Showing posts with label fun music. Show all posts
Showing posts with label fun music. Show all posts

Ditty Bops Review

Ditty Bops
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Sometimes in the musical world, it seems like innovation is dead and new musical sounds are impossible. That all we'll ever get is endless regurgitation of past musical glories.
Then we hear a band like the Ditty Bops.
The quirky duo's debut album is a playful, whimsical collection of offbeat pop-folk, with an edge of carnival cuteness. This is an album where a bluesy melody can suddenly be broken by a strange merry-go-round sound, and where harmonies are the rule. In other words, all rules go out the window.
At their core, most of these are just acoustic guitar pop. Acoustic with a twist: some are catchy, some are bluesy, folky, country, and even alt-rocky in the banjo-laden rocker "There's A Girl." Surprisingly, all of these different styles fit together almost seamlessly.
But the guitar pop is not the main thing that makes the Ditty Bops charming. Actually, they would be fairly boring if it weren't... well, dressed up a little. What gives their songs an element of charm is the offbeat songwriting and the odd music -- they have everything from keyboard washes to dulcimer, mandolin to trombone and banjo.
And yet, the most charming aspect of the Ditty Bops is the old-fashioned vibe. Maybe it's the vocal harmonies, or the folky melodies. But the album has the sound of a long-lost folk-pop album that got buried, and only recently was dug up and released. Yes, even with songs about dried blood, marital murder, modern soullessness, and a "mechanical lady with her garden hose waters the cement."
Abby DeWald and Amanda Barrett both do vocal duty. At the same time. Yes, they manage to harmonize on every single song, on virtually every note. They sound refreshingly sweet, no matter how strange their songs are. "But me, I'd rather plant a tree/that grows up tall for all to see/until I need a pencil/then I'll chop it to the ground."
The Ditty Bops manage to be charming, cute, edgy and funny -- all on the same album. Definitely a memorable and fun debut.

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When Mitchell Froom (Suzanne Vega, Crowded House, Elvis Costello) produces a debut album, it is well worth taking notice. Thanks to their strangely beautiful voices, magnetic personalities, brilliant playing,bizarre storytelling and stunningly diverse range,The Ditty Bops -the duo of Amanda Barrett and Abby DeWald -earned his attention. A musical celebration embracing everything from contemporary folk pop to ragtime to musical theater, their self-titled debut is as gloriously unique as their name.

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Contra Review

Contra
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After releasing their debut album, Vampire Weekend seemed to face a dilemma. They could either make another album with more of the same or completely change their sound. Either way, they were bound to receive scorn from critics. But somehow, they managed to evolve while still maintaining their signature sound. Anyway, let's get down to business...
Track by track:
"Horchata" - A great opener that sets the tone for yet another summery, poppy indie release from Vampire Weekend. The use of marimba and kalimba is new yet sounds very fitting. (9/10)
"White Sky" - This song has been played by the band for at least a year before they recorded it. I'm glad to see it was finally recorded. (7/10)
"Holiday" - A straightforward pop song with obvious ska influence. Instantly catchy. (8/10)
"California English" - Interesting use of auto-tune. I never thought someone would use auto-tune in a way that wasn't blatant and annoying. (8/10)
"Taxi Cab" - This is new territory for the band. Ezra sings in a low voice, buried under strings and programmed piano pieces. Very calming track with some of their best lyrics yet. (9/10)
"Run" - Things pick back up with this track which was instantly one of my favorites. The arrangements are very engaging on this one. The choruses are instrumental but quite effective. (9/10)
"Cousins" - When I first heard this song I didn't really care for it because I had only heard it live. Once I heard the recording, I was converted. It seems to capture the spirit of A-Punk but I feel like it lacks a hook. The ending makes up for it though. (8/10)
"Giving Up The Gun" - I was so excited to hear that this song would be on Contra. Ezra's old hip-hop band, L'homme Run, recorded an old version of this song years ago called "Giving Up Da Gun," and I used to listen to it nonstop. Very glad to see that they went back to the well. (10/10)
"Diplomat's Son" - This track is the band's longest song yet and features some vocals done by Rostam during the bridge. I really dig the white-guy-reggae vibe. I found it especially funny when Ezra mentions that he "smoked a joint." (10/10)
"I Think Ur A Contra" - Hands down my favorite song on the album. The band truly ended the album with their masterpiece. Not only are the lyrics in this song their most sincere, but the arrangement they used is among their strongest. The subtle atmosphere paired with their first ever use of acoustic guitar makes the song sound genuinely heartfelt and sets it apart from their repertoire. (10/10)
Overall, I think this album is on par with their debut and I will be spinning it nonstop for months to come.

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Like the first album, Contra was produced by keyboardist Rostam Batmanglij and is the realization of a whole and unique musical vision that sees the band stretching out and adding new textures, instrumentation, and rhythms into their sound.Primarily recorded in New York with a springtime sojourn to Mexico, Contra feels altogether fresh, joyous, and like nothing else but is immediately recognizable as the sound of Vampire Weekend.

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Queen Ida & the Bon Temps Zydeco Band on Tour Review

Queen Ida and the Bon Temps Zydeco Band on Tour
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Simply Awesome... from the first spine chilling notes to the last foot tapping accordian riff, I have enjoyed this CD immesnsly, definately one of my top 5 favorite CD's! Worth the money!!!

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