Woodface Review

Woodface
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"Woodface" was to be Crowded House's return to the top of the pop charts--Neil Finn, I understand, delivered a much darker record to Capitol that they rejected, and that's how Tim came into the band--he and Neil had been collaborating on a Finn Brothers project that pretty much became "Woodface." And while Tim Finn is truly an outstanding songsmith in his own right, he's not the consistently impressive lyricist that Neil is--some of the lyrics don't work as well as one would expect from a Neil Finn composition. Still, much of the material is among the best and catchy Crowded House stuff available--"She Goes On," "Four Seasons in One Day," "Fall at Your Feet," "Fame Is," "Weather With You"--which is why, I think, it's such a popular album in Europe--that, along with the tongue-in-cheek poke at American shallow consumerism: "Chocolate Cake." In a nutshell, they bartered some of the artistic lyricism for pop sensibility when they brought in Tim (and if you want to hear the "Woodface" rejects, pick up "After Glow"). But it works--this may be the most immediately accessible of all Crowded House stuff. The only truly "weak link" is the obligatory Paul Hester comp that shows up on all of their albums--the Ringo effect, I guess. "Italian Plastic" is okay, but it's a bit like serving a platter of corndogs at a wedding reception--sure, they're tasty, but don't belong with the caviar and champagne.

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Another reissue in the Centenary Edition, in a Slipcase with Bonus Tracks.--This text refers to an alternate Audio CD edition.

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