Crowded House: Farewell to the World Live (2007) Review

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(More customer reviews)Recorded in 1996 at the Sydney Opera House plaza, "Crowded House" plays their farewell concert to an appreciative crowd of over 120,000. The 24-song set contains amazingly pure and tight sound with Neil Finn's voice at its best. There are no stand-out cuts, as the band gives it best performance to date on every track. It is flawless. The comments from the band to the audience between songs makes this one of the most personable concerts ever recorded. Slight variations on some songs and an accent here and there make the fans sing along throughout. The closing song, "Don't Dream its Over" is as emotional as ever, with shots of the crowd signing along and the band emoting, realizing this really is their last song together. It's one of the best concerts of the last two decades.
The extras include an optional commentary by the band in subtitles. The second disc has a 20-minute documentary about the enormous planning it took to stage this event, mostly narrated by the band's manager. Also included are a few featurettes, a photo gallery and the full "Crowded House" discography. This is one of those collectable packages that you'll never tire of.


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Australian rock group Crowded House perform live on their farewell tour.Genre: Rock, Alternative MusicRating: NRRelease Date: 16-JAN-2007Media Type: DVD

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Farewell to the World Review

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(More customer reviews)In the ten years since their final show was recorded, Crowded House have seemingly become both legendary and forgotten. Australia and New Zealand worship them as their Beatles, and give leader Neil Finn the mythic songwriter status of someone like Bob Dylan, while the US long ago discarded them as an 80's one-hit pop band.
Thankfully, over time more and more people are realizing that Crowded House had something very special going on, and like the aforementioned Beatles, to call them a "pop band" seems reductive and a little vulgar. Finn's songs have a way of sneaking up on you. What might sound crafted and catchy, if inconsequential, on the first few listens, can suddenly reveal itself to be brimming with imagery and almost frighteningly empathetic. Anyone who's sighed during the chorus of "Whispers and Moans" or "Nails In My Feet" knows what I mean.
"Farewell To The World" captures their final show in front of the Sydney Opera House. Well-known as a stellar live act in the UK and Europe, Crowded House were famous for making up songs on the spot, mixing bits of new songs in with the old ones, and generally messing around a lot while sounding effortlessly tight and solid. This show finds them reeling the antics and spontaneity in, just a bit, considering the weight of the occasion.
Neil Finn was in fine voice that night (as they all were; all provided backup vocals, chiefly drummer Paul Hester), and the band, in his words, "played as well as we ever have." Almost every notable song from their catalogue makes an appearance here, making it a decent enough place to get acquainted with them.
Aware of the poignancy of the event without succumbing to it, the boys still make room for some nice interludes and extended jams. "Hole In The River," about the suicide of Finn's aunt, ends with a tight, bluesy jam that gradually disintegrates into guitar feedback, dazzling keyboard runs, and wild drumming. "Sister Madly" stops in the middle for a Tina Turner impersonation from Paul Hester, and toward the end we're given a chorus-only singalong of "Throw Your Arms Around Me," a Hunters and Collectors favorite. Overall there's a feeling that Crowded House were still capable of anything at any moment, but chose to give us faithful renditions of their songs this last time.
"Farewell to the World" shows that the band were not only a songwriting force with four great studio albums, but could also deliver onstage in a way few other bands can. It'll probably be overlooked for the time being, but don't be surprised if in the future, this comes to be regarded as one of the better live albums around.

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Woodface Review

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(More customer reviews)"Woodface" was to be Crowded House's return to the top of the pop charts--Neil Finn, I understand, delivered a much darker record to Capitol that they rejected, and that's how Tim came into the band--he and Neil had been collaborating on a Finn Brothers project that pretty much became "Woodface." And while Tim Finn is truly an outstanding songsmith in his own right, he's not the consistently impressive lyricist that Neil is--some of the lyrics don't work as well as one would expect from a Neil Finn composition. Still, much of the material is among the best and catchy Crowded House stuff available--"She Goes On," "Four Seasons in One Day," "Fall at Your Feet," "Fame Is," "Weather With You"--which is why, I think, it's such a popular album in Europe--that, along with the tongue-in-cheek poke at American shallow consumerism: "Chocolate Cake." In a nutshell, they bartered some of the artistic lyricism for pop sensibility when they brought in Tim (and if you want to hear the "Woodface" rejects, pick up "After Glow"). But it works--this may be the most immediately accessible of all Crowded House stuff. The only truly "weak link" is the obligatory Paul Hester comp that shows up on all of their albums--the Ringo effect, I guess. "Italian Plastic" is okay, but it's a bit like serving a platter of corndogs at a wedding reception--sure, they're tasty, but don't belong with the caviar and champagne.

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Another reissue in the Centenary Edition, in a Slipcase with Bonus Tracks.--This text refers to an alternate Audio CD edition.

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