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(More customer reviews)What is it with the negative mentality from fans when a lead singer goes solo? I am glad I grew up during a different era when it was just fine for a lead singer to go solo with fans. For example, Peter Gabriel, Phil Collins, David Lee Roth, Peter Cetera, Jon Anderson, etc., etc. Nowadays it seems there's this negative element involved for no really good reason.
Brandon Flowers of The Killers releases his first solo album and it's, "This isn't what I expected" or "This is another Killers album" or "The fans who give this positive reviews are deluded", etc., etc. The fact of the matter is The Killers are popular right now, "Flamingo" entered the Billboard Top 200 Albums Chart in the top ten, the first single "Crossfire" has done well on the charts.
Also, Flowers brings in the heavy artillery with three great producers: Stuart Price (New Order, Madonna, Scissor Sisters, Pet Shop Boys, Gwen Stefani, Seal and Keane), Daniel Lanois (U2, Peter Gabriel and Robbie Robertson) and Brendan O'Brien (Stone Temple Pilots, Pearl Jam, Rage Against The Machine, Korn, The Offspring, Train, Bruce Springsteen, Incubus, The Music, The Wallflowers, Audioslave, The Bravery, Velvet Revolver and AC/DC). This has ensured a quality product. Plus a duet with Riley Kilo's lead singer Jenny Lewis on "Hard Enough".
I listened to all three Killers albums in sequential order prior to listening to "Flamingo", and I have to say I liked "Flamingo" slightly more than The Killers albums. This is the first album where I felt there was a musical unity throughout. I did not feel, upon repeated listening, that there were any weak tracks here. Some are better than others, but overall the album sounded good, not great. Flowers (and The Killers) still have the potential to develop into a classic rock band, but they have yet to hit their stride.
Growing up in the 1980's, this album reminded me of many other artists/bands from that era with a modern polish, and The Killers are, after all, a retro band, a post-new wave revival band. Flowers' influences are also from that era, and they are evident here.
"Welcome To Fabulous Las Vegas" is a great, grand, sweeping opener. "Only The Young", the album's second single, is a beautifully sung, electronic ballad. "Hard Enough" has a country tinge with a carefully placed hook in the chorus. "Jilted Lovers & Broken Hearts" is the most Killers sounding track and one of the fastest paced tracks here. "Playing With Fire" might be the weakest track here, but it redeems itself in its melody line during the second half of the song. "Was It Something I Said?" has a good melody. "Magdalena" is pure vocal hook magic. "Crossfire" is likewise catchy and melodic. "On The Floor" and "Swallow It" finish off the original 10 track album with more hooks. The four bonus tracks are equally as good with "The Clock Was Tickin'" and "Jacksonville" being very catchy.
Overall, "Flamingo" deserves four stars for its great production and hooks galore. Anyone can quibble over the lyrical content here, and many have complained about the religious content, but I inspected the lyrics online and did not feel Flowers was being overly preachy. I mean give me a break here. There are so many other artists that are absolutely preachy in their convictions, and who cares? That's what's great about popular music--passion, conviction, opinions, points of view, attitudes. People are so easily perturbed by the smallest things.
Here's how "Flamingo" compares to The Killers:
2004 Hot Fuss: Four Stars
2006 Sam's Town: Three and a Half Stars
2008 Day & Age: Three and a Half Stars
2010 Flamingo: Four Stars (from a biased, non-zealous fan)
Click Here to see more reviews about: Flamingo
Inextricably tied to Vegas in both showmanship and ideology, Flamingo is a bombastic 10-track collection of stadium-ready songs that runs the gamut from expert pop executions and forlorn electro dirges to gospel tunes and even blues-tinged rock (read: pedal steel, and plenty of it).

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