Showing posts with label live in concert. Show all posts
Showing posts with label live in concert. Show all posts

Poison - Seven Days Live (1993) Review

Poison - Seven Days Live (1993)
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Poison's new DVD "Seven Days Live," (2006) from the band's performance at London's Hammersmith Apollo is a very unusual and unexpected concert that the band would choose to release. One might expect Poison to release a DVD from a more recent tour (which is more or less a nostalgia act) or release a DVD from the 1990 "Flesh and Blood" tour, when the band was at its commercial peak. But a show from 1993 is totally surprising for a few reasons.
First, this lineup of Poison features guitarist Ritchie Kotzen, stepping in for C.C. Deville, who left Poison from 1991 to 1996. Kotzen made only one album with Poison, 1993's mature and bluesy "Native Tongue," before being fired for shagging drummer Rikki Rocket's fiancé. It seems odd to release a DVD with Kotzen, considering that his tenure in the band was so short lived and that the classic lineup of Poison, with C.C., is hands down the definitive version of the band.
Another reason a show from '93 is an unusual choice is that the set list relies heavily from the band's "Native Tongue" (1993) album. Although "Native Tongue" is a strong and well-written album, it was a relative failure. "Native Tongue" was the band's first album that failed to go platinum, winding up in the dreaded cut-out bin, sitting next to Vince Neil's "Exposed," (1993) Motley Crue's 1994 self-titled album, and David Lee Roth's "A Little Ain't Enough" (1991) by the end of 1994. "Native Tongue" is now out-of-print and is only available used or as a cut-out. It seems odd to release a DVD from a concert showcasing an album that was virtually ignored upon its release and is now forgotten.
All this taken into consideration, a show from 1993 is either desirable or undesirable, depending on what you're looking for. If you are a casual fan or a Poison purist, and want a show of all the hits, you may find yourself disappointed with this DVD. As previously stated, a lot of the songs (nearly half) are from the "Native Tongue" album and many fans will probably be unfamiliar with that material. Also, Kotzen is far more technically proficient than C.C. Deville, and jazzes up the solos from the C.C. material, so purists may be put-off, or they may just be put off by seeing anyone but C.C. on lead guitar.
But other fans may get a lot out of this DVD. I've seen Poison a few times in the last few years, and although I always enjoy the show, I am disappointed that they play virtually the same songs all the time. It's as though the band is frozen in 1990. While a Poison show in the 00s is still a lot of fun, it's most definitely a nostalgia act. With this DVD, it's great to see the band out promoting fresh material. I really enjoyed the "Native Tongue" album, so it's great to hear those songs performed live, because the band nowadays certainly won't do it (although they have played "Stand" with C.C.) And while some fans may not like Kotzen's interpretations of the songs, I find them to be a refreshing change of pace.
Recorded at London's Hammersmith Apollo on April, 23, 1993, among a wildly enthusiastic sold-out crowd, it's easy to forget that outside the hall, most of the audience that so loved Poison only a few years before, were now listening to Nirvana and Pearl Jam. It's a shame that Poison never really survived grunge and has now been reduced to being a nostalgia act, because they deserve better. With "Native Tongue," the band didn't jump on any bandwagon or rehash a tired formula. With "Native Tongue" the band made an earnest attempt to grow as artists and made an album that deserved to be heard. It's a shame that the general public of 1993 wasn't mature enough to like both Poison and Nirvana and felt they had to abandon one and embrace another. But for a few hours within a hall, several thousand fans didn't care if Poison was cool or not.
The actual taping of the show is superb. Shot in mostly color, with some black and white footage, "documentary style," the show is professionally shot and looks and sounds great. Charismatic frontman Brett Michaels has the audience by the palm of his hand, and along with the rest of the band, gives 100 percent.
In conclusion, I would recommend this DVD for fans of the "Native Tongue" album and the more die-hard fans that are familiar with the lesser known material. Casual fans may be disappointed with the lack of big hits, although there are still enough big hits, like "Every Rose Has its Thrown" and "Something to Believe in" to please, although purists still may be put off by Kotzen's interpretations.


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Seven Days Live captures Poison (Bret Michaels, Bobby Dall, Rikki Rockett and Richie Kotzen) at the height of their international success with a full show recorded at Londons Hammersmith Apollo in 1993.Featuring classic tracks like Unskinny Bop, Talk Di

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Live in Concert Review

Live in Concert
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Since her early days with 10,000 Maniacs, Natalie Merchant has been an impeccable storyteller. Songs like "Like the Weather," "Trouble Me," and "These are Days" are not only catchy pop tunes, but they also relate to the human condition: the way in which the weather affects one's mood, the importance of the older generation, and the importance of remembering the good times.
After Ms. Merchant left the Maniacs and embarked on a solo career, her songs might not be considered the catchy pop tunes of the late 80s and early 90s, but they still reflect the frail emotional condition of humankind.
On Live in Concert, Merchant's songs are intimate yet powerful. She starts with "Wonder," her most Maniacs-like song, from her 1995 solo debut, Tigerlily. She proceeds to the poetic "San Andreas Fault," a parable about going to Los Angeles to "build a dream and watch it all fall down."
In addition to two Maniacs' songs, there are three new songs, all of which are covers. The most familiar is her cover of David Bowie's "Space Oddity." Though it doesn't vary much from the original, Merchant brings the loneliness and despair of the song to a more human level than Bowie's colder version.
The standout piece is "The Gulf of Araby," a song about inequality and about how cruel man can be to his fellow man. It's a song about "neighbors who are proud of their massacres" and prisoners who are "framed by a dirty judge." At just over seven minutes, it's the longest track on this sixty minute CD. The song's sense of urgency is delivered by Merchant's strong, soaring voice. The lyrics, coupled with Merchant's delivery, are goosebump provoking.
Noticeably absent, however, are songs from Merchant's 1998 release, Ophelia. Only the CD's title track is featured on her Live effort, and although a great performance, it isn't nearly enough from such a brilliant CD. "Life is Sweet," "Kind and Generous," and "Break Your Heart" would have been wonderful additions to this live set. But these omissions are forgivable - as long as they are included on a future live album that is equally as pleasing and gratifying as this one.

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Symphony: Live in Vienna (CD & DVD) (2009) Review

Symphony: Live in Vienna (CD and DVD)  (2009)
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It's great to finally have the opportunity to review this spectacular concert DVD and CD. The clarity of the audio recording and the picture itself is amazing, and they didn't hack the concert in the editing room when it was put from DVD to CD. You get almost the entire audio recording on the CD, including most of the verbal contact Sarah has with the audience. I think this CD is 100 times better than the Harem World Tour CD recording, which makes this package a totally worthwhile purchase. The photos are stunning and the printing of the glossy booklet make everything look so nice. The DVD is purple and the CD is black, with silver lettering on both. As for the artwork of the DVD insert, there is silver lettering on both front and back. The interview with some of the Cathedral's staff is really nice and they show just how appreiative they were of having Sarah perform in their majestic historical building.
Sarah's costumes and hair are gorgeous and she is definitely glowing and looking more pretty than ever. There is one small difference from the studio recording of "Fleurs Du Mal" and the recording in this package. What I'm saying is...Sarah doesn't do that high-pitched vocalise while the violin solo comes in in the intro of the song, compared to the studio album recording. I wonder if it would've wrecked the intro to the song if she did sing it while moving down the middle aisle.
"Sanvean" written by Lisa Gerrard (Dead Can Dance) is a beautiful vocalise consisting of no lyrics but just sounds. That is what I love about this song. It's just so haunting and original, and Sarah does it very well, even if some say she's too breathy. "Canto Della Terra" is beautiful and Alessandro Safina looks and sounds amazing as Sarah's duet partner. Together, they blow everyone away with their breathtaking live rendition of the song. "Atessa" is very pretty and much better than expected. It really doesn't appear they used any playback for this concert, meaning Sarah used her own voice for the whole recording. I was actually expecting Atessa to be dubbed from the studio recording because of that very outstanding high note at th end, which is incredibly hard to do without screaming it.
"POTO" turned out to be quite nice, although it was a little too fast-paced compared to the original version. But the rock concert edge gives it a totally new edge and Sarah was still able to sing over the volume of the rock band and the pipe organ high above her and Chris Thompson. Oh, that reminds me, my only negative comment would be....Chris Thompson looks like someone they dragged off the street to duet with Sarah. He sounded a little tired in "I will be with you". He sounded winded although he still had a rock edge to his voice...and to his style. But, on "POTO" he and Sarah really blew me away when I watched the performance for the 1st time.
It's really wonderful to have this beautiful DVD&CD package and I'll cherish it for many years to come. This is by far, Sarah's best live performance on DVD, to date...although there are some really amazing live performances on her other live DVDs. But this one really showcases Sarah's live singing voice, and how well she can work with a rock band. Get this item and you'll agree, it's totally worth the wait and the money.

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In January 2008, Sarah Brightman recorded and filmed Symphony -- Live in Vienna within the mystical walls of Stephansdome Cathedral in the heart of where classical music evolved -- Vienna, Austria. Renowned for its awe-inspiring Gothic architecture, the cathedral was the perfect setting to enter the magical world of Symphony lead by the voice of the beautiful, gothic-angel. The concert includes repertoire from her album Symphony and some of her most popular songs ("Phantom of the Opera," "Time to Say Goodbye"). COMBO PACKAGES TRACKLISTING* 1. Pie Jesu 2. Fleurs du Mal 3. Symphony 4. Sanvean 5. Canto della Terra (duet w/Alessandro Safina) 6. Sarai Qui (duet w/Alessandro Safina) 7. Attesa 8. I Will Be with You (Where the Lost Ones Go) (duet w/Chris Thompson) 9. Storia d'Amore 10. Pasión (duet w/Fernando Lima) 11. Running 12. Let It Rain 13. The Phantom of the Opera (duet w/Chris Thompson) 14. Time to Say Goodbye 15. Ave Maria 16. Vide Cor Meum (*bonus track) DVD extras: The Production (interview with Sarah Brightman) The Songs (interview with Sarah Brightman) The Location (interview with Father Anthony Faber and historian Elisabeth Lloyd-Davis) Photo Gallery Extras RT approx. 45 minutes Total RT for combo pkgs approx. 75 minutes

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