Taking the Long Way Review

Taking the Long Way
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Three years after the controversy surrounding the Home tour, the Dixie Chicks are back with a bang on their latest studio album, Taking the Long Way. Receiving some songwriting and musical help from friends like Neil Finn, John Mayer, Sheryl Crow, Chad Smith, Don Wilson, and Pete Yorn, the Chicks' Natalie Maines, Martie Maguire, and Emily Robison deliver an incredible, mature record destined for success, one that will greatly please long time fans and win over some new converts. This is the Dixie Chicks at their best, and it's been a long time coming.
The Long Way Around kicks off the album with a beautiful melody and chorus, with some of their strongest vocal harmonies ever set against a wonderful Tom Petty-like guitar sound. This is the way albums should begin. Easy Silence is a tender piano ballad with some beautiful violin and a great vocal by Natalie. Not Easy To Make Nice delves into some tough lyrics,"they say time heals everything..but I'm still waiting" but surrounds it in some unbelievably gentle strings and a great chorus. Everybody Knows and Bitter End are more traditional country ballads, while Lullaby is a 6-minute track that pays homage to its title. Lubbock or Leave It is a banjo-driven rockabilly track that will make you move on the dance floor, even as the cleverly sarcastic lyrics make you listen a few more times.
Silent House and Favorite Year are ballads that touch on the loss of family and friends. Voice Inside My Head combines acoustic and a wonderful slide guitar with a endearing chorus, "everytime I'm feeling down, I wonder what would it be like with you around." This Cali-beach sound continues on the slinky track I Like It, before slowing down on the bluesy ballad Baby Hold On (with John Mayer on lead guitar) and So Hard (a song which grows on you with every listen). The album closes with the uplifting and soulful I Hope, with its church organ and choral sound. A great way to end this amazing album.
Producer Rob Rubin concentrates the Dixie Chicks sound, drawing out the best of their songwriting and musical ability and making the tracks tighter and more focused. Its 14 tracks clock in at a lengthy 68 minutes, averaging about 4 minutes a song, a nice change in an industry where 45 minute records are the norm. Vocally the ladies are as wonderful as always, but their musicianship also impresses here. They have matured greatly in their songwriting and their lyrics, creating a distinct emotional palette that grows with every listen. Love or hate their politics, as musicians they make some of the best music today. Highly Recommended and one of 2006's Top 5 albums.
A.G. Corwin
St.Louis, MO


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With Taking The Long Way, one of the most anticipated albums in recent years, the Dixie Chicks are putting themselves out there like never before. For the first time, every one of the disc's fourteen songs are co-written by the Chicks themselves, exploring themes both deeply private and resoundingly political. Collaborating with legendary producer Rick Rubin (who has worked with everyone from Johnny Cash to the Red Hot Chili Peppers, from Run DMC to Neil Diamond), the biggest-selling female band in history has truly pushed themselves to new heights both as writers and as performers.
"Everything felt more personal this time," says Maines. "I go back to songs we've done in the past and there's just more maturity, depth, intelligence on these. They just feel more grown-up." Inspired by such classic rock artists as the Eagles, Tom Petty and the Heartbreakers, and the Mamas and the Papas, Taking The Long Way adds a sweeping, Southern California vibe to the Chicks' down-home intimacy. That ambition is matched with lyrics addressing everything from small-town narrow-mindedness ("Lubbock or Leave It") to the psychology of celebrity ("Everybody Knows"). "This album was about finding a balance in the different aspects of our lives," says Emily Robison, "but there's something thematic there, too--it's really about being bold."
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