Showing posts with label indie folk. Show all posts
Showing posts with label indie folk. Show all posts

3 Rounds and a Sound Review

3 Rounds and a Sound
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"Three Rounds and a Sound" is surely the best album I've heard this year -- indeed, possibly the best album I've come across since my dearly beloved Rheostatics broke up. It's fabulously beautiful, deep and sad and lovely, and catchy all at the same time. The melancholy tone of youth at the moment when youth begins to fade. Songs that sound as if they have been patiently waiting for a millenium or more for someone to finally come along and give birth to them. "Oviedo," in particular, could save the life of a desperate man if played at just the right moment. What can I say to capture how good this disc is? If it were a girl I'd leave my wife for her. There. Enough said.

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Blind Pilot sounds something like a wistful mix of The Shins with a bit of Iron & Wine folksiness. But these comparisons don't give a full representation of the unbelievable beauty of this album. Don't take our word for it. As Willamette Week immediately proclaimed: 'Every once in a while a band comes along that knocks me so flat on my ass that I wish I was in the PR business or an A&R guy instead of a critic, so I could throw myself wholeheartedly behind it. Blind Pilot [gave] me that sensation. Frontman Israel Nebeker sounds like a less theatric version of James Mercer: every bit as sincere and captivating, with vocal control and style to spare. And this band has songs coming out of its ears: deep, clever guitar-driven tunes fleshed out with soaring horn arrangements. Listening to and thinking about these songs has kept me awake at night lately.' It would be hard to imagine a better review, but 3 Rounds and a Sound is just that good.

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Friend Review

Friend
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Fuzz-rockers Grizzly Bear know how to keep people's attention until their next album -- in this case, putting out an album's worth of odds and ends.
And "Friend EP" is no more or less than that -- a jumble of covers (both theirs and other people's), alternate versions, and even a demo. It has one dud track, but the rest are pretty much mellow, arty little gems, sometimes rendered into something almost unrecognizable.
One of the biggest things here is the alternate versions of their songs -- it starts with the rippling, dreamlike, almost celestial version of "Alligator," as well as an electric-edged "Little Brother" and smoothly flowing "Shift." The final song is a lo-fi, home-recorded rendition of "Deep Blue Sea," which relies heavily on strummed acoustic guitar and faint whistling.
The only sour note is the Terrible vs. Nonhorse: Sounds Edit remix of "Plans," which is basically a big squiggle of psychotic flute, clatters, blown fuses, doorbells, and what sounds like a banjo dissolving.
Grizzly Bear also turn out a spooky, weirdly wistful cover of Carole King's "He Hit Me (And It Felt Like A Kiss)". Additionally they also toss out a little demo called "Granny Diner," an ambient cluster of fuzz, meandering guitar, with a few ripples of soft organ and mournful vocals near the end. Not a bad song, but you can hear why it didn't make the cut.
And finally, there's a trio of bands covering Grizzly Bear's songs -- Band of Horses, CSS, and Atlas Sound. CSS rework "Plans" into a tight electronic squiggly dancefest, while Band of Horses go in the opposite direction, turning the same song into a music-hall country tune. And Atlas Sound turns "Knife" into a beautiful, hypnotically ambient pop tune.
"Friend" is not an EP in the sense of being short, but in the sense of not really being an album -- Grizzly Bear crammed plenty of material on here, and while it doesn't give quite the satisfied feeling of "Yellow House" or "Horn of Plenty," it's made up of individual songs that are, mostly, brilliant reminders of why we love them.
Their songs have the usual components of their music -- ringing guitar, flickering organ, subtle drums, bass, some synth, often buried under a layer of shifting fuzz. Even the angular edges of "Little Brother" doesn't disrupt their signature sound, and the smooth vocals all four contribute adds to their mournful, slightly dreamlike ambience.
In fact, they only really have problems in the aforementioned "Plans" remix, and the long stretch of verrrrrrryyyy sloooowwwwww buildup in "Granny Diner" before getting to the brilliant final two minutes. And the other bands do a good job adding their distintive sounds to Grizzly Bear too -- folky banjo, rapid techno, and a darker dreamy pop sound.
"Friend" is basically a collection of odds and ends, cobbled from Grizzly Bear and their pals. And until they come out with another album, it'll have to tide me over.

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Track Listing: 1. Alligator 2. He Hit Me 3. Little Brother 4. Shift 5. Plans 6. Granny Diner 7. Knife - C.S.S. 8. Plans - Band Of Horses 9. Knife - Atlas Sound 10. Deep Blue Sea 11. Untitled

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