Soundstage: Peter Cetera Live in Concert... (2005) Review

Average Reviews:

(More customer reviews)Being a Chicago fan (& all genre's of music in general), I decided to purchase "A&E's Chicago Live by Request" and Peter Cetera on "Soundstage" with Amy Grant. I missed Peter's voice on the Chicago DVD but it is very entertaining and a well done production and concert. Chicago has replaced Cetera with a very talented singer and musician who steps up to sing the selections originally voiced by Peter (& done very well). Below are my primary observations of the "Soundstage" DVD:
* The picture and sound quality are excellent. The concert is in Hi-Definition for a great presence on applicable equipment.
* Cetera still sings with his wonderfully familiar voice although it has definitely softened with age. The high notes are not quite hit but he still manages to stay true to the original songs (much like Elton John and Paul McCartney's aged voices; Elton 58, Paul 62 years old as of April 2005).
* There is virtually no interaction with the audience (except for a few quick "thank you's" and silly comments to the audience and fellow artists). It would have been nice to hear something related to what he was about to sing. I read similar reactions to his "Peter Cetera Live" DVD.
* Amy Grant is very good. I'm not a fan of Amy but she sings 3 solo songs that were very well chosen including one of 1991's big Pop hits "Baby Baby" and "El-Shaddai" from her first breakthrough album in Gospel in 1982. Each one is excellent and she is in fine form. A great way to begin this DVD. She also joins Cetera during his act to sing their hit duet "Next Time I Fall" from 1986.
* The backing instrumentalists are fantastic although they do give these songs a different spin. Instead of the Chicago brass section, piano, electric guitars and male background vocals, you hear them with a large string section, acoustic guitars, female backing, brass and piano. This is a nice sound for Pop, Rock and Classical enthusiasts.
* The DVD and/or concert is short. Most respectably produced music events are longer than 71 minutes (and less expensive). The song list is excellent but limited. You get a mix of solo hits and Chicago greats.
* There is a nice list of DVD Extra features but really only the 3 bonus tracks are meaningful. They are great extra tunes but being that you are only getting 9 Cetera songs on the main set (including the two duets) and 3 Grant songs, I would have expected them to add more video material to this disc such as archived footage of him.
Overall I give this a 4.5. Beautiful music, great audio/video quality and some fun nostalgia with a new twist.
Track Listing:
Amy Grant
------------
Baby Baby
Simple Things
El-Shaddai
Peter Cetera
------------
One Good Woman
Glory Of Love
Restless Heart
If You Leave Me Now
After All
The Next Time I Fall
Baby, What A Big Surprise
You're The Inspiration
Have You Ever Been In Love
Bonus Tracks
-------------
25 or 6 to 4
Even a Fool Can See
Hard To Say I'm Sorry

Click Here to see more reviews about: Soundstage: Peter Cetera Live in Concert... (2005)

Grammy Award-winner Peter Cetera performs classic favorites for the SoundStage audience. He is joined by four-time Grammy-winner Amy Grant for their duet "Next Time I Fall", classic hits such as "Baby Baby" and songs from her latest album. As seen on PBS.

Click here for more information about Soundstage: Peter Cetera Live in Concert... (2005)

Famous Last Words Review

Average Reviews:

(More customer reviews)How does a band follow up a mega-smash album? Simple: they just follow it up. 1979's "Breakfast In America" was such a gargantuan success all over the place for Supertramp, that, after the world tour in support of the album, the band took some well-deserved rest for a couple of years before re-grouping for their next disc. However, one of the band's key members, singer/songwriter Roger Hodgson, wasn't so sure about his future with the group, and the next album, 1982's "Famous Last Words," would be his last album with the band (hence the title?). As Hodgson's swan song with the group, "Famous Last Words" certainly has an element of sadness attached to it, and although the album did not signal the end of Supertramp, it did signal the end of an era. It was nowhere near as commercially successful as "Breakfast In America" (how could it have been?), but "Famous Last Words" is still an excellent, heartfelt album filled with the high quality mix of pop, jazz, & rock that this great band are famous for. Hodgson's opener, "Crazy," is a great piano-thumper, while co-leader Rick Davies' "Put On Your Old Brown Shoes" is an excellent shuffler to clap along to. Hodgson's "It's Raining Again" is a very nice, uplifting song (and a Top 20 hit single), and "Bonnie" is a great showcase number for Davies. Next up is Hodgson's haunting, achingly beautiful "Know Who You Are," one of the very best songs he has ever written. If this gorgeous number doesn't bring a tear to your eye, then there must be something wrong with you. Davies then picks things up with the great 50's fun of "My Kind Of Lady," followed by Hodgson's majestic "C'est Le Bon" (featuring Ann & Nancy Wilson of Heart on background vocals), and finally, for a powerful one-two punch of dramatic Supertramp rock, there's the double-header of Davies' "Waiting So Long," and Hodgson's grand finale---and, judging by the lyrics, his farewell to the band---"Don't Leave Me Now."After the tour for "Famous Last Words," Roger Hodgson left Supertramp, apparently because he & Davies could no longer agree on the band's musical direction (Hodgson wanted the group to stay more pop, Davies wanted the group to be more jazzy). Since then, Rick Davies continues to helm Supertramp on his own, and the band has since recorded four great albums, starting with 1985's "Brother Where You Bound," and continues to tour. Hodgson has also recorded four fine solo albums since his departure from the group, and he recently went on tour with Ringo Starr, so both camps are doing just fine. While Hodgson may not be interested in returning to Supertramp (and he has said as such), we can be grateful of the terrific music he did make with the band---seven albums worth, in fact, as well as the live double-album, "Paris." "Famous Last Words" is a fond farewell to Roger Hodgson, and a lovely album to close out his time with Supertramp. A definite must-buy. :-)

Click Here to see more reviews about: Famous Last Words

Click here for more information about Famous Last Words

Eliminator Review

Average Reviews:

(More customer reviews)Released on LP and Cassette in March 1983 on Warner Brothers, the blues boogie of "Eliminator" was an absolute phenomenon for the Texas trio ZZ Top.
They'd been bubbling under for years - "La Grange" in 1973, "Tush" in 1975 - and a minor hit with "I Thank You" in 1980. But none of it even remotely indicated what would happen in 1983 and 1984. "Eliminator" - one of the best boogie albums ever made - changed everything for them and us - it was little short of absolute global domination.
It was a combination of things - the umpteen tracks that were all single/radio friendly hits, the emergence of rotation MTV, the videos with leggy sexy babes - the fabulous 1933 coupe car - the ZZ TOP keyring flying through the air to the hapless buck trying to be a 'sharp dressed man' - the image of dusty dudes with beards - all of it combined in one heady mix to produce domestic sales in the USA topping 10 million with the same number estimated for the rest of the world. And if you take into account second-hand sales since that heady time 25 years ago and an early issue on CD, you're looking at a "Rumours", a "Purple Rain" and a "Thriller". This September 2008 (delayed release) has it good points and bad though...
Here's the layout first:
Disc 1 (78:27 minutes)
Tracks 1 to 11 are the album REMASTERED in its entirety with the original lengthier mix of "Legs" at 4:34 minutes re-instated for the first time (it was replaced after initial pressings by the shorter single mix of 3:37 minutes)
Tracks 12 to 18 are bonus tracks; 12 is the single mix of "Legs"; 13 to 17 are 5 previously unreleased live tracks (13, 14, 16 and 17 recorded at Castle Donington Festival in Leicestershire in England, while 15 was recorded at The Marquee Club in London - no dates supplied)
Track 18 is the 12" "Dance Mix" of "Legs"
The remastering of the album is FANTASTIC - muscular, in your living room, detailed - all that it should have been these last two and half decades. I've waited years to hear "I Need You Tonight" in this sound quality and it was worth it. But the really bad news is the audio bonus tracks, which are a huge letdown. The live versions have what is laughably called `audio restoration' on them - they sound like rubbish bootleg recordings - someone standing in a field with a microphone held up (Donnington was exactly that - a vast field). The truly awful extended mix of "Legs" was on the box set anyway - unlistenable then and the same now. Worse - there are single edits of "Gimme All Your Lovin" and "Sharp Dressed Man", but maddeningly they're not included here - they should have been - it would have been far more appropriate to a supposed `collector's edition'. Also there's nothing new worth hearing - no outtakes, alternatives, no demos, no new songs - nothing. Really disappointing stuff I'm afraid. The album is great, but the supposed bonuses are awful.
Things fare better on the 2nd disc, an 8-track DVD. First up are the 4 famous videos that broke the album with a worldwide TV audience and their inclusion on this `special edition' is only right and proper - they were such an integral part of the "Eliminator" experience. The prints are clean, but unfortunately blurry in that cheap 1980s kind of a way. They're fun to re-watch, but not much more than that. Things get considerably better with tracks 5 to 8, which are professionally filmed studio performances. They were recorded live in front of a studio audience on 17 November 1983 for one the UK's popular pop programs of the time - "The Tube". The sound and visuals are great and while the vocals are live, I'm fairly sure some tweaking has been done to beef up the sound. Whatever way you look at it - this is primo ZZ TOP and makes up somewhat for the disappointing crap that is tail-ending the Audio CD. Fans will really enjoy these.
The packaging isn't great either - a gatefold digipak with a 20-page booklet. The layers under the see-through trays have no photos of singles - outtakes - they're blank - pretty crappy really. The car's pictured a couple of times, lyrics reproduced, a basic essay on the album - but no real event feel to it - no live shots - no interesting formats pictured - fan stuff left out - it's basic really, when it could have been so much better.
In truth, you'd have to say that if Rhino had just issued the remaster of the album with the single edits and the 12" mix added on at the end - then that would have been so much better. As it is, you're being asked to spend ?13 to ?16 on a package that smacks of laziness and greed - and worse - leaves you with a bad taste in the mouth - an underwhelming experience that should have been a real celebration of a really great album...
To sum up - fantastic remaster of the album, good stuff on the DVD, but docked a star for the rubbish filler at the end of Disc 1.

Click Here to see more reviews about: Eliminator

ZZ TOP' s 1983 masterpiece Eliminator illustrates their cultural evolution fired up with boogie and synths, the disc was both timeless Top and perfectly of-the- moment. It hit #9 in Billboard®, remained on the Hot 100 for three years and was one of the first albums to be certified Diamond by the RIAA for sales of over 10 million. At the first-ever MTV Video Music Awards in 1984, Legs took Best Group Video and Sharp Dressed Man won Best Direction. As this classic album hits its 25-year mark, Rhino pays its respects with a Texas-sized CD + DVD Collector's Edition.--This text refers to an alternate Audio CD edition.

Click here for more information about Eliminator

Aqualung Review

Average Reviews:

(More customer reviews). . . or choose your own favorite cliche. Whatever you call it, this album was and is of historical importance, for Tull and for 1970s rock.
In part, that's because it was misdescribed. No sooner was it released than the rock press started hailing it as a "concept album" (prompting Ian Anderson to go to work on the surreal and Pythonesque _Thick as a Brick_ so as to give everybody, tongue firmly in cheek, a _real_ "concept album").
"Concept albums" are frowned on these days (although I like them just fine); nevertheless this isn't one of them. Sure, there's a lot of thematic unity; the first half ("album side") involves homelessness and lechery, and the second Anderson's reflections on the religious upbringing of his adolescence. But a "concept album"? Not really.
But it does reflect a critical stage in the development of Jethro Tull. Bassist Glenn Cornick had just departed and been replaced by Anderson's boyhood friend Jeffrey Hammond; as of the next album (TaaB) Barrie Barlow would replace Clive Bunker on drums and percussion. And crucially, two things were happening on this album that would affect Tull's direction for the remainder of its still-ongoing career: Anderson was developing both his songwriting and his acoustic guitar chops, and Martin Barre was successfully finding his "voice" as a guitarist.
It's something of a cliche among Tull fans that Anderson's songwriting had taken a darker, more cynical turn as of _Benefit_ (the album preceding this one). Well, on _Aqualung_ that bitter fruit is really starting to ripen. There's the title track, of course, for which Anderson credits the lyrics to his first wife Jennie (he lifted many of them from her notes on the back sides of her photographs of homeless people). There's "Cross-Eyed Mary". And there's all the stuff about Anglican-and-perhaps-other Christianity. This sort of thing was to continue through _Minstrel in the Gallery_ (especially "Baker Street Muse"), roughly until Anderson moved to the country.
Anderson was also developing what we now know as "his" acoustic guitar style. There was a bit of it on _Benefit_ but it's really here that we started hearing his acoustic tunes ("Wond'ring Aloud," etc.); we heard some more early acoustic tunes on _Living in the Past_, but that album hadn't been released yet when _Aqualung_ came out.
And Martin Barre had turned himself into the Tull lead guitarist we all know and love. The opening blast of "Aqualung" is quintessential Tull; the guitar solo on that song ranks among rock's greatest; and I don't know about you, but when I listen to "Locomotive Breath," I have to remember to breathe myself.
Now, for all that, this is not my favorite Tull album (or even my favorite _early_ Tull album). But I don't think a month goes by that I don't listen to _something_ from it.
The remastered version is clean and crisp, and to my ear somewhat anechoic. The extra tracks are notable mainly for the inclusion of "Lick Your Fingers Clean" (an earlier version of "Two Fingers," released on _WarChild_ but originally intended for this one). There are also extended excerpts from an interview and remastered versions of "Song for Jeffrey," "Fat Man" and "Bouree", all of which are now available on the remastered _Stand Up_ anyway (where I think the remastering is done better), and a "quad" version of "Wind Up".

Click Here to see more reviews about: Aqualung

Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.--This text refers to an out of print or unavailable edition of this title.

Click here for more information about Aqualung

Running on Empty Review

Average Reviews:

(More customer reviews)When this album came out in 1977 I was a roadie on tour with another artist. We heard this record when we came home on a short break a few weeks after it was released and I couldn't believe it...an album that commemorated life on the road. Although "Running on Empty" has been played to death it still holds up as a great rock anthem. The best song on the CD is definitely "Rosie" which captures the true essence of the roadie life (losing the girl to the drummer). The sleeper track is "The Road" a melancholy reflection on the horrible loneliness that is prevalent on the road. Finally the song "Cocaine" hits WAY to close to home for those of us that were seduced by its charms back then. Running on Empty is a must have CD for anyone that experienced the concert scene in the 70's (or wishes they could have). I give this CD 5 stars (attached with gaffer's tape)

Click Here to see more reviews about: Running on Empty

No Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 25-AUG-1988

Click here for more information about Running on Empty

Live in Hawaii (With Bonus DVD) Review

Average Reviews:

(More customer reviews)Although most of the songs on the Hawaii concert are the same as the earlier Tiki-Tour albums (Cincinatti, Mannsfield, etc.) this concert stands out far above the rest...and easily rivals his previous live albums such as Feeding Frenzy and Tues-Thurs-Sat. Why? Because the energy and playfulness of this album is far beyond anything Jimmy has done in years. This is Jimmy at his best. The instrumentation is crystal clear and the transition of songs works extremely well, and with wonderful introductions. This concert rocks from start to finish and offers great versions of his classic and newest songs, while flawlessly mixing in a variety of musical styles such as Hula, Zydeco, Latin, and Jitterbug Swing. This is the ultimate concert...and easily stands on its own. Great Job Jimmy! If I could only own one Jimmy Buffett album, this would definitely be the one. It has it all.

Click Here to see more reviews about: Live in Hawaii (With Bonus DVD)

Recorded live at the Waikiki Shell in Honolulu on January 28, 2004 and the Maui Arts & Cultural Center, Kahului, Hawaii on January 30, 2004."Live In Hawaii" is a two CD set with 29 tracks as well as a bonus DVD containing 16 minutes of exclusive footage from the shows.Guest artists include Martin Denny, Henry Kopono and an introduction from legend, Don Ho.

Click here for more information about Live in Hawaii (With Bonus DVD)