Showing posts with label argentina. Show all posts
Showing posts with label argentina. Show all posts

Ahi Vamos Review

Ahi Vamos
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After the extraordinary "Ahi vamos" tour from last year, it became kind of obvious that this was Gustavo's best moment to release a live album. When it was announced that Sony/BMG would release a live DVD+CD we all thought it would be a live CD and a live DVD (like other similar releases); for some bizarre reason, this release contains the original studio album "Ahi vamos" with the bonus DVD of the concert Gustavo gave in Buenos Aires on 2006. If we are to assume that Cerati's fans already own the studio album, why not give us a choice? Why should we buy this CD+DVD with an album we already own just so we can get the concert on DVD? I understand that by including the CD they can justify a higher price, but why not release a single DVD and a separate presentation for those who didn't own the CD? The missing star I did not give to this release is because of this.
The abum presentation is interesting, the digi-pack version is the one I found more compelling, the graphic design is very similar to the one used in the "Ahi vamos" album with some small twists in it.
The concert
Mastered in both stereo and Dolby 5.1 and presented in 4:3 format, the disc captures the essence of the concerts from this tour. The concert contains 11 out of the 13 songs from the studio album "Ahi vamos" ("Otra piel" and "Dios nos libre" are not included) as well as songs from his solo career and Soda Stereo's. The performance is excellent, even though there is not too much production, the lights and screens behind the band are used creatively to enhance the experience of the concert. It is difficult to mention any highlights as most of the "Ahi vamos" songs are great; from Soda's catalog he included "Ecos", "Te para tres" (one of the best songs of the show), "Profugos" and "Planta". "Engana" (in a very interesting alternate version), "Cosas imposibles", "Vivo" and "Puente" are also included.
The band is great and Gustavo's performance is at his best moment as a solo artist. Maybe the only complain I have about the DVD is the excessive edit it has, there are some songs (take "Caravana" for example) in which the excessive use of different takes doesn't let you enjoy the song as you'd like, sometimes you don't even know what you're looking at.
Extras include a comprehensive documentary of the recording, another one for the tour (similar to the one in "una parte de le euforia"), a bonus live version of "Crimen" with Ricardo Mollo and the three existing promo videoclips at the time this DVD was released ("Crimen", "La excepcion" and "Adios")


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Lunático Review

Lunático
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Fundamentally, a return to Revancha del Tango, yet not quite. Lunatico moves forward like a big city-New York or Buenos Aires-exploring new boundaries but remaining true to its cadences and beats.
Even the Rap in "Mi Confesion" seems fitting, faithful in a way to the melancholy of Tango, also particularly present in "Tango Cancion" and the gorgeous "Celos."
Of all the good and not so good Electro-Tango that has come out in recent years, even Supervielle, Federico Auberle or Bajo Fondo, Gotan Project's remains the most substantial work being done today in "renewing" Tango once more.
The writing is inspired, and Gustavo Beytelman through his piano-and arranging and conducting of all strings-is specially stunning. Precise and economic in his solos but not without his tender side. Buenos Aires music at its best.
Another perfect move has been choosing Cristina Villalongo to lend her voice, never dramatic yet bringing precise nuance and character through her singing.
Other tracks to distinguish are "Amor Porteno," a collaboration with the band Calexico, as well as the Electronica take on "La Viguela" and Ry Cooder's "Paris, Texas" transformed into longings right out of Argentina's folklore.
All in all, a tremendous return to form and a whole new expanse of sounds and evocative possibilities for the New Tango.

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Not wanting to replicate what their debut, "La Revancha Del Tango", had achieved musically, the group has a decidedly stronger emphasis on the organic roots of tango on "Lunatico" and utilized a host of local musicians from Buenos Aires; a complete string section, two emcees, a trombonist, and Argentine piano legend and long time Gotan collaborator Gustavo Beytelmann. The result is their most accomplished work yet. "The beats are sparse and liquid, and the transition from Buenos Aires bordello to European dance floor is seamless" - Rolling Stone. "A jiggy melange of tango with a dab of dub" - Entertainment Weekly. "...an intriguing blend of traditional, passionate tango with cool, contemporary electronica" - LA Times.

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Tango: Zero Hour Review

Tango: Zero Hour
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I will try to be brief in light of the quality of the other reviewers. Two quick points. This man is as unique a musical visionary as Monk, Ornette Coleman, Mingus, or Jimi Hendrix. Like them, he is best heard with his own group. Fernando Suarez Paz (violin) Pable Ziegler (piano), Horacio Malvicino, Sr. (guitar), Hector Console (bass) along with Piazolla on bandoneon comprised one of the greatest quartets in the history of music. Like Coltrane's classic quartet, or some of Muddy Water's groups, these guys present an entire genre of music at its best.
If you are new to Piazolla, some of the melodies will seem almost cliched. This is where the cliches came from. This is why the melodies became standards- because when this group plays them you can hear the joy of discovery, the intensely passionate nature of Piazolla's sound universe.
This is not necessarily music for everyone- what is? But this is a great album by one of the unique voices in the music of the twentieth century. You owe it to your heart and your soul to give it a listen.

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Originally released in 1986, this is considered to be Argentinian tango master Astor Piazzolla's single greatest album. Recorded with his legendary quartet in New York, it is recognized as a cornerstone world music album.Genre: World MusicMedia Format: Compact DiskRating: Release Date: 25-AUG-1998

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Tour 2007 Review

Tour 2007
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Before I start being attacked by fans of the band let me just clarify a couple things: I am a big fan of Heroes del Silencio and Enrique Bunbury, I believe the tour from last year is one of the best concerts I've seen in my life... my problem with this DVD set is not the band or the concert themselves but the awful treatment EMI gave to this release.
First of all as many fans know, the tour in Spain was released in three different presentations, a double CD, a double DVD and a boxed set containing both plus extra goodies (the type of goodies fans crave for) In America we only had the first two releases and no boxed set, since they released the 2 CD set last December and the double DVD on January all fans should have them by now, making the release of the boxed set less likely. Their loss as we all were hoping for the more-expensive-box-set to go and buy it. Another thing to note is the abusive price of the double DVD, Amazon is selling it for less than 20 bucks while in Mexico and Mexican online stores (where I purchased it) the average price is $30...
So I ended up paying $30 for what I thought would be an incredible DVD experience, being this one of the major releases EMI had recently I expected a good treatment for the tour from last year. Wrong again. While the concert was definitely one of the best I've ever attended to, this DVD release does no justice at all but ruins the experience of going over it one more time. First thing I noted when playing my DVD for the first time is that the concert has the widescreen black bars at the top and the bottom, but the widescreen is not anamorphic! What does that mean? That if you own a widescreen TV set you will not see only the 2 black bars I mentioned but 4 on the top, bottom, right and left sides of your screen. For you to watch this in full widescreen you'll need to utilize the `zoom' feature of your TV set which will distort the quality of the image. I started watching the concert thinking to myself this was not the first DVD I had to use the zoom feature in, and it all went well until I started to notice the bad editing (usual in all Bunbury DVD releases) in many of the songs, the details were so many that if had to mention them the list would be long, some examples may be in `Opio' there is a moment during the song that a still of the flower appears on screen for a good deal of time, an image that has nothing to do with the rest of the concert and its edit that seems to be placed there to hide something in the recording they did not want to show. That may still be bearable but the major problems can be noted in (and just to mention 2 examples) `Nuestros nombres' and `La chispa adecuada', it can be very annoying to see Bunbury singing the songs and his lips not matching what you're listening... there is no lip-sync at all! And no, I am not being picky, it is that obvious that it is annoying! The credits list three editors were in charge of the concert and no one catched this? No one had a screening prior to the release to note these editing errors?
Annoying as it is I watched the complete concert, I had the opportunity to see their live performance in Monterrey and it was great to watch the show and remember the concert I attended. Recorded in Mexico city, the band plays better than ever (even without Bugoslavsky) and Enrique is at his best moment as an artist; you can see how all of them enjoy being on stage playing their songs, Enrique as usual playing with the masses. In this concert you will see why he is so fond of Mexico being one place he's been always welcome and admired.
The set list goes over all their discography and includes their major hits as well as some b-sides (like for instance `Bendecida' and `Tesoro') Some classic songs were left out in disc one but included separately as bonus tracks on disc 2. The 5.1 sound mix is just incredible.
The extras
The first surprise I got from disc 2 is that when I played it, the menu appears in full widescreen! I thought I was wrong so I played the extra songs and the documentary and everything in disc 2 is in anamorphic widescreen! So, what kind of quality control does EMI have? The full concert is released in 4:3 but the extras deserve an anamorphic widescreen treatment? That is just absurd! Believe me, the quality of the image is way better in disc 2, using the `zoom' feature on a widescreen TV set does make a difference.
The documentary included may be interesting for some and boring for others, it does not offer any interesting facts at all; it is not a making of but a documentary of the video crew following the band on tour, their trips, their backstage moments and the like, it has its moments but is definitely not a big deal, the real jewels of disc 2 are the bonus tracks included.
While disc one recollects the concerts from Mexico DF, disc two includes one song from each of the other shows; so the version of `Agosto' you'll see here was recorded in Guatemala, `Flor Venenosa' in Monterrey, `Despertar' in Valencia, `Bendecida' in LA, `Tumbas de sal' in Sevilla, the incredible `Malas intenciones' in Zaragoza and `Fuente de esperanza' in Buenos Aires.
They treated this in a very interesting way, rather than showing the band playing on stage during the whole song they added stills and scenes from the cities in question, so while the song plays you may see the band as well as people from the audience or places of the city they are in. Seven extra songs and a documentary, I think these could have been added to disc one and were placed separately to justify a higher price for a 2 DVD set.
Bottom-line, for me, as a big fan of the band this was not what I expected and I believe this release deserved a better treatment, all these details may be considered as `minor' by some people but put them all together and the result is just an overpriced low quality product. I just hope someone bring these problems to their attention and they learn their lesson for future releases.
Great band, great tour, great concerts... overpriced low-quality release...


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