Dance Naked Review

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(More customer reviews)Thanks for reading. Barely a half hour long ( JUST OVER 29 MINS ), this CD is way too short!
Has some great songs though. I really like the title track and " When margaret comes to town"
Not as gritty as some of his work, but most fans will appreciate the style and content as familiar, solid music from this great singer/ songwriter.
My CD also came with a bonus CD, that had another 5 tracks ( live mixs, acoustic versions etc ) on it, making this a worthwhile purchase for me. (I admit I rarely listen to that though.)
Overall for fans only I think


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Track Listings 1. Dance Naked 2. Brothers 3. When Margaret Comes to Town 4. Wild Night 5. L.U.V. 6. Another Sunny Day 12/25 7. Too Much to Think About 8. The Big Jack 9. The Breakout

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John Mellencamp Review

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(More customer reviews)For me, one of the pure joys of being a John Mellancamp fan has been watching this incredible singer/songwriter grow and mature as his career moved inexorably forward.
This album is a fresh start for Mr. Mellancamp. It's his first release on Columbia and is simply titled "John Mellancamp." Ironically, it's one of the finest albums he's ever released.
The key to any artist, I think, is growth. Many fans are content to be mired in the cloying repetition of the popular music world, but the best players change and evolve. Mr. Mellancamp has changed from the petulant pop star who told everyone he "needs a lover that won't drive him crazy" and that love "Hurts So Good" to a more introspective, gentle poet who, on this CD, begs the question, "Will you teach your children to tell the truth?"
The sound on this album maintains the rough folk/rock feel he first uncovered in the late `80s on albums like "Lonesome Jubilee" and "Big Daddy," but also incorporates some of the experimental tacts Mr. Mellancamp began taking on "Mr. Happy Go Lucky." All of it works rather nicely. The songs are catchy, foot-tappable and sing-alongable, yet, at the same time challenge the listener with a homogenous blend of styles, rhythms and themes.
The song "Your Life Is Now," could not have been written when Mr. Mellancamp was in his 20s. Its theme is more altruistic and portrays a man doing some serious soul searching; not poontang searching! Musically, it could have easily appeared on "Lonesome Jubilee" or just about any Mellancamp album since then. Nonetheless, the haunting melody and probing lyrics help send a lump directly to the throat.
"Eden Is Burning" is another highlight. Described by Mr. Mellancamp himself on VH-1's "Storytellers" as a "sequel to `Jack & Diane,' the song is a great rave-up about the loss of innocence.
The calypso/reggae beat of "I'm Not Running Anymore," is a perfect example of some of the new sounds Mr. Mellancamp has been embracing of late. The result is an infectious hip-shaker that also serves as the singer's personal declaration of independence from his inner demons.
The song "Break Me Off Some," much maligned here because of its attempts at fusing hip-hop elements to Mr. Mellancamp's heartland folk rockers, is actually one of the highlights of the album. I loathe rap music simply because I find most of its rhythms to be plodding, derivative and frankly, ripped-off. Not to mention, the lyrics are either a) incomprehensible or b) unrelatable. Here, Mr. Mellancamp tightens the groove and adds so much of his own feel to it that the genre seems more natural in this setting than on an Eminem tune.
Not every song on this album works. "Miss Missy" and "Positively Crazy," are unremarkable. However, "It All Comes True," is one of the most haunting songs that Mr. Mellancamp has ever composed; a warning to the today's youth to make the best of their time.
For me, it's difficult to judge Mr. Mellancamp's work by saying one album is better than another. To me, one couldn't exist without the other. (i.e. There would be no "Lonesome Jubilee" without "Scarecrow;" there would be no "John Mellancamp" without "Mr. Happy Go Lucky" and so on.) My favorite JM record changes each time I put one in the player.
For me, every album he releases just adds more texture and depth to what has already become an incredible body of work.
The "professional" reviewer above said that Mr. Mellancamp has had to live in the shadow of Bruce Springsteen most of his career and that Mr. Mellancamp would never produce his own "Ghost of Tom Joad."
To that I say, "Thank God." With all due respect to the Boss, John would never get that self-indulgent. That hoary cliché of a comparison is unfair to both artists and obtusely inaccurate as well.
"John Mellancamp" has slowly become one of my favorite JM recordings. Every time I put it on, the people in the room stop and smile and begin to weave and bop a bit without realizing their doing it. Now, that's a good record.
Of course, Mr. Mellancamp has a new release, "Cutting Heads," due any day now and it's likely that CD will soon become my favorite John Mellancamp album.
But you won't go wrong if you add this one to your collection as well.

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Special edition of Mellencamp's label debut for Columbia with a two track bonus CD featuring live versions of 'Your Life Is Now' & 'Eden Is Burning'. A combined total of 14 tracks. Double slimline jewel case. 1998 release. --This text refers to an out of print or unavailable edition of this title.

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John Mellencamp: Lonesome Jubilee Review

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(More customer reviews)Mellencamp took his romantic fascination with the heartland to the max with "The Lonesome Jubilee". Lyrically, he doesn't really break any new ground here: The album is dominated by social commentary and vivid narritives of the life of the regular American. However, the quality of the songs is remarkable and John brings in a variety of instruments that you rarely hear on a "rock n roll" record. From the opening accordion and dobro guitar riffs of *Paper In Fire*, "Jubilee" is mostly upbeat. Songs like *Down And Out*, *The Real Life*, *Hard Times For An Honest Man* roll along passionatly. Mellencamp brings in a strident working class anthem in *We Are The People* and also a few deep, melancholy stories with *Empty Hands* and *Hotdogs and Hamburgers*. You can almost feel the despair of the characters in the songs when John uses words like "Oh lord, what did I do to deserve these empty hands" or "My daddy's always drunk, my mom's a babysitter, and I don't like the Russians cause I hear they hate me". On the other hand, the carefree *Rooty Toot Toot* breathes a little Mellencampesque comedy into the record. Finally, there's two songs on here that are worth the admission price alone. Listen for the beautifull fiddle work on the nostalgic *Cherry Bomb*. With its catchy accordion hook, building melody, and crafty lyrics, *Check It Out* is probably Mellencamp's finest song! All in all, "The Lonesome Jubilee" is a fantastic recording, where John Mellencamp, Middle American ambassador that he is, is at the top of his game. The eclectic instrumentation, the themes, and the emotions in these songs will blow you away!
Thanks!

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Highway Companion Review

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Tom Petty fans rejoice because he's back with his third solo studio album `Highway Companion.' The album consists of 12 tracks that are perfect for a road trip and live up to the classic guitar rock sound that fans of Petty have loved for years.
`Highway Companion' finds Petty once again teaming with musicians Jeff Lynne (who produced the album and was a member of the Traveling Wilburys band with Petty) and Mike Campbell (longtime guitarist for Petty and the Heartbreakers).
The album features a stripped down studio rock sound closer to the sound that Petty did on 1989's `Full Moon Fever' than the singer's follow-up solo album `Wildflowers' in 1994. All of the songs were once again written by Petty, and the singer/songwriter also played rhythm guitar, drums, harmonica, electric piano, bass, and lead guitar and provided lead and backing vocals on the album's various tracks.
`Highway Companion' (which Petty describes as being about the passing of time) is filled with the type of rock songs that one would expect from Petty, and never strays too far from the formula of song writing that made him a rock icon. It kicks off with the "blues heavy" track "Saving Grace" - with lyrics that set the tone for the whole album.
The song is simply the perfect way to start a rock album, and you will be in love with `Highway Companion' before Petty finishes the track. This is a heavy blues song filled with guitar riffs similar to "Running Down a Dream" or something off a Bo Diddley album. Petty keeps other parts of the album bluesy with tracks like "Jack," "Turn This Car Around," and "This Old Town."
"Flirting with Time" and "Down South" are reminiscent of work done by Petty and the Heartbreakers on albums like `Echo' and `Into the Great Wide Open.' Tracks like "Big Weekend" and "Ankle Deep" seem influenced by Petty's work with the Traveling Wilburys.
Petty then slows things down with tracks like "Square One" and "Damaged by Love" which features the songwriter's unique ability to craft lyrics that seem simple and profound at the same time. If you were not hooked by the end of the first track, "Square One" will win you over.
If you are a fan of Tom Petty's solo work or his work with the Heartbreakers then you will want this album. It is a good blend of all the influences throughout Petty's career, and every song is a hit. Petty packs the album full of guitar driven rock, catchy lyrics, and choruses that have good enough hooks to keep you singing them after one listen.


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Highway Companion, Tom Petty's third solo album and first in a dozen years, is a timeless album about the passing of time. A constant companion on the road of rock n' roll, Petty, says Rolling Stone, is "rock aristocracy".

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Big Daddy Review

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(More customer reviews)This is a GREAT, GREAT ALBUM!!!!!!!!!!!!!!!!!!!!!!!!!! I remember reading a series of interviews John was giving at the time this CD was released and he just seemed so depressed and mad and bitter and . . . well, defiant, that I couldn't wait to hear this music. There's nothing new about an artist reaching new heights in his artistic career while sinking to new lows in his personal life. With Big Daddy, Mellencamp created an album that was at once deeply personal yet able to touch a wide audience. Unsure of his place in the world, unhappy with his life and tired of what he saw as an endless cycle of work, tours, singles, albums, interviews, marriages, divorces, tours, singles, albums, marriages . . .丂Mellencamp spilled his guts. Much like Springsteen's Nebraska, Mellencamp turned up the intensity by turning down the amps. Although he didn't go quite as a stark as Bruce, he did create a stunning series of low key, half songs, simple arrangements and mood pieces that were still hummable and certainly unforgetable.丂While songs like Martha Say, Theo and Weird Harry, and Big Daddy of Them All, are populated by people we all know . . . Pop Singer is sung from the point of view of a man who is trying to make an impact on the world, but fearing that in the end all he is really doing is filling the airwaves and jukeboxes with the latest top forty smash. With words like "Never wanted to be no Pop Singer, never wanted to write no Pop Song" Mellencamp was inviting snide remarks. The fact that he chose to release this song as a single shows that the irony of it all isn't lost on this not so simple man. Although at times the world on this album can appear bleak, it never falls to self-pity or overblown sentiments. The playing is excellent throughout, John's voice milking emotion from each heartfelt lyric and the sudden blast of an electric guitar or whipcrack from the snare jars the listener from ever relaxing into a nice comfy groove. Some people have said that John's gift for melody let him down on this album, but those people just aren't listening. This album is filled with hooks and catchy-riffs, in fact, Jackie Brown may be the loveliest song this man has ever written. I don't know how Mellencamp feels about this album these days, I know he has taken back a few of the comments he blurted out during those interviews from this time, but for my money, this is strongest, strangest, most powerful work. The fact that it ends with the rave-up Let It Out suggest that better days laid ahead. That this was a bad mood that would soon pass. Thanks for sharing it with us. He has certainly made fantastic albums since Big Daddy, and he is not an artist who will ever settle down, (even after a heartattack) but if you ever want to hear John Mellencamp unhinged, (and slightly unplugged) buy this. It's like a ray of light on the darkest of nights.

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Track Listings 1. Big Daddy of Them All 2. To Live 3. Martha Say 4. Theo and Weird Henry 5. Jackie Brown 6. Pop Singer 7. Void in My Heart 8. Mansions in Heaven 9. Sometimes a Great Notion 10. Country Gentleman 11. J.M.'s Question 12. Let It Out (Let It All Hang Out)

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Rust Never Sleeps Review

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(More customer reviews)Neil Young's Rust Never Sleeps is an archetypal rock album that is simply essential. Split into acoustic and electric sections with the excellent classic songs My My, Hey Hey (Into The Blue) and Hey Hey, My My (Into The Black) serving as bookends, it incorporates all of the elements that make Neil Young great into a single, immediate, excellent album. It has been noted that this excellent effort - with its electric/acoustic format - was based upon the groundwork laid down by Bob Dylan on Bringing It All Back Home; and this is true, though the acoustic and electric sides are swapped here. Starting off the album with its absolutely memorable acoustic riff, My My, Hey Hey is a nearly perfect song that has become a Neil Young anthem. The next song is Thrasher, which is one of Neil's best songs in my opinion, and quite underrated - a very personal song about his artistic integrity, this album features one of his most beautiful vocals, and some of his best lyrics. Other acoustic winners include Pocahontas, another perennial Young classic, with its wild lyrics and imagery. Sail Away is a similary beautiful folk song. Things start to heat up with the excellent Powderfinger, a truly astonishing song packing quite a lyrical punch. It's quite an unspoken and political statement such as Neil has not often made since - as are the next two song: Welfare Mothers (with its obvious title), and Sedan Delivery (a song about the drug trade.) All three are excellent. The album closes out with a reprise of the first song, this time in electric form. A slightly lyrically-altered cousin to its acoustic guise, this raw and in-your-face version lacks the polish and precision of the acoustic version, but has a charm all its own. It closes out with one of the electric hard rock jams that make Neil's live shows so great. This is a great album - one of Neil's finest - as it enscapulates all that is great about him - gentle, rolling acoustic songs, imaginative lyrics and stern lyrical statements, hard rocking proto-punk/grunge rockers - and puts them all onto this one great canvas. Musically, it's great; and, lyrically, this is where Neil really started to blossom as one of the finest and most unique voices in rock. Simply put, an essential album all around.

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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: YOUNG,NEIL & CRAZY HORSETitle: RUST NEVER SLEEPSStreet Release Date: 01/01/1987

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