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(More customer reviews)After a 17 year recoding hiatus, Bromberg is back with this enjoyable set of mostly blues and folk standards. Imagine David Bromberg sitting in your living room singing and picking his Martin M-42 Signature Edition guitar. This album is great fun for Bromberg fans, with the liner notes as entertaining as the music. Ultimately, David does not "make these songs his own" in the way that he has done previously with other blues standards (e.g., "Statesboro Blues," "Dehlia"), but the album as a whole is quite enjoyable. David fingerpicks most of these tunes, breaking out the slide for two of the album's highlights, the title track and Blind Willie McTell's "Love Changing Blues." He also does a nice job with a somber and reflective reading of Elizabeth Cotten's "Shake Sugaree." Notice how the album cover is modeled after David's first solo album? Maybe this release will renew interest in the first album, and maybe someone will put that one back in print. If you're a Bromberg fan, I recommend this album without hesitation. If you're new to Bromberg, check out Midnight on the Water first.
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Three long-awaited words: David Bromberg's back! Roots music fans will rejoice in the release of "Try Me One More Time," thefirst new CD in 17 years byguitarist/vocalist David Bromberg, a master practitioner of folk, blues,bluegrass and other musical genres. This new recording is undiluted David:one man, one acoustic guitar, and a repertoire of mostly traditionalmaterial performed with the intimate, assured touch of a musician who hasnothing to prove.Originally a "must-have" session man for everyone from Bob Dylan to Dionand subsequently a hard-touring bandleader and recording artist with anenthusiastic following, Bromberg gradually phased himself out of thecontinual record-tour-record cycle starting in 1980. "I got burned out," hereflects. "And I didn't want to be one of those musicians who ends up`phoning it in.' Music was too important to me to treat it that way."So he switched his focus from performing to studying, moving to Chicago in1980 to learn violin-making. Based in the Windy City until 2002, when hemoved to Delaware to open a violin shop, Bromberg has continued to tourperiodically, but has mostly stayed away from recording studios, with1990's "Sideman Serenade" his last album until now. On "Try Me One More Time," Bromberg harkens back to the acoustic folk andblues music of his early days on the mid-'60s Greenwich Village folk scene,a period when he guided the blind gospel-blues singer Reverend Gary Davisto concerts and churches in exchange for guitar lessons. Bromberg performstwo of "the Rev's" compositions on his new CD - "I Belong to the Band" and"Trying to Get Home" - as well as songs written by Robert Johnson,Elizabeth Cotton, Tommy Johnson, Blind Willie McTell, sometime Brombergemployer Bob Dylan ("It Takes a Lot to Laugh . . ."), and songs from thetraditional realm, including two exquisitely rendered instrumentals ("BuckDancer's Choice," "Hey Bub"). The title track is Bromberg's first recordingof a song he wrote more than 30 years ago. In liner notes as conversational as his distinctive, low-key vocals,Bromberg maintains that this CD is the first record he's made where he"wasn't trying to impress anybody . . . I'm just doing the tunes."Nonetheless, the outcome can't fail to delight listeners who appreciate anunderstated virtuoso playing and singing the music he loves.
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