Showing posts with label marvin gaye. Show all posts
Showing posts with label marvin gaye. Show all posts

Midnight Love Review

Midnight Love
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Marvin became our voice, our collective conscience, our speaker for the excitement and pain of relationships. Because despite our failure to find the right woman, despite the hurt of not being the perfect man for the woman of our dreams and despite the anguish of losing out to another suitor, Marvin kept us all grounded in the reality of life and the struggle to try again. That, for me, was the basis of Marvin's appeal on a global level. People couldn't put their finger on it back then (drugs had clouded most peoples' mentalities and they couldn't think straight enough to figure it out). In my old age, I know what Marvin was trying to say. And he was quite eloquent at it.
This CD/album epitomizes the Marvin Gaye experience with women. He could satisfy them sexually, but he could also connect on a spiritual level; he could also relate on an intellectual level. Marvin got over because he knew the heart of a Woman was not to compete with her. Once you compete, you lose automatically. Women don't play those games. So Marvin gave what he had -- himself, totally and honestly, in all his songs . . . especially on this CD. It turned out to be his last, but it was also the one where you can just sit back, put it on and leave it for the rest of the night.
On a very selfish note, I have to highlight my favorite song on the CD. I don't know who the sax player is on "Til Tomorrow", but from a strictly aesthetic perspective, it is perfectly framed for this song. There are no ill-advised notes, there is no lapse in the structure, there are no flaws in the runs and riffs. It is clinically perfect, and in deference to players who specialize in running scales, this song really shows them how you have to blend the formal training with the street knowledge to produce the solo of your dreams. This guy, whoever he is, takes care of business. It is absolutely one of the best sax solos I have ever heard -- on a par with Gerald Albright, Kirk Whalum or Najee. I get a chill every time I hear it. It literally sets off the vocal inflections and the poignant lyrics as sung by a very sincere Marvin Gaye to his lady to just stay. What Woman could resist?? Marvin made the men jealous of his power over them. You KNOW the Woman stayed!!! She would have stayed without the sax part!!!!!!!
You can't go wrong with most of Marvin's collection of songs. But this one, you have to get and you have to listen to (NOT JUST PUT ON, BUT LISTEN) to really get the most out of. Pure genius. I can't say enough about it. 20 years after the fact, I still miss his surreal presence. There's no telling what he'd be doing if he were still here. And 20 years after the fact, this CD is still a classic.

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Lifeline Review

Lifeline
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This album is different to other BH-releases in many ways. First of all the genesis of this record was very different than on previous ones. The album was recorded at a long tour about to end in Paris and it was done with all members of the Innocent Criminals putting in their own input in many ways. Then there's the way how it was recorded: in one week on full-analogue vintage equipment. Oh yes, and it was recorded in Paris, France.
The other difference to Ben Harper's earlier albums is that there's not great variation of different styles. This is an acoustic-soul album, like the band already had said. The songs are great in my opinion and the band plays really tight and groovy and Ben's singing is better and more powerful than ever before.
The record is very coherent and really works as an album. It's a pleasure to listen to it from the beginning to the end.
I know that this isn't what a number of fans were expecting but I think that this is a great piece of music and am glad that Ben Harper always does something which is a bit different than things's he has done before.
Oh, and I'm really jealous of the american people that have the opportunity to attend the shows of the Lifeline-tour this fall in the US.
Buy this album, it's really great!

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At the end of a nine month European tour, Ben Harper & the Innocent Criminals landed in a Paris recording studio and completed their new album, Lifeline, in just seven days. The result: a soulful masterpiece with beautifully direct lyrics, undeniable grooves and an effortless energy that recalls the best works of Otis Redding, Bill Withers and Beggars Banquet-era Rolling Stones. Yeah...it's that good.
It's no surprise that most bands today don't record albums live, straight to tape, in one room, no Pro Tools, no auto-tune. There are only a handful of modern artists that can pull it off.Since Ben & The Innocent Criminals were so musically connected after such a long tour, they entered the studio immediately. And on a sixteen track tape machine and one full week in the City of Lights, they successfully recorded and mixed an album that will sit alongside all of your old favorites...just like a classic record should.

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Last Concert Tour Review

Last Concert Tour
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How could a record company release anything like this from one of the greatest singers of all time is beyond me .. Marvin must be turning over in his grave after this one .. The sound quality is horrible sound like some one took a portable tape recorder to these concerts and taped it .. For better live albums from him pick up Live at the London Palladium or Marvin Gaye Live ..

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