Showing posts with label producer. Show all posts
Showing posts with label producer. Show all posts

Spot the Difference Review

Spot the Difference
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Indeed, this WAS done in order for Difford and Tilbrook to profit from their great songs. Having signed away way too much of their rights to their original recordings, they've sadly made nothing from greatest hits packages like "Singles--45s and Under" that so many people have bought. That travesty really leaves them little choice, so I wish them well with this effort. As a drummer, though, I still feel Gilson's absence in everything that they've put out since '91. Simon Hanson tries harder than ever here to copy the big man's licks, but I don't know if anyone can do that to my liking. Maybe I'll listen to it on a bigger stereo with a nice subwoofer to see if that helps, but for me Gilson's snappy and smart style was a big part of what made them great and if he's not here for this task then it will always be impossible to pull off completely. I saw Squeeze a few weeks ago and the practice that they went through for this CD definitely showed...they were really tight, and really good, with Simon and everyone playing well and Glenn's voice virtually the same as 30 years ago. Glenn's a tad raspier in places on this CD perhaps, but if you've never heard the original recordings you surely wouldn't know. Buy it for a youngster and show them how the great ones did/do it!

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It's 1973 in South London. Teenage friends Chris Difford and Glenn Tilbrook form the band that will see them dubbed The New Lennon and McCartney. Over 35 years later, with their legacy intact and as vital as it has ever been, Squeeze are still touring and reminding fans worldwide just why they have left such an indelible impression on the UK & US music scene.As befits one of the UK s much-loved acts, there is no end of Squeeze fans currently wearing their influences firmly on their sleeve, whether it be Mark Ronson, Kasabian, Supergrass, Lily Allen, The Feeling or Razorlight. With their fingerprints keenly felt throughout the fabric of popular music, it is only right that these songs, with their evergreen and popular sound, continue to be played and enjoyed live. And so since 2007, a newly reformed Squeeze have been slowly finding time to play a series of gigs and festival dates, preferring to reaffirm their abilities as a band rather than follow some of their peers who have come out in a blaze of publicity, only to be met with disappointment. The new Squeeze line-up, their most able yet, is completed by Squeeze veteran John Bentley and Tilbrook's Fluffers cohorts Simon Hanson and Stephen Large.

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Sacrament: Tour Edition Review

Sacrament: Tour Edition
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I've come back to revise my review on the "Producers Edition" of Sacrament. At first I chastized the first reviewer over his complaint that LOG were milking their fans for money because there was no included software to mix the tracks on the bonus cd. While I will still say that is an invalid point because there is Audacity, which is open source recording/mixing software available free online, what IS true is that the marketing for this disc is VERY misleading. It makes me question LOG's integrity. Please guys..don't turn into KISS.
For anyone interested HERE are the facts about the "TRACKS" that are provided for mixing.
They are MP3s!!!! NOT raw .wav or .aiff files. At 192kbps none the less!!!
They are NOT the ACTUAL tracks used in LOG's mixing process. The are stereo rendered mp3 tracks WITH EFFECTS! How can I 'reproduce' something that already has panning, eq, and effects??!?!
You get a drum mix, left guitar, right guitar, lead, bass, and a vocal track that literally has about 6 vocal lines mixed stereo. I had no idea Randy used so many tracks to thicken up his vocals...
I am VERY disappointed with this overall.
The ONLY thing this material is good for is a 'techno' remix/mash up or for musicians wanting to isolate their instrument of choice for figuring out parts. It should be billed as the "Musicians Edition" rather than the Producers Edition.

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