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(More customer reviews)Roberta Gambarini once quoted..."I am concentrating to a standard repertoire because people relate to it more in America, more original material will come later on."...As a teenager, when her peers were listening to American and Italian pop, she was checking out her dad's jazz record collection. She got hooked on the music and has developed a captivating, confident voice as she has matured into a serious artist..."The most important thing for me now, even more than style, is to establish a connection with the audience."...Roberta now puts her own spin on jazz chestnuts, works from the "Great American Songbook", and waits for the recording industry to notice how well she does it with her singular approach...Roberta Gambarini has an instrumental approach and possesses a warm timbre, impeccable timing and intonation, incredible technique and scatting and improvisation skills.
Born in Torino, Italy from a family where jazz was much loved and appreciated, she began listening to this music as a child...started performing while still in her teens, touring jazz clubs in northern Italy...Since 1985 she has played the most important festivals and venues in her country as well as many of the renowned international jazz festivals...Gambarini's been recording since 1986 both under her name and as a featured singer with most Italian musicians. In 1998 she moved to the United States with a scholarship from the New England Conservatory in Boston. In the same year she won third price at the International Thelonious Monk Jazz Competition.
Appearing with Roberta on this album as backup Chuck Berghofer (Bass), John Clayton (Bass), Gerald Clayton (Piano), Joe La Barbera (Drums), Willie Jones III (Drums), James Moody Sextet (Tenor Saxophone, Vocals), Tamir Hendelman (Piano)...with outstanding arrangements by Dizzy Gillespie, Billy Strayhorn, Roberta Gambarini, Tamir Hendelman...Gambarini is now performing under her own name...just stand back and take in her warm and dusky timbre, with which she can scat well-known solos remarkably subtly.
As Michael Brecker stated "Finally a singer whom musicians have long known is one of the greats, Roberta's recording debut is breathtaking"...a quote from Kevin Lowenthal of the Boston Globe "Gambarini is a true successor to Ella Fitzgerald, Sarah Vaughan and Carmen McRae"...take a listen and see if you don't agree --- outstanding vocals and jazz arrangements on her latest release from Koch is "Easy To Love", and my friend this album is just that!
Total Time: 77 mins ~ Now Forward Inc 1122 ~ (6/06/2006)
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Although she was born and bred in Italy, Gambarini brings a distinctly American jazz flavor to Easy to Love. On the title track, her multi-octave range can be seen as an indication of the "cool school" but when she starts swinging she’s anything but cool! Her scats and melodies breathe beautifully and her melodic lines have a lighter, airier quality that finds her swinging but in a softer, more relaxed manner. Billie Holiday’s anthem "Lover Man" has been claimed as part of the cool jazz movement and Gambarini certainly offers an outstanding variation of this sublime ballad. Even Gershwin would have enjoyed her passionate reworking of "Porgy, I’s Your Woman Now/I Loves You Porgy." Gambarini is equally successful at presenting this Great American Songbook standard as a medley of sentimentality with a range of penetrating cries and whispers implicated in her voice. From ballads to bop, Roberta proves she’s no stranger to the art of swing or the bop idiom. Once into "On The Sunny Side of The Street" she teases with playful scats and daring vocalese that would renew anyone’s vocal jazz ambitions. "Lover Come Back To Me" adopts a different tonal palette as she launches into a swinging set complete with searing scats that clearly show her respect for Ella Fitzgerald. Joined by the inimitable James Moody on tenor sax and vocals on "Lover Man" and "Centerpiece," the saxophonist adds his instinct for melodic development and own brand of scatting.Adding further to Gambarini’s style is a mellifluous but dynamic ensemble that includes Chuck Berghofer and John Clayton on bass, Tamir Handelman and Gerald Clayton on piano, Willie Jones III and Joe La Barbera on drums.
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