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(More customer reviews)This Anthology represents the Beatles beginning their experimental phase!
Like Anthology 1, this CD begins with a John Lennon solo song performed by John with additional music provided by Paul, George, and Ringo. Probably because this is a more complete song, the concept works a little better than on "Free as a Bird".
Beyond that, you get a grabbag of demos, alternative takes, and live tracks from 1965 to early 1968. "Yes It Is" begins the set. Interesting is some of the studio banter like in "I'm Down" (with Paul saying in a pseudo-American accent: "Let's hope this one turns out pretty darn good... Plastic soul, man!") and "You've Got to Hide Your Love Away" (glass shatters and John mumbles: "Paul's broken a glass broke a glass Paul broke."). There are also never before released songs like "If You've Got Trouble", "That Means a Lot", and "12 Bar Original" (a fun jam in the mold of "Green Onions").
Live performances include television performances of "Yesterday" (with George introducing Paul) and "Help!", "Everybody's Got to Be My Baby" (from the legendary Shea Stadium concert) and "Rock & Roll Music" and "She's a Woman" (from their final 1966 tour). You can hear the Beatles slowly go through the motions in the end on stage as their studio recordings became more complex...
There are only a few outtakes from Rubber Soul, including the heavily sitar drenched "Norwegian Wood" and "...Looking Through You" in its early stage (with a hand clapping intro). The Revolver selections are more generous, with "Tomorrow Never Knows" (which even without all the tape effects sounds bizarre!), "Taxman" with the line "Anybody gotta bitta money" in place of "Uh uh Mr. Wilson... uh uh Mr. Heath", and a mellower slowed down take of "Got to Get You Into...". There are instrumental takes of "Eleanor Rigby" and "...Only Sleeping" (with a vibraphone). It's fun to hear Paul and John giggling while attempting to sing harmonies on "And Your Bird Can Sing"!
CD2 begins with an early demo of "Strawberry Fields", followed by an unused take, then the take which would begin the master we all know (played in its entirety) with Ringo's drum part at the end. "Penny Lane" features an oboe instead of a piccolo trumpet after the 2nd verse and features the closing horn riff which was previously only available on radio promo copies! "A Day In the Life" features John mumbling "sugar plumb fairy" and begins as a simple folk song up to its buildup (you can hear Mal Evans counting down the seconds until the alarm clock), then Paul goofs on the vocals and cusses, and it all concludes with the orchestral buildup. "Good Morning" sounds more rocking than the original. The instrumental take of "Within You Without You" sounds more ethereal than with George's vocals. You also get the complete stereo version of "You Know My Name...". The Magical Mystery Tour outtakes are interesting with Ringo playing a march beat on "Your Mother Should Know". "I Am the Walrus" and "Hello Goodbye" sound different without orchestration. The set concludes with "Lady Madonna" and one of the best takes of "Across the Universe".
Also recommended is the hard-to-find "Real Love" CD single with outtakes of "Yellow Submarine" (featuring a spoken intro by Ringo), "Here, There and Everywhere" and "Baby's In Black" (from a 1965 Hollywood Bowl performance).
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3 LP set. The most anticipated of the Anthology series, this disc covers what was arguably the Fab Four's most intensely creative period ('65-'67) when they single-handedly changed the course of popular music. Anthology 2 doesn't disappoint. Outtakes and demos show the building of songs like "Strawberry Fields Forever" and "Being for the Benefit of Mr. Kite," while the pure pop song writing of Rubber Soul and Help! is also documented, along with the sonic experimentation that characterized Revolver. Even if the legendary proto-metal jam of "What's the New Mary Jane" didn't see the light of day here, there is plenty for any Beatles fan. EMI. 2005.--This text refers to an out of print or unavailable edition of this title.
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