Showing posts with label darkwave. Show all posts
Showing posts with label darkwave. Show all posts

Pornography Review

Pornography
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Unquestionably this was Robert Smith's darkest hour. This 8-track release is oppressive in its bleak attack. It deserves 5 stars due to its sheer brilliance and originally; nothing ever sounded like this before or since. But for newcomers reading these great reviews be forewarned - I did not use the word oppressive by accident. Every moment of 'Pornography' is black, despeairing and tortured. If you are on the verge of suicide this could be a rope thrown to save you or it could be a mack truck with a plow on the front driving you further over the edge. If you can get past that then what you will find is a stunningly creative album that creates some of the most sepulchral music ever heard.
The band at this time was stripped down to 3 members: Smith on vocals and guitar and keyboards, Simon Gallup on bass, and Lawrnece Tolhurst on drums. Strangely it may have been Tolhurst's lack of musical talent (an issue that would later get him fired) that created much of the atmosphere. The drumming is very flat and mechanical sounding creating an absolutely dead feel throughout; even sound dies as the stick hits the skins. Smith's voacl sound desperate and often deranged filled with lurid, bizzare imagery. Gallup's bass is potent and overwhelming in a style that only he could pull off.
My favorites are "One Hundred Years" with its sense of desperation and unrequited longing. "A Short Term Effect" is saturated with doom as the characters of the song try to laugh in the face of what may come, "Something small falls out of your mouth and we all laugh". "A Strange Day" is angst-ridden but with soemthing bordering on beauty buried deep within. Finally the title track is an complete descent into madness, as the closer on an album like this should be.
One of the great black-to-the-core albums ever and arguably the darkest. The Sisters of Mercy came close with the rare 'Reptile House EP', but that work is more of an exploration of drug-addicted frustration where this is just suffocating hopelessness.

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PornographyThe Cure Label: Elektra / WEA Release Date: 10/25/1990 1 One Hundred Years - 6:402 A Short Term Effect - 4:223 The Hanging Garden - 4:334 Siamese Twins - 5:295 The Figurehead - 6:156 A Strange Day - 5:047 Cold - 4:268 Pornography - 6:27

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Violator Review

Violator
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When Violator hit the US, I was already a die-hard Depeche Mode fan, owning every album they had put out. However, with Violator, I gained an even deeper appreciation for their writing skills, both lyrically and orchestrally. Violator is an amazing piece of euro-alt-dance-pop that has a huge dance floor appeal while at the same time makes one think and feel. Hugely successful, Violator was one of those releases that crossed over from long-time fans to a new generation and audience.
The release starts in classic DM synth dance mode with the funky and "trip"-worthy "World in My Eyes." Released as a single, this sensual piece filled dance floors across the country. The remix single is especially appealing with not only great remixes of this song, but also two other non-album tracks, "Happiest Girl" and "Sea of Sin." [The remix cassette contains the bonus Dub In My Eyes Mix!] Turning darker and slower, "Sweetest Perfection" has a depth and dangerous beauty in its lyrics and orchestration that pull you deeper within yourself as you let the music flow over you. "Personal Jesus" is a the floor stomping first single released off Violator that was a smash hit on and off the dance floor with its country twang flare, driving drum beat hooks, and anthemic lyrics like "reach out and touch faith." The remix single for this one is especially awesome and features the phenomenal non-album track "Dangerous," one of the best b-sides DM ever released. "Halo" is an amazing song and is probably my favorite on the release. With bass, synth, and orchestral hooks that blow my mind, this masterpiece builds into an emotional catharsis that is released by its audience dancing and singing along wildly by the end. This, I believe, was released as a single only in the UK (it's a very hard to find release) - this easily could have been the fifth smash hit from Violator. Returning to ballad mode, "Waiting for the Night to Fall" is soft, ethereal, and again hauntingly beautiful. You just want to curl up in the dark and enjoy the beauty of solitude with this one. Get ready to hit the dance floor again; "Enjoy the Silence" was the second single and was an absolute smash with its awesome beat, orchestration, and yell along chorus. The remix single had 6 mixes and included the awesome instrumental non-album tracks, "Sibeling" and "Memphisto." [The cassette remix contains the bonus The Quad: Final Mix!] I especially loved the video which was predominantly deep blue (I love blue videos) and features Dave Gahan wandering through the English countryside as (I believe) King Richard. "Policy of Truth" was another single, though it didn't quite see the success of the others. The remix single contains the bonus "Kaleid" (a very funky techno instrumental). With an interesting guitar and ambient intro, the song soon moves into a groovy guitar and synth driven twanger that is quite sultry and seductive - definite dirty dancin' kinda music. Still sultry but much slower and more subdued, "Blue Dress" is a beautifully crafted piece of depth and emotion that sounds almost obsessive and compulsive. This somewhat short release comes to a close with "Clean" which continues the slower theme. However, it is much darker and hazy feeling, and it has a sultry pulsating rhythm throughout that pulls you closer inside yourself.
For me, Violator is the best DM album, and one of the best alterno-euro-techno albums ever released. It gets a strong 5 star rating and falls within my top 20 releases of all time. Not only is the album amazing in its danceability and its depth of emotion, but the additional pieces that went with marketing this piece (the remix singles and videos) were equally impressive. The remix singles were especially awesome, featuring not only killer remixes, but also a plethora of unreleased material that could have filled another album!
I recommend this album highly to any DM fan, late 80s/early 90s club music fan, or anyone who simply loves good synth beat music that can make you both dance and feel. Don't let the fact that the releae only has 9 songs bother you - there isn't a single song on this release that is less than perfect. Oh, and a bonus recommendation: if you couldn't tell, get all the remix singles you can from this one - they're worth having!
Some would perhaps argue that Violator was the point at which Depeche Mode sold out. It was a huge commercial success, spawning 4 hit singles (5 if you count the rare "Halo") that filled dance floors and concert venues all over the world. However, I call it justice and recognition due. Violator is a crowning achievement for Depeche Mode's brilliant lyrical and orchestral composition talents. Accessible to all with brilliant pieces of poetry, addictive dance beats and techno hooks, and beautifully crafted videos, Violator achieved a bonding between old die-hard fans and fans new to the group, a rare feat to accomplish in the complicated world of (at least then) "alternative" music.

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Import remastered pressing of Violator which is Depeche Mode's most mainstream, chart-climbing album. Although it contains only nine tracks, half of them are tailor-made for the dance floor. This album was conceived when dance-club DJs were gaining recognition alongside original composers. Heavily influenced by techno-pop, the singles 'Policy of Truth', 'Enjoy the Silence', and 'World in My Eyes' prove that DM did their homework. A particular highlight on this fantastic album is the bluesy guitar line Martin Gore lays down on top of the synth-dominated grooves on 'Personal Jesus'. Mute. 2006.--This text refers to an alternate Audio CD edition.

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Live Lines (2005) Review

Live Lines (2005)
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I was shocked when this was released. It's not everyday you get a fantastic Darkwave DVD to add to your collection.
If you are a Blutengel fan, this is an absolute must-own; if you're not a Blutengel fan, you will most likely hate this.
Such a polarizing band as this doesn't really have a middle-ground to find, you love them, or you hate them.
I found the set-list to be comprehensive, wide-ranging, and overall very enjoyable. The "concert" is more performance art than music however, so buyer beware. The band doesn't play any instruments on stage, they just sing while performing mini-plays to the music.
The abundance of reds on screen tend to bleed pretty bad on an LCD television, and when paired with the blacks on screen the image tends to get very bad at some points. Other parts of the show are not as hard to watch, but the blacks tend to crush into each other the whole performance.
Pretty decent supplemental material, including music videos for "No Eternity" and "Angels of the Dark", bring extra value to the disc, and the backstage stuff and video series for the 'Schmerz' songs are pretty cool for fans.
I must admit that I am a huge Blutengel fan, so I already knew going into this that I was going to love it, so keep that in mind.
I can't imagine you would be looking at this DVD if you weren't a Blutengel fan as well, so go ahead and pick this up, you won't be disappointed.

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Long overdue, Blutengel is set to release their live DVD, Live Lines, on their new North American home, Metropolis Records.Filmed with nine cameras on the Demon-Kiss-tour in 2004 in Dortmund and Cologne Germany, the producers employ a wide array of visu

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