Farewell Show: Live in London (2010) Review

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(More customer reviews)If you are a fan of Delirious?, you should LOVE this DVD!!! As soon as I can, I'll be ordering the CD set from Amazon. Although, I have all of these songs on their other CDs and DVDs, most of these versions of my favorite songs sounded better to me on this DVD (with longer guitar solos and GREAT audio of the audience singing along).
NICE close-up shots of the band and the audience! In some ways, it was almost better than seeing them "live". When I saw them live (2x), I was far away from the large monitors. This DVD has shots of all the instruments being played, which makes it extra enjoyable for worship leaders to view. The entire concert had me glued to it (the extras did too).
There are Many special treats for those who are familiar with this band - a special appearance by Stew Smith (their original drummer), their children coming up on stage, and a behind the scenes look at their final European tour. My plan is to get this DVD as gifts for friends who like the older worship songs, which are included in the extras. It was a kick to hear the songs from their Cutting Edge days and to see Martin playing the Mandolin (even though I prefer the "rock" style songs).
Warning (before you buy it) - if seeing Martin becoming teary-eyed gets to you (like it does to me), make sure that you have a box of tissues close by prior to hitting the play button!
This DVD is reasonably priced, considering all of the extras it includes, and would make a WONDERFUL gift for anyone who likes Delirious? songs that were recorded 1992-2009.

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On Sunday the 29th of November, five thousand fans were wedged into the sold out HMV Hammersmith Apollo Theatre in London, readyto see history get made as a seventeen-year voyage of worship discovery drew to a close. This was the final gig for Delirious?, and therecould hardly have been a better celebration of all that God has done through this band. Twenty-four hours later, Martin Smith had this tosay: What can I say? It was awesome, sad, happy, and definitive. One can never correctly adjudicate ones emotions at times like thisbut I feel at peace. I feel joy. I feel like I ve completed an assignment. And what an assignment it was. A Dove Award-winning, Grammynominated, RIAA Certified Gold-selling assignment. Delirious? helped score a whole new soundtrack for the church around the world,bringing honesty, passion, intimacy and heavenly pride back to the church and beyond. And it s not quite over yet...now we have therelease of this live DVD capturing the final concert!1. All This Time2. Bliss3. Solid Rock4. Sanctify5. Obsession6. Rain Down7. Deeper8. Paint The Town Red9. Inside Outside10. Jesus Blood / King or Cripple/ True Colours11. Majesty12. Our God Reigns13. Investigate14. History Maker15. My Soul SingsDVD EXTRASCutting Edge (34 minutes)1. Not Ashamed2. Happy Song3. Shout To The North4. Thank You For Saving Me5. I Could Sing Of Your Love Forever6. Find Me In The River7. Did You Feel The Mountains TrembleMORE1. On The Road - The Farewell Tour(26 minutes)

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On the Night - Live Review

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(More customer reviews)There are voices, both human and instrumental, that you will always be able to pick out of a crowd of thousands. Mark Knopfler and his guitar are an example of that, and "On The Night" is one of the best albums ever released by Knopfler and friends. Recorded during their 1992 tour at two concerts in Nîmes and Amsterdam, the album shows that Dire Straits were a class act right to the end. While the band underwent multiple transformations in membership over the course of its existence, Mark Knopfler has always had the gift to surround himself with first rate musicians - this is true for the people who have joined him on his recent solo releases and the current "Sailing to Philadelphia" tour, and it was likewise true with regard to Dire Straits, in whatever configuration they existed at any given time. And yet, the excellence of the people who join him on stage and in the studio only serves to enhance the brilliance of the guy whose middle name might, for all intents and purposes, be "Fender Strat," and whose laid back, understated, gruff vocals are as crucial and distinctive to the typical Dire Straits/Mark Knopfler sound as is his guitar play. Like all great musicians, he thrives on the live atmosphere, and not bound by the restraints of studio recording, he and the band delve into the songs, particularly their instrumental sections, with an energy and deep feeling for each piece that lesser musicians are far from achieving even at the height of their careers.
The record opens, as did the band's shows (and as does Knopfler still on the current tour) with a powerful "Calling Elvis," and it is something like a live "best of Dire Straits" album (personally, I'd have wished they would also have included "Sultans of Swings" and "Telegraph Road;" which would of course have made it a "top 12" instead of the "top 10" song collection, though). Highlights include an incredibly soulful "Romeo and Juliet," one of the greatest love songs ever written in rock history, a very dark "Private Investigations," which goes from a slow, moody start to almost 5 minutes' worth of instrumental featuring a number of hard, edgy riffs, only to end on pensive notes again, and of course, "Brothers in Arms," to this day probably Dire Straits' greatest trade mark piece besides "Sultans of Swings," with a guitar solo which gives me goose bumps every time I listen to it.
"We need Dire Straits back," none other than Don Henley proclaimed during the last show of his own recent "Inside Job" tour, "to counter all the crap that's playing on the radio now." "On the Night" more than proves his point. But as long as that's not going to happen, I'll at least take Knopfler solo, with whoever he chooses to play, and I hope he doesn't decide to stop touring any time soon.
Also recommended:
Alchemy: Dire Straits Live
On the Night
Dire Straits
Night in London
Sailing to Philadelphia (CD & DVD Audio)
Local Hero (1983 Film)

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Japanese-only SHM-CD (Super High Material CD) paper sleeve pressing of this classic 1993 album. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won't believe it's the same CD! Universal. 2008.--This text refers to an alternate Audio CD edition.

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Music for Montserrat Review

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(More customer reviews)I've owned the laserdisc version of this concert since it was first released. While the sound quality is occasionally disappointing (especially Sting), it's generally quite good. And most of the performances are excellent, particularly Knopfler, Elton, Clapton and McCartney.
I'd buy it again, if only for the McCartney/Elton exchange on "Hey Jude." I've watched this concert many times, and it still sends chills everytime Elton's voice appears in the second verse of this song.
As for the complaints about the "tambourine bloke" -- that's Ray Cooper, the legendary (with good reason) percussionist who has backed most of these performers in studio sessions, and who is a mainstay of almost every all star concert. If you want a video concert that will absolutely knock you over, try to find "An Evening with Elton John and Ray Cooper" -- it used to appear occasionally on the Disney Channel (oh, well, so did Annie Lennox's Central Park concert), and if I ever found it on a commercially released video, I'd pay almost anything for it. Listen to Cooper's incredible performance on this concert (or better yet, see one of the live Elton John/Ray Cooper, sans band, shows) and you'll never again complain about Cooper being a "distraction." Ray rocks!

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ERIC CLAPTON, PAUL McCARTNEY, PHIL COLLINS, MARK KNOPFLER, and STING all on one Royal stage for one night!!On September 15, 1997 at Royal Albert Hall, Sir George Martin assembled an all-star cast to perform a benefit for the island of Montserrat, an island in the Caribbean that ws devastated by a volcanic explosion. The artists that appeared at this show had all recorded some of their biggest hits at Martin's recording studio on the island. Included in this group are PAUL McCARTNEY, STING, ELTON JOHN, JIMMY BUFFET, AND ONE OF THE FINAL APPEARANCES FROM CARL PERKINS.Track Listing: Phil Collins - Take Me Home Arrow & His Band - Hot, Hot, Hot Carl Perkins - Blue Suede shoes Jimmy buffet - Volcano Mark Knopfler - Brother In Arms Mark Knopfler - Money For Nothing (w/Sting, Eric Clapton) Sting - Message In a Bottle Sting - Magic Elton John - Your Song Elton John - Live Like Horses Elton John - Don't Let the Sun Go Down On Me Eric Clapton - Layla (w/Mark Knopfler) Eric Clapton - Same Old blues (w/Mark Knopfler, Phil Collins, Jools Holland, Ray Cooper) Paul McCartney - Yesterday Paul McCartney - Golden Slumbers (w/Phil Collins, Mark Knopfler, Eric Clapton) Paul McCartney - Hey Jude (w/all the artists who appeared at the concert) Paul McCartney - Kansas City (w/all the artists who appeared at the concert)

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Kill to Get Crimson Review

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(More customer reviews)I enjoy some of MK's music a lot. When listening to his albums, I just get the feeling that his music has 'quality written all over it' - fine songwriting (especially the lyrics), immaculate guitar playing and superior production. Yet, despite this, I often find each album contains only 3 or 4 songs that I really enjoy, a couple which bore me to tears, and the rest are just OK (but to be fair, enjoyment of his music does benefit from several listenings). There will be some people for whom MK 'can do no wrong' and I also feel that way about a few artists - but MK is not (yet) one of these. So, I was a little cautious about buying this album, but I thought I'd take a chance because some of the pre-release editorial reviews suggested that I might like it. As it turns out, I was not too disappointed.
THE SONGS - MK's lyrics are always fascinating but he seems to have surpassed himself on this album - in many songs, capturing the quintessence of post-WW2 life for ordinary English people. Although, for the most part, the melodies are good (a few having a distinct Gaelic flavour), I wouldn't describe them as 'infectious'; and I thought 2 or 3 were, by comparison, rather bland. There are no up-tempo songs to speak of (a couple come close) and there are certainly no 'full-tilt rockers'. Few of the songs have that 'americana' influence to be found on previous albums (the 'Springsteen-esque' 'True Love Will Never Fade' being the main exception) - MK has moved eastwards across the Atlantic for much of his inspiration on 'Kill to Get Crimson'. It is the songs that define the mood of the album and I would describe this as 'nostalgic-reflective' (in a very English sort of way).
THE PLAYING - You get little in the way of 'rock guitar' and most guitar solos are brief; but MK's playing permeates all tracks and the sound is absolutely sublime. In addition to percussion and bass, accompaniment is provided by accordion, violin, cittern, flute, saxophone, trumpet, clarinet and vibraphone; these are used judiciously (and very effectively) to enrich the overall sound - the phrase 'less means more' is very apt here.
THE VOCALS - MK has a rich baritone voice which is 'slightly frayed around the edges' - a voice which may be an acquired taste for some but one which I find very appealing; his singing is somewhat smoother than on past albums and he manages to inject a 'folksy' lilt from time to time. His limited vocal range has occasionally let him down in the past, but there is little evidence of this on 'Kill to Get Crimson'.
For a change, I enjoyed the majority of the songs on this album; for what it's worth, the following in particular : 'Heart Full of Holes', 'We Can Get Wild', 'Secondary Waltz', 'Punish the Monkey', 'Behind With The Rent', and 'Madame Geneva's'.
If I were rating this album purely on it's all-round musicality and 'technical' proficiency, then 5-stars would be amply justified (as another reviewer has summed it up, it is 'clean, clear and perfect'). However, 2 or 3 songs didn't do a lot for me and so, in terms of my subjective enjoyment, 3.5/4-stars are more appropriate. The extent to which you are likely to enjoy this album much depends on whether you prefer MK's music with a North American or an English/Gaelic influence. Also, if you liked All the Roadrunning, there's a good chance you will like 'Kill to Get Crimson'. When considering the album's mood and musical content, of his earlier albums, The Ragpicker's Dream probably comes closest - so this is something else to bear in mind (but don't sue me if I'm wrong!). It's a very mellow and relaxing album which, vocally and instrumentally, is almost devoid of any edginess.
I liked this album quite a lot, but if your initial reaction is 'more boring stuff from Mark Knopfler', I would ask you to sit down and LISTEN to the music, one or two tracks at a time spread over a few weeks, because 'coming to terms' with MK's music is a gradual process. I think this is a good way to start appreciating, more fully, MK's beguiling songs and accomplished playing.
If you are not too familiar with MK's solo work and would like to try a compilation of his music, I can recommend Private Investigations: The Best of Dire Straits & Mark Knopfler. Just over half the tracks are Dire Straits' best known songs and the others are MK solo performances. This album is available as a 'Standard' version (1 CD & 14 tracks) and a 'De-luxe' version (2 CDs & 21/22 tracks); the link here directs you to the 'De-luxe' version.


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Building on last year’s Grammy®-nominated All The Roadrunning collaboration with Emmylou Harris, his highest charting non Dire Straits album to date Top 20 Pop, scanning 400,000 copies in the U.S. acclaimed singer-songwriter guitarist Mark Knopfler unveils his fifth solo album, Kill To Get Crimson. While certain to appeal to his loyal fan base, the album’s artful guitar rock will also entice new fans to Knopfler’s signature sound (he’s #27 on Rolling Stone’s 100 Greatest Guitarists Of All Time), instantly recognizable vocals and smart lyrics. A multiple-Grammy winner who has sold more than 110 million albums worldwide, Knopfler remains one of rock’s most admired artists.
Mark Knopfler PhotosMore from Mark Knopfler

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On Every Street Review

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(More customer reviews)While not particularly successful commercially, On Every Street is still a must-have for any Dire Straits fan. It is their swan song before drifting into the sweet halls of nostalgic memory...
"On Every Street" itself is one of the most beautiful songs I have ever heard, bittersweet and filled with unrequited longing, and illustrates Mark Knopfler's desire to convey "the essential loneliness of a lot of life experience".
"You and Your Friend" is truly erotic! You can feel a slow and sensual buildup that becomes almost unbearable with the bass turned high. Crank this one up with a special lady friend on a chill winter evening with the fireplace roaring, all you gentlemen out there, and let the fun begin!
While the more recognizable hits on this album are "Heavy Fuel" and "Calling Elvis", which are quite good, these other songs would be my faves, along with the ironic "My Parties", the hilariously satirical "Ticket to Heaven", and the mini-jazz riff "Fade to Black".
To listen to this album is to love Dire Straits in their twilight, the end of a beautiful era...

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Golden Heart Review

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(More customer reviews)Released back in 1996, Mark Knopfler's first official solo effort, "Golden Heart," defies classification. Since the songs range across such a wide spectrum-Celtic, Cajun, rock, and country (styles which Knopfler so obviously cherishes)-you can't really call this a "rock album."
It's just MUSIC, pure and simple. And as the title suggests, more love songs than you'd normally find on a Dire Straits record. The opening track, "Darling Pretty," is rife with Knopfler's usual guitar artistry. But his message of being able to draw strength from love and thus overcome life's adversities is remarkably touching: "Love will find a way, my Darling Pretty/Find a heaven for you and I." (An aside here: my wife and I actually chose this one as our wedding song four years ago. It may not be the easiest thing to dance to, but it fit our situation perfectly.)
The title track is equally moving, and so gentle, it actually brought a lump to my throat the first time I heard it. And if you've got an ounce of Irish in you, "A Night in Summer Long Ago" might also get you misty. I once worked with a fellow Irishman, who admitted that this one actually had him sobbing, since it reminded him of the songs he grew up with.
But before you start thinking Knopfler's gone completely soft, check out "Imelda," which could be his hardest rocking and most satisfying tune since "Money for Nothing." The song climaxes in a solo that sounds like a guitar duel between Eric Clapton and Jimi Hendrix, and it had me smiling.
"Don't You Get It" is another fine example of his approach to straightforward rock-and-roll, but songs like "Cannibals" and "Je Suis Desole" represent something new for Knopfler fans: a Cajun influence! What's even more surprising is that he is able to pull it off so convincingly.
Like Bob Dylan, Knopfler's love-them-or-hate-them vocals are often overlooked, but if you're a fan, you'll think he sounds great here. His smoky rasp is actually an asset on songs like "Are We in Trouble Now" and "Done With Bonaparte." But on "I'm the Fool" he sounds so crisp and smooth, you might think he had the assistance of a guest vocalist.
Overall, almost as solid as the just-released "Sailing to Philadelphia," but because of the album's sheer eclectic nature, it has often been mistakenly labeled as "uneven." Please don't be fooled: Knopfler's decision making is based on his genuine affection for the music, not an attempt to confound the listener.

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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: KNOPFLER,MARKTitle: GOLDEN HEARTStreet Release Date: 03/26/1996

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Sailing to Philadelphia Review

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(More customer reviews)In sharp contrast to his last solo effort, 1996's wildly eclectic "Golden Heart," Mark Knopfler returns with a vengeance to the roots rock/folk/blues that defined his songwriting with Dire Straits. The result is "Sailing to Philadelphia," a stirring collection of tunes that can only be described as cinematic.
The driving first cut, "What It Is," oozes with imagery of Scottish nightlife and a slightly sinister undercurrent. Yet the song is thrilling; Knopfler's clean Stratocaster sound, which was his early trademark, is a joy to hear again, as his fiddle-like solos literally gallop to the fore.
The many ballads on the album are also quite atmospheric. In each lovingly crafted song, Knopfler layers varying textures and tones, and combined with his remarkable lyrics, they become little "movies" for the listener. "Prairie Wedding" evokes haunting scenes of the Old West, while "Sands of Nevada" is almost oppressive with the weary desperation of washed-up Las Vegas gamblers. The beautiful title track, a duet with James Taylor, works surprisingly well, as their vocals blend so perfectly. The best way to appreciate these gems is through headphones; every nuance adds to the experience.
The faster songs are also noteworthy. The tongue-in-cheek "Do America" sounds like a cross between "Money for Nothing," "Heavy Fuel," and "The Bug." And "Who's Your Baby Now" would certainly be the result if you tossed the Everly Brothers and the Beatles in a blender. "Junky Doll" is delightfully edgy, but "Speedway at Nazareth" is a marvel. The lyrics are sung at a snappy, bluegrass pace, but the instrumental climax roars with Knopfler's epic guitar work. His soloing here is reminiscent of the thunderous finale to "Telegraph Road," and helps to intensify images of heroic racecar drivers battling for position.
Imaginative, intelligent, and thoughtful, "Sailing to Philadelphia" will probably not appeal to the teen-pop crowd, who weren't even born when Dire Straits were in their heyday. This one's for us adults, and Mark Knopfler triumphantly proves, once again, he's still "Making Movies" with the best of 'em.

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UK pressing includes one bonus track. 14 tracks in all. Universal. 2000.--This text refers to an alternate Audio CD edition.

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Brothers in Arms (20th Anniversary Edition) Review

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(More customer reviews)Trust Mark Knopfler not to succumb to platitude, regardless where he is and what's going on around him. There they are sitting on the Caribbean island paradise of Montserrat, and what does the man write? Songs about the pain of separation, love gone wrong and The Blues in general ("So Far Away," "Your Latest Trick," "Why Worry" and "One World"), a part tongue-in-cheek, part grating duet with Sting, who just happened to be available because he was vacationing on Montserrat, on an underdog's gripes about rock stardom ("Money For Nothing"), followed by a more upbeat variation on the "stardom" theme (although even there, we are reminded that "after all the violence and double talk, there's just a song in all the trouble and the strife, you do the Walk Of Life") ... and no less than three songs about war and the abuse of power ("Run Across The River," "The Man's Too Strong" and of course, "Brothers in Arms").
Musically, this album is more diversified than Dire Straits' prior studio albums; there's a sax in "Your Latest Trick," "Walk Of Life" has a rockabilly feel, and the instrumentation of "Run Across the River" is inspired by the Caribbean setting in which the record was produced - but listen to that song's lyrics and see how they contrast with what at first impression sounds like airy island paradise melodies: "I'm a soldier of fortune, I'm a dog of war and we don't give a damn who the killing is for; it's the same old story with a different name - death or glory, it's the killing game." ("The Man's Too Strong," which deals with a dictator's thoughts upon being brought to trial, is similar in that respect; although the Caribbean sound is replaced by rhythm and steel guitars, with two single guitar riffs, sharp as bullets, accentuating the chorus.) The band also took full advantage of the advances in production techniques available to them at that time. The result was an album that drove home to even the last uninitiated chump out there that Dire Straits were a musical force to reckon with, and that the success of their prior albums had not been coincidence alone.
Among all the excellent songs on this album, it is the title track which stands out mile-high. From the growling thunderstorm opening, the sad and evocative electric guitar intro, and the first verse, more whispered than sung, through the slow and steady crescendo of the song's intensity to the closing guitar solo, Mark Knopfler's ode about war, in ancient Scotland and today, "civil" and otherwise, is nothing short of a true masterpiece. The interplay of Knopfler's vocals and his guitar. The sole riff introducing the guitar part after the line "and we have just one world but we live in different ones," tearing through the song's fabric like a sore wound breaking open. And of course, the closing guitar solo which completely defies description and makes any attempt to characterize it by words like "haunting" or "dramatic" sound like a shallow cliché.
"Brothers in Arms" was Dire Straits' most successful studio album, and one of the biggest-selling albums of the 1980, thanks to an exhaustive tour and the high exposure its single releases received on MTV. But more than anything, it helped define a decade; musically and otherwise. It has made rock music history, and it will always stand right up there with the best that anybody in the business has ever produced.

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20th anniversary limited edition of Dire Strait's 1985 album in the Hybrid/SACD format - 5.1 Surround Sound, packaged in a standard jewel case. Features the same nine tracks as the original version. Mercury. 2005.

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Dire Straits: On the Night Review

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(More customer reviews)I really liked this DVD. It took a long time to get it upon its release (almost two months), but it is more than worth the wait.
The production value is very high. There is a nice opening sequence where the band and roadies arrive at the venue, and get ready to put on the show. The DVD uses this sequence to introduce the players, showing them getting off of busses, walking down corridors, and other mundane predatory actions. Knopfler walks out to a very enthusiastic crowd and after a few seconds of thunderous applause launches into the first song. I was very happy (as a guitar player myself) that many of his solos were shown in close-up detail. I like little things like that, seeing how he works to get that sound. I will not go over every song, but just be sure, there is not a single piece of filler here, although there would be a couple of songs that might be considered MIA. I could not imagine seeing B.B. King in concert without his performing "The Thrill is Gone", so seeing Dire Straits and not having them perform the break through "Sultans of Swing", the song that introduced them to the world is a bit strange. Oh well, you can't have everything. There is a good mix of rockers, softer more mellow songs and plenty of opportunity for Knopfler to let the other members of the band show off a bit. Overall, a great performance.
The one weakness that requires me to go with 4 stars rather than 5 is the fact that this is a medium that can offer so much more in terms of sound. That this is not offered in some form of 5.1 is a crime. I love concerts on DVD when you hear the crowds behind you and the music hits from many angles. If I gave this basic two-channel stereo rendering a 5 star rating, it would not be fair to the other DVDs out there that earned their 5s with terrific audio engineering. If this was a 1980s VHS tape, it would be a 5, but for a DVD introduced in the year 2005, two-channel stereo can't be given a perfect score for a concert performance.



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