital Ash in a Digital Urn" seems like an appropriate name for this album, one of two Bright Eyes has released in early 2005. It's about time and death, and it's swamped in digital music. Indie-rock's golden boy Conor Oberst lets out his inner Thom Yorke in this experimental album, which retains a dark, rough edge but doesn't quite measure up to Oberst's other work.
This time around, Oberst's mournful songs are dressed up in artful synth. Think of this as Bright Eyes' "Kid A" -- an experimental album that may herald a whole new direction for Bright Eyes, or may just be Oberst diddling around in the studio. "Digital Ash" takes some time to get moving, but is breathtaking when it finally does.
While "I'm Wide Awake It's Morning" has a stripped-down, warmer sound, "Digital Ash" is darker and colder -- part gritty rock, part new wave. Its heart is "I Believe in Symmetry," a jagged rock song with a transcendent climax. It's accompanied by the symphonic prettiness of "Gold Mine Gutted," and the cacophonic pop of "Take It Easy (Love Nothing)."
Oberst often overdoes it with all the synth and swelling soundscapes, with some very choppy beats put in. Regular instruments like a snare drum, acoustic guitar and strings keep it grounded. But despite the acoustic instruments, the dense electronic blips take this far away from country and indie rock.
His songwriting gets lost in the mix in songs like the vaguely loungey "Devil in the Details." His vocals also get messed with in a few songs, which just gives the feeling that parts of "Digital Ash" is overproduced. Most of the time his slightly trembly vocals are left alone, rising triumphantly over the multilayered music.
Conor Oberst is often maligned as pretentious, for songs that would be considered genius in an older musician. But his latest two albums establish Oberst as two things -- a talented prodigy, and one willing to take musican risks. Bright Eyes' "Digital Ash in A Digital Urn" is not the strongest work he has done, but it is definitely the bravest.

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Bright Eyes' Conor Oberst continues to earn his reputation as our most respected young troubadour with almost frightening ease. He's been recording since the age of 13, and for the past few years he's been tagged "rock's boy genius" by the music press. Now, with the release of these two albums, we have unequivocal proof that the 24 year-old Oberst belongs amid our lineage of great American songwriters. These albums are a soundly articulated slice of modern life rolled into two very different records, both bursting with all of the heartfelt poetry for which Bright Eyes' records have earned their acclaim.Of course, the rough edges haven't gone away - the palpitation of a splintering note, the crack of a voice as it overextends, the clumsy thump of a misplaced thumb. It's all still there. But there's a glorious new level of depth and a maturation of texture, writing and delivery.

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Drive Well, Sleep Carefully - On the Road with Death Cab for Cutie (2005) Review

Drive Well, Sleep Carefully - On the Road with Death Cab for Cutie (2005)
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Not many "indie" bands get to have their own DVD, especially one of this quality. From start to finish "Drive Well, Sleep Carefully" is a joy for any fan of Death Cab or indie music. The interviews are very insightful (and often times funny) and the music is just awesome. Death Cab sound a lot different live than on record (read: heavier), and it is really great to watch such a finely tuned band play with eachother, giving new dimensions to their songs(new & old alike). Definitely worth a purchase!

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DRIVE WELL SLEEP CAREFULLY - DVD Movie

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