Day Trip Review

Day Trip
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The late jazz writer Richard Cook described Pat Metheny's enormous audience as a mixture of "progressive-rock listeners, fusion fans, and plain old lovers of guitar heroes". In other words, he manages to cover quite a few stylistic bases, but here's an album that will appeal most to the hard-core jazz listeners among Metheny's many fans.
'Metheny hooks up with his regular partners, Christian McBride on double bass and Antonio Sanchez on drums. As you'd expect for musicians who have played hundreds of dates together they're very comfortable in each other's company, with McBride's marvellously deep, rich bass really shining throughout'(BBC).
'In its early stages, "Day Trip" seems to fall into some familiar postbop traps (too much technique, overwrought themes) but it soon settles into some jubilant improvising from all three, on the kind of bluesy grooves, Latin swingers and inviting ballads that suggest Wes Montgomery has returned to life and found the hippest 21st-century world-music partners he could' (Guardian).
He dazzles on 10 new originals.
"Let's Move" is fast and boppish, "At Last You're Here" is a fine ballad, bound to become a classic - as might his bluesy "Calvin's Keys" and a bittersweet acoustic lament for flood-battered New Orleans, "Is This America?"
For technique, taste and originality, Pat's still the man.
He is alternately pastorally lyrical and hard-swinging, reminding us of his origins in the music of Wes Montgomery and Jim Hall respectively.
Apart from the unmemorable nature of some of the compositions, this is delightful stuff.
The Incredible Jazz Guitar of Wes Montgomery
Hallmarks: The Best of Jim Hall


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Amazon.com Our job is to be deeply in the moment, says Pat Metheny. Day Trip, the first release from Metheny's current trio lineup, featuring bassist Christian McBride and drummer Antonio Sanchez, vividly depicts the group at one particularly inspired moment. As Metheny explains, We did it the old-school way. We'd been touring for about four or five years at different times and then went in and recorded, rather than making a record and touring behind it. We worked like gangbusters and finished in a day, so the title Day Trip fit. Besides, this is kind of a trip band; they take you on a journey. The Day Trip sessions were recorded at Manhattan’s Right Track studio in late October 2005 and sequenced into a ten-song set earlier this year. The album is being released in conjunction with a national tour the trio will embark upon in February 2008. Metheny already reconvened the group this fall for an enthusiastically received series of small market dates at colleges and theatres; the trio ended its preliminary run with four concerts in South Africa. Reviews from the daily U.S. press along the way have been a compendium of superlatives. The Buffalo News declared, Metheny is sharing his musical soul with the two finest musicians of their generation. The Times Union of Albany concurred: Christian McBride on stand-up bass and drummer Antonio Sanchez wove their way into Metheny’s music... and played with a telepathic virtuosity. And the Louisville Courier Journal summed up the nightly reaction to the trio’s sets: It was a collaborative tour de force that earned a standing ovation. Christian is an amazing musician and Antonio is the drummer of this generation, says Metheny. 35 year-old bassist McBride had played alongside Roy Hargrove, Freddie Hubbard and others, before stepping up to lead his own group; 36 year-old drummer Sanchez is a member of The Pat Metheny Group. On Day Trip, Metheny offers plenty of excitement in his solos and the trio cranks up the funk on "The Red One", (a version of which was previously released on Metheny’s collaboration with John Scofield "I Can See Your House From Here"). However they generally eschew flash for a more easy-going groove; McBride calls it a softer, more traditional sound. Perhaps most eloquent among these tracks is the elegiac, folk-like melody of "Is This America?" (Katrina 2005). 2007 was an exceptional year for Metheny.
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