Showing posts with label emotional. Show all posts
Showing posts with label emotional. Show all posts

Praise & Blame Review

Praise and Blame
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"Praise and Blame" is Tom Jones's first gospel album. It is not a gospel album in the usual sense; it is more in the sense of a Buddy Miller or Bob Dylan gospel album (and the most apt comparison for this CD might well be Buddy Miller's "Universal United House of Prayer"). Speaking of Dylan, this set opens with a gorgeous rendition of Dylan's "What Good Am I?" Jones's take on this song rivals another wonderful version several years back by Solomon Burke. In addition to "What Good Am I?" we get a marvelous cover of Billy Joe Shaver's "If I Give My Soul" (taken at a slower tempo than the original Shaver version), Susan Werner's "Did Trouble Me" (a modern masterpiece), John Lee Hooker's "Burning Hell," and The Staple Singers' "Don't Knock." Adding to these more modern songs Jones also goes back to Rosetta Tharpe and Mahalia Jackson. The arrangements are appropriately and often hauntingly spare. It is amazing and pleasing to note how Jones's enormous musical gifts are still very much intact at 70 and after nearly a half-century of performing. "Praise and Blame" is among the four best albums of Jones's career. Any Tom Jones fan will have to have this CD in his collection. Fans of gosepl music and blues music should delight in it as well.

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"We wanted to go back to basics, go back to the source, it was just me singing live with a rhythm section - no overdubbing, no gimmicks, no complicated horn and string arrangements, just get the song down in an entire take, capture the meaning of the song, its spirituality, its life, and capture that moment, right there. And I think that's what we've done," says Tom Jones, the veteran singer from Wales, who turns 70 this year and who has just completed `Praise and Blame', his follow up to 2008's acclaimed `24 Hours' and quite simply his finest work to date. It is a truly remarkable record, one that captures the Tom Jones who listened to Mahalia Jackson and Sister Rosetta Tharpe on the radio as a child growing up, who thought gospel music was "just like rock'n'roll, every bit as exciting but with deeper lyrics", the Tom Jones who belted out The Lord's Prayer as a jubilatory spiritual in school assembly, "because that was the only way I knew how to sing it, it was natural for me." This is Tom Jones going back to his roots on an album of gospel, blues, traditional and country songs, wearing his heart on his sleeve, emotionally raw and true. Recording with producer Ethan Johns (Kings Of Leon, Ray LaMontagne, Paolo Nutini, Laura Marling) at Peter Gabriel's Real World Studios in the little village of Box in Wiltshire, coaxed the most exhilarating performances out of the singer. With musicians including steel guitarist BJ Cole, keyboardist Booker T Jones (of Memphis soul legends Booker T and the MGs), Hammond organist Chris Holland and background vocalists Gillian Welch, Alison Pierce, Dave Rawlings and Orin Waters at hand, Tom has quite simply delivered his tour de force. It's him bearing his soul, singing from the heart, telling it like it is.

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MARILLION - FROM STOKE ROW TOIPANEMA: YEAR IN THE LIFE Review

MARILLION - FROM STOKE ROW TOIPANEMA: YEAR IN THE LIFE
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This excellent 2dvd set is a must-have for any true Marillion and great music fan. One word of advice, though: listen to Disc 2 first---disc 1 is cool but, as is readily admitted on the jacket sleave and during the program, alot of the footage isn't A+ audio/ visual material. Still, the genius of Steve Rothery---perhaps the most tasteful guitarist on the planet---comes shining though, as does the increible, emotional vocal delivery of H, not to mention the fantastic contributions of the rest of the band. Buy it!!!!!!!!!!!!!!!!:)

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This 2-DVD set features videos, live footage and interviews. Disc One: Hooks In You (video), Steve Hogarth Interview, Uninvited Guest, In Conversation - Keyboard Parts, Eric (Demo), In Conversation - Brazil, Kayleigh (Live), Lavender (Live), Hooks In You (Live), In Conversation - Easter, Easter - Video, In Conversation - The Next Album, This Town - Recorded Live During Rehearsal. Disc 2: Live At DeMontfort Hall, 24 April 1990. Backstage, The King Of Sunset Town, Slainte Mhath, Easter, Uninvited Guest, Warm Wet Circles, That Time Of The Night, Holloway Girl, Berlin, Seasons End, Hooks In You, The Space... , Kayleigh, Lavender, Heart Of Lothian, Incommunicado, more.

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Next to Normal (Original Broadway Cast) Review

Next to Normal (Original Broadway Cast)
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"Next to Normal," with music by Tom Kitt and lyrics by Brian Yorkey, is the kind of cast recording I respond to immediately, in which the music is in perfect synch with the plot. The songs are not just "songs," but extensions of the characters--direct outpourings of their emotions. Musical fans know it's not just about a catchy melody or lyric--the music has to hook into your emotions in an almost intangible way. On the best cast recordings, you don't have to listen to an entire "song"--sometimes just a mere musical phrase or dramatic moment can tingle the spine. I suppose, in theory, good musicals should always do this, but the last time I felt a musical worked this well, particularly in a sung-through style, was "Caroline, or Change." There are no clunky moments here--just two discs of musical theater bliss.
Like "Caroline," "Next to Normal," features a nimble, varied score--here it ranges from pop, rock, to folk, even a waltz and a hilarious Rodgers and Hammerstein parody. It's hard to pin down the sound exactly-- which is one of the great pleasures of the recording. Another pleasure is the cast. The fantastic (and soon-to-be Tony winner) Alice Ripley is Diana, a suburban mom in the throes of bipolar disorder. She's well matched with J. Robert Spencer, affecting as her well meaning but hopelessly enabling husband. Jennifer Damiano and Aaron Tveit make strong impressions as the struggling teens rounding out the family, and Adam Chanler-Berat and Louis Hobson add fine support in smaller roles. Singing Yorkey's smart and perceptive lyrics, the cast gives full due to the weighty subject matter. This is certainly the best new Broadway score of the year, and a superb cast recording. Not to be missed.


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The most talked about new show on Broadway is Next to Normal - the acclaimed, groundbreaking musical "that pushes Broadway in new directions" (Rolling Stone). With a thrilling contemporary score,Next to Normal is an emotional powerhouse of a musical about a family trying to take care of themselves and each other.Winner of the 2010 Pulitzer Prize and 3 Tony Awards including Best Score and Best Leading Actress in a Musical, Next to Normal is "A Brave, Breathtaking Musical" ( NY Times) that the Washington Post calls "The Future of American Musicals!"Next to Normal has been described as a contemporary musical that explores how one suburban household copes with crisis. With provocative lyrics and an electrifying score of more than 30 original songs, Next to Normal shows how far two parents will go to keep themselves sane and their family's world intact. Next to Normal recently received five Helen Hayes Award nominations for its Arena Stage engagement, including Outstanding Non-Resident Production, Outstanding Lead Actress in a Non-Resident Production (Alice Ripley), Outstanding Lead Actor in a Non-Resident Production (J.Robert Spencer), and Outstanding Supporting Performer in a Non-Resident Production (Aaron Tveit and Jennifer Damiano). For its sold-out Second Stage Theatre engagement, Next to Normal won the Outer Critics Circle Award for Outstanding New Score and also received the following accolades: Lucille Lortel Award nominations for Outstanding Musical, Outstanding Featured Actor (Aaron Tveit), and Outstanding Lighting Design (Kevin Adams); Drama Desk Award nominations for Outstanding Actress in a Musical (Alice Ripley) and Outstanding Music; Outer Critics Circle Award nominations for Outstanding New Off-Broadway Musical and Outstanding Actress in a Musical (Alice Ripley); and a Drama League nomination for Outstanding Musical, among others.

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