Showing posts with label etown. Show all posts
Showing posts with label etown. Show all posts

Sixty Six Steps Review

Sixty Six Steps
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i haven't read the other 4 reviews which are up on amazon right now, but here's my stab at one. i've been waiting all summer for this cd to come out. i had high expectations for this album and it basically lives up to them. it's hard to find fault with it, especially if you are a mike gordon aficionado first and foremost, and a more recent kottke fan due, in part, to his association with gordon (like myself). if you like clone, their 1st release together, then you'll like sixty six steps. it's pretty much the same thing as last time, with the addition of a drummer. mike gordon's songwriting skills are perhaps more prominent this time, and he continues to flourish in a post phish world with some of his best songs to date. he seems to have had the midas touch with all of his solo projects. if you are primarily a kottke fan this album may not seem as cool to you as it does to phishheads, but hopefully you'll get over that and give in the to the sheer joy these musicians obviously express when playing together. like they said on e-town recently, kottke and gordon were friends first and partners later. is any new ground covered? is it groundbreaking? will trendy hipsters even notice or care about this laid back islandy piece of work? probably not. but will it become an "island" disc for those who find themselves "off the grid" as it were, most definitely a resounding "yes". especially if that island happens to be anywhere tropical like the bahamas or costa rica and you're on a two-week vacation.

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Sixty Six Steps--the second collaboration between guitarist Leo Kottke and erstwhile Phish bassist Mike Gordon--is both an homage to and an experiment loosely involving island rhythms. "There are these syncopations within Leo's guitar playing that twist around in a way that remind me of calypso," explains Gordon. "So this album took form as an experiment in my mind to see whether Leo's unique style of playing could be mixed with this kind of music I discovered and really loved when I was younger. And it worked far beyond my expectations." "Mike was the first to notice that aspect in my playing, and I think I'd forgotten it was in there," says Kottke. "No one else had done that. He's very intuitive that way."The pair had already successfully tested the waters as collaborators with the album Clone, released in 2002. When they crossed paths in 2004 at a music festival, Gordon told Kottke that he really wanted to do an island experiment as his first project following the Phish era. Rehearsed in Costa Rica and recorded in the Bahamas, Sixty Six Steps is seasoned with the buoyant rhythms and freewheeling spirit of the tropics. It is not literally a calypso album but one that uses the calypso feel as a touchstone for a set of performances by two of the most imaginative and mold-breaking musicians on the planet.
Sixty Six Steps is a mixture of originals and interpretations performed in ways that are vaguely familiar yet largely without precedent. For instance, you'll find a cover of Aerosmith's "Sweet Emotion" sung in a deadpan monotone and performed on baglama (a Turkish banjo/mandolin-type instrument), guitar and bass. Then there's a pastoral Pete Seeger composition ("Living in the Country") given a spritz of equatorial light and air. A twisted Mike Gordon original ("Stolen Quiet") professes mock gratitude for a partner's exodus from their shared abode: "The sheer amount of surface space increased around here/With your diet soda gone, there's more room for my beer." An equally offbeat Leo Kottke original ("Balloon") features such lines as "When the raccoon steals the cheese behind Pandora's other box/Or the one you love is shopping for a helmet made of rocks/Balloon, balloon, balloon..."
Incidentally, the title Sixty Six Steps is taken from a sign at the base of a staircase leading to what is reputedly the highest point on the island. The steps curve around and go to the top of the hill, which is a great spot from which to view the sunset. In its own way, Sixty Six Steps winds and ascends to a point from which the listener can savor some truly unique musical vistas.

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The Hard & The Easy Review

The Hard and The Easy
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For a longtime fan, The Hard and the Easy is quite a memorable feat. On the one hand, you could say Great Big Sea is playing to their strengths with an all-traditional album. But on the other hand, many of the songs here do not resemble anything they've ever done, even on traditional-heavy discs like the seminal UP or their eponymous debut.
Although they've always leaned heavily (and successfully) on folk sounds, The Hard and the Easy breaks new ground for the band by being their first entirely acoustic album. The songs are lean, quick and at times vaguely familiar. The informative liner notes give the history of each tune. . .a welcome education for us faraway fans who may never set foot on the isle of Newfoundland.
It's nice to see Bob Hallet getting a couple of tunes, and Sean McCann continues to improve at balladry, something he sometimes faltered at on Something Beautiful. His rendering of Graceful & Charming ranks with the band's best love songs.
But for the most part, The Hard and the Easy is about having fun. The expected seafaring tales are there, but there is also further exploration of Newfoundland history in songs like Concerning Charlie Horse and darkly funny Cod Liver Oil. The Mermaid is guaranteed to put a smile on your face; Captain Kidd, Old Polina and the bittersweet Harbour Lecou are destined to be classics.
I confess, I like GBS's original songs every bit as much as the traditional stuff. And UP is still the standard for providing a mix of the old and the new. Which is why I've given this release 4 instead of 5 stars. For other longtime fans, especially those who felt letdown by the more pop-oriented Something Beautiful, this album will be a 5-star one.
And by the way, if you're new to Great Big Sea, this is a fine introduction. . .but there are MANY more joys to be found in their catalog. I'd recommend you get 'em all.
One last note: The DVD included in this release is a nice bonus, mostly footage of the 3 guys playing and talking about their love of their homeland's culture. Best part: Singer Alan Doyle points out that The Hard and the Easy is perhaps the only album in history to include not one, but TWO songs about a horse falling through the ice! It's ultimately nothing groundbreaking, but fans will certainly appreciate it.

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Includes bonus DVD -- an exclusive concert and conversation with the band!The Hard and The Easy is the ninth album from Great Big Sea, the Juno-nominated band that fuses Newfoundland traditional music with modern pop in a crowd-pleasing formula both heartfelt and vital. A pure force of nature - much like the ocean surge they take their name from - Great Big Sea's blend of instruments such as guitar, mandolin, bodhran, fiddle, and concertina, along with their vocal harmonies, revels in the melodies they create and the Newfoundland tunes they love. Their sound bellows joy. After almost thirteen years together, Great Big Sea is releasing a new kind of album, one that spans the spectrum of the Newfoundland songbook. This all-acoustic album of traditional and local songs is a first for singers and multi-instrumentalists Sean McCann, Alan Doyle, and Bob Hallett, but it's also a logical progression. Newfoundland music and Newfoundland culture are both their genesis and their raison d'etre.

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