It's Not Big It's Large Review

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(More customer reviews)Closer in sound to "Lyle Lovett and His Large Band" and "Joshua Judges Ruth" than the last couple of albums, Lovett is clearly in his comfort zone when it comes to mixing so many diverse styles from big band, elements of jazz, country and acoustic folkie ruminations on life, love and death. "It's Not Big It's Large" continues on in the vein of those other albums and is a terrific recordings with top notch songs.
Fans may want to be aware that there is also a deluxe edition with a DVD. This features performances of the songs woven into a documentary about the making of the album. If you're a huge Lovett fan you may want to pick this up vs. the regular CD version.
Opening with the a cover of Lester Young's "Tickle Toe" and moving quickly into the gospel tinged "I Will Rise Up/Ain't No More Cane" (the latter part of the medley is reprised at the end along with an acoustic performance of "Up in Indiana", just about every song from the jazzy sounding "No Big Deal" to "Don't Cry a Tear" opening with the moody sounds of steel and acoustic guitar can hold their own with his best material.
The witty "It's All Downhill" name checks his compatriots Joe Ely, John Hiatt and Guy Clark (they toured as part of a singer/songwriter package together). The name check is more than tip of the hat to these other soulful singer/songwriters as he also thanks them in the credits. There's no doubt that Lovett's peers gave him feedback on the songs he composed for this album. Clark himself makes a guest appearence on "South Texas Girl" one of the songs with the strongest country flavor.
While this album doesn't break any new ground in terms of the sound or style (clearly Lovett has found his niche sound and it works well for him), it's ultimately the quality of the songs themselves that sells "It's Not Big It's Large". Packaged in a digipak holder with a booklet featuring lyrics, this is a strong album from Lovett.
-Wayne Klein

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While music should be and is open for interpretation by the listener, Lovett's new album, IT'S NOT BIG IT'S LARGE, suggests notions of mortality, loss and the fluidity of time.In many of the songs, the past intrudes on the present and the narrator finds strength to deal with the travails of today by putting them into historical perspective.That sounds like heavy-going, but its Lovett's gift to make the deep thoughts slide down like honey.

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